Английский Язык Extra Reading Course

Total Page:16

File Type:pdf, Size:1020Kb

Английский Язык Extra Reading Course К.А. АСТАХОВА, Р.Х. ДМИТРИЕВА, Е.А. ИВАНОВА, В.В. МОШКОВИЧ, Н.В. ПОДКОВЫРОВА АНГЛИЙСКИЙ ЯЗЫК EXTRA READING COURSE Учебно-методическое пособие МИНИСТЕРСТВО ОБРАЗОВАНИЯ И НАУКИ РОССИЙСКОЙ ФЕДЕРАЦИИ Федеральное государственное бюджетное образовательное учреждение высшего образования «Южно-Уральский государственный гуманитарно-педагогический университет» К.А. Астахова, Р.Х. Дмитриева, Е.А. Иванова, В.В. Мошкович, Н.В. Подковырова АНГЛИЙСКИЙ ЯЗЫК EXTRA READING COURSE Учебно-методическое пособие Челябинск, 2018 1 УДК 42-8(021) ББК 81.432.1-923 А 64 Астахова, К.А. Английский язык: Extra Reading Course: учебно-методическое пособие / К.А. Астахова, Р.Х. Дмитриева, Е.А. Иванова, В.В. Мошкович, Н.В. Подковырова. – Челябинск: Изд-во Южно-Урал. гос. гуман.-пед. ун-та, 2018. – 204 с. ISBN 978-5-91155-065-3 Методическое пособие предназначено для студентов I–V курсов факультета иностранных язы- ков для проведения лабораторных работ по курсу «Домашнее чтение», а также может быть ис- пользовано для самостоятельной работы в рамках дисциплины Практика устной и письменной речи для подготовки студентов специальности «Иностранный язык. Иностранный язык», «Перевод и переводоведение». Цель пособия – развить навыки интенсивного и экстенсивного чтения. Структура учебного курса представляет собой два раздела, в первом уделяется внимание интенсивному чтению. Данный раздел состоит из пяти глав, в каждой из которых две части. Одна структурная часть включает в себя разработку заданий к выбранному курсом художе- ственному произведению современного британского писателя. Во втором разделе представле- ны задания для экстенсивного чтения. Всего в разделе три главы, в каждой из которых разра- ботки к двум художественным произведениям современных британских писателей. Рецензенты: Т.Ю. Передриенко, канд. филол. наук, доцент О.Ю. Афанасьева, д-р пед. наук, профессор ISBN 978-5-91155-065-3 © К.А. Астахова, Р.Х. Дмитриева, Е.А. Иванова, В.В. Мошкович, Н.В. Подковырова, 2018 © Издательство Южно-Уральского государственного гуманитарно-педагогического университета, 2018 © Издательско-полиграфическая ассоциация высших учебных заведений, 2018 2 СОДЕРЖАНИЕ ВВЕДЕНИЕ ................................................................................................................... 4 РАЗДЕЛ I ГЛАВА 1. BOOKS RECOMMENDED FOR FIRST-YEAR STUDENTS Mark Haddon. The Curious Incident of the Dog in the Night-Time ............................. 6 Ruth Rendell. Portobello .............................................................................................. 16 ГЛАВА 2. BOOKS RECOMMENDED FOR SECOND-YEAR STUDENTS Nick Hornby. About a Boy ........................................................................................... 35 Julia Darling. The Taxi Driver’s Daughter ................................................................. 62 ГЛАВА 3. BOOKS RECOMMENDED FOR THIRD-YEAR STUDENTS Barry Unsworth. Morality Play .................................................................................... 87 Freud Esther. The Sea House .................................................................................... 101 ГЛАВА 4. BOOKS RECOMMENDED FOR FOURTH-YEAR STUDENTS David Lodge. Nice Work ............................................................................................ 113 Ian McEwan. Atonement ........................................................................................... 135 ГЛАВА 5. BOOKS RECOMMENDED FOR FIFTH-YEAR STUDENTS Graham Swift. Waterland ........................................................................................... 152 Julian Barnes. A History of the World in 10 and ½ Chapters ................................... 166 РАЗДЕЛ II ГЛАВА 1. BOOKS RECOMMENDED FOR THIRD-YEAR STUDENTS Magnus Macintyre. Whirligig ................................................................................... 186 Bernard MacLaverty. Grace Notes ............................................................................ 187 ГЛАВА 2. BOOKS RECOMMENDED FOR FOURTH-YEAR STUDENTS Hilary Mantel. An Experiment in Love ..................................................................... 189 David Mitchell. Black Swan Green ............................................................................ 