Moon Mullican Jambalaya Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Moon Mullican Jambalaya Mp3, Flac, Wma Moon Mullican Jambalaya mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Jambalaya Country: US Released: 1952 Style: Country, Western Swing MP3 version RAR size: 1735 mb FLAC version RAR size: 1677 mb WMA version RAR size: 1645 mb Rating: 4.5 Votes: 125 Other Formats: MMF AHX AUD FLAC APE MPC TTA Tracklist Hide Credits Jambalaya A Written-By – Hank Williams A Mighty Pretty Waltz B Written-By – Hoffman*, Gimble* Companies, etc. Published By – Acuff-Rose – A Published By – R.F.D. Music – B Notes both sides: Vocal by Moon Mullican With String Band Barcode and Other Identifiers Matrix / Runout (A side matrix code - label): 45-K3437 Matrix / Runout (A side matrix code - runout (etched)): K-45-3437----I Matrix / Runout (B side matrix code - label): 45-K3438 Matrix / Runout (B side matrix code - runout (etched)): K-45-3438----2 Rights Society (A): BMI Rights Society (B): ASCAP Other versions Category Artist Title (Format) Label Category Country Year Jambalaya / A Mighty Pretty 1106 Moon Mullican King Records 1106 US 1952 Waltz (Shellac, 10") Jambalaya / A Mighty Pretty 1106 Moon Mullican King Records 1106 US 1952 Waltz (Shellac, 10") Related Music albums to Jambalaya by Moon Mullican Moon Mullican - The End Of The Rainbow / Where Beautiful Flowers Grow Earl Bostic And His Orchestra - The Moon Is Low Moon Mullican - Country Boogie / Moonshine Blues Moon Mullican - Mr. Tears / Big, Big City Cowboy Copas, Moon Mullican, Red Sovine - Untitled Moon Mullican - I'll Sail My Ship Alone Moon Mullican - I Done It / Grandpa Stole My Baby Moon Mullican - You Got The Best Of Me Moon Mullican - Jambalaya / A Mighty Pretty Waltz Moon Mullican - Country Round-Up.
Recommended publications
  • TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
    THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much.
    [Show full text]
  • JAMES RAE “JIM” DENNY (1911-1963) Music Publisher
    JAMES RAE “JIM” DENNY (1911•1963) Music publisher, booking agent, long•time manager of the Grand Ole Opry, and promoter of Nashville’s music industry, was born in Buffalo Valley, Putnam County, TN. As a young man, Denny found work as a mail clerk with the National Life and Accident Insurance Company, parent organization to WSM and the Grand Ole Opry. With growing interest in country music, Denny was running the WSM Artists Service Bureau by 1946, booking Opry talent and other WSM acts. Denny eventually managed the Grand Ole Opry itself. Denny, along with his predecessor, Jack Stapp, is responsible for updating the face of the Opry. As promoters and developers of talent, they helped to transform the Opry from a popular barn dance to a showcase of country superstars, ensuring its growth and long•term success. During their tenure, the cast grew enormously, most major stars became Opry members, and an Opry appearance became a must goal for many performers. In 1954 Denny and Opry star Webb Pierce formed Cedarwood Publishing Company, for a time the most important publishing house in Nashville. Driftwood Music, a companion firm, was a partnership between Denny and Carl Smith, another Opry star. These business interests led to conflict of interest allegations by WSM and eventually Denny’s dismissal. With his knowledge of WSM operations, Denny achieved immediate success as a booking agent. The Jim Denny Bureau served most of the artists Denny had signed while at the Opry. Billboard magazine estimated that, by 1961, the bureau was handling over 3,300 personal appearances worldwide.
