Victoria Season 3 on MASTERPIECE

Total Page:16

File Type:pdf, Size:1020Kb

Victoria Season 3 on MASTERPIECE Trusted. Valued. Essential. FEBRUARY 2019 Victoria Season 3 ON MASTERPIECE Vegas PBS A Message from the Management Team General Manager General Manager Tom Axtell, Vegas PBS Educational Media Services Director Niki Bates Production Services Director Kareem Hatcher Business Manager Brandon Merrill Content Director Cyndy Robbins Workforce Training & Economic Development Director African-American Debra Solt Corporate Partnerships Director History Month Bruce Spotleson Engineering, IT and Emergency Response Director n his declaration of February as African-American History Month, our President John Turner called on all Americans to reflect on the African-Americans who “through toil Southern Nevada Public Television Board of Directors and struggle with courageous actions have broken barriers and made America a Executive Director better place to live.”This month our schedule includes specials that explore local Tom Axtell, Vegas PBS and national African-American experiences that have required political toil and President Istruggle, inspired artistic expression and made America a better place. Vegas PBS is Nancy Brune, Guinn Center for Policy Priorities pleased to highlight these impactful stories and hope you will find them engaging and Vice President inspiring. Thomas Warden, The Howard Hughes Corporation Three episodes of American Masters plus several documentaries and performances Secretary review the ability of entertainers, film makers and artists to overcome racial divides. Clark Dumont, M.S., APR, Dumont Communications, LLC We lead with the story of a Las Vegas legend in Sammy Davis Jr.: I’ve Gotta Be Me. Treasurer The complicated history of the Geraldine Tomich, Marquis Aurbach Coffing American South is revealed through ...our schedule includes Chair, Community Council its music in the life of a famous coun- Thomas Gallagher, TreVista Group, LLC try music star in Charlie Pride: I’m specials that explore local Chair, Planned Giving Council “ Just Me Geraldine Tomich, Marquis Aurbach Coffing . We also explore the life and and national African- work of “A Raisin in the Sun” play- Board Members wright in Lorraine Hansberry. Live American experiences...” Vince Alberta, University Nevada Las Vegas from Lincoln Center: Pipeline fea- Linda Ammons, Community Volunteer tures Dominique Morisseau’s riveting new play that follows an inner-city teacher who Tracy Bower, Desert Research Institute is desperate to give her son opportunities her students may never experience. A popu- Cheryl (Cheri) Colbus, US Bank lar blues artist and hip-hop supergroup entertain us on Austin City Limits: Buddy Bill Curran, Ballard Spahr, LLP Guy/August Greene. Mo Denis, Nevada State Senator The documentary Hale County This Morning, This Evening offers a lyrical take on Jason Gastwirth, Caesars Entertainment portraiture and questions the frameworks that have characterized the presentation of Stephen Greathouse, Las Vegas Hotel & Gaming Industry, retired African-Americans in film. Independent Lens: Black Memorabilia investigates the Dema Guinn, Community Volunteer market and collectors of racist antiques and a Black artist working to reclaim these Nora Luna, Nathan Adelson Hospice Marydean Martin, Marydean & Associates depictions. Steve Seroka, Las Vegas City Councilman Locally, we explore the momentous events that defined African-American history in Southern Nevada with Vegas PBS’ documentary African Americans: The Las Vegas Contact Vegas PBS with comments and suggestions: Experience. The documentary tells the rich history of African-Americans in the city. Vegas PBS & Southern Nevada Public Television Firsthand accounts, archival footage and detailed recreations put Las Vegas’ Civil 3050 E. Flamingo Road, Las Vegas, Nevada 89121 702.799.1010 • Fax 702.799.2806 Rights era in context, letting viewers in on this fundamental piece of our local identity. VegasPBS.org • email: [email protected] Broadway in the Hood: An artScene Special explores the role of performance art to Vegas PBS Source, Volume No. 2, 2019 motivate and inspire a community in performance at the West Las Vegas Library. Vegas PBS seeks to serve all viewers in our region with programming that educates Anton Tielemans, Vegas PBS Source Art Director and entertains. Victoria on Masterpiece, the life of Roman Emperor Nero, secrets of Egyptian pyramids, living volcanoes, arctic wolves, Vikings, a new Pinkalicious and Peterrific series for kids and some great cooking recipes add to the spice and diversi- ty of the February programming your membership makes possible. Tom Axtell This magazine is printed on recycled paper FEBRUARY 2019 5 February 2019 Contents Cover Story 8 The Royal Treatment This month we have a fabulous regal lineup of royal programming featuring stories of the British monarchy. Departments 5 Message to Our Members Letter from General Manager Tom Axtell 14 Upcoming Member Events 20 A Message from the Educational Media Services Director Features 10 History History, Modern and Ancient 12 Science & Nature Think