191 ГЛАВА 3. BOOKS RECOMMENDED FOR FIFTH-YEAR STUDENTS Jonathan Coe. What a Carve Up! .............................................................................. 194 Zadie Smith. White Teeth .......................................................................................... 196 БИБЛИОГРАФИЧЕСКИЙ СПИСОК ..................................................................... 203 3 ВВЕДЕНИЕ Методическое пособие предназначено для студентов I–V курсов факультета ино- странных языков для проведения лабораторных работ по курсу «Домашнее чтение», а также может быть использовано для самостоятельной работы в рамках дисциплины Практика устной и письменной речи, для дополнительного чтения студентов и при написании курсовых работ и выпускных квалификационных работ по филологии. В результате анализа целого ряда исследований было выяснено, что наряду с раз- витием таких видов речевой деятельности, как говорение и аудирование, необходимо развитие навыка чтения в процессе обучения иностранным языкам. Актуальность и социальная значимость курса заключается в том, что чтение спо- собствует формированию языковой компетенции. Знакомство студентов с произведе- ниями современных британских писателей, чтение этих произведений является своего рода погружением в языковую среду, близкую к среде носителей языка. Основной задачей курса является формирование культурно-коммуникативных компетенций студентов на материале оригинального художественного произведения автора страны изучаемого языка, а также обучение основным дискурсивным способам реализации коммуникативных целей высказывания и основным способам выражения преемственности между композиционными элементами текста. Результатом работы с пособием является формирование способности выражать свои мысли, используя разно- образные лингвистические средства. Издание ставит перед собой цель помочь изучающим иностранный язык освоить два вида чтения: интенсивное и экстенсивное, а также использовать этот вид речевой деятельности как инструмент для достижения положительной динамики изучения ино- странного языка. Таким образом, задачей курса является формирование навыков интен- сивного и экстенсивного чтения, умения самостоятельно работать с художественным текстом, извлекать необходимую информацию в объеме, необходимом для решения конкретных речевых задач. Структура учебного курса представляет собой два раздела, в первом уделяется внимание интенсивному чтению. Данный раздел состоит из пяти глав, в каждой из ко- 4 торых две части. Одна структурная часть включает в себя разработку заданий к вы- бранному курсом художественному произведению современного британского писателя. В среднем объем текста составляет 250–300 страниц. Увеличение уровня сложности произведений возрастает с переходом от одной главы к другой, что соответствует ос- новным методическим рекомендациям. Все практические задания, представленные в разделах, направлены на формирование навыка внимательного (углубленного) прочте- ния произведения, развитие умения находить нужную информацию и расширение сло- варного запаса. Также представлены дополнительные задания для реализации творче- ского подхода к прочтению произведения. Во втором разделе даются задания для экс- тенсивного чтения. Всего в разделе три главы, в каждой из которых разработки к двум произведениям, используемым преподавателем в первом и втором семестре на III–V курсах. Эти произведения студенты читают самостоятельно, выполняют практи- ческие задания, и в конце семестра проводится одно-два занятия для обсуждения про- читанной книги и проверки выполненных заданий. В данном разделе акцент делается на формирование навыков углубленного прочтения (вопросы по содержанию, поиск информации), на совершенствование умения выражать свое мнение по теме (вопросы для размышления, анализа и комментирования) и расширение словарного запаса. Важ- ной частью являются задания творческого характера (написание эссе, характеристики персонажей) и задания на аудирование (прослушивание интервью с авторами прочи- танных произведений, просмотр фильмов, связанных с книгами). 