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Woody Allen Manolo Matjí

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Woody Allen Manolo Matjí 2 Zinemaldiaren egunkaria • Larunbata, 2004ko irailaren 25a SECCION OFICIAL SAIL OFIZIALA OFFICIAL SECTION THE DOOR IN THE FLOOR • EEUU Tod Williams (director) • Jeff Bridges (actor) Tod Williams: «El público tiene que acostum- brarse al proceso de transgresión» Tod Williams, director de The ha escogido "una historia proceso mental de la película, Door in the Floor, presentaba compleja y llena de atracti- cuando Marion pierde a sus ayer en rueda de prensa, jun- vos", en la que muestra "la dos hijos. Yo no voy a hacer un to al protagonista masculino enorme capacidad de los dos juicio. Hay personas que recha- Jeff Bridges, su segunda pelí- actores para conmover al es- zan a los personajes y es im- cula, que ha clausurado esta pectador a través de una his- portante que la historia que noche el Festival. The door in toria terrible que cuenta cómo narro no influya negativamente the floor es la adaptación de el accidente mortal de sus en el público y juzgue severa- una de las novelas "más inte- dos hijos destruye lentamente mente a los personajes”. resantes" de John Irving, en su matrimonio. En la misma línea argu- la que el también galardona- Recordaba Tod Williams mental, afirmaba Williams que do con el Premio Donostia que la “transgresión” es un te- el filme “parece más sexual comparte protagonismo con rritorio de Irving del que el pú- de lo que es; en otras pelícu- Kim Basinger después de blico se sorprende pero, consi- las el sexo se muestra de for- que hace diecisiete años ro- dera que “tiene que acostum- ma más explícita. Pero sé que daran juntos Nadine. brarse a ese proceso de trans- hay personas que no pueden En su segundo filme, el jo- gresión. Es importante –aña- perdonar lo que ocurre en la ven director estadounidense dió– que el público entienda el película”. El realizador Tod Williams junto a Jeff Bridges. 18-09-2004 21-09-2004 GEO-MI-SOOP (ARMIARMEN BASOA) “Nire filmetan Dostoyevskiren MELINDA AND MELINDA HORAS DE LUZ kontakizun moldeak baliatzen ditut”. Zuz: Il-gon Song. “Mi visión del mundo no sólo es “No cabe duda de que siempre trágica, sino extremadamente pones algo de ficción, pero todo trágica: siempre he visto el lo que contamos es real. En eso vaso 100 % vacío”. la película es muy legal”. Dir: Dir: Woody Allen Manolo Matjí. EL CIELITO “Mi película cuenta una historia entre un personaje que no habla y otro que no puede hablar”. DAY BY DAY DAY 19-09-2004 SAM ZIMSKE NOCI (NEGU MIN GAU BATEKO AMETSA) Dir: María Victoria Menis. “Pixkanaka, autismoaren metafora politikotik aldendu eta bere BRODRE (BROTHERS) gaixotasunak ingurukoengan sortzen zituen emozioei arreta “Gerrak eromena dakar, gehiago ematen hasi ginen”. Zuz: 24-09-2004 gizakiaren galbidea da eta Goran Paskaljevic. gizarte zibilizatuen “osasun mentala” birrintzen du”. Zuz: SILVER CITY Susanne Bier 22-09-2004 “Jende askok beldurra dio gobernua kritikatzeari eta INGUÉLÉZI horrek kalte izugarria eragiten BEING JULIA duen eztabaida eta dialogo (CLANDESTINO) falta sortarazten ditu”. Zuz: “Muy pocas actrices tienen las John Sayles. “Es imprescindible abandonar o perder cosas para dos facetas, de ser buenas en poder abrazar otras nuevas. En mi caso esto