Victoria Season 3 on MASTERPIECE
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'Duncanville' Is A
Visit Our Showroom To Find The Perfect Lift Bed For You! February 14 - 20, 2020 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 The animated, Amy Poehler- T M O T H U Q Z A T T A C K P Your Key produced 2 x 3" ad P U B E N C Y V E L L V R N E comedy R S Q Y H A G S X F I V W K P To Buying Z T Y M R T D U I V B E C A N and Selling! “Duncanville” C A T H U N W R T T A U N O F premieres 2 x 3.5" ad S F Y E T S E V U M J R C S N Sunday on Fox. G A C L L H K I Y C L O F K U B W K E C D R V M V K P Y M Q S A E N B K U A E U R E U C V R A E L M V C L Z B S Q R G K W B R U L I T T L E I V A O T L E J A V S O P E A G L I V D K C L I H H D X K Y K E L E H B H M C A T H E R I N E M R I V A H K J X S C F V G R E N C “War of the Worlds” on Epix Bargain Box (Words in parentheses not in puzzle) Bill (Ward) (Gabriel) Byrne Aliens Place your classified Classified Merchandise Specials Solution on page 13 Helen (Brown) (Elizabeth) McGovern (Savage) Attack ad in the Waxahachie Daily Light, Merchandise High-End 2 x 3" ad Catherine (Durand) (Léa) Drucker Europe Midlothian Mirror and Ellis Mustafa (Mokrani) (Adel) Bencherif (Fight for) Survival County Trading1 Post! x 4" ad Deal Merchandise Word Search Sarah (Gresham) (Natasha) Little (H.G.) Wells Call (972) 937-3310 Run a single item Run a single item priced at $50-$300 priced at $301-$600 for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily Light, ‘Duncanville’ is a new Midlothian Mirror and Ellis County Trading2 x 3.5" Post ad and online at waxahachietx.com All specials are pre-paid. -
A Capitol Fourth Monday, July 4 at 8Pm on WOSU TV Details on Page 3 All Programs Are Subject to Change
July 2016 • wosu.org A Capitol Fourth Monday, July 4 at 8pm on WOSU TV details on page 3 All programs are subject to change. VOLUME 37 • NUMBER 7 Airfare (UPS 372670) is published except for June, July and August by: WOSU Public Media 2400 Olentangy River Road, Columbus, OH 43210 614.292.9678 Copyright 2016 by The Ohio State University. All rights reserved. No part of this magazine may be reproduced in any form or by any means without express written permission from the publisher. Subscription is by a Columbus on the Record celebrates a Milestone. minimum contribution of $60 to WOSU Public Media, of which $3.25 is allocated to Airfare. Periodicals postage paid at Columbus, Ohio. WOSU Politics – A Landmark Summer POSTMASTER: Send address changes to Airfare, 2400 Olentangy River Road, Columbus, OH 43210 This will be a special summer of political coverage on WOSU TV. Now in its eleventh season, Columbus on the Record will celebrate its 500th episode in July. When it debuted in January, WOSU Public Media 2006, Columbus on the Record was the only local political show on Columbus broadcast TV. General Manager Tom Rieland Hosted by Emmy® award-winning moderator Mike Thompson, Columbus on the Record has Director of Marketing Meredith Hart become must-watch TV for political junkies and civic leaders around Ohio. The show, with & Communications its diverse group of panelists, provides thoughtful and balanced analysis of central Ohio’s Membership Rob Walker top stories. “The key to the show is our panelists, all of them volunteers,” says Thompson Friends of WOSU Board who serves as WOSU’s Chief Content Director for News and Public Affairs. -
Witness (1985 Film)
