The Jungle Book
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Characters Deer Raksha Seyva Dhani Other Wolves Bagheera Akela
Characters Deer Raksha Seyva Dhani Other Wolves Bagheera Akela Shere Khan Gray Mowgli Keva Fatin Baloo Monkey 1 Monkey 2 Monkey 3 Monkey 4 Kaa Asa Villager 1 Villager 2 Child 1 Child 2 Toomai Scene 1 (Stage is set with small pots of fake greenery. There are also two ‘rocks’ onstage; one being Council Rock, the other, Bagheera’s Perch. A DEER enters, gracefully. Music begins softly as the deer moves from plant to plant, dancing. The music changes ominously. Quickly, the WOLF PACK surrounds the DEER. The WOLVES circle in on the deer, blocking it from view. DEER exits by the time the pack opens up again. A rustling from the bushes. The pack turns as one.) RAKSHA. Who moves within our grounds who does not use the Stranger’s Hunting Call? BAGHEERA. (Entering SR, carrying a bundle) We be of one blood, ye and I. RAKSHA. Bagheera. BAGHEERA. I tell you now, return to your den. It is not safe out tonight. RAKSHA. What is it? BAGHEERA. Shere Khan is out hunting. RAKSHA. On our grounds? BAGHEERA. He will not obey the Law of the Jungle. He is lame and wishes for easier prey. SEYVA. Our buck will be no easier for a lame tiger to catch. BAGHEERA. It is not buck he hunts tonight ... but man. RAKSHA. Man? SEYVA. In the jungle? BAGHEERA. Travelers. And their kin (nodding toward the bundle.) SEYVA. Bagheera. BAGHEERA. (Looking only at RAKSHA) I ask only that you take the cub with you. Just until Shere Khan moves on. RAKSHA. And you believe he will be safe then? BAGHEERA. -
The Jungle Book 1St Edition Pdf, Epub, Ebook
THE JUNGLE BOOK 1ST EDITION PDF, EPUB, EBOOK John Rowe | 9780486410241 | | | | | The Jungle Book 1st edition PDF Book This is the First Edition, reprinted in June , and is only the Jungle Book, not the second book set. Set of two first edition, first printings published by Macmillan and Co. Spine edges of book slightly faded. We use cookies to ensure that you have the best experience on our website. For the two volumes. His father had become director of the Lahore Museum in what is now Pakistan, and Rudyard became a journalist for the "Lahore Civil and Military Gazette. These stories, of Mowgli, a human child lost in the jungles of India and raised by wild animals, Rikki-Tikki-Tavi, the white seal, Baloo and others struck a cord with readers who were able to find these exotic animals and people easy to relate to despite the bizarre circumstances and far off locales. Doubleday's suggestion after much talk. There is no harm in a man's cub. First American edition of Kipling's classic title, in the very scarce 1st issue dust jacket. First Edition. Based on folk tales and legends that Kipling learned during his childhood in India but written while in Vermont. Last Added Items. About this blog How can I identify a first edition? Both books bound in blue cloth over boards with gilt-stamped spines and upper boards, all edges of textblocks gilt, dark green coated endpapers. Roald Dahl. United Kingdom. London: Macmillan and Co. Ltd, , The dust wrappers, with their dark red titles and decorations on the spine and front, add loads of extra value to this already valuable set. -
The Jungle Book: Mowgli and the Great Kaa
THE JUNGLE BOOK: MOWGLI AND THE GREAT KAA From the story “Kaa’s Hunting” by Rudyard Kipling Adapted by Kate Pogue © 1993 Kate Pogue ALL RIGHTS RESERVED Duplication Prohibited Download your complete script from Eldridge Publishing http://www.histage.com/playdetails.asp?PID=1917 The Jungle Book: Mowgli and the Great Kaa - 2 - STORY OF THE PLAY The curtain rises on a jungle in India in the middle of the 19th century. A tribe of monkeys come chasing in with the boy Mowgli in their midst. They run in and out of the hut Mowgli has built. In the middle of their play, Kaa, the great python, comes through the jungle terrifying them and Baloo (a great bear) and Bagheera (a panther) who are Mowgli’s friends and protectors. The monkeys disperse and Baloo and Bagheera, finding Mowgli safe from Kaa, scold the boy for playing with the