Paramount Vol 2 800 Songs, 1.6 Days, 5.46 GB

Total Page:16

File Type:pdf, Size:1020Kb

Paramount Vol 2 800 Songs, 1.6 Days, 5.46 GB Page 1 of 23 Paramount Vol 2 800 songs, 1.6 days, 5.46 GB Name Time Album Artist 1 Abraham Offers His Son Isaac 3:09 The Rise & Fall of Paramount Re… Rev. C. H. Welsh and Congregation 2 Adam And Eve In The Garden 2:39 The Rise & Fall of Paramount Re… Bogus Ben Covington 3 Ain't Goin' To Do Like I Used To Do 2:53 The Rise & Fall of Paramount Re… The Beale Street Sheiks 4 Ain't Gonna Lay My 'Ligion Down 2:52 The Rise & Fall of Paramount Re… Frank Palmes 5 Ain't Gonna Stand For That 3:08 The Rise & Fall of Paramount Re… Charlie Spand 6 Alabama Jubilee 3:06 The Rise & Fall of Paramount Re… McClung Brothers and Cleve Cha… 7 The Alabama Scratch - Part I 2:46 The Rise & Fall of Paramount Re… Harum Scarums 8 The Alabama Scratch - Part II 2:46 The Rise & Fall of Paramount Re… Harum Scarums 9 Alabama Square Dance - Part 1 2:54 The Rise & Fall of Paramount Re… Chumbler, Coker and Rice 10 Alabama Square Dance - Part 2 2:45 The Rise & Fall of Paramount Re… Chumbler, Coker and Rice 11 Alcohol And Jake Blues 3:23 The Rise & Fall of Paramount Re… Tommy Johnson 12 All Night Long Blues 3:10 The Rise & Fall of Paramount Re… Louise Johnson 13 All Night Long Blues 3:01 The Rise & Fall of Paramount Re… Louise Johnson 14 The Alley Crap Game 3:01 The Rise & Fall of Paramount Re… Foster and Harris (Ma Rainey's B… 15 Amber Tresses Tied in Blue 2:31 The Rise & Fall of Paramount Re… W. C. Childers 16 Anuiont Et Bleue 3:02 The Rise & Fall of Paramount Re… Roy Gonzales 17 Are You Washed In The Blood 3:10 The Rise & Fall of Paramount Re… Welling and McGhee 18 As I Live Let Me Live In Love 3:12 The Rise & Fall of Paramount Re… Biddleville Quintette 19 Atlanta Rag 3:07 The Rise & Fall of Paramount Re… Charley Davenport 20 An Awful Responsibility 2:56 The Rise & Fall of Paramount Re… Rev. B. L. Wightman 21 Babylon Is Fallen Down 3:01 The Rise & Fall of Paramount Re… Leader Cleveland and Men's Bibl… 22 Back Gnawing Blues 3:01 The Rise & Fall of Paramount Re… Ramblin' Thomas 23 Back To Memphis Tenn-O-See 2:59 The Rise & Fall of Paramount Re… Red Mike Bailey 24 Back To The Woods Blues 3:21 The Rise & Fall of Paramount Re… Charlie Spand 25 Ballin' The Jack 2:49 The Rise & Fall of Paramount Re… The Too Bad Boys 26 Banjo Sam 3:06 The Rise & Fall of Paramount Re… Wilmer Watts and The Lonely Ea… 27 Banty Rooster Blues 3:03 The Rise & Fall of Paramount Re… Charley Patton 28 Barbershop Rag 2:56 The Rise & Fall of Paramount Re… Bill Moore 29 Be Ready When He Comes 2:55 The Rise & Fall of Paramount Re… Skip James 30 Beat You Doing It 3:09 The Rise & Fall of Paramount Re… Clifford Gibson 31 Beedle Um Bum 2:48 The Rise & Fall of Paramount Re… The Hokum Boys 32 Been Listening All The Day 2:33 The Rise & Fall of Paramount Re… Blind Joe Taggart Paramount Vol 2 Page 2 of 23 Name Time Album Artist 33 Been On The Job