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Striptease: an Anthropological View

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Striptease: an Anthropological View UNLV Retrospective Theses & Dissertations 1-1-1998 Striptease: An anthropological view Angela Lee Ramsey University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Ramsey, Angela Lee, "Striptease: An anthropological view" (1998). UNLV Retrospective Theses & Dissertations. 850. http://dx.doi.org/10.25669/vl4s-jnrh This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. STRIPTEASE An Anthropological View by Angela Ramsey Bachelor o f .Arts University of Nevada, Las Vesas 1993 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts In .Anthropology Department of Anthropology I niversity of Nevada. Las Vegas .May 1998 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 1390653 Copyright 1998 by Ramsey, Angela Lee All rights reserved. UMI Microform 1390653 Copyright 1998, by UMI Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. UMI 300 North Zeeb Road Ann Arbor, Ml 48103 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. © 1998 Angela Ramsey All Rights Reserved Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Thesis Approval UNTV The Graduate College UNIV University of Nevada, Las Vegas A p ril 21 19 98 The Thesis prepared by Angela Ramsey_____ Entitled Striptease: An Anthropological View is approved in partial fulfillment of the requirements for the degree of Master of Arts in Anthropology__________________________ D i'iiii or the Colkye / y -r — ' / '• / Extuiinhitiiui Cü/fiiniittcc Member Exmniriiitioii Cemimttee Member / ^7rlu1ulIte Coliei^e Fiiciiltw RepreseittiJtiix 11 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ABSTRACT Striptease: An Anthropological View by Angela Ramsey Dr William Jankowiak, Examination Committee Chair Professor of Anthropology University of Nevada, Las Vegas This following study serves as an attempt to apply theoretical questions to the phenomenon of striptease. 1 argue that striptease can be more fully understood as an act guided by the rules of performance. Strippers, and to a lesser extent the audience, can then be seen as actors employing a fantasy phase to sustain their respective roles within the charade of performance sex. Strippers and audiences are also players within the concept of performance itself, meaning they are simultaneously sith/ecr to and authors o f the phenomenon Using a biosocial approach, I explore the psychological, cultural, and physiological, etc , cues that may influence and/or motivate the characters involved in the performance of striptease. The formulations presented here are based on in-depth interviews with actual strippers and observations gathered during long-term strip club attendance. Ill Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. TABLE OF CONTENTS ABSTRACT............................................................................................................................................iii ACKNOWLEDGMENTS.................................................................................................................. vi PREFACE............................................................................................................................................... vii CHAPTER 1 LITERATURE REVIEW ......................................................................................... 1 Striptease and Prostitution ...................................................................................................... 1 Striptease and Performance ................................................................................................ 2 Striptease and Tourism ........................................................................................................... 4 Striptease, the Body, and the Self ........................................................................................4 Striptease and Sex ............................................................................................................... 6 CH APTER 2 NfETHODOLOGY 8 Observations Summary' ............................................ 16 CH.APTER 3 THE PERFORM ANCE............................................................................................ 21 I Just Want to Get Paid ........................................................................................................25 She's Dancing for Me! ...................................................................................................... 28 The Power of Persuasion ......................................................................................................30 CH.APTER 4 THE STRIP CLUB EFFECT 36 The Truth of Performance ......................................... 37 L im in ality .................................................................................................................. 37 Who's Performing for Whom'.’ ................................................................................ 40 CH.APTER 5 THE .AESTHETICS OF STRIPTEASE 45 Lust for Lust's Sake................................................................................................. 45 .Art for .Art's Sake....................................................................................................................40 CH.APTER 6 SYMBOLISM. SEXUALITY. AND THE BODY 58 CH.APTER 7 CONCLUSIONS 6l BIBLIOGRAPHY 64 i\ Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. V ITA ................................................................................................................................................. 68 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ACKNOWLEDGMENTS I would like to thank a very special group of friends who helped me grapple with this intimidating and overwhelming research topic: Stephanie Fox. Steve LaDouceur. Tony Strauss. Jodi Bechtel. Bomi Kim. Nate Perragine. Svetla Doncheva. Ron and Noel Brasi. Nancy Tufano. Gaiy Romano, and Russell Emde Without their generosity, time, and patience. I would still be struggling to find the insight to complete this project O f course I must thank Dr. William Jankowiak. whose unwavering commitment to the pursuit of knowledge has always inspired me. His creative thoughts are the source, in fact, for much of the ideas presented in this study Thanks also goes to my committee members. Drs Gary Palmer. Tony Miranda, and Joe McCullough, for their gracious input Finally my parents. Joan and Jay Ramsey, deserve mention here because it was thev who taught me to value mv education and mv mind This gift I will always treasure VI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. PREFACE The call for fantasy-derived pleasure was first revealed to me as 1 entered a Las Vegas striptease club for the first time two-and-a-half years ago 1 thought to myself.
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