    [Show full text]
  • Whiskey River (Take My Mind)  I 
    whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
    [Show full text]
  • 1957 and 1961, Both My Life and Career
    1957 and 1961, both my life and career began to take shape under the tutelage of legendary Billboard music editor Paul Ackerman and then-chart editor Tom Noonan, who first opened the magazine’s doors to a fifteen-year-old kid. At that time, Billboard was certainly the com­ munications center of the music industry, and what I learned and saw and heard there has indeed served me well over the years. Far and away the monumental event - and one of the most important moments in my life - was meeting Syd Nathan at a Billboard record-review session one drizzly Wednesday night in March or April 1958. A lthough i had a french test coming up, Paul urged me to stay by saying, “This guy is one of the great indie record men a real character. He can’t see very well and wears these thick, will be around. We’ll listen to those next week. Syd, let’s have Coca-Cola-bottle glasses, has a big ring on his finger and talks your records.” Syd got up and threw his records - fortunately, with a deep, raspy voice due to previous illnesses, but you just unbreakable 45s - on the floor and said, “Y)u don’t step on a man must meet him. He’ll be overwhelmed by your knowledge of when he’s down. Listen to Jerry Blaine’s records, and you can save C&W and R&B, and you will understand and love him and see mine for next week.” Needless to say, a ll the records were what he is all about.” Paul was right: That meeting changed my reviewed, including ones by Little Willie John on Syd’s label King life and destiny and is probably the reason I am able to write a and the Cadillacs on Josie.
    [Show full text]
  • The Big List (My Friends Are Gonna Be) Strangers Merle Haggard 1948 Barry P
    THE BIG LIST (MY FRIENDS ARE GONNA BE) STRANGERS MERLE HAGGARD 1948 BARRY P. FOLEY A LIFE THAT'S GOOD LENNIE & MAGGIE A PLACE TO FALL APART MERLE HAGGARD ABILENE GEORGE HAMILITON IV ABOVE AND BEYOND WYNN STEWART-RODNEY CROWELL ACT NATURALLY BUCK OWENS-THE BEATLES ADALIDA GEORGE STRAIT AGAINST THE WIND BOB SEGER-HIGHWAYMAN AIN’T NO GOD IN MEXICO WAYLON JENNINGS AIN'T LIVING LONG LIKE THIS WAYLON JENNINGS AIN'T NO SUNSHINE BILL WITHERS AIRPORT LOVE STORY BARRY P. FOLEY ALL ALONG THE WATCHTOWER BOB DYLAN-JIMI HENDRIX ALL I HAVE TO DO IS DREAM EVERLY BROTHERS ALL I HAVE TO OFFER IS ME CHARLIE PRIDE ALL MY EX'S LIVE IN TEXAS GEORGE STRAIT ALL MY LOVING THE BEATLES ALL OF ME WILLIE NELSON ALL SHOOK UP ELVIS PRESLEY ALL THE GOLD IN CALIFORNIA GATLIN BROTHERS ALL YOU DO IS BRING ME DOWN THE MAVERICKS ALMOST PERSUADED DAVID HOUSTON ALWAYS LATE LEFTY FRIZZELL-DWIGHT YOAKAM ALWAYS ON MY MIND ELVIS PRESLEY-WILLIE NELSON ALWAYS WANTING YOU MERLE HAGGARD AMANDA DON WILLIAMS-WAYLON JENNINGS AMARILLO BY MORNING TERRY STAFFORD-GEORGE STRAIT AMAZING GRACE TRADITIONAL AMERICAN PIE DON McLEAN AMERICAN TRILOGY MICKEY NEWBERRY-ELVIS PRESLEY AMIE PURE PRAIRIE LEAGUE ANGEL FLYING TOO CLOSE WILLIE NELSON ANGEL OF LYON TOM RUSSELL-STEVE YOUNG ANGEL OF MONTGOMERY JOHN PRINE-BONNIE RAITT-DAVE MATTHEWS ANGELS LIKE YOU DAN MCCOY ANNIE'S SONG JOHN DENVER ANOTHER SATURDAY NIGHT SAM COOKE-JIMMY BUFFET-CAT STEVENS ARE GOOD TIMES REALLY OVER MERLE HAGGARD ARE YOU SURE HANK DONE IT WAYLON JENNINGS AUSTIN BLAKE SHELTON BABY PLEASE DON'T GO MUDDY WATERS-BIG JOE WILLIAMS BABY PUT ME ON THE WAGON BARRY P.
