DOCSLIB.ORG

Juin 2017 TEMPS FORTS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

ACTUALITÉ DOSSIER RETROSPECTIVE Visites des quartiers Centre et Le Moulin de la Galette Souvenirs de la Maison Vladeck des Bords de l’Yerres reprend vie page 8 page 11 page 16 UNMOISENVILLE LE MAGAZINE MENSUEL DE LA VILLE DE BRUNOY BRUNOY EN FÊTE I NEED YOU YOU YOU ÉCO-CONCERT THE BLUES BROTHERS SHOW (voir page 5) www.brunoy.fr n°160 - juin 2017 TEMPS FORTS Le 20 mai Job dating Cette rencontre spéciale « métiers de la petite enfance » a permis le recrutement de huit Brunoyens dans le cadre de l’ouverture de la crèche Charrière, actuellement en travaux et qui ouvrira Le 8 mai ses portes à l’automne Commémoration prochain. Quarante-quatre petits Brunoyens y seront Cette cérémonie s’est déroulée en présence des enfants accueillis et profiteront de du Conseil municipal des jeunes, de collégiens et lycéens cet établissement moderne de Brunoy et du maire, Bruno Gallier, venu célébrer ce 72e et d’un environnement anniversaire de la victoire du 8 mai 1945. exceptionnel. Les 13 et 14 mai Festival vintage Un franc succès pour cette deuxième édition du Festival vintage de Brunoy. Un grand merci aux organisateurs et au club de floorball. Le 20 mai Baby dating Cette initiative de la Ville a offert la possibilité à de nombreux parents en recherche d’un mode de garde pour leur bout de chou, de rencontrer les assistantes maternelles installées à Brunoy. Le 19 mai Fête des voisins Traditionnel temps fort, à Brunoy, la Fête des voisins s’est déroulée en toute convivialité et sous le soleil ! Pour ne rien rater de l’actualité brunoyenne, pensez à nous rejoindre sur Facebook : Brunoy Officiel 2 n°160 Juin 2017 LE MOT DU MAIRE ACTUALITÉ .............................4 DOSSIER ...............................11 Chères Brunoyennes, chers Brunoyens, SCOLAIRE ..............................14 JEUNESSE .............................15 Il y a un an, je commençais ce même RÉTROSPECTIVE ..................16 éditorial de votre magazine Un mois en CONSEIL DU MOIS ...............18 ville par la devise du Québec, « Je me sou- viens »… cette année encore le mois de CULTURE ...............................19 juin, si festif soit-il, pourrait commencer AGENDA................................20 par cette devise. ASSOCIATIONS .....................22 Vous découvrirez dans ce numéro une INTERGÉNÉRATIONEL .........23 rétrospective de la journée commémora- PORTRAIT .............................25 tive de la Maison Vladeck qui a eu lieu le SPORT ...................................26 30 avril dernier, au Muséum national d’Histoire naturelle ; l’occasion de HISTOIRE & PATRIMOINE ....30 se rappeler ce que fut ce lieu d’accueil d’enfants rescapés de la Shoah, dont certains, aujourd’hui adultes, étaient présents pour cette journée ÉCONOMIE ............................32 exceptionnelle. VIE PRATIQUE ......................33 EXPRESSION LIBRE ..............34 Juin est aussi traditionnellement le mois où les enfants du Conseil muni- cipal des jeunes participent au ravivage de la flamme du Soldat inconnu, VOS ÉLUS ..............................35 au pied de l’Arc de triomphe. Ils y seront accompagnés par nos anciens combattants que je remercie pour leurs initiatives et leur engagement en PROCHAIN CONSEIL MUNICIPAL faveur de la mémoire et de nos jeunes générations. le jeudi 29 juin à 20h à la salle des fêtes La cérémonie patriotique consacrée au 72e anniversaire de la victoire du 8 mai 1945 fut aussi un moment fort de communion et de partage entre UNMOISENVILLE les générations et entre Brunoyens. Comme vous le savez, j’accorde une grande importance au travail de mémoire et à la célébration de notre Directeur de publication passé. Notre patrimoine et sa préservation sont aussi pour moi une prio- Bruno Gallier Directrice de la rédaction rité. C’est en ce sens que nous avons acquis le Moulin de la Galette, afin Emmanuelle Beauchage de préserver ce bâtiment emblématique et de valoriser ainsi notre entrée Rédactrice en chef de ville. Dès ce mois de juin, il sera ouvert une première fois aux Bru- Florence Chevrenay noyens, à l’occasion de la Fête de la musique, avant d’ouvrir définitive- Photographes Charlotte Laroche et Iseline Laibe ment ses portes à l’automne. Création graphique tongui.com Enfin, je tiens à remercier l’ensemble des personnels communaux qui Crédit photos ont contribué à la tenue des bureaux de vote lors de l’élection présiden- Mairie de Brunoy - fotolia Dépôt légal à parution tielle et qui seront de nouveau mobilisés pour les élections législatives Un Mois En Ville N°160 - Juin 2017 des 11 et 18 juin. Un grand merci aussi aux assesseurs et scrutateurs Impression Desbouis Grésil usine certifiée ISO 14 001 bénévoles sans qui ces opérations de vote ne pourraient avoir lieu. Votre Tirage 14 000 exemplaires participation à l’organisation de ces scrutins est indispensable et symbo- lique du bon