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Chapter Iv Findings and Discussion
CHAPTER IV FINDINGS AND DISCUSSION The present chapter deals with the result of the research which is divided into two parts namely findings and discussion. In the first part, the researcher reveals the examined data from The Duchess and The Young Victoria movies. It shows the data of negative politeness strategies implemented in those movies and the factors affecting the use of negative politeness strategies employed by main characters in those British movies. In the discussion part, the researcher explores the detailed explanation related to the formulation problems which have been explained in Chapter I. A. Research Findings According to the process of collecting and analysing the data, there are 42 data of negative politeness strategies implemented by the main characters in The Duchess and The Young Victoria movies. The findings are presented in Table 4 and Table 5. 52 TABLE 4. FINDINGS ON NEGATIVE POLITENESS IN THE DUCHESS MOVIE Realizations of Negative Factors Politeness Strategies Circumstances Negative Politeness No Strategies tance H’s Frequency Payoff Be Direct Be Percentage (%) Don’t Coerce Don’t Presume Percentage (%) to H on not impinge Social Dis Relative Power Percentage (%) Percentage Redress other wants ofRedress Communicate S’s want CommunicateS’s want Rankof Imposition Be conventionally 1 2 10 % 1 0 1 0 0 1 7,69% 0 0 1 10 % indirect 2 Question, Hedge 8 40 % 0 5 3 0 0 8 61,54% 1 0 0 10 % 3 Be Pessimistic 1 5 % 0 0 1 0 0 0 0 % 0 1 0 10 % Minimize the 4 3 15 % 0 0 3 0 0 2 15,38% 0 0 1 10 % imposition 5 Give deference 1 5 % 0 0 0 0 1 0 0 % 0 0 1 10 % 6 Apologize 1 5 % 0 0 0 1 0 1 7,69% 0 1 0 10 % Impersonalize speaker 7 1 5 % 0 0 0 1 0 0 0 % 0 0 1 10 % and hearer State the FTA as 8 1 5 % 0 0 0 1 0 0 0 % 0 1 0 10 % general rule 9 Nominalize 1 5 % 0 0 0 1 0 1 7,69 % 1 0 0 10 % Go on record as 10 1 5 % 0 0 0 0 1 0 0 % 0 0 1 10 % incurring debt Total 20 100% 1 5 8 4 2 13 100 % 2 3 5 100% Table 4 presents the data related to negative politeness strategies, realizations and factors affecting the main character in The Duchess movie. -
The American Actress, the English Duchess, and the Privacy Litigation by Amber Melville-Brown
The American Actress, the English Duchess, and the Privacy Litigation By Amber Melville-Brown First Brexit, Now Megzit... trip back to the motherland In a move more resonant with players of the TV were dashed with the event show “Survival” than with members of the British royal postponed amid the CO- family, the Duke and Duchess of Sussex—Prince Harry VID-19 coronavirus pan- and Meghan Markle, the Duchess of Sussex—blindsided demic, even ironically as his senior royals with a unilateral announcement that they father HRH Prince Charles intended to “carve out a progressive new role”1 within the himself actually succumbed royal family, and by the surprise launch of their own and tested positive for the independent website. The relatively sparsely populated virus. www.sussexroyal.com—including a personal statement The couple’s new social about their recently launched media litigation, reference media sites also suffered a to the Royal Rota media system that they are rejecting, blow; the new relationship and to the Information Commissioner’s Office public carved out in negotiations interest test under the Freedom of Information Act—sug- between the royal fam- gests strongly that it is the couple’s tense relationship ily and the couple as they venture out on their own saw with the media that has led them to seek a new “working them having to abandon use of the “Sussex Royal” brand model” in 2020. with which they heralded the new them, before the ink on Indeed, if this announcement was intended to foster the new branding was really even dry. -
Miss Lisa Brown's Guide to Dressing for a Regency Ball – Gentlemen's