5 РАЗДЕЛ I ГЛАВА 1 BOOKS RECOMMENDED FOR FIRST-YEAR STUDENTS MARK HADDON THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME Mark Haddon is a recognized name in the contemporary English literature. His talent not only involves novel writing but extends to poetry writing, illustration and abstract paint- ing. His major contribution to literature includes an adult novel, The Curious Incident of the Dog in the Night-Time. Born on September 26, 1962, in Northampton, England, Mark Haddon was raised by an architect. He received his early education from Uppingham School and then went on to major in English Literature at the Merton College, Oxford. Upon completion of his studies, he be- came a caretaker for disabled people in Scotland. His experience of taking care of patients with multiple sclerosis and autism would later influence his literary writing. In addition to that, he did a variety of jobs, including at a theater box office, mailing office and as a cartoon- ist and illustrator. His works were illustrated in numerous periodicals and in a cartoon strip, Men — User’s Guide. Subsequently, Haddon relocated to Boston, Massachusetts and stayed there with his wife. A year later they moved back to England where he took up his passion for abstract painting and sold his art. Afterwards, he
Recommended publications
  • Ruth Rendell and Barbara Vine – Family Matters', Contemporary Women's Writing, 11 (1), Pp
    Peters, F. (2017) 'Ruth Rendell and Barbara Vine – family matters', Contemporary Women's Writing, 11 (1), pp. 31-47. This is a pre-copyedited, author-produced PDF of an article accepted for publication in Contemporary Women’s Writing following peer review. The version of record is available online at: http://doi.org/10.1093/cww/vpw029 ResearchSPAce http://researchspace.bathspa.ac.uk/ This pre-published version is made available in accordance with publisher policies. Please cite only the published version using the reference above. Your access and use of this document is based on your acceptance of the ResearchSPAce Metadata and Data Policies, as well as applicable law:-https:// researchspace.bathspa.ac.uk/policies.html Unless you accept the terms of these Policies in full, you do not have permission to download this document. This cover sheet may not be removed from the document. Please scroll down to view the document. Ruth Rendell and Barbara Vine – Family Matters Fiona Peters Bath Spa University, UK [email protected] This article traces themes and preoccupations that work across Ruth Rendell’s work, writing both as Rendell and also as Barbara Vine. It investigates the ways in which the use of a pseudonym allows her to delve deeper into areas that she also explores as Rendell – the dysfunctional family and heredity, both in relation to physical disease and the fruitless search for origins, the latter discussed by her through the lens of Freudian psychoanalysis. Ruth Rendell was one of the most prolific British crime fiction writers of the twentieth century, continuing to produce work right up until her death in May 2015, her final posthumous novel Dark Corners being published in October of that year.
    [Show full text]
  • The Thief Ruth Rendell
    The Thief by Ruth Rendell The Thief Ruth Rendell 1 The Thief by Ruth Rendell Contents Briefly about the book 3 Information about Ruth Rendell 4 Crime writers 5 The characters 7 Why did the author do that? 9 Extract from Chapter 1 11 Further development 12 More Reading 13 Adult Core Curriculum References 14 Acknowledgement The learning materials to accompany the Quick Reads publications have been produced as part of The Vital Link’s Reading for Pleasure campaign, funded by the Department for Education and Skills and in co-operation with World Book Day. Our thanks go to the writing and editorial team of Nancy Gidley, Kay Jackaman and Moreen Mowforth. www.vitallink.org.uk 2 The Thief by Ruth Rendell Blurb Stealing things from people who upset her was something Polly did… but she could never have imagined it could have such terrifying results. Synopsis At first, after she takes his luggage off the Stealing and deceit were a way of life for Polly. trolley, she feels relief and joy: she has got her But when she meets and falls in love with Alex, revenge. However, her action leads to a series her life changes. Because he loves her and of events that take her into a world of fear and trusts hers, he believes her. And because she deception. In the end, they destroy her new life loves him, she wants to be truthful with him. with Alex. Because she is happy, she also finds that people don’t hurt her and she no longer needs This gripping story is told from Polly’s point of to take things from them.
