DOCSLIB.ORG

Album Rar Zip File Download Steely Dan Album Rar Zip File Download Steely Dan

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Album Rar Zip File Download Steely Dan Album Rar Zip File Download Steely Dan album rar zip file download steely dan Album rar zip file download steely dan. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67a79f43beba2bad • Your IP : 188.246.226.140 • Performance & security by Cloudflare. rockIT. Steely Dan - Can't Buy a Thrill (2008 Japan SHM-CD) is one of the best albums, released in 1972. The genre of the album is not surprising - Progressive rock, The best audio rip (CD and Vinyl) is in MP3 320 kbit/s and you can download it as RAR or ZIP file format. The album is recorded in United States and the lyrics language is English. If you like the album and you can purchase it from your country, please visit the official website of the band: http://www.steelydan.com/ List of songs/tracklist included in the album: 01 - Do It Again 02 - Dirty Work 03 - Kings 04 - Midnight Cruiser 05 - Only A Fool Would Say That 06 - Reelin' In The Release year. 07 - Fire In The Hole 08 - Brooklyn (Owes The Charmer Under Me) 09 - Change Of The Guard 10 - Turn That Heartbeat Over Again 14 file(s) found Total file size 99,009,440 bytes. Donald Fagen – The Nightfly (1982) Donald Fagen – The Nightfly (1982) Vinyl Rip | Hi-Res / FLAC Tracks / 24bit / 96kHz | CD-Format / FLAC Tracks / 16bit / 44.1kHz Full Scans Included Total Size: 930 MB (Hi-Res) + 256 MB (CD-Format) | 3% RAR Recovery Label: Mobile Fidelity Sound Lab | USA | Cat#: MFSL 1-120 | Genre: Pop Rock Half-speed mastered. The Nightfly is the debut studio album by American singer-songwriter Donald Fagen. Produced by Gary Katz, it was released October 1, 1982 by Warner Bros. Records. Fagen was previously best known for his work in the group Steely Dan, with whom he enjoyed a successful career in the 1970s. The band separated in 1981, leading Fagen to pursue a solo career. Although The Nightfly includes a number of production staff and musicians who had played on Steely Dan records, it was Fagen’s first release without longtime collaborator Walter Becker. Unlike most of Fagen’s previous work, The Nightfly is almost blatantly autobiographical. Many of the songs relate to the cautiously optimistic mood of his suburban childhood in the late 1950s and early 1960s, and incorporate such topics as late-night jazz disc jockeys, fallout shelters, and tropical vacations. Recorded over eight months at various studios between New York City and Los Angeles, the album is an early example of a fully digital recording in popular music. The nascent technology, as well as the perfectionist nature of its engineers and musicians, made the album difficult to record. Additional Info: • Released Date: October 1, 1982 • MFSL Released Date: 1983 • More info. Tracklist SIDE A 01. I.G.Y. (International Geophysical Year) – 06:03 02. Green Flower Street – 03:40 03. Ruby Baby – 05:38 04. Maxine – 03:50 SIDE B 05. New Frontier – 06:21 06. The Nightfly – 05:45 07. The Goodbye Look – 04:49 08. Walk Between Raindrops – 02:42. [su_accordion] [su_spoiler title=”Dynamic Range Report” icon=”plus-square-1″ style=”fancy”] Hi-Res CD-Format[/su_spoiler] DOWNLOAD FROM. Password: www.LosslessMA.net. If you encounter broken links or other problem about this publication, please let me know and write your comment below. I will reply and fix as soon as possible. Steely Dan – Discography (1972 – 2009) Steely Dan – Discography (1972 – 2009) EAC/XLD Rip | 34xCD | FLAC/APE/WV Tracks & Image + Cue + Log | Full Scans Included Total Size: 12.2 GB | 3% RAR Recovery STUDIO ALBUMS | LIVE ALBUM | COMPILATIONS | BOX SETS Label: Various | Genre: Jazz Rock, Pop Rock. Most rock & roll bands are a tightly wound unit that developed their music through years of playing in garages and clubs around their hometown. Steely Dan never subscribed to that aesthetic. As the vehicle for the songwriting of Walter Becker and Donald Fagen, Steely Dan defied all rock & roll conventions. Becker and Fagen never truly enjoyed rock — with their ironic humor and cryptic lyrics, their eclectic body of work shows some debt to Bob Dylan — preferring jazz, traditional pop, blues, and R&B. Steely Dan created a sophisticated, distinctive sound with accessible melodic hooks, complex harmonies and time signatures, and a devotion to the recording studio. With producer Gary Katz, Becker and Fagen gradually changed Steely Dan from a performing band to a studio project, hiring professional musicians to record their compositions. Though the band didn’t perform live after 1974, Steely Dan’s popularity continued to grow throughout the decade, as their albums became critical favorites and their singles became staples of AOR and pop radio stations. Even after the group disbanded in the early ’80s, their records retained a cult following, as proven by the massive success of their unlikely return to the stage in the early ’90s. ― Allmusic. 