Wednesday 15 Locals Vegas PBS Productions 17 How-To Christopher Kimball’s Milk Street 8 18 Arts The Finest in the Arts 23 Biographies Biographies of Legendary Americans 32 Best of Vegas PBS 33 Nazi Mega Weapons Season 1 Marathon 34 Celebrating President’s Day 35 Celebrating Black History Month 37 Vegas PBS Rewind/Worldview/Jackpot! Program Menu 10 12 21 Weekdays/Children’s Lineup 24 Primetime Programming 32 Weekend Daytime Programming 36 Vegas PBS Create Programming 36 Vegas PBS Channels 38 Vegas PBS Sponsors 18 35 FEBRUARY 2019 7 COVER STORY The Royal Treatment Sundays in February This month we have a fabulous regal lineup of royal programming featuring stories of the British monarchy. Victoria Season 3 on Masterpiece Victoria Season 3 tures of the Royal family are made public. Sponsored by: on Masterpiece Janice Allen February 24 Albert and Palmerston put Sundays at 9 p.m. their reputations on the line, and Victoria must The new season of this captivating drama fight against her better judgement to decide continues with the story of Victoria’s rule over where to place her allegiance. the largest empire the world has ever known. March 3 (season finale) The world’s eyes are The young Queen is facing a crisis that threat- on the Great Exhibition and the Royal couple. ens to end her reign, chiefly the Revolutions Does triumph or failure beckon? Each week’s of 1848, when the downtrodden throughout new episode will encore the following Sunday Europe begin agitating for the overthrow of at 8 p.m. aristocratic rule. Victoria & Albert: In England, this discontent leads to The Wedding Chartism, a set of demands for universal male Victoria & Albert:The Wedding suffrage, the secret ballot, equal representa- Sunday, February 3 from tion for voters and other reforms that were Passion is also an issue in the bedroom at 10 p.m. - Midnight considered radical by leading political figures Buckingham Palace, where Victoria is reluc- This entertaining two-part series provides an during Victoria’s reign. As with many cru- tant to risk more pregnancies. Parents now of insider’s look into the elaborate planning that sades, passions are aroused on both sides — six, Victoria and Albert find themselves at went into one of the most famous weddings of sometimes violently. At the time, who knew if odds about their offspring, especially the trou- all time: the romantic 1840 union of Queen events might turn out like the French bled Bertie, the role of the monarchy and Victoria and her consort Prince Albert. With Revolution, which resorted to widespread use increasingly with each other. the help of a team of experts, popular Royal of the guillotine? historian Lucy Worsley oversees the meticulous EPISODES: recreation of the most important elements of ...who knew if events February 3 As Albert leaves for Cambridge, the wedding celebration, scouring history Victoria faces the impact of a cholera epidem- might turn out like the books, archives, newspapers and even Victoria’s “ ic in London. own diaries for details. French Revolution, which February 10 The Royals visit Ireland, where Lucy is joined by food historian Annie Gray, resorted to widespread intrigue, conflict and romance all blossom dur- clothing expert Harriet Waterhouse, military ing their stay. historian Jasdeep Singh and more. From the use of the guillotine?” February 17 A Georgian ball at the Palace bouquet and the beautifully tiered cake to the could not come at a worse time as private pic- music for the ceremony and the wedding gown 8 VEGAS PBS SOURCE — Victoria’s game-changing white dress start- ed a tradition that still lives on — each ele- ment has been carefully researched, remade by hand, and finally put to use in a joyous recre- ation of the big day itself. Throughout, Lucy and her team unpack and explore the hidden iconography and symbolism of this hugely significant wedding. They uncov- er new insights into Victoria and Albert’s rela- tionship, both public and private, and shed fas- cinating new light on the broader implications of the wedding. Margaret: The Rebel Princess Sundays, February 10 and 17 at 10 p.m. This special is an insightful new two-part biography of Princess Margaret, Queen Elizabeth’s beautiful and rebellious younger sister. Featuring rare footage and interviews with those who knew her best, the series offers unparalleled insight into Margaret’s turbulent life and times. Her unique position as the Queen’s younger sister in a changing Britain left her free to experiment and push bound- aries, yet she was forever judged by a public and press beginning to question the very idea of a monarchy. While Margaret often followed the rigid rules under which she was raised, she also stepped outside those rules and into scan- Margaret: The Rebel Princess dal. A complicated and contradictory princess, her story parallels her era, when the rules of always wise, from Peter Townsend, a married It’s now 1962 and it is evident how times social norms were being rewritten and a freer, aide to her father,to her dashing yet philander- are changing, from increased liberation for more egalitarian society was emerging.