    [Show full text]
  • Kindle Books.Xlsx
    Author, Last Name Author, First Name Title Amazon.com Kindle DX User's Guide, 2nd Ed. Amazon.com Kindle User's Guide 3rd Edition Amazon.com Kindle User's Guide, 4th Ed. Fodor's Travel Guides Fodor's Vietnam: with a Side Trip to Angkor Wat (Travel Guide Book 4) Aamidor Abe Shooting Star: The Rise & Fall of the British Motorcycle Industry Ackerman Jennifer The Genius of Birds Ackerman Diane The Zookeeper's Wife: A War Story Ackroyd Peter London Under: The Secret History Beneath the Streets Adichie Chimamanda Ngozi Purple Hibiscus: A Novel Adkins Roy Nelson's Trafalgar: The Battle That Changed the World Adler-Olsen Jussi The Purity of Vengeance: A Department Q Novel (Department Q Series Book 4) Aerostich Aerostich Lightweight Unsupported Motorcycle Travel for Terminal Cases Agassi Andre Open Agee James A Death in the Family Al-Faqih Kamal Classic Lebanese Cuisine: 170 Fresh and Healthy Mediterranean Favorites Albom Mitch Have a Little Faith: A True Story Albright Madeleine Fascism: A Warning Alcott Louisa May Little Women (Sterling Unabridged Classics) Archer Jeffrey Be Careful What You Wish For: A Novel (Clifton Chronicles Book 4) Archer Jeffrey Best Kept Secret (Clifton Chronicles Book 3) Archer Jeffrey Cometh the Hour: Book Six Of the Clifton Chronicles Archer Jeffrey Mightier Than the Sword: A Novel (Clifton Chronicles Book 5) Archer Jeffrey Only Time Will Tell (Clifton Chronicles Book 1) Archer Jeffrey The Sins of the Father (Clifton Chronicles Book 2) Archer Jeffrey This Was a Man: The Final Volume of The Clifton Chronicles Atkinson
    [Show full text]
  • Ruth Rendell/Barbara Vine: Racial Otherness and Conservative Englishness
    SBORNJK PRACI FILOZOFICKE FAKULTY BRNENSKE UNIVERZITY STUDIA MINORA FACULTATIS PHILOSOPHICAE UNIVERSITAT1S BRUNENSIS S 9,2003 — BRNO STUDIES IN ENGLISH 29 LIDIA KYZLINKOVA RUTH RENDELL/BARBARA VINE: RACIAL OTHERNESS AND CONSERVATIVE ENGLISHNESS Motto: 'What a pity it is, from the social historian's point of view, that there was no Ronald Knox in the monastery of the Venerable Bede; no Dorothy L. Sayers looking over Holinshed's shoulder while he white­ washed theTudors...' (Watson 1979: 2) It has generally been accepted that British mystery writers tend to accumulate a surprising amount of accurate information about everyday life since plausibil­ ity as much as fantasy is required to make their popular and prevailingly domes­ tic texts effectively thrilling and credible at the same time. In their work one therefore encounters multiple discourses concerning the meanings and represen­ tations gathered around the dominant issues of Englishness, race and class, in relation to the social reality of a specific public. The attractiveness of the narra­ tives may also lie in the fact that they raise significant and urgent questions about contemporary cultural identities and values against the background of a fictitious, romantic, and frequently gruesome world. Although it is a myth that classic detective fiction, with its stress on the puzzle value entirely avoids social issues, it is no fallacy that some of today's crime fiction which stems from it makes the social situation the very core of the plot. Ruth Rendell is viewed as one of the main representatives of the British psy­ chological crime novel today, however, apart from her interest in the individual characters' psyches she purposefully covers a number of fundamental social phenomena existing in contemporary Britain.