1. STUDIO: 1972. Can’t Buy A Thrill (1991, MCA, MCD 01769, DMCL 1769, Austria) 1972. Can’t Buy A Thrill (2008, Universal, UICY-93515, Japan, SHM-CD) 1973. Countdown To Ecstasy (1991, MCA, MCD 01654, DMCL 1654, Germany) 1973. Countdown To Ecstasy (2008, Universal, UICY- 93516, Japan, SHM-CD) 1973. Countdown To Ecstasy (2014, Universal, UICY-40080, Japan, PT-SHM) 1974. Pretzel Logic (1991, MCA, MCD 01781, DMCL 1781, Germany) 1974. Pretzel Logic (2008, Universal, UICY-93517, Japan, SHM- CD) 1975. Katy Lied (1991, MCA, MCD 01800, DMCL 1800, Germany) 1975. Katy Lied (2008, Universal, UICY-93518, Japan, SHM-CD) 1976. The Royal Scam (1985, MCA, MCAD-37044, 250 505-2, W.Germany) 1976. The Royal Scam (1999, MCA, 811 708-2, USA) 1976. The Royal Scam (2008, Universal, UICY-93519, Japan, SHM-CD) 1977. Aja (1984, MCA Victor, VDP-27, Japan) 1977. Aja (1984, MCA, MCAD-37214, 250 499-2, W.Germany) 1977. Aja (1991, MCA, MCD 01745, DMCL 1745, W.Germany) 1977. Aja (2008, Universal, UICY-93520, Japan, SHM-CD) 1980. Gaucho (1984, MCA, MCAD-37220, DIDX 56, USA) 1980. Gaucho (2008, Universal, UICY-93521, Japan, SHM-CD) 1980. Gaucho (2013, Universal, UICY-40018, Japan, PT-SHM) 2000. Two Against Nature (2000, Giant, 9 24719-2, USA) 2003. Everything Must Go (2003, Reprise, 48490-2, USA) 2. LIVE: 1995. Alive In America (1995, Giant, 924634-2, USA) 3. COMPILATION: 1996. The Very Best Of Steely Dan. Reelin’ In The Years (1996, MCA, MCLDD 19147, 2CD) 2000. The Steely Dan Story 1972-1980. Showbiz Kids (2000, MCA, 112 407-2, EU, 2CD) 2008. The Definitive Collection (2008, Universal, UICY-90827, Japan, SHM-CD) 4. BOX SET: 1993. Citizen Steely Dan 1972-1980 (1993, MCA, MCAD 4-10981, USA, 4CD) 2009. Collected (2009, Universal, 532 112-2, EU, 3CD) DOWNLOAD FROM. Password: www.LosslessMA.net. If you encounter broken links or other problem about this publication, please let me know and write your comment below. I will reply and fix as soon as possible. Jazz Rock Fusion Guitar. Citizen Steely Dan is a four-CD boxed set musical album by Steely Dan, released in 1993. The set is a collection of all of Steely Dan's albums (up to 1993) in chronological order, and also contains a non-album single ("FM (No Static at All)"), a non-album B-side ("Bodhisattva (Live)"), a rare compilation track ("Here at the Western World"), recorded during the sessions for The Royal Scam but released only on the 1978 Greatest Hits, and a previously unreleased demo of "Everyone's Gone to the Movies" (a song from their 1975 album Katy Lied). The set is not, however, a complete compilation of every track released by Steely Dan up to 1993. Missing are both sides of the band's 1972 debut single ("Dallas" b/w "Sail the Waterway"), neither of which has ever been re-issued on CD. This is due to the band's dislike of the songs and refusal to allow them to be reissued. Until 1998, this was the only place to find the remastered versions of the Steely Dan albums. However, because the albums were split up irregularly amongst the discs (in some cases with the track order changed), the remastered studio albums were issued in 1998, albeit without bonus tracks. The first pressing features "Rikki Don't Lose That Number" using the single edit of the song. This version omits the percussive opening for the song. The second pressing of the boxed set features the version from the album although it was reissued without any information noting the change. Glen Meadows remastered the CD set from the digital masters archived by Donald Fagen, Gary Katz and Roger Nichols in 1982. These digital tapes were prepared because the original analog tapes were in very poor shape. The earliest CD mastering for all the Steely Dan albums in 1985 used these digital tapes but MCA inexplicably used deteriorating analog masters for all later CD pressings until the 1998 remasters. This information was discovered by Roger Nichols in 1991 when he was asked his opinion of the Mobile Fidelity Gold reissues of Aja and Gaucho.