fonctionnement de notre démocratie. Merci à vous ! Le prochain Conseil communautaire Le Maire MAIRIE DE BRUNOY aura lieu le lundi Vice-Président de la Communauté d’agglomération Place de la Mairie - BP 83 - 91805 Brunoy cedex 26 juin 2017, à 20h, Téléphone 01 69 39 89 89 Val d’Yerres Val de Seine Courriel : [email protected] au foyer du CEC, Site internet : www.brunoy.fr à Yerres. Bruno GALLIER ACTUALITÉ FÊTE DE LA VILLE FÊTE DE LA MUSIQUE Brunoy en fête Venez nombreux participer à deux jours de festivités qui rassembleront, les 24 et 25 juin, les Brunoyens autour de nombreuses activités à découvrir en famille. Cette année, la Fête prenez votre soirée de la ville est élargie pour assister à un à un week-end com- éco-concert, sur la plet, le samedi 24 place Saint-Médard et le dimanche 25 (voir texte page 5). juin, afin de vous ré- Le dimanche, sur unir avec vos amis l’île de Brunoy, place Mercredi 21 juin ou proches autour aux structures gon- de nombreuses flables, au tir à l’arc, Ouvrez grand vos oreilles ! activités sportives, aux balades à dos Plus d’endroits pour écouter des culturelles, intergé- de poney, au graff, à groupes et se divertir, une pro- nérationnelles, tou- l’accrobranche, aux grammation éclectique, tel sera le jours surprenantes et amusantes. canoës… des activités que vous credo de la Fête de la musique, ce Le samedi, de 10h à 12h et de 14h pourrez tester, de 11h à 18h. Avec mois-ci, à Brunoy. à 18h, vous serez invités par les une nouveauté pour les 8-12 ans, associations à venir découvrir leurs une activité scientifique et ludique Sept lieux brunoyens accueilleront activités, dans les différents équipe- de lancement de fusées (voir enca- les groupes locaux, qui se produiront ments de la ville : gymnase, stades, dré ci-dessous) organisée, dans le à l’occasion de la Fête de la musique, boulodrome, courts de tennis, Mai- jardin Monmartel. et représenteront différents genres son des arts, salle des fêtes… Le soir, musicaux : électro trance, rock, varié- tés, chanson française, cabaret, pia- no jazz… Le 21 juin, à 19h, le coup Objectif Lune d’envoi des concerts sera donné sur l’île de Brunoy où se produira le Construire, décorer, lancer sa fusée très, très haut vers le ciel, groupe RaveAge Soundsystem (voir comme Ariane à Kourou, en égrenant un mythique décompte programme). Sur la place des Fêtes, final et repartir enfin avec un diplôme d’honneur sous les vous pourrez retrouver la chorale Le applaudissements du public ! Pour ceux qui ont entre 8 et 12 ans, c’est dimanche 25 juin, à partir de 11h45 (4 sessions de 10 enfants durant 1h15), et c’est à la Fête de la Ville de Brunoy, au jardin Monmartel. A partir de simples fusées à eau, des notions telles que Demandez le programme ! le principe de la réaction, le rôle des ailerons, etc., seront abordées au travers de cette activité ludique, spectaculaire et pédagogique, • Île de Brunoy : créée et encadrée par Nicolas Thers et Alain Balu. 19h-23h RaveAge Soundsystem (électro trance) + Inscription gratuite sur le site dans la limite des places disponibles • Esplanade de la Médiathèque : 19h-20h30 et 21h30-23h La Troupe des Zicos (variétés) texto 20h45-21h15 MFA SOUVENIRS DE BRUNOY (musique internationale) Un mug, un sac de shopping et un parapluie, customisés sur • Moulin de la Galette : le thème « Une saison au bord de l’Yerres », sont en vente à 19h-19h30 Tous en musique la Maison des arts et au musée Robert Dubois-Corneau. Vous 19h45-21h Angelice pourrez aussi vous les procurer les 24 et 25 juin lors de la Fête (musique yéyé) de la ville. Tarifs : sac shopping 2,5 €, mug 5 € et parapluie 15 €. 21h15-23h Les Rocker’s 4 n°160 Juin 2017 ACTUALITÉ ÉVÉNEMENT FÊTE DE LA MUSIQUE ÉCO-CONCERT The Blues Brothers Show En partenariat avec la Ville, le SIVOM, syndicat qui collecte et traite les déchets, organise son 7e éco-concert, le samedi 24 juin, à 20h, sur la place Saint-Médard. une entrée gratuite pour assister 16:18:02 04/05/2017 ightkillers.ai 1 eco-concert2017_e EN PARTENARIAT AVEC LA VILLE DE au spectacle The Blues Brothers Show, par le groupe The Eight Killers ! Une bonne affaire et surtout une action éco-citoyenne Mercredi 21 juin car en participant à cet échange vous favorisez l’activité de C M J CM MJ CJ CMJ Ouvrez grand vos oreilles ! N recyclage et la remise en état de Chêne, NVirtuel et Artimon. Deux vieux appareils hors d’usage. SAMEDI 24 JUIN 2017 nouveaux lieux seront ouverts à PLACE SAINT MEDARD0H A travers l’organisation d’éco- tous : le Moulin de la Galette et l’es- BRUNOY À PARTIR DE 20H R concerts, le SIVOM souhaite sen- planade de la Médiathèque. Au Mou- o o lin, vous pourrez danser aux accents sibiliser le public à la nécessité du ENTRÉE GRATUITE SI VOUS VENEZ AVEC UN DÉCHET recyclage et à la réutilisation des de la musique yéyé et rock avec les D’ÉQUIPEMENT ÉLECTRIQUE OU ÉLECTRONIQUE HORS D’USAGE.
Recommended publications
  • Blues Brothers Tribute Band

