CS 4204 Computer Graphics 2D and 3D Transformations
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Quaternions and Cli Ord Geometric Algebras
Quaternions and Cliord Geometric Algebras Robert Benjamin Easter First Draft Edition (v1) (c) copyright 2015, Robert Benjamin Easter, all rights reserved. Preface As a rst rough draft that has been put together very quickly, this book is likely to contain errata and disorganization. The references list and inline citations are very incompete, so the reader should search around for more references. I do not claim to be the inventor of any of the mathematics found here. However, some parts of this book may be considered new in some sense and were in small parts my own original research. Much of the contents was originally written by me as contributions to a web encyclopedia project just for fun, but for various reasons was inappropriate in an encyclopedic volume. I did not originally intend to write this book. This is not a dissertation, nor did its development receive any funding or proper peer review. I oer this free book to the public, such as it is, in the hope it could be helpful to an interested reader. June 19, 2015 - Robert B. Easter. (v1) [email protected] 3 Table of contents Preface . 3 List of gures . 9 1 Quaternion Algebra . 11 1.1 The Quaternion Formula . 11 1.2 The Scalar and Vector Parts . 15 1.3 The Quaternion Product . 16 1.4 The Dot Product . 16 1.5 The Cross Product . 17 1.6 Conjugates . 18 1.7 Tensor or Magnitude . 20 1.8 Versors . 20 1.9 Biradials . 22 1.10 Quaternion Identities . 23 1.11 The Biradial b/a . -
ARTG-2306-CRN-11966-Graphic Design I Computer Graphics
Course Information Graphic Design 1: Computer Graphics ARTG 2306, CRN 11966, Section 001 FALL 2019 Class Hours: 1:30 pm - 4:20 pm, MW, Room LART 411 Instructor Contact Information Instructor: Nabil Gonzalez E-mail: [email protected] Office: Office Hours: Instructor Information Nabil Gonzalez is your instructor for this course. She holds an Associate of Arts degree from El Paso Community College, a double BFA degree in Graphic Design and Printmaking from the University of Texas at El Paso and an MFA degree in Printmaking from the Rhode Island School of Design. As a studio artist, Nabil’s work has been focused on social and political views affecting the borderland as well as the exploration of identity, repetition and erasure. Her work has been shown throughout the United State, Mexico, Colombia and China. Her artist books and prints are included in museum collections in the United States. Course Description Graphic Design 1: Computer Graphics is an introduction to graphics, illustration, and page layout software on Macintosh computers. Students scan, generate, import, process, and combine images and text in black and white and in color. Industry standard desktop publishing software and imaging programs are used. The essential applications taught in this course are: Adobe Illustrator, Adobe Photoshop and Adobe InDesign. Course Prerequisite Information Course prerequisites include ARTF 1301, ARTF 1302, and ARTF 1304 each with a grade of “C” or better. Students are required to have a foundational understanding of the elements of design, the principles of composition, style, and content. Additionally, students must have developed fundamental drawing skills. These skills and knowledge sets are provided through the Department of Art’s Foundational Courses. -
4.3 Discovering Fractal Geometry in CAAD
4.3 Discovering Fractal Geometry in CAAD Francisco Garcia, Angel Fernandez*, Javier Barrallo* Facultad de Informatica. Universidad de Deusto Bilbao. SPAIN E.T.S. de Arquitectura. Universidad del Pais Vasco. San Sebastian. SPAIN * Fractal geometry provides a powerful tool to explore the world of non-integer dimensions. Very short programs, easily comprehensible, can generate an extensive range of shapes and colors that can help us to understand the world we are living. This shapes are specially interesting in the simulation of plants, mountains, clouds and any kind of landscape, from deserts to rain-forests. The environment design, aleatory or conditioned, is one of the most important contributions of fractal geometry to CAAD. On a small scale, the design of fractal textures makes possible the simulation, in a very concise way, of wood, vegetation, water, minerals and a long list of materials very useful in photorealistic modeling. Introduction Fractal Geometry constitutes today one of the most fertile areas of investigation nowadays. Practically all the branches of scientific knowledge, like biology, mathematics, geology, chemistry, engineering, medicine, etc. have applied fractals to simulate and explain behaviors difficult to understand through traditional methods. Also in the world of computer aided design, fractal sets have shown up with strength, with numerous software applications using design tools based on fractal techniques. These techniques basically allow the effective and realistic reproduction of any kind of forms and textures that appear in nature: trees and plants, rocks and minerals, clouds, water, etc. For modern computer graphics, the access to these techniques, combined with ray tracing allow to create incredible landscapes and effects. -
