Seabiscuit Film Guide Comprehension Activity Directions: Answer the Following Questions About the Film Seabiscuit

Total Page:16

File Type:pdf, Size:1020Kb

Seabiscuit Film Guide Comprehension Activity Directions: Answer the Following Questions About the Film Seabiscuit Name:______________________________________ Date:________________ Hour:_______ English I – Seabiscuit Film Guide Comprehension Activity Directions: Answer the following questions about the film Seabiscuit. **Give your answers in complete sentences.** 1. What is the significance of the barbwire that Tom (the cowboy) touches in the beginning of the film? What does it represent? 2. What kinds of hardships did the following characters endure with the Great Depression? a. Tom: b. Johnny (Red): c. Mr. Howard: 3. Why was Seabiscuit forced to lose? What does the narrator mean by this comment? As a human, how can you relate to this event? Why/How? Explain. 4. Besides an angry, hurt horse with a lot of potential, what does Tom see in Seabiscuit? At the same time what did he see in Red (i.e. Why did he put the two together?) 5. When Tom says of Seabiscuit, “He’s been running in circles so long, he’s forgot what he was born to do.” What does he mean? Apply this to humans. 6. In what ways are Seabiscuit and Red similar? In what ways are Seabiscuit, Red, and the folks enduring the Great Depression similar? 7. If it was not the jobs, the money, or the programs (such the CCC) what was it that healed America? 8. Both Tom and Mr. Howard say, “You don’t throw a whole life away just ‘cause he’s banged up a little.” What does this mean to the story? How can we relate this saying to what it means to be American? 9. Red’s gift was riding horses. Tom’s gift was training horses. Charles’ gift was ingenuity. Marcelle was a helper. What is your gift? How are you using or pursuing it? 10. Which of the characters in the film, Marcelle, Charles, Tom, Red, or Seabiscuit do you best relate to? Tell me why you think this. Explain. 11. Who is the hero of Seabiscuit? Why? What type of hero is s/he? 12. How did Seabiscuit shape and influence the lives around him? “Racing in the Great Depression” http://www.pbs.org/wgbh/americanexperience/features/general-article/seabiscuit-racing-depression/ By the time the Great Depression descended on the nation like a bitter cold front, horse racing in the United States was already in a deep freeze. It had gone cold during the first decade of the twentieth century, after a series of race-fixing scandals triggered a wave of legislation making betting illegal. The sport crumbled. At the turn of the century there had been 300 racetracks nationwide; by 1908, only 25 remained. The American bans proved a boon to the Mexican horse racing business, and Tijuana became a betting mecca. Racing Renaissance In the 1930s impoverished state governments, in search of ways to increase revenues, returned to The racetrack was the potential honey pot of horse racing. In exchange for legalizing betting on the sport, one state one of the few after another exacted steep taxes on racing revenues. The deal was mutually beneficial to private places to gamble in investors and government tax collectors, and led to a 70 percent increase in the number of tracks the 1930s across the country. At the racetrack, crowds turned up as large as any that had ever assembled to watch horse racing. Big Money In 1933, California legalized betting on horses and the sport found a home north of the Mexican border again. Near Los Angeles, investors spent about $3 million on the state-of-the-art Santa Anita Park, which thrilled horse owners and racing fans everywhere by offering a $100,000 winner-take-all prize in its signature annual event, the Santa Anita Handicap. Today, the prize would translate to over $7 million. Such extravagant prizes in economically sour times drew the horses, and the horses drew the fans. Depression-Era Diversions People visited the track by the thousands every day, eager for the drama of a horse race. Horse racing, along with baseball, dominated the sports world. Sports were not the only diversions available to Americans struggling to grind out a living. Movie theaters transported viewers to places as appealing as Oz, attracting 85 million people a week. Others preferred to take their escape around the living room radio, listening to the heroic exploits of The Lone Ranger or Little Orphan Annie. Dreaming of a Pay Day The horses’ power and beauty and the excitement of racing undoubtedly attracted many to the grandstands. Another draw, though, was the possibility of pay day that promised relief from the tight clamp of poverty for a week, a month, or, if a long shot finished first in the big one, even a lifetime. The Only Place to Bet “The opportunities for gambling in the 1930s were very limited,” says Gene Smith, the author of many books on racing. “There were no state lotteries. Football was a very minor sport. Professional basketball was a very minor sport. You wanted to bet on a prize fight, you had to go find a bookie or something. There were casinos in Nevada, but how many people go to Nevada? Hence the only place you could really bet was at a racetrack.” Come On, Seabiscuit! Seabiscuit was a true crowd-pleaser. Bettors, whether they were the hardcore daily ones or casual visitors, usually cheered a horse by its number: “Come on — Number Three!” A large percentage