Recommended publications
  • 'Duncanville' Is A
    Visit Our Showroom To Find The Perfect Lift Bed For You! February 14 - 20, 2020 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 The animated, Amy Poehler- T M O T H U Q Z A T T A C K P Your Key produced 2 x 3" ad P U B E N C Y V E L L V R N E comedy R S Q Y H A G S X F I V W K P To Buying Z T Y M R T D U I V B E C A N and Selling! “Duncanville” C A T H U N W R T T A U N O F premieres 2 x 3.5" ad S F Y E T S E V U M J R C S N Sunday on Fox. G A C L L H K I Y C L O F K U B W K E C D R V M V K P Y M Q S A E N B K U A E U R E U C V R A E L M V C L Z B S Q R G K W B R U L I T T L E I V A O T L E J A V S O P E A G L I V D K C L I H H D X K Y K E L E H B H M C A T H E R I N E M R I V A H K J X S C F V G R E N C “War of the Worlds” on Epix Bargain Box (Words in parentheses not in puzzle) Bill (Ward) (Gabriel) Byrne Aliens Place your classified Classified Merchandise Specials Solution on page 13 Helen (Brown) (Elizabeth) McGovern (Savage) Attack ad in the Waxahachie Daily Light, Merchandise High-End 2 x 3" ad Catherine (Durand) (Léa) Drucker Europe Midlothian Mirror and Ellis Mustafa (Mokrani) (Adel) Bencherif (Fight for) Survival County Trading1 Post! x 4" ad Deal Merchandise Word Search Sarah (Gresham) (Natasha) Little (H.G.) Wells Call (972) 937-3310 Run a single item Run a single item priced at $50-$300 priced at $301-$600 for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily Light, ‘Duncanville’ is a new Midlothian Mirror and Ellis County Trading2 x 3.5" Post ad and online at waxahachietx.com All specials are pre-paid.
    [Show full text]
  • A Capitol Fourth Monday, July 4 at 8Pm on WOSU TV Details on Page 3 All Programs Are Subject to Change
    July 2016 • wosu.org A Capitol Fourth Monday, July 4 at 8pm on WOSU TV details on page 3 All programs are subject to change. VOLUME 37 • NUMBER 7 Airfare (UPS 372670) is published except for June, July and August by: WOSU Public Media 2400 Olentangy River Road, Columbus, OH 43210 614.292.9678 Copyright 2016 by The Ohio State University. All rights reserved. No part of this magazine may be reproduced in any form or by any means without express written permission from the publisher. Subscription is by a Columbus on the Record celebrates a Milestone. minimum contribution of $60 to WOSU Public Media, of which $3.25 is allocated to Airfare. Periodicals postage paid at Columbus, Ohio. WOSU Politics – A Landmark Summer POSTMASTER: Send address changes to Airfare, 2400 Olentangy River Road, Columbus, OH 43210 This will be a special summer of political coverage on WOSU TV. Now in its eleventh season, Columbus on the Record will celebrate its 500th episode in July. When it debuted in January, WOSU Public Media 2006, Columbus on the Record was the only local political show on Columbus broadcast TV. General Manager Tom Rieland Hosted by Emmy® award-winning moderator Mike Thompson, Columbus on the Record has Director of Marketing Meredith Hart become must-watch TV for political junkies and civic leaders around Ohio. The show, with & Communications its diverse group of panelists, provides thoughtful and balanced analysis of central Ohio’s Membership Rob Walker top stories. “The key to the show is our panelists, all of them volunteers,” says Thompson Friends of WOSU Board who serves as WOSU’s Chief Content Director for News and Public Affairs.