Vectors, Matrices and Coordinate Transformations
S. Widnall 16.07 Dynamics Fall 2009 Lecture notes based on J. Peraire Version 2.0 Lecture L3 - Vectors, Matrices and Coordinate Transformations By using vectors and defining appropriate operations between them, physical laws can often be written in a simple form. Since we will making extensive use of vectors in Dynamics, we will summarize some of their important properties. Vectors For our purposes we will think of a vector as a mathematical representation of a physical entity which has both magnitude and direction in a 3D space. Examples of physical vectors are forces, moments, and velocities. Geometrically, a vector can be represented as arrows. The length of the arrow represents its magnitude. Unless indicated otherwise, we shall assume that parallel translation does not change a vector, and we shall call the vectors satisfying this property, free vectors. Thus, two vectors are equal if and only if they are parallel, point in the same direction, and have equal length. Vectors are usually typed in boldface and scalar quantities appear in lightface italic type, e.g. the vector quantity A has magnitude, or modulus, A = |A|. In handwritten text, vectors are often expressed using the −→ arrow, or underbar notation, e.g. A , A. Vector Algebra Here, we introduce a few useful operations which are defined for free vectors. Multiplication by a scalar If we multiply a vector A by a scalar α, the result is a vector B = αA, which has magnitude B = |α|A. The vector B, is parallel to A and points in the same direction if α > 0. -
Scaling Algorithms and Tropical Methods in Numerical Matrix Analysis
Scaling Algorithms and Tropical Methods in Numerical Matrix Analysis: Application to the Optimal Assignment Problem and to the Accurate Computation of Eigenvalues Meisam Sharify To cite this version: Meisam Sharify. Scaling Algorithms and Tropical Methods in Numerical Matrix Analysis: Application to the Optimal Assignment Problem and to the Accurate Computation of Eigenvalues. Numerical Analysis [math.NA]. Ecole Polytechnique X, 2011. English. pastel-00643836 HAL Id: pastel-00643836 https://pastel.archives-ouvertes.fr/pastel-00643836 Submitted on 24 Nov 2011 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Th`esepr´esent´eepour obtenir le titre de DOCTEUR DE L'ECOLE´ POLYTECHNIQUE Sp´ecialit´e: Math´ematiquesAppliqu´ees par Meisam Sharify Scaling Algorithms and Tropical Methods in Numerical Matrix Analysis: Application to the Optimal Assignment Problem and to the Accurate Computation of Eigenvalues Jury Marianne Akian Pr´esident du jury St´ephaneGaubert Directeur Laurence Grammont Examinateur Laura Grigori Examinateur Andrei Sobolevski Rapporteur Fran¸coiseTisseur Rapporteur Paul Van Dooren Examinateur September 2011 Abstract Tropical algebra, which can be considered as a relatively new field in Mathemat- ics, emerged in several branches of science such as optimization, synchronization of production and transportation, discrete event systems, optimal control, oper- ations research, etc. -
Volume Rendering
Volume Rendering 1.1. Introduction Rapid advances in hardware have been transforming revolutionary approaches in computer graphics into reality. One typical example is the raster graphics that took place in the seventies, when hardware innovations enabled the transition from vector graphics to raster graphics. Another example which has a similar potential is currently shaping up in the field of volume graphics. This trend is rooted in the extensive research and development effort in scientific visualization in general and in volume visualization in particular. Visualization is the usage of computer-supported, interactive, visual representations of data to amplify cognition. Scientific visualization is the visualization of physically based data. Volume visualization is a method of extracting meaningful information from volumetric datasets through the use of interactive graphics and imaging, and is concerned with the representation, manipulation, and rendering of volumetric datasets. Its objective is to provide mechanisms for peering inside volumetric datasets and to enhance the visual understanding. Traditional 3D graphics is based on surface representation. Most common form is polygon-based surfaces for which affordable special-purpose rendering hardware have been developed in the recent years. Volume graphics has the potential to greatly advance the field of 3D graphics by offering a comprehensive alternative to conventional surface representation methods. The object of this thesis is to examine the existing methods for volume visualization and to find a way of efficiently rendering scientific data with commercially available hardware, like PC’s, without requiring dedicated systems. 1.2. Volume Rendering Our display screens are composed of a two-dimensional array of pixels each representing a unit area. -
Animated Presentation of Static Infographics with Infomotion
