The Collectors Series of 1951 As 1950 Was Closing, RCA Victor
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Florian Heesch Voicing the Technological Body Some Musicological Reflections on Combinations of Voice and Technology in Popular Music ABSTRACT The article deals with interrelations of voice, body and technology in popular music from a musicological perspective. It is an attempt to outline a systematic approach to the history of music technology with regard to aesthetic aspects, taking the iden- tity of the singing subject as a main point of departure for a hermeneutic reading of popular song. Although the argumentation is based largely on musicological research, it is also inspired by the notion of presentness as developed by theologian and media scholar Walter Ong. The variety of the relationships between voice, body, and technology with regard to musical representations of identity, in particular gender and race, is systematized alongside the following cagories: (1) the “absence of the body,” that starts with the establishment of phonography; (2) “amplified presence,” as a signifier for uses of the microphone to enhance low sounds in certain manners; and (3) “hybridity,” including vocal identities that blend human body sounds and technological processing, where- by special focus is laid on uses of the vocoder and similar technologies. KEYWORDS recorded popular song, gender in music, hybrid identities, race in music, presence/ absence, disembodied voices BIOGRAPHY Dr. Florian Heesch is professor of popular music and gender studies at the University of Siegen, Germany. He holds a PhD in musicology from the University of Gothenburg, Sweden. He published several books and articles on music and Norse mythology, mu- sic and gender and on diverse aspects of heavy metal studies. -
CATALOGUE WELCOME to NAXOS JAZZ LEGENDS and NAXOS NOSTALGIA, Twin Compendiums Presenting the Best in Vintage Popular Music
NAXOS JAZZ LEGENDS/NOSTALGIA CATALOGUE WELCOME TO NAXOS JAZZ LEGENDS AND NAXOS NOSTALGIA, twin compendiums presenting the best in vintage popular music. Following in the footsteps of Naxos Historical, with its wealth of classical recordings from the golden age of the gramophone, these two upbeat labels put the stars of yesteryear back into the spotlight through glorious new restorations that capture their true essence as never before. NAXOS JAZZ LEGENDS documents the most vibrant period in the history of jazz, from the swinging ’20s to the innovative ’40s. Boasting a formidable roster of artists who forever changed the face of jazz, Naxos Jazz Legends focuses on the true giants of jazz, from the fathers of the early styles, to the queens of jazz vocalists and the great innovators of the 1940s and 1950s. NAXOS NOSTALGIA presents a similarly stunning line-up of all-time greats from the golden age of popular entertainment. Featuring the biggest stars of stage and screen performing some of the best- loved hits from the first half of the 20th century, this is a real treasure trove for fans to explore. RESTORING THE STARS OF THE PAST TO THEIR FORMER GLORY, by transforming old 78 rpm recordings into bright-sounding CDs, is an intricate task performed for Naxos by leading specialist producer-engineers using state-of-the-art-equipment. With vast personal collections at their disposal, as well as access to private and institutional libraries, they ensure that only the best available resources are used. The records are first cleaned using special equipment, carefully centred on a heavy-duty turntable, checked for the correct playing speed (often not 78 rpm), then played with the appropriate size of precision stylus. -