    Blues Brothers Tribute Band

    Blues Brothers Tribute Band Oggetto: Presentazione Blenda Blues Band Nell’ambito delle manifestazioni organizzate dal Comune di Sanremo per la serata di Capodanno, spicca l’esibizione, prevista in Piazza San Siro, di una delle più amate tribute band della Liguria, la Blenda Blues Band, con uno spettacolo adrenalinico “The Blues Brothers Show….We are back”. La Blenda Blues Band è composta di dodici elementi e propone uno show di quasi tre ore, basato sulle musiche del famoso film di John Landis “The Blues Brothers”, con uno spettacolo non solo musicale, ma anche scenico. Grazie alle coreografie della sezione fiati e ad un rapporto immediato col pubblico, infatti, il gruppo riesce ad instaurare un incredibile feeling tra palco e platea. Un repertorio esplosivo, comprendente i grandi classici del soul e rhythm and blues, che i celeberrimi Fratelli Blues hanno riportato agli antichi fasti nell’immortale film del 1981, al quale sarà impossibile resistere e restare fermi. L'attività e l'esperienza live della Blenda Blues Band, che ha all'attivo più' di quattrocento concerti, culmina con la partecipazione a manifestazioni di livello nazionale: “Emergenza Rock” a Firenze, “Bordighera Jazz & Blues”, affiancati a stars quali Dirotta su Cuba, Paolo Belli, Trilok Gurtu e “La festa della musica” a Genova sullo stesso palco di Ligabue ed Eros Ramazzotti. Alla storia sono passati, inoltre, due concerti con l'attore-regista Francesco Nuti che non riuscendo a starsene in poltrona a godersi lo spettacolo, ne è divenuto mattatore, affiatatissimo con il resto della band. Il 2011, dopo un breve periodo d’inattività, segna il ritorno, a furor di popolo, con uno spettacolo dal titolo "We are back" della big band più amata della Riviera Ligure, con una serie di strepitosi concerti che li ha portati ad esibirsi anche a Montecarlo, durante i festeggiamenti per il matrimonio del Principe Alberto.
  • Press Dossier