of horse fans seemed to connect with Seabiscuit, and he was one of the few horses they rooted for by name. An Underdog Who Triumphed Fans, struggling to survive in their day-to-day lives, might have identified with the horse because of his underdog status. His stance was not regal; his body was rather low-slung. He had an awkward-looking gait. He had been mistreated as a young horse, raced and whipped too often, treatment which had turned him into an under-achiever and a steady loser. He had his greatest success at a relatively old age, another reason for fans to embrace him. He also had what many thought would be a career-ending accident. Still, Seabiscuit came back to win the Santa Anita Handicap with his jockey Red Pollard, who had a matching hard-luck story. That race, and a glorious win, was his last, and it came in 1940, just as a trying decade was finally coming to a close. Says Gene Smith: “This is the story of every happy-ending fairytale that Mother read to us when we were in the nursery. And to a depression-ridden, anxious, frightened nation, it must have come like a great sunrise.” Writing Activity – read the PBS article “Racing in the Great Depression” and answer the questions that follow. As the film notes, Seabiscuit’s fans compared him to a hero in one of the books of Horatio Alger. A number of celebrated Americans emerged from a humble background and/or overcame significant hurdles to achieve success. **Answer the following questions using COMPLETE sentences.** Which of Seabiscuit’s qualities did American’s identify with? Why did they so strongly identify with Seabiscuit and his trials? Why are people today still able to identify with this quality? Why is this image of a person succeeding through individual effort and often against great odds so appealing to Americans? What makes Seabiscuit’s story an “American Story”? (In other words, how can you relate Seabiscuit’s story to what it means to be “American”?) .
Recommended publications
  • EDITORIAL Screenwriters James Schamus, Michael France and John Turman CA 90049 (310) 447-2080 Were Thinking Is Unclear
    screenwritersmonthly.com | Screenwriter’s Monthly Give ‘em some credit! Johnny Depp's performance as Captain Jack Sparrow in Pirates of the Caribbean: The Curse of the Black Pearl is amazing. As film critic after film critic stumbled over Screenwriter’s Monthly can be found themselves to call his performance everything from "original" to at the following fine locations: "eccentric," they forgot one thing: the screenwriters, Ted Elliott and Terry Rossio, who did one heck of a job creating Sparrow on paper first. Sure, some critics mentioned the writers when they declared the film "cliché" and attacked it. Since the previous Walt Disney Los Angeles film based on one of its theme park attractions was the unbear- able The Country Bears, Pirates of the Caribbean is surprisingly Above The Fold 370 N. Fairfax Ave. Los Angeles, CA 90036 entertaining. But let’s face it. This wasn't intended to be serious (323) 935-8525 filmmaking. Not much is anymore in Hollywood. Recently the USA Today ran an article asking, basically, “What’s wrong with Hollywood?” Blockbusters are failing because Above The Fold 1257 3rd St. Promenade Santa Monica, CA attendance is down 3.3% from last year. It’s anyone’s guess why 90401 (310) 393-2690 this is happening, and frankly, it doesn’t matter, because next year the industry will be back in full force with the same schlep of Above The Fold 226 N. Larchmont Blvd. Los Angeles, CA 90004 sequels, comic book heroes and mindless action-adventure (323) 464-NEWS extravaganzas. But maybe if we turn our backs to Hollywood’s fast food service, they will serve us something different.
    [Show full text]
  • A Film Analysis: Seabiscuit: an American Legend
    Suzanne Gehring Film and Culture 1010 Marty Nabham November 24, 2008 A Film Analysis: Seabiscuit: An American Legend “If your dream was big enough and you had the guts to follow it, there was truly a fortune to be made.” - David McCullough Through literal and symbolic representation, the film Seabiscuit portrays an ongoing theme of hope in times of struggle. The movie is time-specific to the Great Depression and is a story of a few broken-down people and an equally broken-down horse who join forces in order to overcome the odds with hope. On a wider scope, such hope is symbolic of a hope that Americans searched for in order to survive during a pivotal time of devastation. The film uniquely represents the events of the era through a documentary style which consistently is in direct correlation with the main storyline throughout the movie. Specific examples of devastation on a smaller scope in the film include Charles Howard‟s (played by Jeff Bridges) loss of family through the death of his son; Red Pollard‟s (played by Tobey Maguire) suggested abandonment by his family and, later, his injury while riding; Seabiscuit‟s injury while racing, all of which are representations of overcoming the odds through hope as each of these situations are resolved. Throughout each situation, the existence of hope is suggested through the unlikely relationships between each of these characters. Specifically, the character of Tom Smith (played by Chris Cooper) is suggested to be the „glue‟ which holds each of these relationships together, as he is, in a way, the person to form each relationship.