Witness (1985 film) From Wikipedia, the free encyclopedia Jump to: navigation, search Witness Original poster Directed by Peter Weir Produced by Edward S. Feldman William Kelley Written by Pamela Wallace Earl W. Wallace Harrison Ford Kelly McGillis Jan Rubes Starring Danny Glover Lukas Haas Viggo Mortensen Music by Maurice Jarre Cinematography John Seale Editing by Thom Noble Distributed by Paramount Pictures Release date(s) February 8, 1985 Running time 112 minutes Country United States Language English Budget $12,000,000 (estimated) Gross revenue $68,706,993 (US) [1] Witness is a 1985 American thriller film directed by Peter Weir and starring Harrison Ford and Kelly McGillis. The screenplay by William Kelley, Pamela Wallace, and Earl W. Wallace focuses on a detective protecting a young Amish boy who becomes the target of a ruthless killer after he witnesses a brutal murder in Philadelphia's 30th Street train station. The film was nominated for eight Academy Awards and won two, for Best Original Screenplay and Best Film Editing. It was also nominated for seven BAFTA Awards, winning one for Maurice Jarre's score, and was also nominated for six Golden Globe Awards. William Kelley and Earl W. Wallace won the Writers Guild of America Award for Best Original Screenplay and the 1986 Edgar Award for Best Motion Picture Screenplay presented by the Mystery Writers of America. The film is also notable as the screen debut of future stars Viggo Mortensen and Lukas Haas. The film's script is a frequent model for budding screenwriters, often used to display clear structure in a script. -
Franchelle Stewart Dorn, M.F.A
FRANCHELLE STEWART DORN, M.F.A. 4216 Scales St. Office: (512) 232-7097 Austin, Texas 78723 Home: (512) 840-0075 _______________________________________________________________________ [email protected] CURRENT POSITION The University of Texas at Austin, Department of Theatre and Dance, Virginia L. Murchison Regents Professor. Teach scene study method loosely based on Stanislavsky technique at the undergraduate levels. Specializing in acting Shakespeare. EDUCATION Yale University School of Drama, New Haven, M.F.A. in Acting, 1975 Finch College, New York City, BA in Theatre Arts, 1972 Ineamus Meliora Honor Society. Concentration in Acting/Theater History. EXPERIENCE • Teacher. Forty-five years teaching acting for the stage at several universities and conservatories. • Actor. Forty-five years professional work on regional stage, on television and in film. Current union member of AEA, AFTRA and SAG. • Producer. Eight years as educational film producer. Own company. • Artistic Director/Executive Vice President. Co-founder and co-designer of the first on-line theatrical company. Own company. (Detailed information on the following pages) 1 TEACHING University of Texas at Austin, Department of Theatre and Dance: Virginia L Murchison Regents Professor, January 2000 – present TD 303S Acting for Non-Majors. An overview of modern American realism. The course utilizes games, improvisations, exercises (vocal and physical), open scenes and published contemporary plays to introduce students to basic acting techniques. TD 313C Acting I. Non-text based process. Exploration of the actor’s instrument – body, voice, imagination. Learn the rudiments of emotion, endowing properties and space, finding objectives, action and obstacles. Learn to follow impulses and interact with a partner. TD 313D Acting II. -
6AM Wild Kratts 6AM Mr. Rogers 6AM Wealth Track with Consuelo Mack