    [Show full text]
  • Witness (1985 Film)
    Witness (1985 film) From Wikipedia, the free encyclopedia Jump to: navigation, search Witness Original poster Directed by Peter Weir Produced by Edward S. Feldman William Kelley Written by Pamela Wallace Earl W. Wallace Harrison Ford Kelly McGillis Jan Rubes Starring Danny Glover Lukas Haas Viggo Mortensen Music by Maurice Jarre Cinematography John Seale Editing by Thom Noble Distributed by Paramount Pictures Release date(s) February 8, 1985 Running time 112 minutes Country United States Language English Budget $12,000,000 (estimated) Gross revenue $68,706,993 (US) [1] Witness is a 1985 American thriller film directed by Peter Weir and starring Harrison Ford and Kelly McGillis. The screenplay by William Kelley, Pamela Wallace, and Earl W. Wallace focuses on a detective protecting a young Amish boy who becomes the target of a ruthless killer after he witnesses a brutal murder in Philadelphia's 30th Street train station. The film was nominated for eight Academy Awards and won two, for Best Original Screenplay and Best Film Editing. It was also nominated for seven BAFTA Awards, winning one for Maurice Jarre's score, and was also nominated for six Golden Globe Awards. William Kelley and Earl W. Wallace won the Writers Guild of America Award for Best Original Screenplay and the 1986 Edgar Award for Best Motion Picture Screenplay presented by the Mystery Writers of America. The film is also notable as the screen debut of future stars Viggo Mortensen and Lukas Haas. The film's script is a frequent model for budding screenwriters, often used to display clear structure in a script.
    [Show full text]
  • Franchelle Stewart Dorn, M.F.A
    FRANCHELLE STEWART DORN, M.F.A. 4216 Scales St. Office: (512) 232-7097 Austin, Texas 78723 Home: (512) 840-0075 _______________________________________________________________________ [email protected] CURRENT POSITION The University of Texas at Austin, Department of Theatre and Dance, Virginia L. Murchison Regents Professor. Teach scene study method loosely based on Stanislavsky technique at the undergraduate levels. Specializing in acting Shakespeare. EDUCATION Yale University School of Drama, New Haven, M.F.A. in Acting, 1975 Finch College, New York City, BA in Theatre Arts, 1972 Ineamus Meliora Honor Society. Concentration in Acting/Theater History. EXPERIENCE • Teacher. Forty-five years teaching acting for the stage at several universities and conservatories. • Actor. Forty-five years professional work on regional stage, on television and in film. Current union member of AEA, AFTRA and SAG. • Producer. Eight years as educational film producer. Own company. • Artistic Director/Executive Vice President. Co-founder and co-designer of the first on-line theatrical company. Own company. (Detailed information on the following pages) 1 TEACHING University of Texas at Austin, Department of Theatre and Dance: Virginia L Murchison Regents Professor, January 2000 – present TD 303S Acting for Non-Majors. An overview of modern American realism. The course utilizes games, improvisations, exercises (vocal and physical), open scenes and published contemporary plays to introduce students to basic acting techniques. TD 313C Acting I. Non-text based process. Exploration of the actor’s instrument – body, voice, imagination. Learn the rudiments of emotion, endowing properties and space, finding objectives, action and obstacles. Learn to follow impulses and interact with a partner. TD 313D Acting II.