Load more

Recommended publications
  • Michael Bloomfield & Friends
    Now here is something I haven't gotten to the bottom of yet!!! MICHAEL BLOOMFIELD & FRIENDS (These recordings have been released so many times on different LP’s and CD’s that I have given up trying to pin them down! Sorry. I know it’s a mess. Paul Thompson has tried to sort it out and I have used his numbering to the left. Anyway it’s fine music!) 1977 Recorded live at McCabe’s, Santa Monica, California - producer Denny Bruce - Mike Bloomfield, guitar, vocals - Mark Naftalin, piano - Buddy Helm, drums - Buell Neidlinger, bass Paul’s: 1 1. “Eyesight to the Blind” (4:11) band 2 14. “Women Lovin’ Each Other” (8.19) band 3 2. “Linda Lu” (3.51) band 4 3. “Kansas City Blues” (3:34) solo 5 1a. “Toilet story” (0.56) 6 2. “Frankie And Johnny” (4.38) 7 7. “Lord, Though I Am with Thee” (3:38) solo (“I’m With You Always”) 8 8. “Jockey Blues (3:50) piano + guitar (“My Father Was A Jockey”) 9 16. “Blues In B-flat” (5.56) piano + guitar 10 4. “Darktown Strutters' Ball/Mop Mop/Call Me A Dog” (3.59) solo 11 9. “Stagger Lee” (4.20) 12 5. “I'm Glad I'm Jewish” (3:02) solo 13 6. “Great Gifts From Heaven” (3:32) solo 14 9. “Between the Hard Place and the Ground” (6.56) band 15 17. “Don’t You Lie To Me” (3.30) band 16 15. “Cherry Red” (4.40) band 17 “We Love You” (6.08) 18 11.
    [Show full text]
  • Psaudio Copper
    Issue 77 JANUARY 28TH, 2019 Welcome to Copper #77! I hope you had a better view of the much-hyped lunar-eclipse than I did---the combination of clouds and sleep made it a non-event for me. Full moon or no, we're all Bozos on this bus---in the front seat is Larry Schenbeck, who brings us music to counterbalance the blah weather; Dan Schwartz brings us Burritos for lunch; Richard Murison brings us a non-Python Life of Brian; Jay Jay French chats with Giles Martin about the remastered White Album; Roy Hall tells us about an interesting day; Anne E. Johnson looks at lesser-known cuts from Steely Dan's long career; Christian James Hand deconstructs the timeless "Piano Man"; Woody Woodward is back with a piece on seminal blues guitarist Blind Blake; and I consider comfort music, and continue with a Vintage Whine look at Fairchild. Our reviewer friend Vade Forrester brings us his list of guidelines for reviewers. Industry News will return when there's something to write about other than Sears. Copper#77 wraps up with a look at the unthinkable from Charles Rodrigues, and an extraordinary Parting Shot taken in London by new contributor Rich Isaacs. Enjoy, and we’ll see you soon! Cheers, Leebs. Stay Warm TOO MUCH TCHAIKOVSKY Written by Lawrence Schenbeck It’s cold, it’s gray, it’s wet. Time for comfort food: Dvořák and German lieder and tuneful chamber music. No atonal scratching and heaving for a while! No earnest searches after our deepest, darkest emotions. What we need—musically, mind you—is something akin to a Canadian sitcom.