MMiissss LLiissaa BBrroowwnn’’ss GGuuiiddee ttoo DDrreessssiinngg ffoorr aa RReeggeennccyy BBaallll –– GGeennttlleemmeenn’’ss EEddiittiioonn (and remove string!) Shave Jane Austen & the Regency face every Wednesday and The term “Regency” refers to years between 1811 Sunday as per regulations. and 1820 when George III of the United Kingdom was deemed unfit to rule and his son, later George Other types of facial hair IV, was installed as his proxy with the title of were not popular and were “Prince Regent”. However, “Regency Era” is often not allowed in the military. applied to the years between 1795 and 1830. This No beards, mustaches, period is often called the “Extended Regency” goatees, soul patches or because the time shared the same distinctive culture, Van Dykes. fashion, architecture, politics and the continuing Napoleonic War. If you have short hair, brush it forward into a Caesar cut style The author most closely associated with the with no discernable part. If your Regency is Jane Austen (1775-1817). Her witty and hair is long, put it into a pony tail engaging novels are a window into the manners, at the neck with a bow. lifestyle and society of the English gentry. She is the ideal connexion to English Country Dancing as Curly hair for both men and each of her six books: Pride and Prejudice , Sense women was favored over straight and Sensibility , Emma , Persuasion , Mansfield Par k hair. Individual curls were made and Northanger Abbey, feature balls and dances. with pomade (hair gel) and curling papers. Hair If you are unable to assemble much of a Regency wardrobe, you can still look the part by growing your sideburns The Minimum and getting a Caesar cut If you wish to dress the part of a country gentleman hairstyle. -
Visualising Victoria: Gender, Genre and History in the Young Victoria (2009)
Visualising Victoria: Gender, Genre and History in The Young Victoria (2009) Julia Kinzler (Friedrich-Alexander-University Erlangen-Nuremberg, Germany) Abstract This article explores the ambivalent re-imagination of Queen Victoria in Jean-Marc Vallée’s The Young Victoria (2009). Due to the almost obsessive current interest in Victorian sexuality and gender roles that still seem to frame contemporary debates, this article interrogates the ambiguous depiction of gender relations in this most recent portrayal of Victoria, especially as constructed through the visual imagery of actual artworks incorporated into the film. In its self-conscious (mis)representation of Victorian (royal) history, this essay argues, The Young Victoria addresses the problems and implications of discussing the film as a royal biopic within the generic conventions of heritage cinema. Keywords: biopic, film, gender, genre, iconography, neo-Victorianism, Queen Victoria, royalty, Jean-Marc Vallée. ***** In her influential monograph Victoriana, Cora Kaplan describes the huge popularity of neo-Victorian texts and the “fascination with things Victorian” as a “British postwar vogue which shows no signs of exhaustion” (Kaplan 2007: 2). Yet, from this “rich afterlife of Victorianism” cinematic representations of the eponymous monarch are strangely absent (Johnston and Waters 2008: 8). The recovery of Queen Victoria on film in John Madden’s visualisation of the delicate John-Brown-episode in the Queen’s later life in Mrs Brown (1997) coincided with the academic revival of interest in the monarch reflected by Margaret Homans and Adrienne Munich in Remaking Queen Victoria (1997). Academia and the film industry brought the Queen back to “the centre of Victorian cultures around the globe”, where Homans and Munich believe “she always was” (Homans and Munich 1997: 1). -
Anecdotes of Celebrities of London and Paris [Electronic Resource]: To