    [Show full text]
  • “The Stories Behind the Songs”
    “The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992.
    [Show full text]
  • Good 'N Country 3-6-2021 Playlist
    Good 'N Country 3-6-2021 playlist Artist Title Album Label Year Rhonda Vincent I'm Not Over You Giant 1993 Jerry Inman Make Room For The Blues Hillside 1980 Jimmy Collie My Heart And I Hickory 1954 Charlie Phillips Sugartime Coral 1957 Curtis Potter If We Look A Little Less Down In Texas Today (LP) Step One 1984 Debrae Time After Time Desperate Heart independent 2001 Robby Turner and Twin Guitar Special (inst.) Stardust 2004 the Stardust Studio band George Strait I Gotta Get To You Twang MCA 2009 Bill Dudley Dark Streets Capitol 1954 Hank Thompson A New Deal Of Love North Of The Rio Grande (LP) Capitol 1955 Lorene Mann So I Could Be Your Friend Re-Von 1964 Mel Tillis & Sherry Bryce You Are The One MGM 1974 Lacy J. Dalton Run Mustang Run Lacy J. Dalton & Friends Wild Horse 1999 Glen Campbell Unconditional Love Capitol 1991 Dickey Lee Baby, Bye Bye RCA Victor 1972 Roy Drusky Pick Of The Week Mercury 1964 Hank Williams & Hank Williams Jr. My Sweet Love Ain't Around Father And Son Again (LP) MGM 1966 Jim Reeves Yonder Comes A Sucker RCA Victor 1955 Webb Pierce Strong Chains Of Love Hideaway Heart (LP) Decca 1962 Moon Mullican I'll Sail My Ship Alone King 1950 Betty Amos Yes Ma'am Mama Mercury 1955 Charley Pride I'd Rather Love You RCA Victor 1971 Ed Bruce You're The Best Break This Old Heart MCA 1981 Ever Had Sara Evans No Place That Far (w/ Vince Gill) RCA 1998 Johnny Paycheck Down At Kelly's Johnny Paycheck Sings Jukebox Charlie (LP) Little Darlin' 1967 Nita, Rita & Ruby Rock Love RCA Victor 1955 Waylon Jennings Mental Revenge RCA Victor 1967 Ferlin Husky The Waltz You Saved For Me Capitol 1962 Jimmie Widener There's A New Day Tomorrow King 1946 Grandpa Jones Y'All Come RCA Victor 1953 George Hamilton IV Dirty Old Man RCA Victor 1972 Hugh X.
    [Show full text]
  • Artist with Title Writer Label Cat Year Genre
    Artist With Title Writer Label Cat Year Genre Notes Album Synopsis_c Anonymous Uncle Tom’s Cabin No Label 0 Comedy Anonymous - Uncle Tom’s Cabin, No Label , 78, ???? Anonymous The Secretary No Label 0 Comedy Anonymous - The Secretary, No Label , 78, ???? Anonymous Mr. Speaker No Label 0 Comedy Anonymous - Mr. Speaker, No Label , 78, ???? Anonymous The Deacon No Label 0 Comedy Anonymous - The Deacon, No Label , 78, ???? Anonymous First Swimming Lesson Good-Humor 10 0 Comedy Anonymous - First Swimming Lesson, Good-Humor 10, 78, ???? Anonymous Auto Ride Good-Humor 4 0 Comedy Anonymous - Auto Ride, Good-Humor 4, 78, ???? Anonymous Pioneer XXX, Part 1 No Label 0 Comedy Anonymous - Pioneer XXX, Part 1, No Label , 78, ???? Anonymous Pioneer XXX, Part 2 No Label 0 Comedy Anonymous - Pioneer XXX, Part 2, No Label , 78, ???? Anonymous Instrumental w/ lots of reverb No Label 0 R&B Anonymous - Instrumental w/ lots of reverb, No Label , 78, ???? Coy and Helen Tolbert There’s A Light Guiding Me Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - There’s A Light Guiding Me, Chapel Tone 775, 78, ???? Coy and Helen Tolbert Old Camp Meeting Days R. E. Winsett Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - Old Camp Meeting Days (R. E. Winsett), Chapel Tone 775, 78, ???? Donna Lane and Jack Milton Henry Brandon And His Orchestra Love On A Greyhound Bus Blane - Thompson - Stoll Imperial 1001 0 Vocal Donna Lane and Jack Milton - Love On A Greyhound Bus (Blane - Thompson - Stoll), Imperial 1001, 78, ???? G. M. Farley The Works Of The Lord Rural Rhythm 45-EP-551 0 Country G.