WEEKDAYS SATURDAYS SUNDAYS 6AM Wild Kratts 6AM Mr. Rogers 6AM Wealth Track With Consuelo Mack 6:30 Cat In The Hat 6:30 Dinosaur Train 6:30 Motorweek 7AM Ready, Jet Go! 7AM Bob The Builder 7AM Sesame Street 7:30 Wild Kratts 7:30 Daniel Tiger's 7:30 Daniel Tiger's Neighborhood 8AM Curious George 8AM Pinkalicious 8AM Pinkalicious 8:30 Curious George 8:30 Woodsmith Shop 8:30 Splash & Bubbles 9AM Pinkalicious 9AM Woodwright's Shop 9AM Curious George 9:30 Daniel Tiger's 9:30 This Old House 9:30 Nature Cat 10AM Daniel Tiger's 10AM Ask This Old House 10AM NOVA 10:30 Splash & Bubbles 10:30 Rick Steves' Europe 11AM NATURE 11AM Sesame Street 11AM 6-May Noon Masterpiece: Endeavour Season 4 Antiques Roadshow 11:30 Super Why 11:30 3PM Little Women, A Timeless Story NOO Dinosaur Train NOO 3:30 Masterpiece: Downton Abbey Great British Baking Show 12:30 Peg & Cat 12:30 5PM Weekend With Yankee 1PM Sesame Street 1PM Simply Ming 5:30 PBS Newshour Weekend 1:30 Splash & Bubbles 1:30 Lidia's Kitchen 6PM Father Brown 2PM Curious George 2PM Plates & Places 7PM Crimson Field 2:30 Pinkalicious 2:30 Martha Bakes 13-May Noon Masterpiece: Endeavour Season 4 3PM Nature Cat 3PM America's Test Kitchen 3PM Masterpiece: Downton Abbey 3:30 Wild Kratts 3:30 New Orleans Kitchen 5PM Weekend With Yankee 4PM Wild Kratts 4PM British Antiques Roadshow 5:30 PBS Newshour Weekend 4:30 Odd Squad 4:30 6PM Father Brown Lawrence Welk 5PM Odd Squad 5PM 7PM Little Women, A Timeless Story 5:30 Arthur 5:30 PBS News Weekend 7:30 Orchard House: The Home Of Little Women 6PM BBC World News America 6PM Doctor Blake Mysteries 20-May Noon GP at the Met: La Boheme 6:30 7PM Midsomer Murder 2:30 Opera Reimagened PBS Newshour 7PM 3PM Masterpiece: Downton Abbey 7:30 Various/British Antiques 5PM Weekend With Yankee Roadshow 5:30 PBS Newshour Weekend 6PM Father Brown Exceptions: 7PM Mark Twain's Journey To Jerusalem Mon. -
PBS Newshour Coverage Of
Prehistoric Road Trip | 13 American Masters/Terrence McNally | 18 WCRB’s Updated Mobile App | 27 wgbh.org ON AIR, ONLINE, ON THE GO MEMBER GUIDE | JUNE 2020 Summer is a critical time to keep kids engaged in learning, and we’re here to help. This past spring, students everywhere used our distance learning tools to keep growing and exploring the world around them. In partnership with PBS, our special blocks of commercial-free public media programs provided critical at-home learning for 6th through 12th graders across the country. As always, PBS LearningMedia gave teachers and students alike access to thousands of free, standards-based lesson plans and activities so they didn’t have to skip a beat. Your support made this momentum possible, and we won’t stop here. Our efforts will continue through the summer, giving kids the resources they need to keep moving forward. Whether it’s learning about the summer solstice or Freedom Summer, we’re here for kids and it’s all because of you. wgbh.org/distancelearning PBSLearningMedia.org Where to Tune in From the President TV Voices of Diversity f we’ve learned anything over the past few months, I it’s how our own worlds can be compressed into a Digital broadcast FiOS RCN Cox Charter TV YouTube Comcast few small rooms. Public media programs have always brought the world to WGBH 2 2.3 2 2 2 2 2 * us, and this month we’re pleased to continue that mission, sharing cultures WGBH 2 HD 2.1 802 502 602 1002 782 n/a from across the globe and close to home. -
WLJT Children's Programming Schedule
WLJT Children’s Programming Schedule Sundays Weekdays Saturdays Daniel Tiger’s 5 a.m. Clifford the Big Red Dog 5 a.m. Sesame Neighborhood 5:30 Street Wild Kratts Bob the Builder 5:30 6 a.m. Arthur Thomas & Friends 6 a.m. 6:30 Martha Speaks 6:30 7 a.m. Curious George 7 a.m. 7:30 Cat in the Hat Knows a Lot About That 7:30 More than 21 million children watch PBS 8 a.m. Super Why 8 a.m. KIDS on TV, and 8:30 Dinosaur Train 8:30 more than 20 million engage with PBS 9 a.m. Sesame Street 9 a.m. KIDS online each 10 a.m. Daniel Tiger’s Neighborhood 10 a.m. quarter. PBS is 10:30 Sid The Science Kid 10:30 the #1 source of Several PBSKIDs TV and 11 a.m. Word World 11 a.m. online co programs were ntent use by p d re-K tea named winners in 11:30 Barney & Friends 11:30 chers in Great family the cla the 2012 Teachers’ ssroom. 12 p.m. programs such as Martha Speaks 12 p.m. Choice Awards. Great “how to” NOVA, NATURE, Daniel Tiger’s 12:30 programs for the 12:30 THE LAWRENCE Neighborhood whole family 1 p.m. WELK SHOW, Super Why 1 p.m. including VICTORY 1:30 ANTIQUES Dinosaur Train 1:30 GARDEN, THIS ROADSHOW, Cat in the Hat Knows a 2 p.m. OLD HOUSE, 2 p.m. NEWSMAKERS Lot About That BEST OF JOY OF Preschoolers from low 2:30 and local high Curious George 2:30 For the 14th year in PAINTING, income communities school and 3 p.m. -