TWO SHILLINGS Captain cSro.noto's Celebrities /m <^I \\BB& ba<*YB S^SSS &eon«ianj»niEk. of UorvtujTi'anti Mam «N. SMITH,. ELBER, i G0. ANECDOTES OF CELEBRITIES OF LONDON AND PARIS, TO WHICH ARE ADDED THE LAST RECOLLECTIONS OF CAPTAIN GRONOW, FORMERLY OF THE FIRST FOOT GUARDS. A NEW EDITION. LONDON: SMITH, ELDER & CO., 15, WATERLOO PLACE. 1870. CONTENTS. PAGE Almack'a in 1815, .... 1 The Duke of Wellington and the Cavalry, 2 The Duke at Carlton House, 4 The Duke and the Author, 4 Wellington's First Campaign, . 8 The Guards and the Umbrellas, 1(J Colonel Freemantle and the Duke's Quarters, 11 A Word for Brown Bess, 12 A Strange Rencontre, .... 13 English and French Soldiers on the Boulevards, 15 " Date obolum Belisario," 16 "Hats off," 16 Hatred of the Prussians by the French Peasantry, 18 Severe Discipline in the Russian Army, 19 The Emperor Alexander in Paris, 2(1 A Fire-Eater Cowed, .... 21 An Insult Rightly Redressed, . 22 A Duel between Two Old Friends, 23 A Duel between Two Officers in the Life Guards, 23 Fayot, the Champion of the Legitimists, 24 The Gardes du Corps, .... 24 The late Marshal Castellane, 28 The late General Gabriel, 31 Admiral de la Susse, .... VI Contents. I'AOK Marshal Lobau, . 34 Montrond, 35 Chateaubriand, . 36 Parson Ambrose, 36 Captain Wilding, 37 The Church Militant, . 38 Louis XVIII., . 38 The Bridge of Jena Saved, 39 Louis XVIII. and Sosth&nes de la Rochefoucauld, 40 The Due de Grammont, 40 The Montmorencies, 42 Ouvrard the Financier, 45 Madame de Stael, 48 A Feminine Foible, 52 Mademoiselle le Xormand, 52 An Ominous Fall, 55 Louis Philippe and Marshal Soult, 55 Decamps and the Duke of Orleans, 56 Fashion in Paris, 57 Literary Salons in France, 64 Sir John Elley, . -
A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2002 A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays. Bonny Ball Copenhaver East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the English Language and Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Copenhaver, Bonny Ball, "A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays." (2002). Electronic Theses and Dissertations. Paper 632. https://dc.etsu.edu/etd/632 This Dissertation - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. The Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays A dissertation presented to the Faculty of the Department of Educational Leadership and Policy Analysis East Tennessee State University In partial fulfillment of the requirements for the degree Doctor of Education in Educational Leadership and Policy Analysis by Bonny Ball Copenhaver May 2002 Dr. W. Hal Knight, Chair Dr. Jack Branscomb Dr. Nancy Dishner Dr. Russell West Keywords: Gender Roles, Feminism, Modernism, Postmodernism, American Theatre, Robbins, Glaspell, O'Neill, Miller, Williams, Hansbury, Kennedy, Wasserstein, Shange, Wilson, Mamet, Vogel ABSTRACT The Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays by Bonny Ball Copenhaver The purpose of this study was to describe how gender was portrayed and to determine how gender roles were depicted and defined in a selection of Modern and Postmodern American plays. -
THE PRINCE of WALES and the DUCHESS of CORNWALL Background Information for Media
THE PRINCE OF WALES AND THE DUCHESS OF CORNWALL Background Information for Media May 2019 Contents Biography .......................................................................................................................................... 3 Seventy Facts for Seventy Years ...................................................................................................... 4 Charities and Patronages ................................................................................................................. 7 Military Affiliations .......................................................................................................................... 8 The Duchess of Cornwall ............................................................................................................ 10 Biography ........................................................................................................................................ 10 Charities and Patronages ............................................................................................................... 10 Military Affiliations ........................................................................................................................ 13 A speech by HRH The Prince of Wales at the "Our Planet" premiere, Natural History Museum, London ...................................................................................................................................... 14 Address by HRH The Prince of Wales at a service to celebrate the contribution -
