Recording and Curating Relics at Westminster Abbey in the Late Middle Ages
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Glastonbury Abbey – Archaeology, Spirit and Legend
RESEARCH HIGHLIGHT Glastonbury Abbey – Archaeology, Spirit and Legend Glastonbury means different things to different people. Many Christians believe that it’s the site of the earliest church in Britain, allegedly founded in the first century by Joseph of Arimathea. For others, it’s the epicentre of the New Age community in Britain, drawn by Glastonbury’s rich mythic associations with King Arthur. And now, thanks to the work of a Reading academic, the Abbey’s history has been brought to life and its future secured. A partnership between Professor Roberta Gilchrist and the trustees of Glastonbury Abbey has harnessed archaeological archives to ask new research questions, making for better understanding and conservation of the heritage site and creating an enhanced visitor experience. Glastonbury Abbey is internationally renowned as both the site of the earliest church in England and the legendary burial place of King Arthur. It attracts nearly 100,000 visitors every year, but until recently its archaeological story remained untold. Extensive excavations took place at the Abbey between 1904 and 1979 but these remained unpublished, fuelling contested opinions about date of origin, legend and historical fact. Understanding of the Abbey’s archaeology was impeded, limiting approaches to interpretation and conservation. It was also a barrier to economic growth for the heritage site, shutting the door on permissions from the statutory authorities for any new excavations or developments. www.reading.ac.uk/research/impact October 2018 But this challenge also provided rich opportunity for research collaboration and co-creation. The Abbey’s secrets could be unlocked, to enhance the quality of interpretation, enrich visitor experience and support the development of new visitor facilities. -
Stone of Destiny a 'Fake to Dupe Invading English' Abbot of Scone Hid Real Stone from Edward I, Says Salmond
Printer Friendly http://www.timesonline.co.uk/tol/news/uk/scotland/article4144587.ece?pr... From The Times June 15, 2008 Stone of Destiny a 'fake to dupe invading English' Abbot of Scone hid real stone from Edward I, says Salmond David Lister, Scotland Correspondent Do you think the Stone should be sent to England? Vote here For centuries it has held a mystical place in Scottish history, but Alex Salmond sparked fresh debate about the Stone of Destiny yesterday by claiming that the version on display at Edinburgh Castle is a fake. The stone, said to have been used in the coronation of early Scottish monarchs and in Biblical times by Jacob as a pillow, is one of the earliest symbols of Scottish nationhood and has been an emblem of strained relations with England ever since it was stolen by Edward I in 1296. But the First Minister has claimed that the block of red sandstone held until 1996 at Westminster Abbey, and now on permanent display in Edinburgh, was almost certainly not the original coronation stone. He said that monks at Scone Abbey had probably duped the English into believing that they had stolen the stone when in fact they took a replica. “If you're the Abbot of Scone and the strongest and most ruthless king in Christendom is charging toward you in 1296 to steal Scotland's most sacred object and probably put you and half of your cohorts to death, do you do nothing and wait until he arrives or do you hide yourself and the stone somewhere convenient in the Perthshire hillside? I think the second myself,” Mr Salmond said. -
“We Wanted a Parliament but They Gave Us a Stone” the Coronation Stone of the Scots As a Memory Box in the Twentieth Century
“We wanted a parliament but they gave us a stone” The Coronation Stone of the Scots as a Memory Box in the Twentieth Century JÖRG ROGGE In this article a memory box is presented, in which and to which different meanings were contained and attached in the course of seven centuries.1 This memory box is the coronation stone of Scottish kings, nowadays on display in Edinburgh Castle, the external form of which has remained for the most part unchanged. The roughly 150 kg heavy, 67 cm long, 42 cm wide and 28 cm high sandstone block was used in the Middle Ages at the inauguration of Scottish kings.2 In the course of history, however, it was removed from its original functional context and transferred to other cultural and political contexts. In this connection, both diachronic and also synchronic transfers of the coronation stone and the concepts of political order in the island of Britain stored in it were carried out. At present it is still an important memory box filled with political concepts, and it was and is a starting point for research into the relationship between the Scots and the English over the past 700 years. It is remarkable that this stone was used by nationally emotional Scots and also by the Government in London as symbol in important debates in the twentieth century. Historical recollections are transported by the Scots and the English with the stone that one may certainly call a container of memory. Here I 1 My thanks go to John Deasy for translating the German text into English as well as to the editors for finishing the final formatting. -