Press 1 April 2021 the Famous Artists Behind History's Greatest Album
CNN Style The famous artists behind history's greatest album covers Leah Dolan 1 April 2021 The famous artists behind history's greatest album covers Throughout the 20th-century record sleeves regularly served as canvases for some of the world's most famous artists. From Andy Warhol's electric yellow banana on the cover of The Velvet Underground & Nico's 1967's debut album, to the custom-sprayed Banksy street art that fronted Blur's 2003 "Think Tank," art has long been used to round out the listening experience. A new book, "Art Sleeves," explores some of the most influential, groundbreaking and controversial covers from the past forty years. "This is not a 'history of album art' type book," said the book's author, DJ and arts writer DB Burkeman over email. Instead, he says the book is a "love letter" to visual art and music culture. For the 45th anniversary of "The Velvet Underground & Nico" in 2012, British artist David Shrigley illustrated a special edition reissue cover for Castle Face Records. Image: David Shrigley/Rizzoli Featured records span genres and decades. Among them are Warhol's cover for The Rolling Stones' 1971 album "Sticky Fingers," featuring the now-famous close-up of a man's crotch (often assumed, incorrectly, to be frontman Mick Jagger in tight jeans) as well as an array of seminal covers designed by graphic designer Peter Saville, co-founder of influential Manchester-based indie label Factory Records. Despite having relatively little art direction experience under his belt, Saville was behind iconic covers such as Joy Division's "Unknown Pleasures" (1979), depicting the radio waves emitted by a rotating star, and the brimming basket of wilting roses -- a muted reproduction of a 1890 painting by French artist Henri Fantin-Latour -- that fronted New Order's "Power, Corruption & Lies" (1983). -
September 1995
Features CARL ALLEN Supreme sideman? Prolific producer? Marketing maven? Whether backing greats like Freddie Hubbard and Jackie McLean with unstoppable imagination, or writing, performing, and producing his own eclectic music, or tackling the business side of music, Carl Allen refuses to be tied down. • Ken Micallef JON "FISH" FISHMAN Getting a handle on the slippery style of Phish may be an exercise in futility, but that hasn't kept millions of fans across the country from being hooked. Drummer Jon Fishman navigates the band's unpre- dictable musical waters by blending ancient drum- ming wisdom with unique and personal exercises. • William F. Miller ALVINO BENNETT Have groove, will travel...a lot. LTD, Kenny Loggins, Stevie Wonder, Chaka Khan, Sheena Easton, Bryan Ferry—these are but a few of the artists who have gladly exploited Alvino Bennett's rock-solid feel. • Robyn Flans LOSING YOUR GIG AND BOUNCING BACK We drummers generally avoid the topic of being fired, but maybe hiding from the ax conceals its potentially positive aspects. Discover how the former drummers of Pearl Jam, Slayer, Counting Crows, and others transcended the pain and found freedom in a pink slip. • Matt Peiken Volume 19, Number 8 Cover photo by Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 100 ROCK 'N' 10 UPDATE 24 NEW AND JAZZ CLINIC Terry Bozzio, the Captain NOTABLE Rhythmic Transposition & Tenille's Kevin Winard, BY PAUL DELONG Bob Gatzen, Krupa tribute 30 PRODUCT drummer Jack Platt, CLOSE-UP plus News 102 LATIN Starclassic Drumkit SYMPOSIUM 144 INDUSTRY BY RICK -
Jazzletter P-Q Ocrober 1986 P 5Jno;..1O