monkeys. They teach him how to make himself safe in the jungle while exacting a promise from him that he won’t go off with the monkeys again. They fall asleep. The monkeys, eager to get Mowgli to make them huts like his to keep them protected from the elements, wake him and drag him off with them through the jungle. Baloo and Bagheera go to the great Kaa to ask for help in rescuing Mowgli from the monkeys. As Kaa despises the monkeys for their dirty habits and also finds them delicious to eat he agrees to go with them. The monkeys have taken Mowgli to the Lost City. As he tries to teach them to make a hut Mowgli discovers how undisciplined, selfish and thoughtless the monkeys are and longs to be back with Bagheera and Baloo. -
Jungle-Book-Playbill-Virtual.Pdf
Virginia’s Leading Family Theatre Company Hugh R. Copeland—Artistic Director PRODUCTION STAFF Director…………..……..….………..……………...………………… HUGH R. COPELAND Production Stage Manager……….……………………………….………….LAURA LAVAN Sponsored in part by Costume Designer……………………………………………….………...…..ANNE HILTON Costumers Volunteers……..….ROBIN POWELL, STACY CARTWRIGHT AND KATY DOTY, SEPHANIE TREVINO Set Crew…………………………….SCOTT CHASEY, BECKY CHASEY, ANDY THORNHILL KATY DOTY, DEANNA HAMMOND, JOHN LAPETINA, ALAN TAYLOR, JIMMY MCKENZIE AND KAYVON HOSSEINIPOOR Photographer………………………………………………………………….....JERRY DUCK Stage Managers………………………………… ANDY THORNHILL, STEPHANIE TREVINO Backstage Crew……….. SHANNON THORNHILL, LAURIE GLICK, MARIE VACCARELLA, KATY DOTY, ANGELA TAYLOR, THERESA BREMBY, JENNIFER WHITMORE, BETTINA SELBY, JESSICA MCKENZIE, MEGAN HOOSEINIPOOR Music and Lyrics by House Managers………………………………...THERESA HYLER, STACEY CARTWRIGHT Richard M. Sherman, Robert B. Sherman Ushers………………… ANGELA TAYLOR, SHAWTINA CROSS, MEGAN HOSSEINIPOOR THERESA BREMBY, KATY DOTY, DAWN KERMAN, VALERIE WANG, KELLY YOUNG And Terry Gilkyson JESSICA MCKENZIE Book adapted and Additional Lyrics by Marcy Heisler HURRAH STAFF Founder and Artistic Director……………………………………......HUGH. R. COPELAND Music Adapted and Arranged by Managing Director………………………………………....………..…….….KELSEY BACKE Bryan Louiselle Director of Education/ Box Office Manager…………………...…..……....LISA WALLACE Director of Development……………………………………………..…EILEEN CARPENTER Based on the Screenplay by Production Manager…………………………...………………………..…….LAURA -
Trailfinderwolf 01.Pdf
Cub Scout Booklet All rights reserved. No part of this publication may be translated or adapted into any language, or reproduced, stored or transmitted by any means whatsoever, including illustrations and cover designs, without the prior written authorisation of the Interamerican Scout Office, which represents the owners of the copyright. Reservation of rights applies equally to the national scout associations which are members of the World Organization of the Scout Movement. Copyright registration: 133.001 ISBN: 956-8057-12-9 This first edition of 3,000 copies was printed in June 2003. Interamerican Scout Office Av. Lyon 1085, 6650426, Providencia, Santiago, Chile tel. (56 2) 225 75 61 fax (56 2) 225 65 51 [email protected] www.scout.org/interamerica World Organization of the Scout Movement Cub Scout Booklet You are already at the Trail-Finder Wolf stage! Now you and you think can walk and a little before run faster and acting, too. more freely you must be asking a lot more about the things you don't know You will learn a lot of new things with us You are going to have some good times. We promise. 2 You are also able to help your smaller sisters and brothers in the Pack, who will be beginning to follow in your footsteps. This Booklet belongs to Address Telephone Pack Scout Group I joined the Pack on This Booklet is private property. Please do not read it without permission. Thank you! 3 the adventure of the cold lairs Near the hills of Seonnee, the home of Akela's Free People of the Wolves, were the Cold Lairs. -
Kipling, the Story-Writer