    [Show full text]
  • 6AM Wild Kratts 6AM Mr. Rogers 6AM Wealth Track with Consuelo Mack
    WEEKDAYS SATURDAYS SUNDAYS 6AM Wild Kratts 6AM Mr. Rogers 6AM Wealth Track With Consuelo Mack 6:30 Cat In The Hat 6:30 Dinosaur Train 6:30 Motorweek 7AM Ready, Jet Go! 7AM Bob The Builder 7AM Sesame Street 7:30 Wild Kratts 7:30 Daniel Tiger's 7:30 Daniel Tiger's Neighborhood 8AM Curious George 8AM Pinkalicious 8AM Pinkalicious 8:30 Curious George 8:30 Woodsmith Shop 8:30 Splash & Bubbles 9AM Pinkalicious 9AM Woodwright's Shop 9AM Curious George 9:30 Daniel Tiger's 9:30 This Old House 9:30 Nature Cat 10AM Daniel Tiger's 10AM Ask This Old House 10AM NOVA 10:30 Splash & Bubbles 10:30 Rick Steves' Europe 11AM NATURE 11AM Sesame Street 11AM 6-May Noon Masterpiece: Endeavour Season 4 Antiques Roadshow 11:30 Super Why 11:30 3PM Little Women, A Timeless Story NOO Dinosaur Train NOO 3:30 Masterpiece: Downton Abbey Great British Baking Show 12:30 Peg & Cat 12:30 5PM Weekend With Yankee 1PM Sesame Street 1PM Simply Ming 5:30 PBS Newshour Weekend 1:30 Splash & Bubbles 1:30 Lidia's Kitchen 6PM Father Brown 2PM Curious George 2PM Plates & Places 7PM Crimson Field 2:30 Pinkalicious 2:30 Martha Bakes 13-May Noon Masterpiece: Endeavour Season 4 3PM Nature Cat 3PM America's Test Kitchen 3PM Masterpiece: Downton Abbey 3:30 Wild Kratts 3:30 New Orleans Kitchen 5PM Weekend With Yankee 4PM Wild Kratts 4PM British Antiques Roadshow 5:30 PBS Newshour Weekend 4:30 Odd Squad 4:30 6PM Father Brown Lawrence Welk 5PM Odd Squad 5PM 7PM Little Women, A Timeless Story 5:30 Arthur 5:30 PBS News Weekend 7:30 Orchard House: The Home Of Little Women 6PM BBC World News America 6PM Doctor Blake Mysteries 20-May Noon GP at the Met: La Boheme 6:30 7PM Midsomer Murder 2:30 Opera Reimagened PBS Newshour 7PM 3PM Masterpiece: Downton Abbey 7:30 Various/British Antiques 5PM Weekend With Yankee Roadshow 5:30 PBS Newshour Weekend 6PM Father Brown Exceptions: 7PM Mark Twain's Journey To Jerusalem Mon.
    [Show full text]
  • PBS Newshour Coverage Of
    Prehistoric Road Trip | 13 American Masters/Terrence McNally | 18 WCRB’s Updated Mobile App | 27 wgbh.org ON AIR, ONLINE, ON THE GO MEMBER GUIDE | JUNE 2020 Summer is a critical time to keep kids engaged in learning, and we’re here to help. This past spring, students everywhere used our distance learning tools to keep growing and exploring the world around them. In partnership with PBS, our special blocks of commercial-free public media programs provided critical at-home learning for 6th through 12th graders across the country. As always, PBS LearningMedia gave teachers and students alike access to thousands of free, standards-based lesson plans and activities so they didn’t have to skip a beat. Your support made this momentum possible, and we won’t stop here. Our efforts will continue through the summer, giving kids the resources they need to keep moving forward. Whether it’s learning about the summer solstice or Freedom Summer, we’re here for kids and it’s all because of you. wgbh.org/distancelearning PBSLearningMedia.org Where to Tune in From the President TV Voices of Diversity f we’ve learned anything over the past few months, I it’s how our own worlds can be compressed into a Digital broadcast FiOS RCN Cox Charter TV YouTube Comcast few small rooms. Public media programs have always brought the world to WGBH 2 2.3 2 2 2 2 2 * us, and this month we’re pleased to continue that mission, sharing cultures WGBH 2 HD 2.1 802 502 602 1002 782 n/a from across the globe and close to home.
    [Show full text]
  • WLJT Children's Programming Schedule
    WLJT Children’s Programming Schedule Sundays Weekdays Saturdays Daniel Tiger’s 5 a.m. Clifford the Big Red Dog 5 a.m. Sesame Neighborhood 5:30 Street Wild Kratts Bob the Builder 5:30 6 a.m. Arthur Thomas & Friends 6 a.m. 6:30 Martha Speaks 6:30 7 a.m. Curious George 7 a.m. 7:30 Cat in the Hat Knows a Lot About That 7:30 More than 21 million children watch PBS 8 a.m. Super Why 8 a.m. KIDS on TV, and 8:30 Dinosaur Train 8:30 more than 20 million engage with PBS 9 a.m. Sesame Street 9 a.m. KIDS online each 10 a.m. Daniel Tiger’s Neighborhood 10 a.m. quarter. PBS is 10:30 Sid The Science Kid 10:30 the #1 source of Several PBSKIDs TV and 11 a.m. Word World 11 a.m. online co programs were ntent use by p d re-K tea named winners in 11:30 Barney & Friends 11:30 chers in Great family the cla the 2012 Teachers’ ssroom. 12 p.m. programs such as Martha Speaks 12 p.m. Choice Awards. Great “how to” NOVA, NATURE, Daniel Tiger’s 12:30 programs for the 12:30 THE LAWRENCE Neighborhood whole family 1 p.m. WELK SHOW, Super Why 1 p.m. including VICTORY 1:30 ANTIQUES Dinosaur Train 1:30 GARDEN, THIS ROADSHOW, Cat in the Hat Knows a 2 p.m. OLD HOUSE, 2 p.m. NEWSMAKERS Lot About That BEST OF JOY OF Preschoolers from low 2:30 and local high Curious George 2:30 For the 14th year in PAINTING, income communities school and 3 p.m.