    [Show full text]
  • Jerry Lee Lewis Great Balls of Fire Moon Mullican I'll
    Titelliste der Sendung “Country Special” vom 27.9.2015 JERRY LEE LEWIS GREAT BALLS OF FIRE MOON MULLICAN I'LL SAIL MY SHIP ALONE JERRY LEE LEWIS CRAZY ARMS ELVIS PRESLEY DON'T BE CRUEL JOHNNY CASH GET RHYTHM JERRY LEE LEWIS WHOLE LOTTA SHAKIN' GOING ON JERRY LEE LEWIS IT'LL BE ME CARL PERKINS BOPPIN' THE BLUES JERRY LEE LEWIS HIGH SCHOOL CONFIDENTIAL JERRY LEE LEWIS I'M ON FIRE JERRY LEE LEWIS ANOTHER PLACE, ANOTHER TIME WHAT'S MADE MILWAUKEE FAMOUS (HAS MADE A LOSER OUT OF JERRY LEE LEWIS ME) JERRY LEE LEWIS/LINDA GAIL LEWIS DON'T LET ME CROSS OVER JERRY LEE LEWIS CHANTILLY LACE MICKEY GILLEY CITY LIGHTS JERRY LEE LEWIS MIDDLE AGE CRAZY JERRY LEE LEWIS/GEORGE JONES DON'T BE ASHAMED OF YOUR AGE HANK WILLIAMS YOU WIN AGAIN JERRY LEE LEWIS YOUR CHEATIN' HEART JERRY LEE LEWIS ONCE MORE WITH FEELING CARLENE CARTER/DAVE EDMUNDS BABY RIDE EASY JUNE CARTER NO SWALLERIN' PLACE CARL SMITH LOSE TALK CARLENE CARTER I FELL IN LOVE CARLENE CARTER IT TAKES ONE TO KNOW ME JOHNNY CASH THE BEAST IN ME CARLENE CARTER EVERY LITTLE THING EMMYLOU HARRIS EASY FROM NOW ON CARLENE CARTER ME AND THE WILDWOOD ROSE MARTY ROBBINS SINGING THE BLUES LEFTY FRIZZELL CIGARETTES AND COFFEE BLUES MARTY ROBBINS EL PASO RANDY TRAVIS DON'T WORRY MARTY ROBBINS DEVIL WOMAN LAURIE LEWIS AND GRANT STREET WHEN THE CACTUS IS IN BLOOM JERRY LEE LEWIS PROMISED LAND JERRY LEE LEWIS THIRTY-NINE AND HOLDING .
    [Show full text]
  • ROCK'n'roll's 1ST DECADE Week
    ROCK'N'ROLL’S 1ST DECADE Week One: The Roots of Rock Recommended Listening: The Delmore Brothers, Freight Train Boogie (Ace, 1993). Country-boogie songs from 1946-51 by this brother duo, whose more uptempo material was not only some of the finest country music of the era, but an important building block of rockabilly and early rock & roll. Fats Domino, The Early Imperial Singles 1950-1952 (Ace, 1996 & 1997). Thorough collections of the first few years or so of singles by the most important early New Orleans rock'n'roll star, whose singles of the early 1950s weren't all that different from the pop hits he had after rock took off. The Drifters, Let the Boogie-Woogie Roll: Greatest Hits 1953-1958 (Atlantic, 1988). Perhaps the most consistent, and certainly one of the most important, of the doo wop groups that had their first success prior to 1955. This has their mid-1950s R&B hits, some of them featuring lead singer Clyde McPhatter. The Drifters who had numerous early soul hits in the late 1950s and early 1960s had entirely different personnel, and were linked to this version of the group only by the trademark name. Bill Haley & His Comets, Rock the Joint! The Original Essex Recordings 1951-1954 (Rollercoaster, 1992). Bill Haley & His Comets were the first white band to fuse rhythm and blues with country music into something recognizable as rock'n'roll, and were doing so for four years before "Rock Around the Clock" became the first huge rock hit. This has those early recordings, including one from 1952 ("Rock the Joint") quite similar to "Rock Around the Clock," and his first single to become a Top Twenty pop hit, 1953's "Crazy, Man, Crazy." John Lee Hooker, The Legendary Modern Recordings 1948- 1954 (Flair/Virgin, 1993).