    Press Dossier

    KEES VAN DONGEN From 11th June to 27th September 2009 PRESS CONFERENCE 11th June 2009, at 11.30 a.m. INAUGURATION 11th June 2009, at 19.30 p.m. Press contact: Phone: + 34 93 256 30 21 /26 Fax: + 34 93 315 01 02 [email protected] CONTENTS 1. PRESENTATION 2. EXHIBITION TOUR 3. EXHIBITION AREAS 4. EXTENDED LABELS ON WORKS 5. CHRONOLOGY 1. PRESENTATION This exhibition dedicated to Kees Van Dongen shows the artist‘s evolution from his student years to the peak of his career and evokes many of his aesthetic ties and exchanges with Picasso, with whom he temporarily shared the Bateau-Lavoir. Born in a suburb of Rotterdam, Van Dongen‘s career was spent mainly in Paris where he came to live in 1897. A hedonist and frequent traveller, he was a regular visitor to the seaside resorts of Deauville, Cannes and Monte Carlo, where he died in 1968. Van Dongen experienced poverty, during the years of revelry with Picasso, and then fame before finally falling out of fashion, a status he endured with a certain melancholy. The exhibition confirms Kees Van Dongen‘s decisive role in the great artistic upheavals of the early 20th century as a member of the Fauvist movement, in which he occupied the unique position of an often irreverent and acerbic portraitist. The virulence and extravagance of his canvases provoked immediate repercussions abroad, particularly within the Die Brücke German expressionist movement. Together with his orientalism, contemporary with that of Matisse, this places Van Dongen at the very forefront of the avant-garde.
  • AH 275 PARIS MUSEUMS IES Abroad Paris DESCRIPTION: This

    AH 275 PARIS MUSEUMS IES Abroad Paris DESCRIPTION: This

    AH 275 PARIS MUSEUMS IES Abroad Paris DESCRIPTION: This course will approach the history of French Art from a chronological perspective, from the 17th century to modern art, as seen in the museums of Paris. Our route will begin at the Louvre with Nicolas Poussin (17th century) and will finish with the avant-garde (Fauvism and Cubism). Along the way, we will visit Neo-Classicism (David), Romanticism (Géricault, Delacroix), the Realists (Courbet, Manet), the Impressionists (Monet, Renoir, Degas), and many others. Each class/visit will be devoted to a work, a historical movement, or a specific artist. Our visits will take us to different types of museums, from the most renowned to the lesser known, from the most traditional to the most original: the large, national museums (Le Louvre, Musée d’Orsay), art collectors’ former houses (Le Musée Jacquemart-Andre, le Musée Marmottan Monet), artist studios (Musée Delacroix, Musee Gustave Moreau), and places of study and production (L’Institut de France, L’ecole Nationale des Beaux-arts). In order to maintain a diverse approach and to benefit from our presence here in Paris, we will devote two classes to locations that have inspired artists. We will give priority to Impressionism, visiting Montmartre (where Renoir painted Le Bal au Moulin de la Galette), and Montparnasse, where the avant- garde found its home in 1910. CREDITS: 3 credits CONTACT HOURS: 45 hours LANGUAGE OF INSTRUCTION: French PREREQUISITES: none METHOD OF PRESENTATION: ● Visits to museums ● Note taking ● Literary texts in chronological