Jazzletter P-Q ocrober 1986 P 5jNo;..1o . u-1'!-an J.R. Davis,.Bill Davis, Rusty Dedrick, Buddy DeFranco, Blair The Readers . Deiermann, Rene de Knight,‘ Ron Della Chiesa (WGBH), As of August 25, I986, the JazzIetrer’s readers were: Louise Dennys, Joe Derise, Vince Dellosa, Roger DeShon, Michael Abene, John Abbott, Mariano F. Accardi, Harlan John Dever, Harvey Diamond, Samuel H. Dibert’, Richard Adamcik, Keith Albano, Howard Alden, Eleanore Aldrich, DiCarlo, Gene DiNovi, Victor DiNovi, Chuck Domanico, Jeff Alexander, Steve Allen, Vernon Alley, Alternate and Arthur Domaschenz, Mr. and Mrs. Steve Donahue, William E. Independent Study Program, Bill Angel, Alfred Appel J r, Ted Donoghue, Bob Dorough, Ed Dougherty, Hermie Dressel, Len Arenson, Bruce R. Armstrong, Jim Armstrong, Tex Arnold, Dresslar, Kenny Drew, Ray Drummond, R.H. Duffield, Lloyd Kenny Ascher, George Avakian, Heman B. Averill, L. Dulbecco, Larry Dunlap, Marilyn Dunlap, Brian Duran, Jean Bach, Bob Bain, Charles Baker (Kent State University Eddie Duran, Mike Dutton (KCBX), ' School of Music), Bill Ballentine, Whitney Balliett, Julius Wendell Echols, Harry (Sweets) Edison,Jim_Eigo, Rachel Banas, Jim Barker, Robert H. Barnes, Charlie Barnet, Shira Elkind-Tourre, Jack Elliott, Herb Ellis, Jim Ellison, Jack r Barnett, Jeff Barr, E.M. Barto Jr, Randolph Bean, Jack Ellsworth (WLIM), Matt Elmore (KCBX FM), Gene Elzy Beckerman, Bruce B. Bee, Lori Bell, Malcolm Bell Jr, Carroll J . (WJR), Ralph Enriquez, Dewey Emey, Ricardo Estaban, Ray Bellis MD, Mr and Mrs Mike Benedict, Myron Bennett, Dick Eubanks (Capital University Conservatory of Music), Gil Bentley, Stephen C. Berens MD, Alan Bergman, James L. Evans, Prof Tom Everett (Harvard University), Berkowitz, Sheldon L. -
1950S Playlist
1/10/2005 MONTH YEAR TITLE ARTIST Jan 1950 RAG MOP AMES BROTHERS Jan 1950 WITH MY EYES WIDE OPEN I'M DREAMING PATTI PAGE Jan 1950 ENJOY YOURSELF (IT'S LATER THAN YOU THINK) GUY LOMBARDO Jan 1950 I ALMOST LOST MY MIND IVORY JOE HUNTER Jan 1950 THE WEDDING SAMBA EDMUNDO ROS Jan 1950 I SAID MY PAJAMAS (AND PUT ON MY PRAY'RS) TONY MARTIN/FRAN WARREN Jan 1950 SENTIMENTAL ME AMES BROTHERS Jan 1950 QUICKSILVER BING CROSBY/ANDREWS SISTERS Jan 1950 CHATTANOOGIE SHOE SHINE BOY RED FOLEY Jan 1950 BIBBIDI-BOBBIDI-BOO PERRY COMO Feb 1950 IT ISN'T FAIR SAMMY KAYE/DON CORNELL Feb 1950 RAG MOP LIONEL HAMPTON Feb 1950 THE THIRD MAN THEME ANTON KARAS Feb 1950 MY FOOLISH HEART GORDON JENKINS Feb 1950 THE CRY OF THE WILD GOOSE FRANKIE LAINE Feb 1950 THE FAT MAN FATS DOMINO Feb 1950 DADDY'S LITTLE GIRL MILLS BROTHERS Feb 1950 MUSIC MUSIC MUSIC TERESA BREWER Mar 1950 THE THIRD MAN THEME GUY LOMBARDO Mar 1950 CANDY AND CAKE MINDY CARSON Mar 1950 MY FOOLISH HEART BILLY ECKSTINE Mar 1950 IF I KNEW YOU WERE COMIN' I'D'VE BAKED A CAKE EILEEN BARTON Mar 1950 WANDERIN' SAMMY KAYE Mar 1950 DEARIE GUY LOMBARDO Apr 1950 COUNT EVERY STAR HUGO WINTERHALTER Apr 1950 HOOP-DEE-DOO PERRY COMO Apr 1950 BEWITCHED BILL SNYDER Apr 1950 PETER COTTONTAIL GENE AUTRY Apr 1950 ARE YOU LONESOME TONIGHT BLUE BARRON May 1950 THE OLD PIANO ROLL BLUES HOAGY CARMICHAEL/CASS DALEY May 1950 BEWITCHED DORIS DAY May 1950 VALENCIA TONY MARTIN May 1950 I DON'T CARE IF THE SUN DON'T SHINE PATTI PAGE May 1950 I WANNA BE LOVED ANDREWS SISTERS May 1950 BONAPARTE'S RETREAT KAY STARR Jun 1950 MONA -
JOHNNY OTIS: That's Your Last Boogie: the Best