    [Show full text]
  • Collection 674 Robert & Laurie Gentry Collection Inventory Box Folder
    Collection 674 Robert & Laurie Gentry Collection Inventory Box Folder Description ----------------------------------------------------------------------------------------------------------------------- Box 1 1 General information about Robert Gentry 2 Interview of Horace Logan at home in Seadrift, TX (4 tapes & transcription) 3 Johnny Horton song book (copy) 4 Claude King information 5 German Battleship Bismark information 6 Skyline Club 7 Johnny Horton album covers 8 Charlie “Cat” Canfield 9 Interview with Billy Walker 10 Researched list of Hank Williams show dates 11 Country Song Roundup magazine – March 1976 12 Johnnie & Jack booklet from CD album 13 Screen shots from Johnny Horton Johnny Reb promotion video 14 Photos of Hank Williams posters and list of Hank Williams publications 15 Photos of Hank Williams items on display at the Tennessee Performing Arts Center 16 Photo of Robert Gentry, Glen Sutton and Merle Kilgore at Tillman Franks book signing 17 Photos (copies) of Johnny Horton fishing trip in Florida 18 Photo of Jay Chevallier speaking at Long seminar 19 Photos of a group that toured Municipal Auditorium 1 Collection 674 Robert & Laurie Gentry Collection Inventory Box Folder Description ----------------------------------------------------------------------------------------------------------------------- 20 Photos of Tillman Franks book signing 21 Photos of Johnny Horton Ed Sullivan ad, album covers, Austin Skyline Club memento, Cormac record, red vinyl record (CD) 22 Photocopy of How to Write & Sell Songs by Hank Williams
    [Show full text]
  • Cash Box , Music Page 17 January , Trophies
    23 1954 The Cash Box , Music Page 17 January , Trophies TORONTO TOPICS: The big news hereabouts is Carl Smith’s current engagement at the Casino Theatre. The Columbia Record’s star is backed by a strong bill of folk artists; Moon Mullican (Quality-King Records), the king of hillbilly piano platters, the Tunesmiths and Annie Lou & Danny, the singing sweethearts from Nashville. This Grand is folk Ole Opry road company the second ,,, talent bill to play the Queen street Vaude House and is packing them in much as Canuck Hank Snow, RCA Victor, did when he played this house a couple of | months back. Fred Roden of Roden’s Record Cor- j ral has been doing a bang-up job getting his folk following down to see Carl and reports that Carl’s and Moon’s platters are selling like hot disks—which CHARMING: they always are around here. Moon Mullican endeared NEW YORK — Capitol’s Les Paul : The Gal with the himself to the Canuck music men when he recorded i and Mary Ford display some of their Sweet Voice—her “A Crushed Red Rose (And Blue Ribbon)” i A Faded music trophies in their home. The hus- MOOD RECORD- and the local tunesmiths and publishers were avidly band and wife recording team hold INGS Get First looking forward to his appearance at the theatre. Choice. Folk music continues to be the money-draw hereabouts three of the four gold records re- and rumor has it that this year’s Canadian National MARY MAYO ceived for passing the million mark Exhibition will have Roy Rogers, Dale Evans, and on “How High The Moon”, “Mocking fheir troupe as headliners.
    [Show full text]