    [Show full text]
  • Shake Hands for Ever: (A Wexford Case) Free
    FREE SHAKE HANDS FOR EVER: (A WEXFORD CASE) PDF Ruth Rendell | 288 pages | 07 Jun 2011 | Cornerstone | 9780099534884 | English | London, United Kingdom "Ruth Rendell Mysteries" Shake Hands Forever: Part Three (TV Episode ) - IMDb Build up your Halloween Watchlist with our list of the most popular horror titles on Netflix in October. See the list. Wexford's murder suspect is about to slip away. For Wexford and his team a race against time begins and the DCI has to pull all stops to solve a murder case that left him with only one single clue - a woman's hand print. Relying on the help of his nephew and a trusted colleague, Wexford finally proves that his hunch was right. Will he and his team be able to stop a murderer and his accomplice before it's too late? But Reg Wexford doesn't realize that Shake Hands For Ever: (A Wexford Case) is in for yet another surprise. Written by Jasper P. Reg Wexford may not be the most dynamic detective of all, but when it comes to dogged patience, Wexford is the top cop. Shake hands forever displays his capabilities perfectly. It's not a whodunnit is such, as the identity of the killer is pretty obvious, and not exactly challenged. Tom Wilkinson is very good, he has some terrific scenes with George Baker. I must heap praise on Baker himself, he always seemed to play ruthless Government officials, and shady villains, his role here is rugged, but heart felt. He has some great scenes where he's holding off being seduced.
    [Show full text]
  • This Is a Peer-Reviewed Manuscript Version. the Final Version Is Published in Contemporary Women’S Writing with the Following Citation: Schnabel, Jennifer
    1 This is a peer-reviewed manuscript version. The final version is published in Contemporary Women’s Writing with the following citation: Schnabel, Jennifer. "Realistic Man, Fantasy Policeman: The Longevity of Ruth Rendell’s Reginald Wexford." Contemporary Women's Writing 11.1 (2017): 102-120. https://doi.org/10.1093/cww/vpw044 Realistic Man, Fantasy Policeman: The Longevity of Ruth Rendell’s Reginald Wexford Ruth Rendell first introduced Chief Inspector Reginald Wexford in From Doon with Death in 1964; we last see him 49 years later in No Man’s Nightingale. Rendell develops the protagonist in her detective series, which includes 24 novels and five short stories, by adapting the conventions and tropes of the detective and police procedural genres set forth by her predecessors like Georges Simenon, Dorothy Sayers, and Ed McBain. However, while her detectives operate within the framework of the fictional Kingsmarkham police department, Rendell did not stifle Wexford with mundane bureaucratic constraints. Instead, she focused on presenting a realistic man with idiosyncrasies, shortcomings, and fears, as well as a character who adapts to the changing social and cultural environment alongside the reading public. Rendell has called Wexford “a fantasy policeman in a fantasy world,” using investigative methods which do not always adhere to standard police procedures (Salwak 87). As a result, forensic details are also largely missing from her narratives, such as in-depth descriptions of autopsies, lab processes, and coroner reports found in other contemporary crime novels and popular television programs. She said, “The wonder is that thousands of readers (including policemen!) seem to like it this way” (87).