Highlights January 2021
Highlights January 2021 Elizabeth is Missing Jazz Boss: The Black Experience on Masterpiece Sundays, beginning January 10 at 9 p.m. in Business Wednesday, January 6 at 9 p.m. Filmmaker Ken Burns tells the story of Thursday, January 28 at 9 p.m. Glenda Jackson stars as a woman desperately jazz — the quintessential American art form. The untold story of African American entre- trying to solve two mysteries as she declines The ten-part series features 75 interviews, preneurship, where skill, industriousness, even deeper into dementia in this adaptation more than 500 pieces of music, 2,400 still ingenuity and sheer courage in the face of of Emma Healey’s acclaimed novel. photographs and more than 2,000 archival overwhelming odds provide the backbone film clips. of this nation’s economic and social growth. SATURDAYS • AM • 1/2 • AM • 1/9 • AM • 1/16 • AM • 1/23 • AM • 1/30 12:00 GREAT 12:00 FRONTLINE 12:00 IN CONCERT AT THE 12:00 IN CONCERT AT THE 12:00 IN CONCERT AT THE PERFORMANCES 2:00 AMANPOUR & CO HOLLYWOOD BOWL HOLLYWOOD BOWL HOLLYWOOD BOWL 1:30 BEYOND THE CANVAS 3:00 WASHINGTON WEEK 1:00 GREAT 1:00 GREAT 1:00 LIDIA CELEBRATES 2:00 AMANPOUR & CO 3:30 FIRING LINE PERFORMANCES PERFORMANCES AMERICA 3:00 WASHINGTON WEEK 4:00 FRONTLINE 2:00 AMANPOUR & CO 2:00 AMANPOUR & CO 2:00 AMANPOUR & CO 3:30 FIRING LINE 6:00 CHILDREN’S 3:00 WASHINGTON WEEK 3:00 WASHINGTON WEEK 3:00 WASHINGTON WEEK 4:00 GREAT PROGRAMMING 3:30 FIRING LINE 3:30 FIRING LINE 3:30 FIRING LINE PERFORMANCES • PM • 4:00 IN CONCERT AT THE 4:00 IN CONCERT AT THE 4:00 IN CONCERT -
Program Guide January 2021 Vol
PROGRAM GUIDE JANUARY 2021 VOL. 51 NO. 1 Premieres Sunday, January 10, at 9:00 p.m. ELIZABETH IS MISSING PBS AMERICAN PORTRAIT JAZZ: A FILM BY KEN BURNS ON MASTERPIECE Premieres Tuesday, Premieres Thursday, Sunday, January 3, at 9:00 p.m. January 5, at 9:00 p.m. January 7, at 9:30 p.m. MISS SCARLET AND THE DUKE AGATHA CHRISTIE’S THE LONG SONG ON MASTERPIECE ENGLAND ON MASTERPIECE Sunday, January 17, at 8:00 p.m. Sunday, January 24, at 10:00 p.m. Sunday, January 31, at 10:00 p.m. FRIDAY, JAN 1 MONDAY, JAN 4 10:00 A Place to Call Home Own Worst Enemy 8:00 Washington Week 8:00 Antiques Roadshow 11:00 Austin City Limits 8:30 Firing Line with Margaret Hoover American Stories Foo Fighters 9:00 Great Performances 9:00 Scotland’s Scenic Railways Rock Austin City Limits From Vienna: The New Year’s 10:00 Independent Lens Celebration 2021 A Woman’s Work: 10:30 Beyond the Canvas The NFL’s Cheerleader Problem SUNDAY, JAN 10 All About the Music 11:00 Amanpour and Company 9:00 Classic Gospel 11:00 Amanpour and Company 10:00 Pennsylvania Folklore: TUESDAY, JAN 5 Woven Together SATURDAY, JAN 2 10:30 Digging Deeper 8:00 Finding Your Roots 11:00 Journeys in Japan 9:00 This Old House Breaking The Silences 11:30 Trails to Oishii Tokyo 9:30 American Woodshop 9:00 PBS American Portrait 12:00 Les Stroud’s Wild Harvest 10:00 Woodsmith Shop I Dream 12:30 Christopher Kimball’s 10:30 This American Land 10:00 FRONTLINE Milk Street Television 11:00 Growing a Greener World: 11:00 Amanpour and Company 1:00 The Great British Baking Show Critter Control 2:00 Lidia’s Kitchen -