  • Guía De Seguridad Y Discapacidades De Universal Orlando Resort

    UNIVERSAL ORLANDO RESORT ver.2020.06 GUÍA PARA la Seguridad y Accesibilidad del Visitante UNIVERSAL STUDIOS FLORIDA Y UNIVERSAL’S ISLANDS OF ADVENTURE ALTURA REQUERIDA ACOMPAÑANTE ALTURA MÍNIMA PARA SUPERVISAR ATRACCIÓN REQUERIDA NIÑOS The Amazing Adventures 40"-48" of Spider-Man® 40" (102cm) (102cm-122cm) Caro-Seuss-el™ — menos de 48" (122cm) The Cat in the Hat™ 36" (92cm) 36"-48" (92cm-122cm) Doctor Doom’s Fearfall® 52" (133cm) — 44"-48" Dudley Do-Right’s Ripsaw Falls® 44" (112cm) (112cm-122cm) Flight of the Hippogriff™ 36" (92cm) 36"-48" (92cm-122cm) Hagrid’s Magical Creatures Motorbike Adventure™ 48" (122cm) — Harry Potter and the Forbidden Journey™ 48" (122cm) — The High in the Sky Seuss Trolley Train Ride!™ 36" (92cm) 36"-48" (92cm-122cm) Hogwarts™ Express – Hogsmeade™ Station — menos de 48" (122cm) The Incredible Hulk Coaster® 54" (138cm) — 42"-48" Jurassic Park River Adventure 42" (107cm) (107cm-122cm) One Fish, Two Fish, Red Fish, Blue Fish™ — menos de 48" (122cm) UNIVERSAL’S ISLANDS OF ADVENTURE 42"-48" Popeye & Bluto’s Bilge-Rat Barges 42" (107cm) (107cm-122cm) Poseidon’s Fury — menos de 48" (122cm) Pteranodon Flyers 36"-56" (92cm-143cm) 36"-48" (92cm-122cm) Los visitantes con más de 56” (143 cm), deben estar acompañados por otro visitante que cumpla con este requisito. Skull Island: Reign of Kong 36" (92cm) 36"-48" (92cm-122cm) Storm Force Accelatron® — menos de 48" (122cm) Despicable Me Minion Mayhem 40" (102cm) 40"-48" (102cm-122cm) Los visitantes con menos de 40” (102 cm), pueden disfrutar esta atracción desde un asiento
  • Impressionism and Post-Impressionism National Gallery of Art Teacher Institute 2014

    Impressionism and Post-Impressionism National Gallery of Art Teacher Institute 2014

    Impressionism and Post-Impressionism National Gallery of Art Teacher Institute 2014 Painters of Modern Life in the City Of Light: Manet and the Impressionists Elizabeth Tebow Haussmann and the Second Empire’s New City Edouard Manet, Concert in the Tuilleries, 1862, oil on canvas, National Gallery, London Edouard Manet, The Railway, 1873, oil on canvas, National Gallery of Art Photographs of Baron Haussmann and Napoleon III a)Napoleon Receives Rulers and Illustrious Visitors To the Exposition Universelle, 1867, b)Poster for the Exposition Universelle Félix Thorigny, Paris Improvements (3 prints of drawings), ca. 1867 Place de l’Etoile and the Champs-Elysées Claude Monet, Boulevard des Capucines, Paris, 1873, oil on canvas, Nelson-Atkins Museum of Art, Kansas City, Mo. Pierre-Auguste Renoir, The Great Boulevards, 1875, oil on canvas, Philadelphia Museum of Art Pierre-Auguste Renoir, The Pont Neuf, 1872, National Gallery of Art, Ailsa Mellon Bruce Collection Hippolyte Jouvin, The Pont Neuf, Paris, 1860-65, albumen stereograph Gustave Caillebotte, a) Paris: A Rainy Day, 1877, oil on canvas, Art Institute of Chicago, b) Un Balcon, 1880, Musée D’Orsay, Paris Edouard Manet, Le Balcon, 1868-69, oil on canvas, Musée D’Orsay, Paris Edouard Manet, The World’s Fair of 1867, 1867, oil on canvas, Nasjonalgalleriet, Oslo (insert: Daumier, Nadar in a Hot Air Balloon, 1863, lithograph) Baudelaire, Zola, Manet and the Modern Outlook a) Nadar, Charles Baudelaire, 1855, b) Contantin Guys, Two Grisettes, pen and brown ink, graphite and watercolor, Metropolitan