Too Long 3:11 The Rise & Fall of Paramount Re… Wilmer Watts and The Lonely Ea… 34 Better Cut That Out 2:41 The Rise & Fall of Paramount Re… The Hokum Boys 35 Big Bed Bug 2:36 The Rise & Fall of Paramount Re… Tommy Settlers and His Blues Mo… 36 Big Bill Blues 2:58 The Rise & Fall of Paramount Re… Big Bill and Thomps 37 Big Fat Mama Blues 2:53 The Rise & Fall of Paramount Re… Charlie Spand 38 Big Feeling Blues 2:47 The Rise & Fall of Paramount Re… Ma Rainey and Papa Charlie Jac… 39 Bile Them Cabbage Down 2:52 The Rise & Fall of Paramount Re… Dixie Crackers 40 Billy Goat Blues 3:27 The Rise & Fall of Paramount Re… John Byrd 41 Bird Nest Bound 3:11 The Rise & Fall of Paramount Re… Charley Patton 42 Black And Evil Blues 3:22 The Rise & Fall of Paramount Re… Alice Moore 43 Black and Tan Fantasy 3:34 The Rise & Fall of Paramount Re… Mandel Terry and Orchestra 44 Black Cat Hoot Owl Blues 2:30 The Rise & Fall of Paramount Re… Ma Rainey 45 Black Eye Blues 3:19 The Rise & Fall of Paramount Re… Ma Rainey 46 Black Gal Makes Thunder 2:50 The Rise & Fall of Paramount Re… Rudy Foster 47 Black Mare Blues 3:30 The Rise & Fall of Paramount Re… Tommy Johnson and New Orlean… 48 Black Mare Blues 3:17 The Rise & Fall of Paramount Re… Tommy Johnson and New Orlean… 49 Bless You Sister 3:09 The Rise & Fall of Paramount Re… Clarence Black and His Savoy Trio 50 Blind Arthur's Breakdown 3:00 The Rise & Fall of Paramount Re… Blind Arthur 51 Blind Boy Blues 2:56 The Rise & Fall of Paramount Re… Henry Brown and Ike Rodgers 52 Blind Lemon's Penitentiary Blues 2:46 The Rise & Fall of Paramount Re… Blind Lemon Jefferson 53 Block And Tackle Blues 2:32 The Rise & Fall of Paramount Re… Williams & Moore 54 The Bloodstained Dress 2:52 The Rise & Fall of Paramount Re… Emry Arthur and Della Hatfield 55 Blue World Blues 3:08 The Rise & Fall of Paramount Re… Lottie Kimbrough and Winston Ho… 56 The Bluefield Murder 2:32 The Rise & Fall of Paramount Re… Emry Arthur and Della Hatfield 57 Blues The World Forgot - Part I 3:12 The Rise & Fall of Paramount Re… "Ma" Rainey and Her Georgia Band 58 Blues The World Forgot - Part II 3:04 The Rise & Fall of Paramount Re… "Ma" Rainey and Her Georgia Band 59 Blushing Bride 2:29 The Rise & Fall of Paramount Re… Golden Melody Boys (Demps & P… 60 Bogaloosa Woman 3:05 The Rise & Fall of Paramount Re… Tommy Johnson 61 Bonnie Bess 2:56 The Rise & Fall of Paramount Re… Wilmer Watts and The Lonely Ea… 62 Boodle De Bum Bum 3:26 The Rise & Fall of Paramount Re… Ben Curry 63 Born Again 3:10 The Rise & Fall of Paramount Re… Rev. Frank Cotton 64 Borrowed Love 2:37 The Rise & Fall of Paramount Re… Irene Scruggs 65 Bound To Be A Monkey 2:57 The Rise & Fall of Paramount Re… James (Stump) Johnson and His… 66 Bow To Your Papa 2:54 The Rise & Fall of Paramount Re… Blythe and Clark 67 The Boy In The Boat 2:39 The Rise & Fall of Paramount Re… George Hannah Paramount Vol 2 Page 3 of 23 Name Time Album Artist 68 The Brave Engineer 