Rob Daiker Est
DECONSTRUCTION OREGON VENUE GUIDE NXNW FIVE #99 IS 100 RILEY’S EYES OREGON MUSIC / SEPTEMBER 1999 LUTHER RUSSELL FEDERALE photo Buko and the American Federation of Musicians Local 99 present thethe SSummitummit NW Music & New Media Seminar A two-day intensive seminar and trade show featuring the foremost experts Topics include: on music and the The Relevance of Labels in the Internet Internet Era September 29 and 30, 1999 Distribution, Public Relations, Today 9:30 am at the and Tomorrow Scottish Rite Ctr., Musicians' Protections and 709 SW 15th Ave, Portland Responsibilities $50 pre-event, Intellectual Property & Copyrights– $60 at the door. Tickets available Cautions for Use on the Internet at all Fastixx and Music Millennium Featured guests: Recording Industries Association For information of America, Supertracks, Liquid Audio, ASCAP, BMI, visit website at Synth-Bank, American Federation of Musicians, www.afm99.org or call 235-8791 Recording Musicians Association, AT&T a2b music All proceeds go to the Music and many more! Education Assistance Project for music education scholarships and outreach. he Angels Of Mercy debuted at the Last Hurrah, February 7, 1984. By then, TMeredith had already had a record deal, some substantial chart action in Europe and a working knowledge of the music business in Los Angeles. In an October, ’84 interview in TL she called the Portland launching of Meredith Brooks and the Angels of Mercy, “My big third round.” The Corvallis native started playing guitar at 11, graduated from high school at 15 and was in a band by 1978. Her first band, the all girl Sapphire, got a deal but nothing happened so Meredith moved to Seattle and joined Lips, from which, she was offered a solo recording deal with Trans Mu- sic Records in Paris. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
Popular Film/Popular Feminism: the Critical Reception of the Rape-Revenge Film Jacinda Read, Demontfort University, UK
Popular Film/Popular Feminism: The Critical Reception of the Rape-Revenge Film Jacinda Read, DeMontfort University, UK "The issues surrounding the film are feminist. But the film itself is not." Thus argued Callie Khouri, writer of Thelma and Louise (Francke, 1991: 17). Despite Khouri's claims, the critical reception of the film, nevertheless, centred quite explicitly on assessing the film's status as a feminist text, therefore suggesting that it is not, in fact, possible to separate the textual ("the film itself") from the extra-textual ("the issues surrounding the film"). Indeed, as Richard Dyer's work on film stars illustrates, extra-textual material such as star personas, reviews and publicity material play an important part in the construction of any particular text's meanings, particularly its dominant or preferred meanings (Dyer, 1979 and 1987). Traditionally, feminist analyses of mainstream texts have read "against the grain" of these dominant or preferred meanings in order to produce resistant feminist readings. Here, however, I want to read "with the grain" of these dominant meanings as they are inscribed in reviews of The Accused (Jonathan Kaplan, 1988) and Thelma and Louise (Ridley Scott, 1991) in order to explore the ways in which they might produce popular, common-sense understandings of feminism. There are several reasons for my choice of these particular films. Firstly, they deal with an issue (rape) which, perhaps more than any other, defined the discourses of early second-wave feminism. Secondly, given that I am concerned to explore the processes through which these discourses have been popularized, these films have been selected on the basis that they represent mainstream and well-known articulations of these discourses.