    [Show full text]
  • Highlights January 2021
    Highlights January 2021 Elizabeth is Missing Jazz Boss: The Black Experience on Masterpiece Sundays, beginning January 10 at 9 p.m. in Business Wednesday, January 6 at 9 p.m. Filmmaker Ken Burns tells the story of Thursday, January 28 at 9 p.m. Glenda Jackson stars as a woman desperately jazz — the quintessential American art form. The untold story of African American entre- trying to solve two mysteries as she declines The ten-part series features 75 interviews, preneurship, where skill, industriousness, even deeper into dementia in this adaptation more than 500 pieces of music, 2,400 still ingenuity and sheer courage in the face of of Emma Healey’s acclaimed novel. photographs and more than 2,000 archival overwhelming odds provide the backbone film clips. of this nation’s economic and social growth. SATURDAYS • AM • 1/2 • AM • 1/9 • AM • 1/16 • AM • 1/23 • AM • 1/30 12:00 GREAT 12:00 FRONTLINE 12:00 IN CONCERT AT THE 12:00 IN CONCERT AT THE 12:00 IN CONCERT AT THE PERFORMANCES 2:00 AMANPOUR & CO HOLLYWOOD BOWL HOLLYWOOD BOWL HOLLYWOOD BOWL 1:30 BEYOND THE CANVAS 3:00 WASHINGTON WEEK 1:00 GREAT 1:00 GREAT 1:00 LIDIA CELEBRATES 2:00 AMANPOUR & CO 3:30 FIRING LINE PERFORMANCES PERFORMANCES AMERICA 3:00 WASHINGTON WEEK 4:00 FRONTLINE 2:00 AMANPOUR & CO 2:00 AMANPOUR & CO 2:00 AMANPOUR & CO 3:30 FIRING LINE 6:00 CHILDREN’S 3:00 WASHINGTON WEEK 3:00 WASHINGTON WEEK 3:00 WASHINGTON WEEK 4:00 GREAT PROGRAMMING 3:30 FIRING LINE 3:30 FIRING LINE 3:30 FIRING LINE PERFORMANCES • PM • 4:00 IN CONCERT AT THE 4:00 IN CONCERT AT THE 4:00 IN CONCERT
    [Show full text]
  • Program Guide January 2021 Vol
    PROGRAM GUIDE JANUARY 2021 VOL. 51 NO. 1 Premieres Sunday, January 10, at 9:00 p.m. ELIZABETH IS MISSING PBS AMERICAN PORTRAIT JAZZ: A FILM BY KEN BURNS ON MASTERPIECE Premieres Tuesday, Premieres Thursday, Sunday, January 3, at 9:00 p.m. January 5, at 9:00 p.m. January 7, at 9:30 p.m. MISS SCARLET AND THE DUKE AGATHA CHRISTIE’S THE LONG SONG ON MASTERPIECE ENGLAND ON MASTERPIECE Sunday, January 17, at 8:00 p.m. Sunday, January 24, at 10:00 p.m. Sunday, January 31, at 10:00 p.m. FRIDAY, JAN 1 MONDAY, JAN 4 10:00 A Place to Call Home Own Worst Enemy 8:00 Washington Week 8:00 Antiques Roadshow 11:00 Austin City Limits 8:30 Firing Line with Margaret Hoover American Stories Foo Fighters 9:00 Great Performances 9:00 Scotland’s Scenic Railways Rock Austin City Limits From Vienna: The New Year’s 10:00 Independent Lens Celebration 2021 A Woman’s Work: 10:30 Beyond the Canvas The NFL’s Cheerleader Problem SUNDAY, JAN 10 All About the Music 11:00 Amanpour and Company 9:00 Classic Gospel 11:00 Amanpour and Company 10:00 Pennsylvania Folklore: TUESDAY, JAN 5 Woven Together SATURDAY, JAN 2 10:30 Digging Deeper 8:00 Finding Your Roots 11:00 Journeys in Japan 9:00 This Old House Breaking The Silences 11:30 Trails to Oishii Tokyo 9:30 American Woodshop 9:00 PBS American Portrait 12:00 Les Stroud’s Wild Harvest 10:00 Woodsmith Shop I Dream 12:30 Christopher Kimball’s 10:30 This American Land 10:00 FRONTLINE Milk Street Television 11:00 Growing a Greener World: 11:00 Amanpour and Company 1:00 The Great British Baking Show Critter Control 2:00 Lidia’s Kitchen
    [Show full text]
  • Rob Daiker Est