3:15 The Rise & Fall of Paramount Re… Carver Boys 69 Brother Jonah 2:56 The Rise & Fall of Paramount Re… Famous Blue Jay Singers of Birmi… 70 Brown Mule Slide 3:06 The Rise & Fall of Paramount Re… Davis-Rice-Thomas 71 Bucket Of Blood 2:55 The Rise & Fall of Paramount Re… Will Ezell 72 Burial Of Wild Bill 3:04 The Rise & Fall of Paramount Re… Oscar Jenkins' Mountaineers 73 Bust Up Blues 2:53 The Rise & Fall of Paramount Re… Ishman Bracey and New Orleans… 74 Busted Bank Blues 2:53 The Rise & Fall of Paramount Re… Frank Welling 75 Busted Key Blues 2:23 The Rise & Fall of Paramount Re… Peggy Waller and George Ramsey 76 Bustin' The Jug 3:03 The Rise & Fall of Paramount Re… Blind Roosevelt Graves and Bro. 77 By The Moon And Stars 2:51 The Rise & Fall of Paramount Re… Louise Johnson 78 By the Pool of Siloam 3:06 The Rise & Fall of Paramount Re… Rev. Frank Cotton 79 By the Waters Of Minnetonka 3:34 The Rise & Fall of Paramount Re… McElroy Entertainers 80 Bye Bye Blues 3:32 The Rise & Fall of Paramount Re… Cardinal Guitar Trio 81 C. & O. Whistle 3:05 The Rise & Fall of Paramount Re… Fruit Jar Guzzlers (Stevens and B… 82 C. C. Pill Blues 2:29 The Rise & Fall of Paramount Re… Blind Blake 83 The Cabin With The Roses 3:05 The Rise & Fall of Paramount Re… Virginia Dandies 84 Cacklin' Hen 3:00 The Rise & Fall of Paramount Re… Stone and Butler 85 Can I Get Some Of That 2:47 The Rise & Fall of Paramount Re… Coot Grant and Socks Wilson 86 Careless Love 2:59 The Rise & Fall of Paramount Re… Slim Barton & Eddie Mapp 87 Cause I Feel Low Down 2:37 The Rise & Fall of Paramount Re… Clarence Black and His Savoy Trio 88 Ce Pas La Pienne Tu Pleur 2:57 The Rise & Fall of Paramount Re… Soileau and Robin 89 Chain 'Em Down 2:59 The Rise & Fall of Paramount Re… Blind Leroy Garnett 90 Chain Gang Bound 3:35 The Rise & Fall of Paramount Re… Bumble Bee Slim 91 Champagne Charlie Is My Name 2:28 The Rise & Fall of Paramount Re… Blind Blake 92 Cherry Ball Blues 2:50 The Rise & Fall of Paramount Re… Skip James 93 Chicago Women Blues 2:54 The Rise & Fall of Paramount Re… Barrel House Welch 94 Chicken Wilson Blues 3:07 The Rise & Fall of Paramount Re… Chicken Wilson and Skeeter Hinton 95 Children Wade In The Water 2:25 The Rise & Fall of Paramount Re… Famous Blue Jay Singers of Birmi… 96 Chili Blues 2:24 The Rise & Fall of Paramount Re… Castle Farms Serenaders 97 Chimes Blues 3:14 The Rise & Fall of Paramount Re… George Hamilton 98 China Boy 2:22 The Rise & Fall of Paramount Re… Charles Pierce and His Orchestra 99 Chinese Breakdown 2:53 The Rise & Fall of Paramount Re… Hoke Rice and His Capitol String… 100 Choctaw Beer Blues 2:55 The Rise & Fall of Paramount Re… Roy Gonzales 101 Christ Is Coming Again 3:04 The Rise & Fall of Paramount Re… Moses Mason 102 Christmas - What Does It Mean T… 2:48 The Rise & Fall of Paramount Re… Rev.
Recommended publications
  • Eric Clapton
    ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album.