Saints, Monks and Bishops; Cult and Authority in the Diocese of Wells (England) Before the Norman Conquest
Peregrinations: Journal of Medieval Art and Architecture Volume 3 Issue 2 63-95 2011 Saints, Monks and Bishops; cult and authority in the diocese of Wells (England) before the Norman Conquest Michael Costen University of Bristol Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Costen, Michael. "Saints, Monks and Bishops; cult and authority in the diocese of Wells (England) before the Norman Conquest." Peregrinations: Journal of Medieval Art and Architecture 3, 2 (2011): 63-95. https://digital.kenyon.edu/perejournal/vol3/iss2/4 This Feature Article is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Costen Saints, Monks and Bishops; cult and authority in the diocese of Wells (England) before the Norman Conquest Michael Costen, University of Bristol, UK Introduction This paper is founded upon a database, assembled by the writer, of some 3300 instances of dedications to saints and of other cult objects in the Diocese of Bath and Wells. The database makes it possible to order references to an object in many ways including in terms of dedication, location, date, and possible authenticity, and it makes data available to derive some history of the object in order to assess the reliability of the information it presents. -
Books on Display at the 48Th International Congress on Medieval Studies, May 9-12, 2013, Kalamazoo, MI
Books On Display at the 48th International Congress on Medieval Studies, May 9-12, 2013, Kalamazoo, MI Publishers represented include: ADEVA, Amberley Publishing, American Research Center in Sofia (ARCS), Anglo-Saxon Books, Aris & Phillips, Austrian Academy of Sciences Press (VOAW), British Museum Press, Canterbury Archaeological Trust (CAT), Casemate Publishers, Christianity and Culture, Countryside Books, Edizioni Polistampa, English Heritage, Evangelische Verlagsanstalt (EVA), Franz Steiner Verlag, Hellenic Museums Shop, Hirmer Verlag GmbH, Iceland University Press, James Clarke & Co, Legenda, Librairie Droz , Lutterworth Press, Macmillan Art Publishing, Maney Publishing, The Mary Rose Trust, McDonald Institute for Archaeological Research, Medstroms Bokforlag, Midsea Books, Museum of London Archaeology (MOLA), Northcote House Publishers, Oxbow Books, Oxford Archaeology, Paul Holberton, Pen and Sword, Philipp von Zabern, Pindar Press, Pre- Construct Archaeology, Prospect Books, Roman Society Publications, Royal Commission on the Ancient and Historical Monuments of Scotland (RCAHMS), Society of Antiquaries of London (SAL), SPA Uitgevers, Stobart Davies Ltd, Wessex Archaeology and Windgather Press Titles in Bold are sale books at greatly reduced prices. Offers good while stocks last– First Come, First Served! Titles in alphabetical order Author(s) Publisher ISBN List Offer Title in alphabetical order Price Price A l'ombre du pouvoir Marchandisse Librairie Droz 9782870192832 $104.00 $50.00 Accomplisht Cook (1665-85) May Prospect Books -
Visitor Experience Manager June 2021 Application Pack Contents
Visitor Experience Manager June 2021 Application Pack Contents 3. Introduction 4. Who We Are 5. Organisation 6. Role Description 7. Key Responsibilities 8. Person Specification 9. Knowledge, Skills & Experience 10. How to Apply 2 Visitor Experience Manager - June 2021 Introduction Dear Candidate, Thank you for your interest in joining the Glastonbury Abbey team. The history of the abbey goes back millennia and its origin story includes being the site of the oldest Christian church in England. At the time of the dissolution Glastonbury Abbey was second only to Westminster in wealth and importance. Today it remains a place of pilgrimage as well as an internationally renowned tourist attraction. People visit Glastonbury Abbey from all over the world, visiting for reasons as diverse as spirituality, myth, legend, exercise, reflection and history among many more. Glastonbury Abbey is an international visitor attraction located in the heart of Glastonbury, Somerset, UK. It welcomes visitors from all over the world while also maintaining strong links with its local community via a membership scheme and a programme of special events. It is governed by a board of trustees and is led by a director, deputy director and senior leadership team that deliver the abbey’s strategic objectives in line with its charitable objects. The role of Visitor Experience Manager is crucial in delivering these objectives while driving change in service and retail to better serve our visitors. A visit to the abbey offers visitors a heritage site with nationally significant archaeological ruins, a 14th century medieval kitchen and 36 acres of beautiful grounds, a museum, a gift shop and an outdoor café. -