    [Show full text]
  • Gothic Elements in Selected Crime Novels by Ruth Rendell
    Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Jana Mártonová The Gothic in Some Rendell Novels and its Protagonists Master’s Diploma Thesis Supervisor: PhDr. Lidia Kyzlinková, CSc., M.Litt. 2014 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author‟s signature I would like to thank my supervisor, PhDr. Lidia Kyzlinková, CSc., M.Litt., for her valuable advice, patience and constant support. Thank you for all the help you gave me. I would also like to thank my family, Michal, Libor and Emina, for their infinite love and support they have provided me with. Thank you for being such beautiful people. Table of Contents 1. Introduction .................................................................................................................. 5 2. Background to Ruth Rendell ....................................................................................... 7 2.1 Life and Work ................................................................................................................... 7 2.2 On the Genre of Crime Fiction ...................................................................................... 11 2.3 Defining the Gothic ......................................................................................................... 21 3. Gothic elements in selected novels by Ruth Rendell ................................................. 25 3.1 Hero Figures
    [Show full text]
  • Illiteracy: the Ultimate Crime
    ILLITERACY: THE ULTIMATE CRIME Ana de Brito Politecnico do Porto, Portugal The iss ue of reading ha s a privileged positi on in Ruth's Rendell's novels. In several, the uses of reading and its effects are disc ussed in some detail. But so are the uses of not reading and the non-read ers. The non-readers in Rendell's novels also have a special position . The murderer in The Hou se of Stairs is a non-reader but even so she is influenced by w hat other peopl e read. Non-readers often share the view that reading is an tisocial or that it is difficult to und er stand th e fascination that book s, those "small, flattish boxes"l have for their read ers. But Burd en is the most notoriou s non -reader w ho co mes to mind. His evolu tio n is ske tched throughout the Inspector Wexford mysteries. In From Doom with Death (1964) he thinks that it is not healthy to read, but Wexford lends him The Oxford Book of Victorian Verse for his bedtime reading, and the effects on his turn of phrase are immediate: 'I suppose the others could have been just-well , playthings as it we re, and Mrs. P. a life-long love.' 'Christ!', Wexford roared . 'I should never have let you read that book. Playthings, life-long love! You make me puke' (p. 125). In the 1970 novel A Cuiltlj Thing Surprised, Burden still feels embarrassed by his superior's "ted ious bookishness", and knows th e difference between fiction and real life.Pro us tia n or Shakespearean references are lost on Burden in No More Dying Fragmentos vol.
    [Show full text]
  • Introduction Bell Is with Us Again. Once This Was My Dream; Now I Don
    HOUSE OF STAIRS (1700 headwords) Introduction Chapter 1 A Woman I Used to Know Bell is with us again. Once this was my dream; now I don't want it at all. Bell The traffic-lights were changing from red to green when I saw her. She was is too much for me, her past is too much, the things she has done . crossing the street in front of us. I almost shouted to the taxi-driver to stop. Bell Sanger is a strange, beautiful woman — and she is a mystery. She stays 'I saw a woman I know, a woman I used to know. I have to talk to her,' I in a single room in the tall old London house of the rich Cosette Kingsley, the house explained. with 106 stairs. Though she is young, healthy and intelligent, she seems to have no Bell was already disappearing among the crowds on their way home from friends, no job and no future. No one knows where she is from, what she wants, or work. But I was sure it was her. I had to follow her even after all these years and where she is going. The things they think they know soon turn out to be wrong. after all the terrible things. Because Bell's mysteries run deeper than anyone has even guessed. And when I waited impatiently while the London traffic streamed past. A red wall of the facts are finally known, it may be far too late to stop the secrets of her past buses hid her from me, then I saw her again, tall and thin, dressed all in black.