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay
    [Show full text]
  • Jay Graydon Discography (Valid July 10, 2008)
    Jay Graydon Discography (valid July 10, 2008) Jay Graydon Discography - A (After The Love Has Gone) Adeline 2008 RCI Music Pro ??? Songwriter SHE'S SINGIN' HIS SONG (I Can Wait Forever) Producer 1984 258 720 Air Supply GHOSTBUSTERS (Original Movie Soundtrack) Arista Songwriter 1990 8246 Engineer (I Can Wait Forever) Producer 2005 Collectables 8436 Air Supply GHOSTBUSTERS (Original Movie Soundtrack - Reissue) Songwriter 2006 Arista/Legacy 75985 Engineer (I Can Wait Forever) Producer Air Supply DEFINITIVE COLLECTION 1999 ARISTA 14611 Songwriter (I Can Wait Forever) Producer Air Supply ULTIMATE COLLECTION: MILLENNIUM [IMPORT] 2002 Korea? ??? Songwriter (I Can Wait Forever) BMG Entertainment 97903 Producer Air Supply FOREVER LOVE 2003 BMG Entertainment, Argentina 74321979032 Songwriter (I Can Wait Forever) FOREVER LOVE - 36 GREATEST Producer Air Supply HITS 1980 - 2001 2003 BMG Victor BVCM-37408 Import (2 CDs) Songwriter (I Can Wait Forever) Producer Air Supply PLATINUM & GOLD COLLECTION 2004 BMG Heritage 59262 Songwriter (I Can Wait Forever) Producer Air Supply LOVE SONGS 2005 Arista 66934 Songwriter (I Can Wait Forever) Producer Air Supply 2006 Sony Bmg Music, UK 82876756722 COLLECTIONS Songwriter Air Supply (I Can Wait Forever) 2006 Arista 75985 Producer GHOSTBUSTERS - (bonus track) remastered UPC: 828767598529 Songwriter (I Can Wait Forever) Producer Air Supply 2007 ??? ??? GRANDI SUCCESSI (2 CD) Songwriter (I Can Wait Forever) ULTIMATE COLLECTION Producer Air Supply 2007 Sony/Bmg Import ??? [IMPORT] [EXPLICIT LYRICS] [ENHANCED] Songwriter (I Can Wait Forever) Producer Air Supply ??? ??? ??? BELOVED Songwriter (I Can Wait Forever) Producer Air Supply CF TOP 20 VOL.3 ??? ??? ??? Songwriter (Compilation by various artists) (I Can Wait Forever) Producer Air Supply COLLECTIONS TO EVELYN VOL.
    [Show full text]
  • GESAMTTEXT Final2vati Korrpdfi
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES Diplomarbeit Titel der Diplomarbeit Bob Dylan - Never Ending Tour - Werk eines 'Performing Artist' Verfasser Michael Gizicki Angestrebter Grad Magister der Philosophie (Mag. phil.) Wien, im Oktober 2009 Studienkennzahl lt. Studienblatt: A316 Studienrichtung lt. Studienblatt: Musikwissenschaft Betreuer: Ass.-Prof. Mag. Dr. August Schmidhofer Konzert Nr.1800 der Never Ending Tour am 12.11.2005, Mailand, Italien (li. Stu Kimball, re. Bob Dylan) 1 Inhaltsverzeichnis Danksagung 5 Einleitung 6 1.Kapitel: Historische Vorbedingungen und Kontext 9 1.1 Bob Dylans "Gospel-Phase" 9 1.2 Die Achtziger Jahre 10 1.3 Das Jahr 1988 13 1.4 Dylans Studiowerk ab 1989 14 1.4.1 "Oh Mercy" 1989 14 1.4.2 "Under The Red Sky" 1990 15 1.4.3 "Good as I Been To You" 1992 und "World Gone Wrong" 1993 15 1.4.4 1997: "Time Out Of Mind" - Rückkehr eines großen Künstlers 16 1.4.5 "Things Have Changed" 2000 und "Love and Theft" 2001 17 1.4.6 "Modern Times" 2006 17 1.4.7 "Together Through Life" 2009 18 2.Kapitel: Die Never Ending Tour 20 2.1. Der Name und seine Entstehung 20 2.2. Vorbedingungen: Das Jahr '87 im Detail 22 2.3. Zahlen und Fakten zur NET 30 2.4. Die Chronologie: Das Geschehen der Tourjahre : Repertoire, Format, Setlisten, Bands 33 2.4.1 Die Touren '88 bis '90 33 2.4.2 1991 bis Herbst '92 38 2.4.3 Die Jahre 1993 bis 1996 39 2.4.4 Die Zeit 1997 - 1999 43 2.2.5 2000 / 2001 / 2002 / 2003 47 2.4.6 2004 bis 2009 53 2 3.Kapitel: Dylans "performing art" in den Konzerten der NET 55 3.1.