Genevieve O'reilly
Genevieve O'Reilly Agents Dallas Smith Associate Agent Sarah Roberts [email protected] +44 (0) 20 3214 0800 Assistant Alexandra Rae [email protected] +44 (0) 20 3214 0800 Sophie Austin Assistant [email protected] Emma Collier [email protected] Roles Film Production Character Director Company THE DRY Gretchen Robert Connolly Pacific Standard TOLKIEN Mrs Smith Dome Karukoski Fox Searchlight Pictures THE SNOWMAN Birte Becker Tomas Alfredson Drapsmann Films ROGUE ONE: A STAR WARS Mon Mothma Gareth Edwards Lucasfilms STORY THE LEGEND OF TARZAN Tarzan's Mother David Yates Dark Horse Entertainment FORGET ME NOT Eve Lance Roehrig and Quicksilver Films Alex Holt United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company SURVIVOR Lisa James McTeigue Nu Image / Millennium Films THE YOUNG VICTORIA Lady Flora Jean-Marc Vallée JK Films Hastings RIGHT HERE, RIGHT NOW Matthew Newton STAR WARS EPISODE III Mon Mothma George Lucas Jak Australia THE MATRIX REVOLUNTIONS Officer Wirtz Andy and Larry The Burly Man Wachowski Productions THE MATRIX RELOADED Officer Wirtz Andy and Larry The Burly Man Wachowski Productions AVATAR Dash Jian Hong Kuo Exile Productions Television Production Character Director Company TIN STAR S.1, S.2 & S.3 Angela Worth Various Kudos for Amazon THE FALL - S3 Joan Kinkhead Various BBC THE SECRET Hazel Nick Murphy Hat Trick/ ITV ENDEAVOUR Annette Bryn Higgins ITV Richardson GLITCH Elishia -
Equerries to The.Duke of Gloucester, ' :...\ , 'Edmund Currey, Esq
[ 2900 ] Equerries to the.Duke of Gloucester, ' :...\ , 'Edmund Currey, Esq. Lieut. Col. Samuel Higgins. ,/, Equerries to the Duke of Cambridge, •... Colonel Keat, Major-General Sir James Lyon, K. C'. B. Equerries to the Duke of Sussex, Henry Fredericlc Stephenson, Esq. "Major Perkins Magra. Equerries to the Duke of Cumberland, ' .- Colonel Charles Wade Thornton, Lieutenant-General Henry Wynyard, General Vyse> Equerries to the Duke of Kent, Captain Conran, Lieutenant-Colonel Sir Henry W. Carr, K. C. B. Major-General Sir George Anson, K. C. B. Lieutenant-General Wetherall. Equerry to the Duke of York, Charles Culling Smith, Esq. • " Equerries to the Prince Regent, ... Charles Quentin, Esq. Major-General Sir Richard Hussey Vivian, K. C. B. Sir William Cougreve, Bart. Clerk-Marshal and First Equerry to the Prince Regent, Lieutcnant-General F. T. Hammond. Quarter-Master-General, Adjutant-General, Maj. Gen. Sir J. Willoughby Gordon, Bart. K. C. B. Lieu] . Sir Harry Calvert, Bart. G. C. 15. Equerries to the King. Lieutenant-General William Wynyard. Lieutenant-General Sir Brent Spencer, G. C. B. General Cartvvright. General Gwyn. Clerk-Marshal and First Equerry. General Robert Manners. Gentlemen Ushers of the Privy Chamber to His Majesty, John Hale, Esq. Sir Robert Chester, Knt. .T. Hatton, Esq. W. Masten, Esq. Officers of the Duehy of Cornwall, viz. Solicitor General, William Harrison, Esq. Auditor, Receiver-General, Sir William Kn.ighton, Bart. • The Right Honourable Lord William Gordon. Lord Warden of the Stannaries, <'. The Earl of Yarmouth. Grooms of the Bedchamber to His Majesty, Admiral Sir George Campbell, K. C.B. Lieut.-Col. the Hon. Henry King. -
Downloaded from Manchesterhive.Com at 10/02/2021 09:03:16PM Via Free Access Andrew Higson