    DECONSTRUCTION OREGON VENUE GUIDE NXNW FIVE #99 IS 100 RILEY’S EYES OREGON MUSIC / SEPTEMBER 1999 LUTHER RUSSELL FEDERALE photo Buko and the American Federation of Musicians Local 99 present thethe SSummitummit NW Music & New Media Seminar A two-day intensive seminar and trade show featuring the foremost experts Topics include: on music and the The Relevance of Labels in the Internet Internet Era September 29 and 30, 1999 Distribution, Public Relations, Today 9:30 am at the and Tomorrow Scottish Rite Ctr., Musicians' Protections and 709 SW 15th Ave, Portland Responsibilities $50 pre-event, Intellectual Property & Copyrights– $60 at the door. Tickets available Cautions for Use on the Internet at all Fastixx and Music Millennium Featured guests: Recording Industries Association For information of America, Supertracks, Liquid Audio, ASCAP, BMI, visit website at Synth-Bank, American Federation of Musicians, www.afm99.org or call 235-8791 Recording Musicians Association, AT&T a2b music All proceeds go to the Music and many more! Education Assistance Project for music education scholarships and outreach. he Angels Of Mercy debuted at the Last Hurrah, February 7, 1984. By then, TMeredith had already had a record deal, some substantial chart action in Europe and a working knowledge of the music business in Los Angeles. In an October, ’84 interview in TL she called the Portland launching of Meredith Brooks and the Angels of Mercy, “My big third round.” The Corvallis native started playing guitar at 11, graduated from high school at 15 and was in a band by 1978. Her first band, the all girl Sapphire, got a deal but nothing happened so Meredith moved to Seattle and joined Lips, from which, she was offered a solo recording deal with Trans Mu- sic Records in Paris.
    [Show full text]
  • SHSU Video Archive Basic Inventory List Department of Library Science
    SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.
    [Show full text]
  • Popular Film/Popular Feminism: the Critical Reception of the Rape-Revenge Film Jacinda Read, Demontfort University, UK
    Popular Film/Popular Feminism: The Critical Reception of the Rape-Revenge Film Jacinda Read, DeMontfort University, UK "The issues surrounding the film are feminist. But the film itself is not." Thus argued Callie Khouri, writer of Thelma and Louise (Francke, 1991: 17). Despite Khouri's claims, the critical reception of the film, nevertheless, centred quite explicitly on assessing the film's status as a feminist text, therefore suggesting that it is not, in fact, possible to separate the textual ("the film itself") from the extra-textual ("the issues surrounding the film"). Indeed, as Richard Dyer's work on film stars illustrates, extra-textual material such as star personas, reviews and publicity material play an important part in the construction of any particular text's meanings, particularly its dominant or preferred meanings (Dyer, 1979 and 1987). Traditionally, feminist analyses of mainstream texts have read "against the grain" of these dominant or preferred meanings in order to produce resistant feminist readings. Here, however, I want to read "with the grain" of these dominant meanings as they are inscribed in reviews of The Accused (Jonathan Kaplan, 1988) and Thelma and Louise (Ridley Scott, 1991) in order to explore the ways in which they might produce popular, common-sense understandings of feminism. There are several reasons for my choice of these particular films. Firstly, they deal with an issue (rape) which, perhaps more than any other, defined the discourses of early second-wave feminism. Secondly, given that I am concerned to explore the processes through which these discourses have been popularized, these films have been selected on the basis that they represent mainstream and well-known articulations of these discourses.
    [Show full text]