    [Show full text]
  • TOTO Bio (PDF)
    TOTO Bio Few ensembles in the history of recorded music have individually or collectively had a larger imprint on pop culture than the members of TOTO. As individuals, the band members’ imprint can be heard on an astonishing 5000 albums that together amass a sales history of a HALF A BILLION albums. Amongst these recordings, NARAS applauded the performances with 225 Grammy nominations. Band members were South Park characters, while Family Guy did an entire episode on the band's hit "Africa." As a band, TOTO sold 35 million albums, and today continue to be a worldwide arena draw staging standing room only events across the globe. They are pop culture, and are one of the few 70s bands that have endured the changing trends and styles, and 35 years in to a career enjoy a multi-generational fan base. It is not an exaggeration to estimate that 95% of the world's population has heard a performance by a member of TOTO. The list of those they individually collaborated with reads like a who's who of Rock & Roll Hall of Famers, alongside the biggest names in music. The band took a page from their heroes The Beatles playbook and created a collective that features multiple singers, songwriters, producers, and multi-instrumentalists. Guitarist Steve Lukather aka Luke has performed on 2000 albums, with artists across the musical spectrum that include Michael Jackson, Roger Waters, Miles Davis, Joe Satriani, Steve Vai, Rod Stewart, Jeff Beck, Don Henley, Alice Cooper, Cheap Trick and many more. His solo career encompasses a catalog of ten albums and multiple DVDs that collectively encompass sales exceeding 500,000 copies.
    [Show full text]
  • Black Women's Music Database
    By Stephanie Y. Evans & Stephanie Shonekan Black Women’s Music Database chronicles over 600 Africana singers, songwriters, composers, and musicians from around the world. The database was created by Dr. Stephanie Evans, a professor of Black women’s studies (intellectual history) and developed in collaboration with Dr. Stephanie Shonekon, a professor of Black studies and music (ethnomusicology). Together, with support from top music scholars, the Stephanies established this project to encourage interdisciplinary research, expand creative production, facilitate community building and, most importantly, to recognize and support Black women’s creative genius. This database will be useful for music scholars and ethnomusicologists, music historians, and contemporary performers, as well as general audiences and music therapists. Music heals. The purpose of the Black Women’s Music Database research collective is to amplify voices of singers, musicians, and scholars by encouraging public appreciation, study, practice, performance, and publication, that centers Black women’s experiences, knowledge, and perspectives. This project maps leading Black women artists in multiple genres of music, including gospel, blues, classical, jazz, R & B, soul, opera, theater, rock-n-roll, disco, hip hop, salsa, Afro- beat, bossa nova, soka, and more. Study of African American music is now well established. Beginning with publications like The Music of Black Americans by Eileen Southern (1971) and African American Music by Mellonee Burnim and Portia Maultsby (2006),
    [Show full text]
  • Neg(Oti)Ating Fusion: Steely Dan's Generic Irony by Ethan Krajewski A
    Neg(oti)ating Fusion: Steely Dan’s Generic Irony by Ethan Krajewski A thesis presented for the B.A. degree with Honors in The Department of English University of Michigan Winter 2018 © 2018 Ethan Patrick Krajewski To my parents for music and language Acknowledgements My biggest thanks go to my advisor, Professor Julian Levinson, as a teacher, mentor, and friend, for helping me think, talk, write, and (most importantly, I think) laugh about seventies rock music. You’ve helped make this project fun in all of its rigor and relaxed despite all of the stress that it’s caused. I’d also like to thank Professor Gillian White for leading our cohort toward discipline, and for keeping us all grounded. Also for her spirited conversations and anecdotes, which proved invaluable in the early stages of my thinking. I wouldn’t be here writing this if it weren’t for Professor Supriya Nair, who pushed me to apply for the program and helped me develop the intellectual curiosity that led to this project. The same goes for Gina Brandolino, who I count among my most important teachers and role models. To the cohort: thank you for all of your help over the course of the year. You’re all so smart, and so kind, and I wish you all nothing but the best. To Ashley: if you aren’t the best non-professional line editor at large in the world, then you’re at least second or third. I mean it sincerely when I say that this project would be infinitely worse without your guidance.