  • GUIDE for Rider Safety and Accessibility Ver

    UNIVERSAL ORLANDO RESORT GUIDE FOR Rider Safety and Accessibility ver. 2021.06 UNIVERSAL STUDIOS FLORIDA AND UNIVERSAL’S ISLANDS OF ADVENTURE Welcome to Universal Orlando Resort We have provided this guide to give you as much detailed information about each attraction experience as possible. Our goal is to ensure that everyone is able to make well-informed decisions about their ability to safely, comfortably, and conveniently experience each of our attractions. If, at any time, you feel that you do not have enough information to make these decisions, please feel free to contact us. Additionally, we have included specific information for Guests with disabilities. This information provides a clear outline of the accommodations at each attraction, as well as the physical requirements for entering or exiting ride vehicles and other attraction areas. It is important to note that although all of our Attractions Attendants are eager to make your day as pleasant as possible, they are not trained in lifting or carrying techniques and therefore cannot provide physical assistance. We suggest that Guests with disabilities bring a companion who can provide any physical assistance that may be needed. Our goal is to provide the best accommodations possible to all of our Guests. With the information that follows, and with the information our Team Members can provide in answering questions, we are confident the experience you have with us will exceed your expectations. How to Contact Us You can message us at www.visitorsatisfaction.com/contactus/. Guest Services Coordinators are available seven days a week from 8:30AM until park close and make every effort to respond to messages in 24 to 48 hours; however, due to current high volume of emails received each day, please allow several days for a response.
  • Works Cited Primary Sources Antonio, Pietro. Exposition Au Salon

    Works Cited Primary Sources Antonio, Pietro. Exposition Au Salon

    Works Cited Primary Sources Antonio, Pietro. Exposition au Salon du Louvre en 1787. 1787. Engraving. There are various accounts about how crammed the Salon de Paris was or how boring, but none of them can quite encompass the head-to-toe art lining the walls or the ladies and their fans. This simple engraving brought an event that was hated by some and adored by others to life in my head. Because I could envision what the Impressionist Exhibitions were not, I could also envision what they were because there are no descriptive records of that. Caillebotte, Gustave. Rue de Paris: Temps de pluie. 1877. The Art Institute of Chicago, Chicago. The Art Institute of Chicago. Web. 15 Feb. 2016. <http://www.artic.edu/aic/collections/artwork/20684>. Through this source I learned about art critics' favorite painting at the Third Impressionist Exhibition. They believed that Caillebotte, who was the creator of this exhibition, was not actually an Impressionist. His work was some of the ones with less visible brush strokes and more defined lines. That being said, he was the organizer of the Third Impressionist Exhibition and referred to himself as an "Impressionist." The Catalogue of the Second Impressionist Art Exhibition. 1876. The Tate. Web. <http://www2.tate.org.uk/archivejourneys/bloomsburyhtml/images/artistlist_spi.jpg>. This helped me to see the variety of the Second Impressionist Exhibition. It allowed me to view how Durand-Ruel's work influenced the Impressionists and their decisions in the upcoming exhibitions. Cézanne, Paul. Quartier Four, Auvers-sur-Oise. 1873. Philadelphia Museum of Art, Philadelphia.
  • Your Itinerary Page 2 of 9 Trip Summary

