A collection of poetry, essays, and graphic texts produced by students in Cultural Studies 340/English 379, Winter Term 2, 2013-14, at UBC’s Okanagan campus. May 2014 This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. Contact:
[email protected] Contents p. 1 Introduction —David Jefferess p. 10 Juxtapenticton —Ali Duncan p. 17 Kelownialism and the Museum —Kelsey Millman p. 22 The Power of Naming —Katie Barker and Samantha Steenwyk p. 27 Utopia’s Imperialism —Kathryn Mckenzie p. 35 A Tale of Two Pandosies —Lauren Richardson p. 38 Postcards from the Past —Ali Young p. 42 The Bent Spike —Trystan Carter p. 63 The Greatest Outdoor Show on Earth —Kayla Powell Introduction —David Jefferess This collection of essays, poems, and graphic The work of Linda Tuhiwai Smith and Bonita texts provides critical engagement with the way Lawrence, as well as other Indigenous and post- HERITAGE, HISTORY and COMMUNITY /anti-colonial scholars (including Mohandas IDENTITY are produced in Kelowna, Gandhi, Frantz Fanon, Ngugi wa Thiong’o, Penticton and beyond. These works were Jeannette Armstrong and Chandra Mohanty) produced by students enrolled in a cross-listed showed us that while European colonialism Cultural Studies and English course titled aspired to be a global project of white ‘Postcolonial Literary and Cultural Studies,’ at supremacy, it was undertaken differently in UBC’s Okanagan campus in 2013-14. As a different historical moments and different course in postcolonial studies, throughout regions, and it was experienced differently in much of the term we examined colonialism as a different locales.