JOHNNY OTIS: That’s Your Last Boogie: The Best Of Johnny Otis 1945-1960 Fantastic Voyage FVTD120 (Three CDs: 79:00; 77:00; 77:00) CD One: BARRELHOUSE STOMP (1945-1950) – ILLINOIS JACQUET: Uptown Boogie; WYNONIE HARRIS: Cock A-Doodle-Doo; JIMMY RUSHING: Jimmy’s Round- The-Clock Blues; JOHNNY OTIS: Harlem Nocturne/ One O’Clock Jump/ Jeff-Hi Stomp/ Midnight In The Barrel House/ Barrel House Stomp/ Court Room Blues/ New Orleans Shuffle/ The Turkey Hop Parts 1 & 2; JOHNNY MOORE’S THREE BLAZERS: Drifting Blues/ Groovy; WYNONIE HARRIS: Yonder Goes My Baby; JOE TURNER: S.K. Blues; GEORGE WASHINGTON: Good Boogdi Googie; LESTER YOUNG: Jamming With Lester; THE FOUR BLUEBIRDS: My Baby Done Told Me; OLD MAN MOSE: Matchbox Blues; JOE SWIFT: That’s Your Last Boogie; THE ROBINS: Around About Midnight/ If I Didn’t Love You So/ If It’s So Baby; LITTLE ESTHER: Mean Ole Gal; LITTLE ESTHER & THE ROBINS: Double Crossing Blues; MEL WALKER & THE BLUE NOTES: Cry Baby CD Two: ROCKIN’ BLUES (1950-1952) – LITTLE ESTHER & THE BLUE NOTES: Lover’s Lane Boogie; LITTLE ESTHER: Misery/ Harlem Nocturne; MARYLYN SCOTT: Beer Bottle Boogie; LITTLE ESTHER & MEL WALKER: Mistrustin’ Blues/ Cupid’s Boogie/ Deceivin’ Blues/ Far Away Blues; MEL WALKER: Sunset To Dawn/ Rockin’ Blues/ Feel Like Cryin’ Again/ Gee Baby/ Call Operator 210/ The Candle’s Burnin’ Low; JOHNNY OTIS: Mambo Boogie/ All Nite Long/ Dreamin’ Blues/ Oopy-Doo/ One Nighter Blues/ Goomp Blues/ Harlem Nocturne (live); JOHNNY OTIS’ CONGREGATION: Wedding Boogie; LINDA HOPKINS: Doggin’ Blues; HUNTER HANCOCK: ‘Harlematinee’ -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
General Meeting 2018
GENERAL MEETING 2018 January 2018: TONY HORTON – THE REAL GLENN MILLER STORY Once again we enjoyed a session with Tony, this time on a perennial favourite, the Big Band leader, Glenn Miller. Tony dispelled some of the myths about Glenn that were put into the 1954 hit film “The Glenn Miller Story”, starring James Stewart and June Allyson. The film was principally about the courtship and marriage of Glenn and Helen Miller. The facts we heard were that Miller was born in Iowa in 1904, the son of a railway worker father and farmer mother. He earned pocket money from milking cows and firstly spent some on a mandolin, before giving it up for a trombone. He formed a small band from class mates and at university ended up going on gigs, rather than attending to his studies and exams. Whilst a very good trombone player, he was not outstanding, but his forte was making musical arrangements and was in demand for this particular skill. Joining Ben Pollacks Band, which included other musicians who went on to make their mark in the music industry, Miller eventually moved to New York, where, driven by his wife Helen, he formed a jazz band, without any success. Miller played as a jobbing trombonist for several bands before teaming up with the British Dance Band leader, Ray Noble. Because of the Union restrictions on entertainers in America and Britain, Noble was not permitted to take his own musicians, so engaged Miller to recruit musicians for him. However, there was a big difference between the two men as Miller preferred jazz music and his arrangements were in that genre, whereas Noble was a ballad man, so this difference led to a parting of the ways. -
Bulletin Germany/Holland 2007 July 5Th Ð 20Th
THE www.amica.org Volume 44, Number 2 AMICA March/April 2007 AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION BULLETIN GERMANY/HOLLAND 2007 JULY 5TH – 20TH Tour Historic Germany and Holland with your fellow AMICANs. Visit Munich with its clock tower, Hofbrau House and many interesting attractions. See world-class museums with wonderful collections of automatic musical instruments. Bus through scenic countryside, with quaint towns full of wonderfully painted buildings. Shop in wood carving centers. Tour King Ludwig’s Linderhof Castle. Visit organ factories and private collections. Stroll through the Historic walled city of Rothenburg. Cruise the Beautiful Rhein River, with castles lining the waterway. Listen to dance organs, pianos, Dutch Street Organs and more. Enjoy the pumper contest, with contestants using Conrad Adenauer’s grand piano. There’s so much more to see and do. Applications will be coming soon, and you need to register right away….remember, registration is limited. Questions? Call Frank at 818-884-6849 ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens • Editor Emeritus: Robin Pratt VOLUME 44, Number 2 March/April 2007 AMICA BULLETIN FEATURES Display and Classified Ads Articles for Publication Visit to San Sylmar’s Auto/Musical Collection . -