    [Show full text]
  • Cream Cream Mp3, Flac, Wma
    Cream Cream mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Cream Country: Europe Released: 2014 Style: Blues Rock, Psychedelic Rock, Hard Rock MP3 version RAR size: 1263 mb FLAC version RAR size: 1766 mb WMA version RAR size: 1937 mb Rating: 4.5 Votes: 189 Other Formats: TTA AHX MOD APE VOC MP3 MIDI Tracklist Hide Credits Fresh Cream N.S.U. A1 Written-By – Bruce* Sleepy Time Time A2 Written-By – Bruce*, Godfrey* Dreaming A3 Written-By – Bruce* Sweet Wine A4 Written-By – Baker*, Godfrey* Spoonful A5 Written-By – Willie Dixon Cat's Squirrel B1 Arranged By – S. SplurgeWritten-By – Trad.* Four Until Late B2 Written-By – Robert Johnson Rollin' And Tumblin' B3 Written-By – Muddy Waters I'm So Glad B4 Written-By – Skip James Toad B5 Written-By – Baker* Disraeli Gears Strange Brew C1 Written-By – Clapton*, Pappalardi*, Collins* Sunshine Of Your Love C2 Written-By – Clapton*, Bruce*, Brown* World Of Pain C3 Written-By – Pappalardi*, Collins* Dance The Night Away C4 Written-By – Bruce*, Brown* Blue Condition C5 Written-By – Baker* Tales Of Brave Ulysses D1 Written-By – Clapton*, Sharp* Swlabr D2 Written-By – Bruce*, Brown* We're Going Wrong D3 Written-By – Bruce* Outside Woman Blues D4 Written-By – Clapton* Take It Back D5 Written-By – Bruce*, Brown* Mother's Lament D6 Arranged By – Clapton*, Baker*, Bruce*Written-By – Trad.* Wheels Of Fire Disc 1 In The Studio White Room E1 Timpani [Tympani] – Ginger BakerViola – Felix PappalardiWritten-By – Jack 4:56 Bruce, Pete Brown Sitting On Top Of The World E2 4:56 Written-By – Chester Burnett
    [Show full text]
  • Joey Leone Songlist
    Joey Leone’s Chop Shop Playlist (see note at bottom of playlist *) Classic Country Ring of Fire Folsom Prison Blues Walk the Line Working Man Blues Truck Driving man Six Days on the Road Guitars, Cadillacs, Lonesome me Eastbound and Down Poke Salad Annie Summertime Blues These Boots are Made for Walking Act Naturally Sit Here and Drink Boy Named Sue Rocky Top Sugarfoot Rag Hey Good Looking Cocaine Blues Gentle on My Mind Wichita Lineman Cheating Heart Southern Rock Sweet Home Alabama Simple Man Free Bird The Breeze One Way Out Midnight Rider Statesboro Blues Cripple Creek Take it Easy Peaceful Easy Feeling Classic Rock Sultans of Swing Money For Nothing La Grange Just Got Paid I’m Your Captain Born on The Bayou Proud Mary Bad Moon Rising Lodi Running Down A Dream LocoMotive Breath Roadhouse Blues LA Woman Love Me Two Times Back Door Man Old Man Rocking in the Free World Down By the River Jeepster Bang a Gong I Shot The Sheriff Secret Agent Man Stuck in the Middle Go Your Own Way Listen to the Music Behind Blue Eyes Pinball Wizard Mississippi Queen Jenny 8675309 Hard Rock Blitzkreig Bop I Wanna Be Sedated Breaking the Law You Got Another Thing Coming Anarchy in the UK War Pigs Paranoid Planet Caravan Fly Away Ace of Spades Day of The Eagle Smells Like Teen Spirit Come As You Are Fight For Your Right to Party ROLLING STONES jumping jack flash gimme shelter cant always get what u want let it bleed sympathy for the devil dead flowers wild horses angie 2000 light years from home no expectations love in vein satisfaction live with me honky tonk
    [Show full text]
  • In Search of Blind Blake Arthur Blake’S Death Certificate Unearthed by Alex Van Der Tuuk, Bob Eagle, Rob Ford, Eric Leblanc and Angela Mack
    In Search of Blind Blake Arthur Blake’s death certificate unearthed By Alex van der Tuuk, Bob Eagle, Rob Ford, Eric LeBlanc and Angela Mack t is interesting to observe that the almost completed the manuscript. A framed copy of the toughest nuts to crack, but did not seem of the envisioned cover of the book hangs in his impossible. Lemon Jefferson’s death certificate New York Recording Laboratories record room. Hopefully such an important work did turn up as late as 2009 when it was found recorded and issued a relatively will see the light of day in the near future. listed under a different Christian name, notably Ilarge group of blind musicians for Blind Arthur Blake, Blind Willie Davis and Blind supplied by his landlady. their ‘race’ series, the Paramount Joe Taggart have been the ultimate frustration for researchers. Especially Blind Blake, for whom not Night And Day Blues 12000 and 13000 series. One would a shred of official documentation has been found By the early 1990s a new, important instrument only have to think of blues artists that he ever walked on this planet, aside from a for researchers was starting to develop: the like Blind Lemon Jefferson, Blind handful of accounts collected from people who Internet. Researchers were already integrating saw him play or played with him. Arthur Blake, Blind Willie Davis, official documents into their publications, like We only have an occasional report in the census reports from the Federal Census Bureau, Blind Roosevelt Graves and Blind Chicago Defender and the legacy of his Paramount as well as information found on birth and death Joel Taggart to name some of the recordings.