    [Show full text]
  • I~~UN~~~RE D™ WEDNESDAY, MAY 3 1, 1 9 9 5 $2 Daily
    The Thoroughbred Daily News is delivered to your home or business by fax each morning by 5 a.m. For subscription information, please call 908-747-8060. T~?I~~UN~~~RE D™ WEDNESDAY, MAY 3 1, 1 9 9 5 $2 Daily W•E•E•K•E•N•D PREVIEW INSIDE INFORMATION AT MONMOUTH SAT­ Saturday, Suffolk Downs URDAY Trainer Shug McGaughey said this morning $250,000 Massachusetts H., 3yo/up, 9f that Inside Information (Private Account), fresh off a 5 Post positions will be drawn today, with six horses 1 /2-length win in the GI Shuvee at Belmont Park 1 O expected to challenge Cigar (Palace Music). They will days ago, will make her next start in Saturday's Giii receive anywhere from 11 to 1 7 pounds from the five­ Monmouth Park Budweiser Breeders' Cup H. The year-old horse, who has been assigned topweight of Shuvee, where she handed Sky Beauty her first defeat 124 pounds. Challengers expected: Dusty Screen (Si­ at Belmont Park, was the four-year-old filly's second lent Screen), Poor But Honest (Nasty and Bold), Per­ straight win in '95, coming on the heels of an allow­ sonal Merit (Turkoman), Kandaly (Alydar), Double Cal­ ance win at Keeneland. "She hurt herself in the Mother vados (Kinnett) and Bull lnthe Heather (Ferdinand). Goose last year and I got her back to the races in No­ Dusty Screen, winner of the $250,000 National Jockey vember, really just to make sure she was going to run Club at Sportsman's Park in his last start, will be the the way she was training," said McGaughey.
    [Show full text]
  • Week 6 Reading List
    Week 6: Animal Lives Books for Adults DB 51968 Seabiscuit: an DB 67900 Zamba: the true story DB67516 Dewey: the small-town American legend by Laura of the greatest lion that ever library cat who touched the Hillenbrand lived by Ralph Helfer world by Vicki Myron Annotation: Annotation: Annotation: Recounts the rise Hollywood animal Spencer, Iowa, of an "undersized, behaviorist fondly public library crooked-legged" recalls his director Vicki thoroughbred horse eighteen-year Myron describes who in 1938 was relationship with finding a nearly the year's number- Zamba, an African frozen kitten in the one newsmaker lion that came to book drop in 1988. over Franklin Roosevelt, Hitler, live on his California ranch in the Named Dewey Readmore Books and Lou Gehrig. Hillenbrand tells mid-1950s. Helfer recounts by library staff, the feline became Seabiscuit's story through the adventures with Zamba, including an increasingly famous mascot three men who made a true long movie productions, and he over the next nineteen years. shot into a winner: owner Charles describes his development of Myron also discusses her divorce, Howard, trainer Tom Smith, and affection training, which uses single parenthood, breast cancer jockey Red Pollard. Bestseller. methods based on love instead of scare, and love of librarianship. 2001. Bestseller. 2001. fear. 2005. Bestseller. 2008. DB 59487 Monarch of Deadman DB 72060 Flush: a biography by DB 72218 A dog’s purpose by Bay: the life and death of a Virginia Woolf W. Bruce Cameron Kodiak bear by Roger A. Caras Annotation: In the summer of 1842 Annotation: Through four lifetimes Annotation: A study of Kodiak a cocker spaniel named Flush a dog finds his reason for being.