1 5 From political power to the power of the image: contemporary ‘British’ cinema and the nation’s monarchs Andrew Higson INTRODUCTION: THE HERITAGE OF MONARCHY AND THE ROYALS ON FILM From Kenneth Branagh’s Henry V Shakespeare adaptation in 1989 to the story of the fi nal years of the former Princess of Wales, inDiana in 2013, at least twenty-six English-language feature fi lms dealt in some way with the British monarchy. 1 All of these fi lms (the dates and directors of which will be indi- cated below) retell more or less familiar stories about past and present kings and queens, princes and princesses. This is just one indication that the institution of monarchy remains one of the most enduring aspects of the British national heritage: these stories and characters, their iconic settings and their splendid mise-en-scène still play a vital role in the historical and contemporary experience and projection of British national identity and ideas of nationhood. These stories and characters are also of course endlessly recycled in the pre- sent period in other media as well as through the heritage industry. The mon- archy, its history and its present manifestation, is clearly highly marketable, whether in terms of tourism, the trade in royal memorabilia or artefacts, or images of the monarchy – in paintings, prints, fi lms, books, magazines, televi- sion programmes, on the Internet and so on. The public image of the monarchy is not consistent across the period being explored here, however, and it is worth noting that there was a waning of support for the contemporary royal family in the 1990s, not least because of how it was perceived to have treated Diana. -
Mediacide: the Press's Role in the Abdication Crisis of Edward VIII
___________________________________________________________ Mediacide: the Press’s Role in the Abdication Crisis of Edward VIII Joel Grissom ___________________________________________________________ On December 10, 1936, a group of men entered the ornate drawing room of Fort Belvedere, the private get-away of His Majesty, King Edward VIII. The mood of the room was informal as the King sat at his desk. Fifteen documents lay before him ready for his signature. Briefly scanning them, he quickly affixed, Edward, RI, to the documents. He then relinquished his chair to his brother, Albert, Duke of York, who did the same. The process was repeated twice more as Henry, Duke of Gloucester, and George, Duke of Kent, also signed the documents. The King stepped outside and inhaled the fresh morning air.1 To the King it smelled of freedom. After months of battling with his Prime Minister, Stanley Baldwin, and the Prime Minister’s allies in the establishment and the press, Edward was laying down the crown in order to marry the woman he loved, an American divorcee named Wallis Simpson. The next day the newspaper headlines across the world would broadcast the news of the King’s unprecedented decision. With the signing of the Instrument of Abdication, Edward had signed away his throne. The newspapers in both the United States and the United Kingdom that would report the abdication had played a major role in bringing about the fall of the King. While the British media had observed a blackout during most of the crisis, the media in the United States had reported the story of the King and Mrs. -
The House of Coburg and Queen Victoria: a Study of Duty and Affection
University of Nebraska at Omaha DigitalCommons@UNO Student Work 6-1-1971 The House of Coburg and Queen Victoria: A study of duty and affection Terrence Shellard University of Nebraska at Omaha Follow this and additional works at: https://digitalcommons.unomaha.edu/studentwork Recommended Citation Shellard, Terrence, "The House of Coburg and Queen Victoria: A study of duty and affection" (1971). Student Work. 413. https://digitalcommons.unomaha.edu/studentwork/413 This Thesis is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Student Work by an authorized administrator of DigitalCommons@UNO. For more information, please contact [email protected]. THE HOUSE OF COBURG AND QUEEN VICTORIA A STORY OF DUTY AND AFFECTION A Thesis Presented to the Department of History and the Faculty of the Graduate College University of Nebraska at Omaha In Partial Fulfillment of the Requirements for the Degree Master of Arts by Terrance She Ha r d June Ip71 UMI Number: EP73051 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Diss««4afor. R_bJ .stung UMI EP73051 Published by ProQuest LLC (2015). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProQuest LLC.