    [Show full text]
  • Blind Lemon Jefferson from Wikipedia, the Free Encyclopedia
    Blind Lemon Jefferson From Wikipedia, the free encyclopedia Background information Birth name Lemon Henry Jefferson Also known as Deacon L. J. Bates Born September 24, 1893[1] Coutchman, Texas, U.S. Origin Texas Died December 19, 1929 (aged 36) Chicago, Illinois, U.S. Genres Blues, gospel blues Occupation(s) Singer-songwriter, musician Instruments Guitar Years active 1900s–1929 Labels Paramount Records, Okeh Records Notable instruments Acoustic Guitar "Blind" Lemon Jefferson (born Lemon Henry Jefferson; September 24, 1893 – December 19, 1929) was an American blues and gospel blues singer and guitarist from Texas. He was one of the most popular blues singers of the 1920s, and has been called "Father of the Texas Blues". Jefferson's performances were distinctive as a result of his high-pitched voice and the originality on his guitar playing. Although his recordings sold well, he was not so influential on some younger blues singers of his generation, who could not imitate him as easily as they could other commercially successful artists. Later blues and rock and roll musicians, however, did attempt to imitate both his songs and his musical style. Biography Early life Jefferson was born blind, near Coutchman in Freestone County, near present-day Wortham, Texas. He was one of eight children born to sharecroppers Alex and Clarissa Jefferson. Disputes regarding his exact birth date derive from contradictory census records and draft registration records. By 1900, the family was farming southeast of Streetman, Texas, and Lemon Jefferson's birth date is indicated as September 1893 in the 1900 census. The 1910 census, taken in May before his birthday, further confirms his year of birth as 1893, and indicated the family was farming northwest of Wortham, near Lemon Jefferson's birthplace.
    [Show full text]
  • Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.
    [Show full text]
  • DOWNLOAD OUR 2016 Annual Report
    Our Mission WE SUPPORT ARTS, CULTURE, EDUCATION, ANIMAL WELLBEING, ENVIRONMENTAL CONSERVATION, AND HISTORIC PRESERVATION, PRIMARILY IN CENTRAL OKLAHOMA. The American bison is the official state animal for Oklahoma. This image appears in ArtDesk (the quarterly magazine published by the Kirkpatrick Foundation) and was taken at the National Museum of Wildlife Art in Wyoming, started in 1987 by Bill and Joffa Kerr, native Oklahomans who have amassed one of the largest collections of wildlife art in the country. From the Chairman PROGRESSIVE AND ENGAGED PHILANTHROPY The year 2016 was one of the busiest years on philanthropy in the Southwest. We will miss her record for the Kirkpatrick Foundation. Everyone— leadership and razor-sharp wit. from the top of our organizational chart to the Jeanne Hoffman Smith has indicated that it is bottom—has been involved in our community as time for her, too, to retire from the board of trustees leader, speaker, listener, or change agent. This year’s in the first quarter of 2017. In her ten years of report will highlight much of what we have accom- service, Jeanne has brought cultural expertise to all plished and, at the same time, give you a clearer of our meetings, particularly her work in promoting understanding of what we think of as progressive cinema, poetry, art, social innovation, and philan- and engaged philanthropy. thropic best practices. Jeanne has always made us Protecting our mission and ensuring the vision of think twice, and our decisions have been better for it. our founders, the trustees of the Kirkpatrick Foun- As these influential women cycle off our board, I dation have been gently guiding four generations of am reminded of how my grandfather established a philanthropy for our private family foundation.