    [Show full text]
  • Name Artist Album Track Number Track Count Year Wasted Words
    Name Artist Album Track Number Track Count Year Wasted Words Allman Brothers Band Brothers and Sisters 1 7 1973 Ramblin' Man Allman Brothers Band Brothers and Sisters 2 7 1973 Come and Go Blues Allman Brothers Band Brothers and Sisters 3 7 1973 Jelly Jelly Allman Brothers Band Brothers and Sisters 4 7 1973 Southbound Allman Brothers Band Brothers and Sisters 5 7 1973 Jessica Allman Brothers Band Brothers and Sisters 6 7 1973 Pony Boy Allman Brothers Band Brothers and Sisters 7 7 1973 Trouble No More Allman Brothers Band Eat A Peach 1 6 1972 Stand Back Allman Brothers Band Eat A Peach 2 6 1972 One Way Out Allman Brothers Band Eat A Peach 3 6 1972 Melissa Allman Brothers Band Eat A Peach 4 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Ain't Wastin' Time No More Allman Brothers Band Eat A Peach 6 6 1972 Oklahoma Hills Arlo Guthrie Running Down the Road 1 6 1969 Every Hand in the Land Arlo Guthrie Running Down the Road 2 6 1969 Coming in to Los Angeles Arlo Guthrie Running Down the Road 3 6 1969 Stealin' Arlo Guthrie Running Down the Road 4 6 1969 My Front Pages Arlo Guthrie Running Down the Road 5 6 1969 Running Down the Road Arlo Guthrie Running Down the Road 6 6 1969 I Believe When I Fall in Love Art Garfunkel Breakaway 1 8 1975 My Little Town Art Garfunkel Breakaway 1 8 1975 Ragdoll Art Garfunkel Breakaway 2 8 1975 Breakaway Art Garfunkel Breakaway 3 8 1975 Disney Girls Art Garfunkel Breakaway 4 8 1975 Waters of March Art Garfunkel Breakaway 5 8 1975 I Only Have Eyes for You Art Garfunkel Breakaway 7 8 1975 Lookin' for the Right One Art Garfunkel Breakaway 8 8 1975 My Maria B.
    [Show full text]
  • Mick Taylor © Felix Aeppli 07-2020 / 08-2021
    Blues Breaker Mick Taylor © Felix Aeppli 07-2020 / 08-2021 5001 January 17, 1949 (not 1948) Born in Welwyn Garden City, Hertfordshire: Michael Kevin (not James) Taylor. 5001A 1963 Hatfield, Hertfordshire, or London: THE STRANGERS, MEET THE STRANGERS (One-sided 10" acetate, 1963): 1. A Picture Of You (Beveridge, Oakman), 2. The Cruel Sea (Maxfield), 3. It’ll Be Me (Clement), 4. Saturday Night At The Duck Pond (Owen, based on a section from Tchaikovsky's Swan Lake) MT, Alan Shacklock: guitar; Malcolm Collins: vocals (1, 3); John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5001B 1964 Hatfield, Hertfordshire, or London: THE JUNIORS, Single (Columbia DB 7339 [UK], Aug. 1964); MADE IN ENGLAND VOL. 2 – BRITISH BEAT SPECIAL 1964 - 69 (LCD 25-2, CD [France], Spring, 2000): 1. There’s A Pretty Girl (Webb), 2. Pocket Size (White) MT, Alan Shacklock: guitar; Malcolm Collins: vocals; John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5002 May, 1967 Probably London THE GODS (THOR, HERMES, OLMPUS, MARS), Single (Polydor 56168 [UK], June, 1967): 1. Come On Down To My Boat Baby (Farrell, Goldstein), 2. Garage Man (Hensley) NOTES: Cuts 1, 2: MT’s participation in this session is very much open to speculation and his own interviews on the subject are full of contradictions; most likely MT had taken part in some live shows, but he never was in THE GODS’ actual line-up (Lee Kerslake: guitar; Ken Hensley: organ, vocals; John Glascock: bass, back-up vocals; Brian Glascock, perhaps alternating with Lee Kerslake: drums); – Nor is MT identical with MICK TAYLOR playing guitar and singing on a Single (CBS 201770 [UK], June, 1965), London Town, Hoboin’ (both Taylor - produced by Jimmy Duncan and Peter Eden); or involved in Cockleshells (Taylor), a track recorded by MARIANNE FAITHFULL (NORTH COUNTRY MAID, Decca LK 4778 [UK], Feb.