The Adventure of the Stone of Scone - Ston the Return of Solar Pons, 1958
The Adventure of the Stone of Scone - Ston The Return of Solar Pons, 1958 Date Copper/December 25, 1930 Pattrick/December, 1935 The Case Parker is awakened at Pons just before 4 AM on Christmas morning. Bancroft is on his way over to Praed Street. Once he arrives, he tells them that the Stone of Scone, the ancient Coronation Stone of the Scottish people has been stolen from Westminster Abbey. It is a symbolic item and the English government wants it back with a minimum of embarrassment. Pons quickly determines that it was taken by three men and a woman and goes to work. Quotes This bids fair to be the merriest of Christmases! Comments Pons tells his brother that Bancroft must have come “on a matter of the utmost gravity.” He adds that it is not connected with the Foreign Office because of the hour. That seems a specious deduction, at best. Foreign Office affairs would certainly be likely to require immediate attention at any moment, twenty-four hours a day. Certainly, this is a police matter: the symbol of Scottish independence has been stolen. But Bancroft makes it clear that it is the government that is most concerned. Wouldn’t the issue be a Foreign Office matter as well? The Stone of Scone’s formal name is the Stone of Destiny, though the former name is used widely outside of Scotland. The kings of Scotland were crowned upon a throne built above the Stone of Destiny, which was “about twenty-six inches long and sixteen wide, and weights considerably over four hundred pounds, almost five.” Edward I conquered Scotland and took the stone back to England. -
Crowland Abbey
Crowland Abbey. West Doorway. To show particularly the Quatrefoil illustrating its traditional history. (From a negative by Mr. H. E. Cooper.) 74 CROWLAND ABBEY. By Frances M. Page, B.A. (Paper read to the members of the Northamptonshire Natural History Society on the occasion of their visit to Crowland, July 18th, 1929.) Perhaps no place that has watched the passing of twelve centuries can show to modern generations so little contemporary history as Crowland. All its original charters were destroyed by fire in 1091, and of the chronicles, only two survive—one of the eighth and the other of the twelfth century. Several histories have been compiled by its monks and abbots who worked from legend and tradition, but the most detailed, that of Ingulf, the famous first Norman Abbot, has been recently exposed as a forgery of much later date. But in the carvings upon its West front, Crowland carries for ever an invaluable record of its past, which posterity may read and interpret. The coming of Guthlac, the patron saint, to Crowland in the eighth century, is one of the most picturesque incidents of early history, for there is an austerity and mystery in this first hermit of the fen country, seeking a place for meditation and self-discipline in the swamps which were shunned with terror by ordinary men. “Then,” says a chronicler, “he came to a great marsh, situated upon the eastern shore of the Mercians; and diligently enquired the nature of the place. A certain man told him that in this vast swamp there was a remote island, which many had tried to inhabit but had failed on account of the terrible ghosts there. -
Westminster Abbey ASERVICE to CELEBRATE the 60TH ANNIVERSARY of the CORONATION of HER MAJESTY QUEEN ELIZABETH II
Westminster Abbey ASERVICE TO CELEBRATE THE 60TH ANNIVERSARY OF THE CORONATION OF HER MAJESTY QUEEN ELIZABETH II Tuesday 4th June 2013 at 11.00 am FOREWORD On 2nd June 1953, the Coronation of Her Majesty Queen Elizabeth II followed a pattern established over the centuries since William the Conqueror was crowned in Westminster Abbey on Christmas Day 1066. Our intention in this Service of Thanksgiving is to evoke and reflect the shape of the Coronation service itself. The Queen’s entrance was marked by the Choirs’ singing Psalm 122—I was glad—set to music for the Coronation of EdwardVII by Sir Hubert Parry. The Queen’s Scholars of Westminster School exercised their historic right to exclaim Vivat Regina Elizabetha! (‘Long live Queen Elizabeth!’); so it will be today. The coronation service begins with the Recognition. The content of this part of the service is, of course, not today what it was in 1953, but the intention is similar: to recognise with thanksgiving the dutiful service offered over the past sixty years by our gracious and noble Queen, and to continue to pray God saveThe Queen. The Anointing is an act of consecration, a setting apart for royal and priestly service, through the gift of the Holy Spirit. The Ampulla from which the oil was poured rests today on the HighAltar as a reminder of that central act. St Edward’s Crown also rests today on the High Altar as a powerful symbol of the moment of Coronation. In today’s Service, a flask of Oil is carried by representatives of the people of the United Kingdom to the Sacrarium, received by theArchbishop and placed by the Dean on the High Altar. -