UNIVERSITY OF CALIFO! AT LOS ANGELES SEMICENTENNIAL PUBLICATIONS OF THE UNIVERSITY OF CALIFORNIA 1868-1918 42 1 6 KIPLING THE STORY-WRITER BY WALTER MORRIS HART UNIVERSITY OF CALIFORNIA PRESS BERKELEY 1918 28412 TO A. B. H. VA PREFACE In the course of an attempt to trace the history of the Short- Story in English it came to seem desirable, three or four years ago, to examine with some thoroughness, as the terminus ad quern, the work of Rudyard Kipling. The results of this study were rather fully set forth in the form of notes intended for class-room lectures. Revision and publication of these notes was advised by Professor Bliss Perry of Harvard College and by Professor Charles Mills Gayley of the University of Califor- nia. To these good friends of the writer this little book owes its being. Without their criticisms and suggestions, moreover, it would have been even less worthy than it is of the author with whom it is concerned. To him, to Mr. Kipling himself, thanks are due for gracious permission to take from his works the many illustrative passages with which these pages are adorned. CONTENTS PAGE Introduction 1 PART ONE: THE INDIAN PERIOD CHAPTER I Settings 5 CHAPTER II Characters and Psychology 12 CHAPTER III Plots and Their Significance 33 CHAPTER IV General Characteristics of the First Period Ill PART TWO: THE PERIOD OF TRANSITION CHAPTER V The Transitional Technique 131 PART THREE: THE ENGLISH PERIOD CHAPTER VI Settings 160 CHAPTER VII Characters and Psychology 170 CHAPTER VIII Plots and Their Significance 192 CHAPTER IX Conclusion 2 1 7 KIPLING THE STORY WRITER 53-2./. -
Home and Who: a Rhetorical Analysis of Rudyard Kipling's "Tiger! Tiger!' and "Letting in the Jungle"
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2003 Home and who: A rhetorical analysis of Rudyard Kipling's "Tiger! tiger!' and "Letting in the jungle" Steven Clark Estus Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Estus, Steven Clark, "Home and who: A rhetorical analysis of Rudyard Kipling's "Tiger! tiger!' and "Letting in the jungle"" (2003). Theses Digitization Project. 2343. https://scholarworks.lib.csusb.edu/etd-project/2343 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. HOME AND WHO: A RHETORICAL ANALYSIS OF RUDYARD KIPLING'S "TIGER! TIGER!" AND "LETTING IN THE JUNGLE" A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Steven Clark Estus June 2003 HOME AND WHO: A RHETORICAL ANALYSIS OF RUDYARD KIPLING'S "TIGER! TIGER!" AND "LETTING IN THE JUNGLE" A Thesis Presented to the Faculty of California State University, San Bernardino by Steven Clark Estus June 2003 Approved by: Mat, Bruce/G.o ldenl, Chair, English Date Holly Hdnry Maureen Newlin ABSTRACT It has often been expressed that British writer Rudyard Kipling was a pitiless, xenophobic imperialist, the nineteenth century's chief apologist for imperialism. In the flesh, guilty: at one time or another, he was all of these things. -
Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Rikki-Tikki-Tavi by Rudyard Kipling 1893
Name: Class: Rikki-Tikki-Tavi By Rudyard Kipling 1893 Rudyard Kipling (1865-1936) was an English journalist, short-story writer, poet, and novelist. Kipling’s most popular work is his collection of short stories titled The Jungle Book. “Rikki-Tikki-Tavi” is a short story from The Jungle Book about the adventures of a young mongoose. As you read, take notes on how the characters react to danger during the story. At the hole where he went in Red-Eye called to Wrinkle-Skin. Hear what little Red-Eye saith:1 “Nag, come up and dance with death!” Eye to eye and head to head, (Keep the measure, Nag.) This shall end when one is dead; (At thy pleasure, Nag.) Turn for turn and twist for twist — (Run and hide thee, Nag.) Hah! The hooded Death has missed! (Woe2 betide3 thee, Nag!) [1] This is the story of the great war that Rikki-tikki- tavi fought single-handed, through the bath- rooms of the big bungalow in Segowlee "Yellow Mongoose" by Colin Frankland is licensed under CC BY-NC 4 cantonment. Darzee, the tailor-bird, helped him, 2.0. and Chuchundra, the musk-rat, who never comes out into the middle of the floor, but always creeps round by the wall, gave him advice; but Rikki-tikki did the real fighting. He was a mongoose, rather like a little cat in his fur and his tail, but quite like a weasel in his head and his habits. His eyes and the end of his restless nose were pink; he could scratch himself anywhere he pleased, with any leg, front or back, that he chose to use; he could fluff up his tail till it looked like a bottle-brush, and his war-cry, as he scuttled through the long grass, was: “Rikk-tikk-tikki-tikki-tchk!” One day, a high summer flood washed him out of the burrow where he lived with his father and mother, and carried him, kicking and clucking, down a roadside ditch. -