Eurographics Conference on Visualization (EuroVis) 2021 Volume 40 (2021), Number 3 R. Borgo, G. E. Marai, and T. von Landesberger (Guest Editors) Animated Presentation of Static Infographics with InfoMotion Yun Wang1, Yi Gao1;2, Ray Huang1, Weiwei Cui1, Haidong Zhang1, and Dongmei Zhang1 1Microsoft Research Asia 2Nanjing University (a) 5% (b) time Element Animation effect Meats, sweets slice spin link wipe dot zoom 35% icon zoom 10% Whole grains, title zoom OliVer oil pasta, beans, description wipe whole grain bread Mediterranean Diet 20% 30% 30% Vegetables and fruits Fish, seafood, poultry, Vegetables and fruits dairy food, eggs Figure 1: (a) An example infographic design. (b) The animated presentations for this infographic show the start time, duration, and animation effects applied to the visual elements. InfoMotion automatically generates animated presentations of static infographics. Abstract By displaying visual elements logically in temporal order, animated infographics can help readers better understand layers of information expressed in an infographic. While many techniques and tools target the quick generation of static infographics, few support animation designs. We propose InfoMotion that automatically generates animated presentations of static infographics. We first conduct a survey to explore the design space of animated infographics. Based on this survey, InfoMotion extracts graphical properties of an infographic to analyze the underlying information structures; then, animation effects are applied to the visual elements in the infographic in temporal order to present the infographic. The generated animations can be used in data videos or presentations. We demonstrate the utility of InfoMotion with two example applications, including mixed-initiative animation authoring and animation recommendation. -
Two-Dimensional Rotational Kinematics Rigid Bodies
Rigid Bodies A rigid body is an extended object in which the Two-Dimensional Rotational distance between any two points in the object is Kinematics constant in time. Springs or human bodies are non-rigid bodies. 8.01 W10D1 Rotation and Translation Recall: Translational Motion of of Rigid Body the Center of Mass Demonstration: Motion of a thrown baton • Total momentum of system of particles sys total pV= m cm • External force and acceleration of center of mass Translational motion: external force of gravity acts on center of mass sys totaldp totaldVcm total FAext==mm = cm Rotational Motion: object rotates about center of dt dt mass 1 Main Idea: Rotation of Rigid Two-Dimensional Rotation Body Torque produces angular acceleration about center of • Fixed axis rotation: mass Disc is rotating about axis τ total = I α passing through the cm cm cm center of the disc and is perpendicular to the I plane of the disc. cm is the moment of inertial about the center of mass • Plane of motion is fixed: α is the angular acceleration about center of mass cm For straight line motion, bicycle wheel rotates about fixed direction and center of mass is translating Rotational Kinematics Fixed Axis Rotation: Angular for Fixed Axis Rotation Velocity Angle variable θ A point like particle undergoing circular motion at a non-constant speed has SI unit: [rad] dθ ω ≡≡ω kkˆˆ (1)An angular velocity vector Angular velocity dt SI unit: −1 ⎣⎡rad⋅ s ⎦⎤ (2) an angular acceleration vector dθ Vector: ω ≡ Component dt dθ ω ≡ magnitude dt ω >+0, direction kˆ direction ω < 0, direction − kˆ 2 Fixed Axis Rotation: Angular Concept Question: Angular Acceleration Speed 2 ˆˆd θ Object A sits at the outer edge (rim) of a merry-go-round, and Angular acceleration: α ≡≡α kk2 object B sits halfway between the rim and the axis of rotation. -
2D and 3D Transformations, Homogeneous Coordinates Lecture 03
2D and 3D Transformations, Homogeneous Coordinates Lecture 03 Patrick Karlsson [email protected] Centre for Image Analysis Uppsala University Computer Graphics November 6 2006 Patrick Karlsson (Uppsala University) Transformations and Homogeneous Coords. Computer Graphics 1 / 23 Reading Instructions Chapters 4.1–4.9. Edward Angel. “Interactive Computer Graphics: A Top-down Approach with OpenGL”, Fourth Edition, Addison-Wesley, 2004. Patrick Karlsson (Uppsala University) Transformations and Homogeneous Coords. Computer Graphics 2 / 23 Todays lecture ... in the pipeline Patrick Karlsson (Uppsala University) Transformations and Homogeneous Coords. Computer Graphics 3 / 23 Scalars, points, and vectors Scalars α, β Real (or complex) numbers. Points P, Q Locations in space (but no size or shape). Vectors u, v Directions in space (magnitude but no position). Patrick Karlsson (Uppsala University) Transformations and Homogeneous Coords. Computer Graphics 4 / 23 Mathematical spaces Scalar field A set of scalars obeying certain properties. New scalars can be formed through addition and multiplication. (Linear) Vector space Made up of scalars and vectors. New vectors can be created through scalar-vector multiplication, and vector-vector addition. Affine space An extended vector space that include points. This gives us additional operators, such as vector-point addition, and point-point subtraction. Patrick Karlsson (Uppsala University) Transformations and Homogeneous Coords. Computer Graphics 5 / 23 Data types Polygon based objects Objects are described using polygons. A polygon is defined by its vertices (i.e., points). Transformations manipulate the vertices, thus manipulates the objects. Some examples in 2D Scalar α 1 float. Point P(x, y) 2 floats. Vector v(x, y) 2 floats. Matrix M 4 floats. -