    [Show full text]
  • Seabiscuit Program Transcript
    Page 1 Seabiscuit Program Transcript Narrator: On New Year’s Eve 1938, columnist Walter Winchell published his annual list of the top ten newsmakers. Nine men were named, including Franklin Delano Roosevelt, Neville Chamberlain and Adolf Hitler. The tenth spot went to a horse. Gelo Hall, Jockey Agent: He was a hero. This horse had to come from the bottom of the heap. To the top. Newsreel (archival): They’re head and head. It’s horse against horse. Seabiscuit leads by a length… Gelo Hall, Jockey Agent: And he fought his way up the ladder. And I think this was the thing that people liked about him. And I think that’s the way America likes sometimes to crown their champions. Newsreel (archival): Ladies and Gentleman, NBC has turned over its nationwide facilities for a paid tribute to Seabiscuit, the Wonderhorse. Gene Smith, Writer: Maybe the fact that he had the hard scrabble beginning…maybe the fact that he wasn’t good-looking—he was blocky, he was coarse, crude-looking. Maybe the fact that he had a kind of busted down jockey…somehow it all came together to create a star. Laura Hillenbrand, Author: He came along in the worst years of the Depression. Americans were down and out. They were poor, they were losing their jobs and their houses and they, they wanted a hero that came from the wrong side of the tracks, that was beat up like they were. And for a brief moment in America, a little brown racehorse wasn’t just a little brown racehorse.
    [Show full text]
  • Seabiscuit with His Famous Rival War Admiral on His Tail
    T ""WSr, -.-hj^v Historical Fictif Play m m I ME IN AMERICAN ISTORY, TWO UNLIKELY HEROES BOUGHT HOPE TO MILLIOÑr SPENCER KAYDEN Seabiscuit with his famous rival War Admiral on his tail 20 STORY Nain Idea Why did the Orens, like millions of other LOOK FOR WORD NERD'S 8 Americans, root for Seabiscuit? w WORDS IK BOLD Think about this as you read. Scene 1 Saratoga, New York, August 1936 Nl: Racehorse owner Charles Howard and his trainer, Tom Smith, are looking at a horse named Seabiscuit. Charles: He's got wobbly knees, and his ribs are sticking out. Tom: Yup. Charles: I hear he sleeps all the time. Tom: Yup. Charles: He's lost almost every race this year. Tom: Yup. Charles: And you want me to buy this horse? Characters Tom: Yup. Circle the character N2: Charles stares hard at the horse. you will play. Charles: I see something special in his eyes. Tom: Buy that horse, Mr. Howard. He has real stuff in him. *N1: Narrator 1 *N2: Narrator 2 Scene 2 *N3: Narrator 3 Detroit, Michigan, two weeks later Charles Howard: a racehorse N3: Two jockeys sit outside the gates of a racetrack. owner Red: Man, I'm hungry. George: Me too, but even if I had food, I couldn't eat it. Tom Smith: a horse trainer Red: 1 know—the smaller the jockey, the faster the horse. *Red Pollard: a jockey George: Still no job? George Woolf: a jockey and Red: Nope. Red's friend George: When was the last time you won a race? Stablehand: Charles's Red: It's been years.
    [Show full text]
  • Seabiscuit Races Again at Remington Carriage Museum Life Size Bronze of Famous Racehorse and Alberta Jockey George Woolf Unveiled
    July 16, 2010 Seabiscuit races again at Remington Carriage Museum Life size bronze of famous racehorse and Alberta jockey George Woolf unveiled Cardston... “So Long, Charley!” is the name of the statue depicting Cardston hero George Woolf riding Seabiscuit to victory in the riveting 1938 race against War Admiral. The statue will be unveiled Saturday, July 17, at the Remington Carriage Museum in honour of what would have been Woolf’s 100th birthday. Two Albertans, Woolf and Seabiscuit’s other principal jockey, Edmonton native Red Pollard, rose to instant world-wide fame with the surprise win in the “Match of the Century.” The $150,000 statue was commissioned and donated to the Province of Alberta by Cardston ranchers Jack and Ida Lowe. It will stand outside the Remington Carriage Museum in Cardston, a provincial facility that houses the largest collection of horse-drawn vehicles in North America. The statue will strengthen the museum visitor experience by celebrating a thrilling chapter in horse racing history and the supreme achievement of an Alberta horseman. “This statue captures an incredible moment of unexpected triumph in a story that many people do not realize has a strong Alberta connection,” said Lindsay Blackett, Minister of Culture and Community Spirit. “On behalf of the Government of Alberta, I would like to thank Jack and Ida Lowe for their generous donation and strong commitment to showcasing Alberta’s rich history.” Created by Lethbridge artist Don Toney, the statue depicts the moment when Woolf called out “So long, Charley!” to War Admiral’s jockey Charley Kurtsinger as Seabiscuit surged to the lead at Maryland’s Pimlico Race Course, ultimately winning by four lengths and setting a new track record.