    Your Itinerary Page 2 of 9 Trip Summary

    Kayla [email protected] Your Itinerary Page 2 of 9 Trip Summary Day 1: Arrive in Orlando 8:55 AM Depart from Portland International Airport (PDX) - Portland International Airport (PDX) 5:33 PM Arrive at Orlando International Airport (MCO) - Orlando International Airport (MCO) Check-In at Universal's Cabana Bay Beach Resort - Universal's Cabana Bay Beach Resort Take a Lyft from the Airport 8:00 PM Dinner at Toothsome Chocolate Factory Day 2: Islands of Adventure Grab a doughnut and coffee from VooDoo Doughnuts in CityWalk Line up at the turnstiles around 60 minutes before the park officially opens Head straight to The Wizarding World of Harry Potter - Hogsmeade Hagrid's Magical Motorbike Adventures* Harry Potter and the Forbidden Journey* Skull Island: Reign of Kong* The Incredible Hulk Coaster* The Amazing Adventures of Spider-Man* Doctor Doom’s Fearfall* Lunch Option #1: Have a quick lunch at Three Broomsticks. Lunch Option #2: Have a nice sit-down meal at Mythos. Poseidon’s Fury Visit the Mystic Fountain Jurassic Park River Adventures* (Wet Ride) Raptor Encounter (Various times throughout the day) Dudley Do-Right’s Ripsaw Falls (Wet Ride) Popeye & Bluto’s Bilge-Rat Barges (Wet Ride) The High in the Sky Seuss Trolley Train* The Cat in the Hat Caro-Seuss-el Dinner Option #1: Grab a drink and appetizers from Backwater Bar Dinner Option #2: Take a break from the park and eat at CityWalk Ollivander’s* Flight of the Hippogriff Bonus Option: After park closing, go dancing at Red Coconut Club! Page 3 of 9 Day 3: Universal Studios Florida Head straight to the Wizarding World of Harry Potter - Diagon Alley Harry Potter and the Escape from Gringotts Get in Virtual Line for Race Through New York Starring Jimmy Fallon Revenge of the Mummy Race Through New York Starring Jimmy Fallon (Virtual Line) Hollywood Rip Ride Rockit Despicable Me Minion Mayhem Lunch Option #1: Have a quick meal at the Leaky Cauldron in Diagon Alley or Fast Food Boulevard in Springfield.
  • Vai Pra Disney Roteiro Universal Studios

    Vai Pra Disney Roteiro Universal Studios

    Vai Pra Disney Roteiro Universal Studios www.vaipradisney.com Baixe nosso app VPD de Bolso e tenha todos os roteiros no seu celular! DICAS GERAIS SOBRE O UNIVERSAL STUDIOS - Quantidade de dias Muita gente pergunta: dá pra fazer os dois parques da Universal no mesmo dia? Sim, mas com ​ ​ restrições. Como são parques repletos de atrações legais, nossa sugestão é que tente separar 1 dia para cada parque. De qualquer forma, a recomendação geral é: ● 1 parque por dia: recomendado para todos que pretendem curtir muito cada parque. É o ideal ​ considerando a quantidade de atrações interessantes que a Universal traz atualmente. ● 2 parques em um dia com Universal Express Pass: recomendado pra quem quer curtir tudo, ​ mas tem pouco tempo de viagem e não vai poder ir a um parque por dia. Com o Express Pass, você pode furar a fila nas duas principais atrações do Harry Potter, e também consegue cortar fila em outros do parque. Assim você economiza bastante tempo nas do Harry Potter, e ainda consegue completar o resto das atrações bem mais rapidamente. ● 2 parques em um dia sem Universal Express Pass: recomendado somente para quem vai em ​ baixa temporada, tem pouco tempo e quer somente curtir as atrações “imperdíveis” dos nossos roteiros. É preciso focar no principal e fazer escolhas do que você está disposto a abrir mão em cada parque nesse caso. Independente da quantidade de dias, para entrar no Expresso de Hogwarts seu ingresso precisa ser ​ ​ park to park. Sempre vale lembrar que a Universal tem um ingresso promocional de 14 dias vendido só na América ​ ​ Latina (ou seja, não é encontrado na bilheteria do parque) que vale muito a pena para quem vai passar mais tempo em Orlando.
  • Saturday, January 10, 2004 Living in a Post-CIPA World