    [Show full text]
  • Ruth Rendell/Barbara Vine: Social Thriller, Ethnicity and Englishness
    Ruth Rendell/Barbara Vine: Social Thriller, Ethnicity and Englishness Lidia Kyzlinková Masaryk University, Brno Ruth Rendell is viewed as one of the main representatives of the British psychological crime novel today, however, apart from her interest in the individual characters’ psyches she purposefully covers a number of fundamental social phenomena existing in contemporary Britain.1 I select three of Rendell’s well-known crime thrillers (one written under her pseudonym of Barbara Vine) that are deeply disturbing from the social viewpoint. All three of them are her non-Wexford mysteries, i.e. without the so-called ‘Great Detective’ (Chief Inspector Wexford), where the police factor is considerably diminished and which I term socio-psychological, or social thrillers: A Demon In My View (Rendell, 1976), A Fatal Inversion (Vine, 1987), and The Crocodile Bird (Rendell, 1993). The novels clearly link the conservative cultural modes of the Victorian past with contemporary social experience of Englishness, where ethnicity and identity constitute the most significant issues. Rendell’s positive obsession with the English language and literature through which she intensifies the specific Englishness of her writing is gradually becoming more and more visible in each of the decade in question: With The Crocodile Bird this aspect forms a crucial part of the plot. The issues of class and ethnicity may still be regarded as the greatest sources of division in contemporary British society, and both of these are closely related to the central theme of the first two novels analysed. In A Fatal Inversion, which deals with both the 1970s and 1980s, race, class and immigration seem fundamentally significant.
    [Show full text]
  • Appendix A: the Complete Detective and Crime Novels of the Six Authors
    Appendix A: The Complete Detective and Crime Novels of the Six Authors Agatha Christie (1890–1976) Hercule Poirot The Mysterious Affair at Styles (UK, London: Lane, 1920; US, New York: Dodd Mead, 1927). The Murder on the Links (UK, London: Lane, 1923; US, New York: Lane, 1923). The Murder of Roger Ackroyd (UK, London: Collins, 1926; US, New York: Dodd Mead, 1926). The Big Four (UK, London: Collins, 1927; US, New York: Dodd Mead, 1927). The Mystery of the Blue Train (UK, London: Collins, 1928; US, New York: Collins, 1928). Peril at End House (UK, London: Collins, 1932; US, New York: Dodd Mead, 1932). Lord Edgware Dies (UK, London: Collins, 1933) as Thirteen at Dinner (US, New York: Dodd Mead, 1933) Murder on the Orient Express (UK, London: Collins, 1934) as Murder on the Calais Coach (US, New York: Dodd Mead, 1934). Death in the Clouds (UK, London: Collins, 1935) as Death in the Air (US, New York: Dodd Mead, 1935). The ABC Murders (UK, London: Collins, 1936; US, New York: Dodd Mead, 1936) as The Alphabet Murders (US, New York: Pocket Books, 1966). Cards on the Table (UK, London: Collins, 1936; US, New York: Dodd Mead, 1937). Murder in Mesopotamia (UK, London: Collins, 1936; US, New York: Dodd Mead, 1936). Death on the Nile (UK, London: Collins, 1937; US, New York: Dodd Mead, 1938). Dumb Witness (UK, London: Collins, 1937) as Poirot Loses a Client (US, New York: Dodd Mead, 1937). Appointment with Death (UK, London: Collins, 1938; US, New York: Dodd Mead, 1938). Hercule Poirot’s Christmas (UK, London: Collins, 1938) as Murder for Christmas (US, New York: Dodd Mead, 1939) as A Holiday for Murder (US, New York: Avon, 1947).
    [Show full text]
  • I. What Narrative Changes Did Rendell's
    Durham E-Theses From Novel to Film: Claude Chabrol's adaptations of Ruth Rendell's A Judgement in Stone (La Ceremonie) And The Bridesmaid (La Demoiselle d'Honneur) ARMENGOL, DAMIEN How to cite: ARMENGOL, DAMIEN (2009) From Novel to Film: Claude Chabrol's adaptations of Ruth Rendell's A Judgement in Stone (La Ceremonie) And The Bridesmaid (La Demoiselle d'Honneur), Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/172/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 From Novel to Film: Claude Chabrol's adaptations of Ruth Rendell's A Judgement in Stone (La Cérémonie) And The Bridesmaid (La Demoiselle d'Honneur) Damien Armengol Dissertation submitted for the Degree of Master of Arts by Research Durham University September 2009 Damien Armengol ii MA by Research - 2009 Abstract This study aims to define technicalities of filmic adaptations through two specific examples.
    [Show full text]