    [Show full text]
  • New York State Racing and Wagering Board
    New York State Racing and Wagering Board 2008 Annual Report and Simulcast Report This page intentionally left blank. Ronald G. Ochrym Executive Director Kevin Dempsey Director of Administration Robert A. Feuerstein General Counsel Gail Pronti Secretary to the Board Bruce Samboy Director of Gaming Regulation Joseph Lynch Director of Racing Operations Brian Barry Director of Racing Officials Thomas Casaregola Director of Audits and Investigations Nicole Robilotto Director of Licensing Joseph Mahoney Public Information Officer Daryll Messner Director of Charitable Gaming Compliance Editor: Corey Pitkin Other Contributors: Kristen Buckley Robert Feuerstein On the Cover: John Googas 13 & 14 by Corey Pitkin Joseph Lynch Pastel on watercolor board Joseph Mahoney © 2009: CCP Arts Bruce Samboy Used with permission Patrick Wade www.coreypitkin.com Our purpose is to ensure that New York State's legalized pari-mutuel operations, charitable gaming ac- tivities and Class III Indian Gaming facilities operate with integrity and are in full compliance with New York's statutes, the Board's rules and the tribal-State Class III Gaming Compacts, respectively. We safeguard the interest of the public, including the taxpayers and patrons, by ensuring that the regu- lated entities and their employees participating in or benefiting from legalized gambling operate with the utmost professionalism. We will expeditiously respond to all public concerns. Executive management espouses that personal integrity is paramount for all Board employees who must ensure honest and proper conduct of legalized gambling and other regulated activities. To properly serve the public, all employees must perform their duties in an ethical manner that is above reproach. To meet this goal we advocate teamwork, intra-agency communication, mutual respect, training and ad- vancement to reach each employee’s potential.
    [Show full text]
  • Meghan Mccarthy
    A Curriculum Guide to Books by Meghan McCarthy CITY HAWK: SEABISCUIT THE WONDER HORSE POP! THE STORY OF PALE MALE THE INVENTION OF BUBBLE GUM DAREDEVIL: EARMUFFS FOR EVERYONE! THE WILDEST RACE EVER: THE DARING LIFE OF BETTY SKELTON HOW CHESTER GREENWOOD BECAME THE STORY OF THE 1904 OLYMPIC MARATHON KNOWN AS THE INVENTOR OF EARMUFFS ALL THAT TRASH: THE STORY OF THE 1987 GARBAGE FIREFIGHTERS’ HANDBOOK BARGE AND OUR PROBLEM WITH STUFF City Hawk: The Story of Pale Male HC: 9781416933595 BACKGROUND/SUMMARY A surprising story unfolded in New York City’s Central Park that captured the attention of people of all ages. A red-tailed hawk—an animal not usually seen in a city environment—settled in the area. Observers named this hawk Pale Male and his partner Lola. The two hawks built a nest on an apartment building across Fifth Avenue that could be seen by observers in the park. Each day from early morning until sunset the observers watched the nest, waiting for eggs to be laid, then waiting for the babies to hatch, and finally waiting to see the babies take flight. People called it a miracle that wild creatures could so easily settle in a man-made environment. DISCUSSION QUESTIONS/ACTIVITIES Key Ideas and Details The questions and activities below draw on Common Core State Standards (CCSS) for reading informational text (RI) that ask children to ask and answer questions about a text, identify the main topic and key details that support it, and describe the relationship between a series of events, concepts, or ideas.
    [Show full text]
  • Special Council Meeting for Salamander Presentation
    HHomeome FFarmsarms GGrandrand OOpeningpening - Page 18 MustMust ProgressProgress MeanMean PavingPaving ParadiseParadise - Page 6 Middleburg’s Only Locally Owned and Operated Newspaper Volume 2 Issue 2 May 19, 2005 ~ June 15, 2005 Special Council Meeting for Salamander Presentation Jennifer Heyns Sheila Johnson, the owner of the ward business and long-distance property is also proposed which local businesses, given the impor- Salamander property. travelers who would spend more would take guests past local busi- tance of shopping as an activity for n April 28 Mayor The changes, according to time on the site. He said that the nesses on Washington Street, then guests in any modern resort. The Tim Dimos convened Devadas, were designed to make new design calls for a 50/50 mix of onto Pendleton Street to the resort. new resort and conference center a special meeting of the Salamander project “one-of- conference guests and “transient/ The original entryway on Foxcroft will also include stables, tennis the Middleburg Town a-kind” on the East Coast. In the individual travelers, to make it a Road will still be used, but only courts, trails for hiking and riding, Council to allow Salamander new plan “What was characterized world-class resort.” “It becomes for staff members and deliveries. a fi ne-dining restaurant, bar and a OHospitality, Inc. to explain their as an inn is now a world-class re- a self-contained experience,” said Devadas also emphasized that the 14-treatment-room spa and salon. “change in design” for the pro- sort.” The new design transforms Devadas, “geared toward guests only retail at the resort would be a Although the new Salamander posed Salamander Inn project that the Salamander project from a who will stay three plus nights,” standard sundries shop and also a design is geared toward out-of- is located on the northern border 58-room inn to a 120-room resort.