    [Show full text]
  • Nicky Marrero
    Nicky Marrero Master timbalero and percussionist Nicky Marrero was ubiquitous during the 1970s New York salsa boom, playing and recording with Eddie Palmieri, Larry Harlow, Ismael Miranda, Típica Novel, Louie Cruz, Fania All Stars, Machito, and on, and on – not to mention Típica 73! One of the tightest rhythm guys ever, his style is a hybrid of the greats: Manny Oquendo, Tito Puente and Orestes Vilató. He is still mesmerizing on stage, whether playing Latin or straight jazz. His place in salsa history is secure and truly deserved. John Child and Ray Rosado speak to Nicky about his extensive career, stylistic contributions and innovations. The interview is followed by a selected discography of the Latin and jazz albums on which Nicky has performed. Videos: Credits: Year Album Artist Percussion, “Live” In Puerto Rico: 2012 Fania All-Stars Timbales, June 11, 1994 Timbalitos 2012 Latin Beat Jazz Heat Percussion 2011 Live in Africa Fania All-Stars Timbales Good King Bad/Benson & 2010 George Benson Percussion Farrell Year Album Artist Composer, Drums, Effects, Percussion, Ponte Duro: The Fania Timbales, 2010 Fania All-Stars All Stars Story Timbalitos, Vocals (Background), Whistle Soloist, 2009 San Juan 73 Fania All-Stars Timbales The Never Learned to Percussion, 2009 Dance: Anthology Harvey Averne Timbales 1967-1971 Soloist, Swanee Campeones: A Band and (Slide 2008 Fania All-Stars Their Music Whistle), Timbales NYC Salsa, Vol. 2: The 2008 Incendiary Sound of Composer Latin New York The Complete Studio 2008 Héctor Lavoe Timbales Albums, Vol.
    [Show full text]
  • The Recording Sessions
    Bob Dylan: The Recording Sessions by Michael Krogsgaard, compiled from files available at http://www.punkhart.com/dylan/sessions.html 1 2 Some general information regarding the different sources made available for the study: 1. The Columbia Studios Recording Diaries are books, which for each day of the year (since 1941) list every planned session in the different studios. Information includes: time of the day, name of the studio, name of the producer and the engineers and the name of the artist. For the New York studios one diary is missing, that which covers the period January 1967 to December 1970. For the Nashville studios, the diary for the period 1969 to 1971 is missing. 2. Recording Sheets are lists made during each session and put into each tape box. The sheet records the date, the studio, the artist, which tracks were recorded and the CO number (Columbia's own reference number) for each composition (of which, more later). Each recorded take is marked as complete (C), with a short false start(b) or a long false start (B). It is indicated on these sheet which takes are removed to other tapes for further use. 3. The Tape Boxes themselves also usually contain information about each take and which takes are removed for further use. 4. CO Cards contain information about the CO (CO=Columbia) number and title for each composition and usually also the recording date. The CO numbers are basically a secure identification of each composition but they are not always chronological (for instance: the CO numbers for songs recorded in Nashville are generally higher than CO numbers for songs recorded at the same time in New York), and, confusingly, sometimes one composition has several CO numbers, especially (but not always) if it has been recorded several times at different sessions.
    [Show full text]