Music Preferences of Geriatric Clients Within Three Sub-Populations Janelle Sikora
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Music Preferences of Geriatric Clients within Three Sub-Populations Janelle Sikora Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MUSIC PREFERENCES OF GERIATRIC CLIENTS WITHIN THREE SUB-POPULATIONS By JANELLE SIKORA A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Summer Semester, 2013 Janelle Sikora defended this thesis on July 15, 2013. The members of the supervisory committee were: Kimberly VanWeelden Professor Directing Thesis Jayne Standley Committee Member Dianne Gregory Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii I dedicate this to my loving parents, Victor and Pat Sikora, who have supported me throughout college. They are generous, kind, and always there for me. They are my rock. iii ACKNOWLEDGMENTS I would like to thank Dr. Kimberly VanWeelden for her guidance, support, and motivation throughout this process. Dr. VanWeelden’s research is what inspired me to conduct this study and I am grateful to have been fortunate enough to work with her. I thank Dr. Jayne Standley and Professor Dianne Gregory for being on my committee, educating me, and preparing me to be a professional. I thank both Dr. Farbman and Cindy Smith from AMTA for their help and taking the time to locate contacts for this study. -
Marshall County Summer Concert Series
Marshall County Summer Concert Series Riverfront Park • Glen Dale Park • Grand Vue Park FRIDAY EVENINGS 7-9 PM • FREE ADMISSION JUN 9 Markus & James (Saturday) Classic Rock/Country Moundsville Riverfront Park 22 Ron Retzer Trio Variety Moundsville Riverfront Park 29 Brett Cain Duo (Brett Cain/Jonathan Banco) Top 40 Pop and Rock Favorites Glen Dale Park JUL 13 Crazy Horse Country Rock Grand Vue Park 27 De Ja Vu Popular Rock & Roll Favorites Moundsville Riverfront Park AUG 3 The Sarah Hays Band Classic Rock and Blues McMechen Riverfront Park Sponsored by: Moundsville Pharmacy & The Marshall County Commission and media sponsor The Green Tab. Hosted by Moundsville Parks/Recreation Commission, City of Glen Dale, City of McMechen and Grand Vue Park. Oglebay Summer Series Anne Kuchinka Amphitheater SUNDAY EVENINGS AT 7 PM • FREE ADMISSION MAY 27 Herb & Hanson Newgrass JUN 10 Hope for the Hollow Modern Rock 24 Sierra Hull Blues/Folk/American JUL 3 Hit Play (Schenk Lake) Top 40 Pop and Rock Favorites Fireworks 8 Jukebox Saturday Night Big Band Review 22 Rusty Wright Band Blues AUG 5 Hard Day’s Night Beatles Tribute 19 Phil Dirt and the Dozers Oldies SEP 2 Wheeling Symphony Classical Music Under the Stars Summer concerts take place at the Anne Kuchinka Amphitheater and are free to the public. All performances are from 7:00 pm to 9:00 pm. In case of inclement weather, concerts will be moved to an indoor facility at Oglebay. Call 304-243-4010 for more information. 1 Warwood • Toe Tappin’ Tuesdays Warwood’s Garden Park SHOWS START AT 7 PM • FREE ADMISSION JUN 12 The Original Fantasies Classic Rock Favorites 26 The Sarah Hays Band Classic Rock and Blues JUL 10 The Tim Ullom Band Country Favorites 24 Eli Lambie and the Mojo Kings Popular Rock & Roll with Horns AUG 14 Stampede Hot Country 28 MSM - Miller, Smith & Mazure Easy Listening Sponsored by: The City of Wheeling.