se ha cine y estrellas en teatro, y convertido casi en una filosofía de vida y de trabajo”. Annette Bening es la única que Dir: François Dupeyron. cuenta con esas dos SUMAS Y RESTAS características”. Dir: István Szabó. “El origen de la película está en la necesidad de contar el fenómeno EL DÍA A 20-09-2004 del narcotráfico visto desde la cotidianeidad”. Dir: Víctor Gaviria. YI GENG MO SHENG NU REN DE LAI XIN NINE SONGS (LETTER FROM AN UNKNOWN WOMAN) “Oso modu xumean filmatu dugu, gidoirik gabe eta zintzo “Quería contar una historia de amor, no un reflejo 25-09-2004 jokatuz. Irudien estetika social, que es lo que hubiese ocurrido si la hubiera gorabehera, ez da inondik inora ambientado en la China actual”. Dir: Xu Jinglei. bideoklip bat, ezta dokumental BOMBÓN, EL PERRO bat ere, fikzioa baizik”. Zuz: Michael Winterbottom. MON PÈRE EST INGÉNIEUR “El desempleo es lo más cercano a la muerte”. Dir: “Ser de izquierdas ha de ser una moral de existencia”. Carlos Sorín. Dir: Robert Guédiguian. ROMA “Es un homenaje explícito a mi madre, que también se TURTLES CAN FLY llamaba Roma, también quedó viuda y tenía una 23-09-2004 filosofia de la vida también muy original para su “Gerraren lazeriak bizi época”. Dir: Adolfo Aristarain. dituzten txikiak itxuraz umeak OMAGH dira, baina egoera tamalgarri horrek beharturik, beraien “Aunque sabemos que los jokabidea pertsona helduena TARFAYA culpables directos son los da. Egun batetik bestera autores de la bomba, creemos bizirik iraungo duten ez “En mi país todo el mundo quiere marcharse, desde el dakiten arren, EGUNEZ EGUNEKOA que la clase política no ha parado hasta el diplomado, lo que crea una especie de hecho nada”. Guionista: Paul biziraupenerako antolatuta angustia general”. Dir: Daoud Aoulad-Syad. Greengrass. daude”. Zuz: Bahman Ghobadi. EL TERMÓMETRO 4 / FILMEMETROA THE FILMOMETER Zinemaldiaren egunkaria • Larunbata, 2004ko irailaren 25a ZABALTEGI PREMIO MERCEDES-BENZ DE LA JUVENTUD / GAZTERIAREN MERCEDES-BENZ SARIA MERCEDES-BENZ YOUTH AWARD izan. Zuzendari berrien atalari dagokionez, Azken urteetako esan daiteke aurkikuntzaren xarma duela alde, askotan oso sorpresa atseginak to- 1 2 3 4 Ptos. patzen direlarik. Zinemaldien Gailurra dei- maila onari eutsi 2,816 tutakoan, berriz, ez da hainbeste ezuste- CRÓNICAS korik izaten, beste toki batzuetan arrakas- DAG OG NAT 2,729 dio eskaintzak ta eta sariak lortu dituzten filmak aurkez- Ikusleen bozketei kasu eginez gero, badi- ten baitira. Horrela, Berlin, Cannes edo Ve- PRÓXIMA SALIDA 3,019 rudi ez dela alde nabarmenegirik izan Za- nezian saritutako lanak ikusi ahal izan dira baltegin ikusi ahal izan diren pelikulen ar- aurten ere, esate baterako Mike Leigh-en BEAUTIFUL BOXER 2,852 tean. Gazteriaren Mercedes Benz Sariari Vera Drake edo Joshua Marston-en María dagokionez, egia da lehendabiziko egune- llena eres de gracia, azken hau gainera be- MALA LECHE 2,080 tatik In My Father’s Den buruan jarri zela, re zuzendariaren lehenengo filma delarik. baina badira beste film batzuk hiru mila Cannesen saririk lortu ez bazuen ere, Wal- KARPUZ KABUGUNDAN GEMILER YAPMAK 2,943 puntutik gora lortu dutenak, esate batera- ter Salles-en Diarios de motocicleta-k be- 2,471 ko Próxima salida, A Way of Life, Super Si- rretsi egin du Donostian Frantzian ikusle- INNOCENCE ze Me edo La nuit de la vérité Gidoi One- en