    Saturday, January 10, 2004 Living in a Post-CIPA World

    Cognotesala Issue II San Diego Saturday—January 10, 2004 Rodriguez to Discuss Browning of America at Curley Lecture Author and es- “browning” impacts the way we think sayist Richard about libraries. Rodriguez will de- At the core of his latest book, Brown: liver the fifth an- The Last Discovery of America, Rodriguez nual Arthur Curley gives an assessment of the meaning of Memorial Lecture, Hispanics to the life in America. Reflect- at 3:00 p.m. today. ing upon the new demographic profile The lecture en- of the United States, Rodriguez observes titled “The Color that Hispanics are becoming American- Brown, and the ized at the same rate that the United Meaning of the Li- States is becoming Latinized. Hispan- brary,” will be held at the San Diego Con- ics are coloring an American identity vention Center Room 16 A/B. that traditionally has chosen to describe Rodriguez will discuss the mixing of itself as black and white. Attendees enter the Exhibits Opening and ALA/ERT All-Conference races and cultures taking place through- Known for his critically acclaimed Reception. out the world, but particularly in books, the autobiographical Hunger of America. Rodriguez refers to this mix- Memory: The Education of Richard ing of cultures and races as “browning” Rodriguez and the Pulitzer Prize-nomi- with my Mexican Father, Rodriguez writes A native of San Francisco and son of of America, and will discuss how nated Days of Obligation: An Argument about the ever-present concepts of race Mexican immigrants, Rodriguez en- and diversity in American culture and tered school at the age of six, and pri- what this means in an ever-changing marily spoke Spanish.
  • Impressionism

    Impressionism

    IMPRESSIONISM Eugène Boudin (1824 – 1898) was one of the first French landscape painters to paint outdoors. Boudin was a marine painter, and expert in the rendering of all that goes upon the sea and along its shores. His pastels, summary and economic, garnered the splendid eulogy of Baudelaire; and Corot called him the "king of the skies.” He opened a small picture framing shop in Le Havre and exhibited artists working in the area, such as Jean-François Millet, and Thomas Couture who encouraged young Boudin to follow an artistic career. Boudin, The Beach at Villerville 1864 In 1857/58 Boudin befriended the young Claude Monet, then only 18, and persuaded him to give up his teenage caricature drawings and to become a landscape painter, instilling in the younger painter a love of bright hues and the play of light on water later evident in Monet's Impressionist paintings. They remained lifelong friends and Boudin joined Monet and his young friends in the first Impressionist exhibition in 1873. Boudin, Sailboats at Trouville 1884 Johan Jongkind (1819 – 1891) was a Dutch painter and printmaker. He painted marine landscapes in a free manner and is regarded as a forerunner of Impressionism, introducing the painting of genre scenes from the tradition of the Dutch Golden Age. From 1846 he moved to Paris, to further his studies. Two years later, he had work accepted for the Paris Salon, receiving acclaim from critic Charles Baudelaire and later on from Émile Zola. Returning to Rotterdam in1865 he moved back to Paris in1861, where he rented a studio Jongkind, in Montparnasse, the following year meeting in View from the Quai d'Orsay 1854 Honfleur Sisley, Boudin and the young Monet.
  • View and Download La Belle Époque Art Timeline

    View and Download La Belle Époque Art Timeline

    Timeline of the History of La Belle Époque: The Arts 1870 The Musikverein, home to the Vienna Philharmonic, is inaugurated in Vienna on January 6. The Metropolitan Museum of Art in New York is established on April 13, without a single work of art in its collection, without any staff, and without a gallery space. The museum would open to the public two years later, on February 20, 1872. Richard Wagner premieres his opera Die Walküre in Munich on June 26. Opening reception in the picture gallery at the Metropolitan Museum of Art, 681 Fifth Avenue; February 20, 1872. Wood engraving published in Frank Leslie’s Weekly, March 9, 1872. 1871 Giuseppe Verdi’s opera Aida premieres in Cairo, Egypt on December 24. Lewis Carroll publishes Through the Looking Glass, a sequel to his book Alice’s Adventures in Wonderland (1865). James McNeill Whistler paints Arrangement in Grey and Black No. 1, commonly known as “Whistler’s Mother”. John Tenniel – Tweedledee and Tweedledum, illustration in Chapter 4 of Lewis Carroll’s Through the Looking Glass and What Alice Found There, 1871. Source: Modern Library Classics 1872 Claude Monet paints Impression, Sunrise, credited with inspiring the name of the Impressionist movement. Jules Verne publishes Around the World in Eighty Days. Claude Monet – Impression, Sunrise (Impression, soleil levant), 1872. Oil on canvas. Musée Marmottan Monet, Paris. 1873 Société Anonyme Coopérative des Artistes Peintres, Sculpteurs, Graveurs (Co-operative and Anonymous Association of Painters, Sculptors, and Engravers) (subsequently the Impressionists) is organized by Monet, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley in response to frustration over the Paris Salon.