    [Show full text]
  • Seabiscuit American Legend Text.Pdf
    Before Reading from Seabiscuit: An American Legend Biography by Laura Hillenbrand What makes a WINNER? In the heat of competition, what separates a winner from a loser? That’s the question explored in Seabiscuit, the story of the legendary racehorse that won the hearts of millions of Americans. READING 8 Explain the controlling idea and specific PRESENT With a partner, choose someone purpose of an expository text and distinguish the most important you consider to be a winner. Create a (Name) from the less important details “portrait” of the person in words and images, that support the author’s purpose. labeling the qualities that you feel led to his vision or her success. Share your portrait with the rest of the class. strength heart 126 TX_L09PE-u01s6-brSeaB.indd 126 12/9/08 3:09:48 PM Meet the Author literary analysis: suspense in biography A biography is a true account of someone’s life. The biography Laura Hillenbrand you are about to read is unusual in that the author has chosen born 1967 to make not a person but a famous horse the focus of her work. The Will to Overcome Though biographers must research and report facts At the age of 19, Laura Hillenbrand’s life accurately, a good biographer is also a storyteller who engages changed forever. Up until then, she had been readers. Through the use of foreshadowing, for example, the physically active, swimming competitively, riding horses, and playing tennis. Suddenly, biographer can build suspense in the same way that a fiction she was stricken with chronic fatigue writer does.
    [Show full text]
  • POZNÁMKY PŘEDMLUVA 7 Mediálně Nejsledovanější Osobou
    POZNÁMKY PŘEDMLUVA 7 mediálně nejsledovanější osobou: „Looking ’Em Over,“ San Francisco News, 1. 1939; B. K. Beckwith, Seabiscuit: The Saga of a Great Champion (Willfred Crowell, 1940) s. 33. 7 čtyřicet milionů posluchačů: „Seabiscuit Stands Out,“ The Pay Off, listopad 1938. 7 vidělo jeho poslední dostih 67 000 lidí: There They Go!: Racing Calls by Joe Hernandez, album vydané Los Angeleským dostihovým klubem. 7 počet… byl oproti současnosti o víc než polovinu menší: Irvine, E. Eastman, ed., World Almanac 1938 (New York: New York World- Telegram, 1938) s. 241; Robert Famighetti, ed., The World Almanac and Book of Facts 1997 (New Jersey: K-III Reference Cors., 1996), s. 377. 7 množství srovnatelné s počtem diváků při dnešních finálových zápasech ligy amerického fotbalu Super Bowl: Jorgen Lyxell, „Super Bowl“ online článek (San Francisco: Jorgen Lyxell); www.acc.umu.se/~lyxell/superbowl/. 7 40 000 fanoušků plnilo závodiště při jeho trénincích: „40,000 See Howard’s Champion,“ The Baltimore Sun, 2. 11. 1938. 8 80 000 vyčerpávajících kilometrů po železnici: M. A. Stoneridge, Great Horses of Our Time (New York: Doubleday, 1972), s. 34. 1. kapitola 11 21 centů v kapse: „Charles S. Howard,“ San Francisco Chronicle, 7. 6. 1950, s. 1. 11 jezdectvo ve španělsko-americké válce: Michael C. Howard, telefonický rozhovor, 18. 1. 1997. 11 na kole sám závodně jezdil: Terry Dunham, „The Howard Automobile Company,“ rukopis z písemností Marcely Howardové, červenec 1975. 12 „ďábelské mašiny“: „My Thirty Years in the Press Box,“ San Francisco Chronicle, 6. 2. 1937. 12 monumentální legislativní kreativita: Floyd Clymer, Those Wonderful Old Automobiles (New York: McGraw-Hill, 1953), s.
    [Show full text]