Jungle Book Names
Jungle Book Names NAME: ANIMAL: DESCRIPTION: Ahdeek Reindeer *Team Games Akela The Great Grey Lone & Leader of the Pack, Strength & Cunning Wolf Apukwa Bulrush *Weaving Bagheera Black Panther Training & Proficiency in physical activities Baloo Brown Bear Teacher & Lawgiver Bander-log Monkey People People without a Law Black Plume Brother Wolf *Raksha's Cub (Black Six) Blue Smoke *Signalling Brown Tip Brother Wolf *Raksha's Cub (Brown Six) Buldeo Village Hunter Hunter & teller of stories (about himself) Chikai Leaping Rat *Jumping Chil Kite (Bird) Observer/Observation Chuchundra Musk Rat *Advice Council Rock Meeting Place of the Seconee Pack Coppersmith Bird *Towncrier Crimson Arrow *Throwing & Catching Dahinda Bullfrog *Leaping Darzee Tailor Bird *Warning Dewanee Water Madness Feared by all Jungle Creatures Dholes Red Dogs Killers Father Wolf Raksha's Mate Ferao Scarlet Woodpecker *Woodwork Gidur-log Jackel People Also SEE: Tabaqui Golden Quill *Artist Gonds Black Hunters Little wild people of the jungle Grampus Killerwhale Killer Gray Brother Eldest Brother Wolf *Raksha's Cub (Loyal friend/Gray Six) Gray Tracker *SEE: Phaona Hathi Wild Elephant Large size or regular attendance Hawkeye *Observation Hiawatha *AII round Athletics lagoo Story Teller *Telling stories Ikki Porcupine *Scribe, SEE: Sahi Jacala Crocodile *Acting Jeebi The Ghost *Fastest Kaa Rock Python Tree Climbing Kala Nag The Wise Old Elephant (Name meaning: Black Snake) Karait Dusty Brown Snakeling Death Karela Bitter Vine *Knotting Keego The Fish *Swimming Keneu Great War Eagle *Running Kim Little Friend Helpfulness Kite SEE: Chil Ko Crow Chatter Kotick The Seal *Sea Catch's Son, Wrestling Kwasin The Strong Man *Boxing Limmerskin The Wren *Message Carrying Little Beaver *Lair Building Little Brother Mowgli's nickname by brother Wolfs Little People of the Rocks Wild Black Bees, Feared by all Little Toomai Elephant Boy BOLD - common names used by leaders ITALIC - names never used by leaders *NAMES USED BY CUBS & LEADERS Page 1. -
Comparing "The Jungle Book" by Rudyard Kipling to Disney's Film Adaptations
Abigail McMahon “I Wan’Na Be Like You”: Comparing The Jungle Books by Rudyard Kipling to Disney’s The Jungle Book (1967) and The Jungle Book (2016) Faculty Sponsor: Katherine Kittredge, Department of English Many people think that children’s literature is just for a child’s entertainment. They don’t stop to think about the moral lessons that the stories are teaching the children. Little Red Riding Hood teaches kids not to talk to strangers, The Ugly Duckling teaches kids that outer beauty wasn’t the most important thing, and Stone Soup teaches kids the importance of sharing, etc.… The Jungle Books by Rudyard Kipling is another example to the many lessons that children’s literature teaches kids. What is interesting about this set of stories is how they have been told through the years. The Jungle Books have had many adaptions and retelling of Mowgli’s tale. The most known adaption of Kipling’s stories was Disney’s animated film The Jungle Book (1967) and Disney’s newest live action version of the film, The Jungle Book (2016). The strange thing to consider is that the book and both films, while from the same source material, differ in what they offer to the audience. The original stories tell vignettes of Mowgli’s life as he grows up and what he learns from the other animals. They teach him how to be a friend to all and how to decide when a fight is worth it or not among other things. Though, a lot of the stories in Kipling’s book don’t even focus on Mowgli.