    [Show full text]
  • Buddy Moss Talks to Valerie Wilmer
    Published Melody Maker, July 15, 1972 p.40, less a VW photo: Buddy Moss talks to Valerie Wilmer "BUDDY MOSS? Oh he's really a mean guy—you ought to stay clear of him!" That was one of several warnings I received on making it known that l intended to visit the Atlanta bluesman who had shared one of Josh White's first record dates. I'd been told Moss was moody and mean and knew he'd served a jail term stiff enough to put paid to his successful recording career back in the mid-thirties, so naturally I approached his house with some trepidation. Moss had rather barked down the telephone when I'd mumbled something about an interview and the man who thrust his head round the door looked like the voice sounded. Sturdy and well-muscled for a man of 58, his broad shoulders and close-cropped, pugnacious head represented much more than the arrogance that stems from insecurity. Moss is tough because he's had a lot to contend with in his life; he's also a man of great personal charm —something I not only experienced myself but observed from the warmth with which he was greeted later that afternoon. They'd also told me Buddy Moss was "difficult." What people who'd tried to exploit his talent did not —or did— realise is that Buddy Moss is not about to get talked over by anyone. "People been coming round here asking me to record things," said the guitarist. "Well, you have to give something every once in a while— but to a worthy cause.
    [Show full text]
  • Master Document National Register of Historic Places Nomination Form
    Master Document National Register of Historic Places Nomination Form The Burgess-Osborne Memorial Auditorium 1701 Wabash Avenue Mattoon, Illinois Prepared by Stephen A. Thompson Intrepid Consulting Services, Inc. April 2018 Executive Summary The following document is the master National Register of Historic Places (NRHP) nomination form submitted in a draft configuration to the Illinois State Historic Preservation Officer on 04 August 2017 for the 1953 Burgess-Osborne Memorial Auditorium (the Burgess) located at 1701 Wabash Avenue, Mattoon, Illinois. This NRHP document addresses the social and architectural significance of the Burgess and is an expansion of the 2013 Coles County List of Significant Places document generated for local landmarking of the Burgess. A related social sub-context addressed in detail in Appendix A of Section 8 is the role the Burgess played in the regional 1950s and 1960s pop music culture, with emphasis on the teen dances/concerts held at the facility and the bands that played there. The research of the associated contexts and the preparation of the nomination form were undertaken by Stephen A. Thompson of Intrepid Consulting Services, Inc., Carolyn Cloyd and Joyce St. Michael, members of the Coles County Historic Preservation Advisory Council, assisted with research and preparation of the National Register documentation. The Coles County Historic Preservation Advisory Council is an historic preservation advisory body under the Coles County Regional Planning & Development Commission, which reports to the Coles County Board. After thorough research and evaluation it has been determined that the Burgess is eligible for listing on the NRHP in that it: 1. Is locally significant under NRHP Criterion A, “…events that have made a significant contribution to the broad patterns of our history.” 2.