1.2 Rules for Translations
1.2. Rules for Translations www.ck12.org 1.2 Rules for Translations Here you will learn the different notation used for translations. The figure below shows a pattern of a floor tile. Write the mapping rule for the translation of the two blue floor tiles. Watch This First watch this video to learn about writing rules for translations. MEDIA Click image to the left for more content. CK-12 FoundationChapter10RulesforTranslationsA Then watch this video to see some examples. MEDIA Click image to the left for more content. CK-12 FoundationChapter10RulesforTranslationsB 18 www.ck12.org Chapter 1. Unit 1: Transformations, Congruence and Similarity Guidance In geometry, a transformation is an operation that moves, flips, or changes a shape (called the preimage) to create a new shape (called the image). A translation is a type of transformation that moves each point in a figure the same distance in the same direction. Translations are often referred to as slides. You can describe a translation using words like "moved up 3 and over 5 to the left" or with notation. There are two types of notation to know. T x y 1. One notation looks like (3, 5). This notation tells you to add 3 to the values and add 5 to the values. 2. The second notation is a mapping rule of the form (x,y) → (x−7,y+5). This notation tells you that the x and y coordinates are translated to x − 7 and y + 5. The mapping rule notation is the most common. Example A Sarah describes a translation as point P moving from P(−2,2) to P(1,−1). -
THESIS MULTIDIMENSIONAL SCALING: INFINITE METRIC MEASURE SPACES Submitted by Lara Kassab Department of Mathematics in Partial Fu
THESIS MULTIDIMENSIONAL SCALING: INFINITE METRIC MEASURE SPACES Submitted by Lara Kassab Department of Mathematics In partial fulfillment of the requirements For the Degree of Master of Science Colorado State University Fort Collins, Colorado Spring 2019 Master’s Committee: Advisor: Henry Adams Michael Kirby Bailey Fosdick Copyright by Lara Kassab 2019 All Rights Reserved ABSTRACT MULTIDIMENSIONAL SCALING: INFINITE METRIC MEASURE SPACES Multidimensional scaling (MDS) is a popular technique for mapping a finite metric space into a low-dimensional Euclidean space in a way that best preserves pairwise distances. We study a notion of MDS on infinite metric measure spaces, along with its optimality properties and goodness of fit. This allows us to study the MDS embeddings of the geodesic circle S1 into Rm for all m, and to ask questions about the MDS embeddings of the geodesic n-spheres Sn into Rm. Furthermore, we address questions on convergence of MDS. For instance, if a sequence of metric measure spaces converges to a fixed metric measure space X, then in what sense do the MDS embeddings of these spaces converge to the MDS embedding of X? Convergence is understood when each metric space in the sequence has the same finite number of points, or when each metric space has a finite number of points tending to infinity. We are also interested in notions of convergence when each metric space in the sequence has an arbitrary (possibly infinite) number of points. ii ACKNOWLEDGEMENTS We would like to thank Henry Adams, Mark Blumstein, Bailey Fosdick, Michael Kirby, Henry Kvinge, Facundo Mémoli, Louis Scharf, the students in Michael Kirby’s Spring 2018 class, and the Pattern Analysis Laboratory at Colorado State University for their helpful conversations and support throughout this project. -
Multidisciplinary Design Project Engineering Dictionary Version 0.0.2
Multidisciplinary Design Project Engineering Dictionary Version 0.0.2 February 15, 2006 . DRAFT Cambridge-MIT Institute Multidisciplinary Design Project This Dictionary/Glossary of Engineering terms has been compiled to compliment the work developed as part of the Multi-disciplinary Design Project (MDP), which is a programme to develop teaching material and kits to aid the running of mechtronics projects in Universities and Schools. The project is being carried out with support from the Cambridge-MIT Institute undergraduate teaching programe. For more information about the project please visit the MDP website at http://www-mdp.eng.cam.ac.uk or contact Dr. Peter Long Prof. Alex Slocum Cambridge University Engineering Department Massachusetts Institute of Technology Trumpington Street, 77 Massachusetts Ave. Cambridge. Cambridge MA 02139-4307 CB2 1PZ. USA e-mail: [email protected] e-mail: [email protected] tel: +44 (0) 1223 332779 tel: +1 617 253 0012 For information about the CMI initiative please see Cambridge-MIT Institute website :- http://www.cambridge-mit.org CMI CMI, University of Cambridge Massachusetts Institute of Technology 10 Miller’s Yard, 77 Massachusetts Ave. Mill Lane, Cambridge MA 02139-4307 Cambridge. CB2 1RQ. USA tel: +44 (0) 1223 327207 tel. +1 617 253 7732 fax: +44 (0) 1223 765891 fax. +1 617 258 8539 . DRAFT 2 CMI-MDP Programme 1 Introduction This dictionary/glossary has not been developed as a definative work but as a useful reference book for engi- neering students to search when looking for the meaning of a word/phrase. It has been compiled from a number of existing glossaries together with a number of local additions.