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A Fantastic Tale
THE WITCH OF PRAGUE: A FANTASTIC TALE F. MARION CRAWFORD THE WITCH OF PRAGUE: A FANTASTIC TALE Table of Contents THE WITCH OF PRAGUE: A FANTASTIC TALE...........................................................................................1 F. MARION CRAWFORD............................................................................................................................1 CHAPTER I...................................................................................................................................................1 CHAPTER II..................................................................................................................................................6 CHAPTER III..............................................................................................................................................11 CHAPTER IV..............................................................................................................................................19 CHAPTER V................................................................................................................................................27 CHAPTER VI..............................................................................................................................................34 CHAPTER VII.............................................................................................................................................44 CHAPTER VIII............................................................................................................................................49 -
Vendetta: a Story of One Forgotten
VENDETTA: A STORY OF ONE FORGOTTEN Marie Corelli VENDETTA: A STORY OF ONE FORGOTTEN Table of Contents VENDETTA: A STORY OF ONE FORGOTTEN................................................................................................1 Marie Corelli..................................................................................................................................................2 PREFACE......................................................................................................................................................3 CHAPTER I...................................................................................................................................................4 CHAPTER II..................................................................................................................................................8 CHAPTER III..............................................................................................................................................13 CHAPTER IV..............................................................................................................................................18 CHAPTER V................................................................................................................................................21 CHAPTER VI..............................................................................................................................................25 CHAPTER VII.............................................................................................................................................29 -
A Son of Perdition an Occult Romance By
A SON OF PERDITION AN OCCULT ROMANCE BY FERGUS HUME AUTHOR OF "THE MYSTERY OF A HANSOM CAB," "LADY JIM OF CURZON STREET," "THE MOTHER OF EMERALDS," "THE JEW'S HOUSE," ETC., ETC. NEW & CHEAPER EDITION. LONDON WILLIAM RIDER & SON, LTD. TO MRS. ANNIE BESANT PRESIDENT THEOSOPHICAL SOCIETY WHO IS ELOQUENT, WISE, PATIENT, AND TOLERANT NOTE The Author is indebted for the description of the Star-Worship contained in Chapter XV to Mr. C. W. Leadbeater's articles on "Ancient Chaldea," which appeared in the February, March, and April numbers of "The Theosophical Review" during the year 1900. CHAPTER I LOVE IN IDLENESS "How can any one hope to transfer that to canvas?" asked the artist, surveying the many-coloured earth and sky and sea with despairing eyes. "Easily enough," replied the girl at his elbow, "those who see twice as vividly as others, can make others see once as vividly as they do. That is what we call genius." "A large word for my small capabilities, Miss Enistor. Am I a genius?" "Ask yourself, Mr. Hardwick, for none other than yourself can answer truly." Outside his special gift the artist was not over clever, so he lounged on the yielding turf of the slope to turn the speech over in his mind and wait results. This tall solidly built Saxon only arrived at conclusions by slow degrees of laborious reflection. With his straight athletic figure, closely clipped fair hair and a bronzed complexion, against which his moustache looked almost white, he resembled a soldier rather than a painter. Yet a painter he was of some trifling fame, but being only moderately creative, he strove to supply what was wanting by toilsome work. -
The Silent Films of Adrian Brunel
Nice Work (if you can get it): The Silent Films of Adrian Brunel Josephine Botting Thesis submitted for the degree of PhD Royal Holloway, University of London January 2017 1 Declaration of Authorship I, Josephine Botting, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 2 Abstract This thesis explores the filmmaking career of Adrian Brunel during the 1920s, concentrating on the period during which his most significant work was undertaken. Brunel has received increasing attention as part of recent reappraisals of British silent cinema and has emerged as a significant figure; the claims made for him in other work on the period will be examined to reach conclusions about the importance of his role and legacy. Drawing on a wealth of primary resources, in particular Brunel’s own personal paper collection housed at the British Film Institute, but also the trade and daily press and other archival film material, this thesis represents a valuable insight into the British film industry during the period 1920 to 1928. Brunel was a proponent of film as an art form and his career outlines his attempts to fulfil his own creative ambitions and the commercial imperatives imposed by the British film industry. This will be achieved by constructing a detailed and comprehensive biography of Brunel’s career complemented by a close analysis of his films and their production histories. As an in-depth study of an individual struggling to sustain a career in the unstable conditions prevailing in the British industry at the time, this thesis contributes to ongoing revisionist work on British silent cinema, both in terms of its workings as an industry and attempts to encourage its development along more artistic lines.