    [Show full text]
  • “Statesboro Blues”—Blind Willie Mctell (1928) Added to the National Registry: 2015 Essay by Brian Bader
    “Statesboro Blues”—Blind Willie McTell (1928) Added to the National Registry: 2015 Essay by Brian Bader Blind Willie McTell Blind Willie McTell was born May 5, 1901 in Thomson, Georgia. Though there is some uncertainty about his birth year, his comparatively long life (he died on Aug. 19, 1959, in Milledgeville, Georgia), his prolific recording career, the memories of numerous acquaintances, and McTell’s own recorded reminiscences, allow for a full picture of his life. His skillful fingerpicking guitar style ranks high with the playing of other acoustic blues artists, both blind (Blind Boy Fuller, Blind Blake, Reverend Gary Davis) and sighted (Josh White, Brownie McGhee). Hard to categorize, McTell embodied Piedmont blues, as well as ragtime, and gospel/spiritual/religious music, and may best be described as a mid-twentieth century American songster. One of his tunes--“covered,” or more accurately freely adapted, in a powerful electric blues rendition by the Allman Brothers Band-- is his legacy. This number most familiar to modern blues and rock fans: “Statesboro Blues.” Recorded by McTell and self-accompanied on twelve- string guitar in 1928 for Victor records, it showcases his distinctive voice and his talented guitar playing. The Allman Brothers later credited their cover of the song to “Will McTell” on their live two-record album “At Filmore East” released in 1971 on Capricorn Records. Guitarists Duane Allman (using a slide) and Dickey Betts cut loose with their trademark twin lead guitar line up in a memorable reading as a jumping blues shuffle. In an analysis of the history of “Statesboro Blues,” however, it is important to note that between the McTell recording and the Allman Brothers, there is a version from 1968 by Taj Mahal on his debut album.
    [Show full text]
  • Bradley N. Litwin Programs for Younger Audiences
    Bradley N. Litwin Programs for Younger Audiences photo by Jody Kolodzey Ragtime Jazz Stride Blues A Program & Residency Guide For: Presenters, Teachers, Administrators, Parents & Children Bradley N. Litwin Programs for Younger Audiences Ragtime Jazz Stride Blues Information for Presenters, Teachers, Administrators, Parents & Children Table of Contents: 3. Why is this music important? 3. Curriculum Connections 6. The Historical Context 8. Sample Topics & Questions for Classroom Workshops 9. Activity Suggestions 10. Audience Expectations 11. About Bradley N. Litwin 12. What Kids Would Like To Know About Bradley N. Litwin 13. Repertoire Highlights 14. Online Music Listings 15. Historical Writers & Performers 16. Bibliography 16. Online Resource Links 17. Available Funding This document is available as a PDF download at www.jujubee.com/edguide 2 Bradley N. Litwin Programs for Younger Audiences This guide is intended for educational presenters, teachers, administrators, parents and children who will host or attend my presentations. If you have any questions about this material, please feel free to give me a call or email: 215.224.9534 [email protected]. Q. Why are Blues, Ragtime and Jazz music important? In short, they are a common thread that binds much of our shared culture. The unlikely story of these primal art forms is a wide-open window through which we can explore our social heritage, community and historical connections, and celebrate the African- American contribution to mainstream culture. “Roots” music is the basis of much of American popular music, including Blues, Jazz, Rock & Roll, Country, Western, Gospel, Soul, Disco, Rap, Hip Hop and R&B. All these musical styles rely on the melodic, harmonic, and rhythmic components of earlier musical genres.
    [Show full text]
  • Chicagoland Music Festival but from a Black Perspec- Omnipresent Backdrop
    American Music Review The H. Wiley Hitchcock Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York Volume XLIV, Number 2 Spring 2015 Black and White, then “Red” All Over: Chicago’s American Negro Music Festival Mark Burford, Reed College The functions of public musical spectacle in 1940s Chicago were bound up with a polyphony of stark and sometimes contradic- tory changes. Chicago’s predominantly African American South Side had become more settled as participants in the first waves of the Great Migration established firm roots, even as the city’s “Black Belt” was newly transformed by fresh arrivals that bal- looned Chicago’s black population by 77% between 1940 and 1950. Meanwhile, over the course of the decade, African Ameri- cans remained attentive to a dramatic narrowing of the political spectrum, from accommodation of a populist, patriotic progres- sivism to one dominated by virulent Cold War anticommunism. Sponsored by the Chicago Defender, arguably the country’s flagship black newspaper, and for a brief time the premiere black-organized event in the country, the American Negro Music Festival (ANMF) was through its ten years of existence respon- sive to many of the communal, civic, and national developments during this transitional decade. In seeking to showcase both racial achievement and interracial harmony, festival organizers registered ambivalently embraced shifts in black cultural identity W.C. Handy at the during and in the years following World War II, as well as the American Negro Music Festival Courtesy of St. Louis Post-Dispatch possibilities and limits of coalition politics.
    [Show full text]