The Stone of Scone
The Stone of Scone Some time ago, in London on holiday, I went along to Westminster Abbey to see the throne that God’s word promised would exist until Christ returned to claim it. Sadly I never got to see the throne of David, or King Edward’s throne as it is called, as the Abbey was temporarily closed, so I ended up in the Abbey bookshop, but there I came across a book entitled ‘Jacob’s Pillar – A Biblical Historical Study’, by E. Raymond Capt. M.A. A.I.A. F.S.A. Scot. That book started me off on a journey through the Bible that will today provide the evidence for you that our monarch is indeed a descendant of Israel’s King David, that the throne has existed through the ages, and still awaits the return of the One who’s right it is, to claim it. In 2 Samuel 7:16, David’s throne is prophesied by God, through Nathan the prophet, to remain forever on the earth, ‘And your house and your kingdom shall be established forever before you: your throne shall be established forever.’ Much of the history of the stone can be gleaned from the pages of the Bible, (plus secular history) but God has played down its role to avoid idolatry, though the evidence of its travels makes our subject today…… It was about 760BC, and Jacob had been sent by Isaac his father, son of Abraham, to find a wife from amongst his own people. He was on a journey from Beersheba to Padan-Haran, Genesis 28: 10- 22, ‘And Jacob went out from Beersheba, and went toward Haran’ …. -
Monastic Scribe VI: July 9, 2021 SUCCISA VIRESCIT
Monastic Scribe VI: July 9, 2021 SUCCISA VIRESCIT If there is anyone who can translate the above title, no less pronounce it, and knows whose motto it is, deserves to receive a plenary indulgence. But I won’t keep you in suspense. The two words translate, “Cut down, it will be green again.” It is the motto of the Abbey of Monte Cassino in Italy which Saint Benedict (480 – 547) founded around 520. It has been destroyed three times but each time became green again through rebuilding. We are heirs of Saint Benedict whose feast day we celebrate this year on Sunday, July 11th. I write in his honor. Monasticism has been found to exist in most religious traditions. Sometimes a particular monastery dies out, or is suppressed for lack of numbers, financial reasons, or, as under Henry VIII, because monasteries were a threat to the new Anglican separation from Rome. Monasticism always endures but individual monasteries may cease to be. Right now monasteries face a time of crisis in Europe and the United States. Vocations are rare and many communities have mostly elders, or a few monks at best. I know of at least six Benedictine monasteries in the United States which have closed in the past twenty years. There are also some Cistercian monasteries that have folded. What is the future of monasticism? In Benedict’s mind (RB 58) a newcomer to a monastery is to be tested to see “whether he (she) truly seeks God.” This is shown in devotion to the Liturgy of the Hours, to obedience, and to ability to deal with difficulties. -
The Butterfly Pin: the Phenomenon of Object-Based Collecting in Australian Contemporary Artistic Practice
ResearchOnline@JCU This file is part of the following work: Joyce, Renée Elizabeth (2017) The butterfly pin: the phenomenon of object-based collecting in Australian contemporary artistic practice. PhD thesis, James Cook University. Access to this file is available from: https://doi.org/10.4225/28/5acff2310c688 Copyright © 2017 Renée Elizabeth Joyce. The author has certified to JCU that they have made a reasonable effort to gain permission and acknowledge the owner of any third party copyright material included in this document. If you believe that this is not the case, please email [email protected] James Cook University College of Arts, Society and Education Doctor of Philosophy The Butterfly Pin: The phenomenon of object-based collecting in Australian contemporary artistic practice Renée Elizabeth Joyce BA, UQ, MCIAM, QUT December 2017 Acknowledgements I firstly extend my most sincere and overwhelming gratitude to the artists who are central to this research: Donna Marcus, Glen Skien, Patrick Hall and the late Tom Risley, each of whom gave me permission to delve into their artistic practice and extended more generosity to me with their interviews, studio visits, emails and correspondence than I could have ever expected or hoped for. I would like to extend my gratitude to Coral Risley for her commitment to Tom Risley’s legacy and for her assistance with my research after his sad passing. I wish to acknowledge Nick Nicholson and Thea van Veen at the National Gallery of Australia, Ingrid Hedgcock at the Tweed Regional Gallery, Jacqui Woolf at the Museum of New and Old Art and Michael Barnett at the Griffith Artworks (Griffith University Art Gallery) for their assistance in providing me with images of works of art in their collections for this thesis.