aldetik izan zuen harrera ona. 2,526 narekin Montblanc sariduna. Eta oso hur- Orokorrean, bi datu azpimarratu be- IN DIE HAND GESCHRIEBEN bil gelditu dira, besteak beste, Comme harko lirateke: alde batetik, dramen nagu- IN MY FATHER´S DEN 3,440 une image, Cama adentro, Wilby Wonder- sitasuna, oso komedia gutxi ikusi baitira ful edo Frío sol de invierno. Dena den, kon- aurten Zabaltegin, baina bai Wilby Won- COMME UNE IMAGE 2,903 tutan hartu behar da sari honetan Sail Ofi- derful, bai Comme une image oso arra- zialean aurkezturiko lan batzuk ere badau- kastatsuak izan dira. Beste alde batetik, CAMA ADENTRO 2,913 dela, adibidez Omagh. Publikoaren Kuttu- aspaldi honetan hizpide bihurtu den do- na Sarian ere ez dago gehiegizko alderik kumentalaren berpiztea azpimarratu be- OMAGH 2,937 batetik bestera, nahiz eta María llena eres har da, eta hor daude Zinemaldien Gailu- de gracia edo Super Size Me aurretik egon. rra saileko Darwin’s Nightmare, Salvador BUENOS AIRES 100 km 2,730 Aniztasuna da aspalditik Zabaltegiren Allende edo Super Size Me, Zabaltegiko 2,079 ezaugarri nagusietako bat, nahiz eta bi az- Berezietan sailean eskaini den dokumen- O OUTRO LADO DA RUA pisailen arteko diferentziak nabarmenak tal sorta ez aipatzeagatik. PUEBLO CHICO 1,771 IM NORDWIND 2,013 PUBLIKOAREN KUTTUNA SARIA WILBY WONDERFUL 2,896 PREMIO PERLA DEL PÚBLICO PEARL OF THE AUDIENCE AWARD FRÍO SOL DE INVIERNO 2,872 GEO-MI-SOOP (SPIDER FOREST) 2,880 Ptos. 1234 A WAY OF LIFE 3,000 DARWIN’S NIGHTMARE 3,295 SUPER SIZE ME 3,241 NOTRE MUSIQUE 2,076 LA SOMBRA DEL CAMINANTE 2,681 VERA DRAKE 3,036 1,945 BEAUTIFUL BOXER 3,326 OTRA VUELTA MOOLAADÉ 3,044 LA NUIT DE LA VERITÉ 3,229 SALVADOR ALLENDE 3,494 NO SOS VOS SOY YO 2,703 DIARIOS DE MOTOCICLETA 3,534 UNO 3,221 LA DEMOISELLE D’HONNEUR 2,836 EVILENKO 2,888 COMME UNE IMAGE 3,061 WHISKY 2,522 MARÍA, LLENA ERES DE GRACIA/MARIA FULL... 3,500 YI FENG MO SHENG UN REN DE LAI XIN 2,549 SUPER SIZE ME 3,448 MARÍA, LLENA ERES DE GRACIA 3,303 SHI MIAN MAI FU (HOUSE OF FLYING DAGGERS) 3,247 WHISKY 3,118 JIANG HU 2,209 Diario del Festival • Sábado, 25 de septiembre de 2004 5 HORIZONTES LATINOS El Festival en internet móvil Ecuador y Brasil, que también tento de suicidio de uno de El Festival de Cine de San Se- «Mala leche», de León Errázuriz, formaban parte del apartado Se- ellos, vuelven a revivirla des- bastián se ha convertido en lección Horizontes. pués de veinte años. Este Pre- el primer gran festival Euro- gana el Premio Horizontes En Especiales Horizontes se mio de las Industrias Técnicas, peo, que se ha podido seguir presentaron cinco filmes que que está dotado con todos los minuto a minuto desde un “Estoy maravillado”, confesaba para potenciar el cine de Latino- fueron agrupados por una serie servicios y materiales necesa- móvil multimedia, mediante con voz ronca León Errázuriz, di- américa, un aspecto esencial de características determina- rios para que el filme pueda Internet móvil. Los móviles rector de Mala leche, cuando su- porque como León Errázuriz se- das. Sus autores: María de Me- completar su postproducción, de Telefónica Movistar I-mo- po que su película había obteni- ñaló, “hacer cine en Chile es deiros, Montxo Armendáriz, Jo- “nos va a permitir terminar el de,Wap o Umts han podido do el Premio Horizontes.
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