Bulletin 2005
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Une Analyse Narrative De L'histoire De Luc, Pierre, Corneille Et Compagnie
Identité, transformation et mise en récit : Une analyse narrative de l’histoire de Luc, Pierre, Corneille et compagnie (Actes 10,1–11,18) par Martha Milagros Acosta Valle Thèse présentée à la Faculté de théologie de l’Université Saint-Paul en vue de l’obtention du doctorat de philosophie en théologie et du doctorat en théologie © Martha Milagros Acosta Valle, Ottawa, Canada, 2013 Living with the Scriptures is more like sailing than like building a cathedral. We don’t have control over the elements – just enough to navigate in the face of surprising shifts of wind and changed water conditions. Some would perhaps hope for more stability, but for sailors, bedrock is where sunken ships lie.1 Donald H. Juel 1 Donald H. JUEL, « Your Word is Truth : Some Reflections on a Hard Saying », dans Princeton Seminary Bulletin, 17 (1996), p. 27. Cité par Beverly R. GAVENTA, « Donald Harrisville Juel : A Tribute », dans Princeton Seminary Bulletin, 24 (2003), p. 350. ii Table de matières Introduction………………………………………………………………………………...….…..1 Chapitre I : État de la question et considérations méthodologiques…………………..………...14 1. Luc–Actes et ses lecteurs : un ouvrage à visée identitaire……….……………………..…..14 Audience pagano-chrétienne……………………………….………….……………....20 Audience judéo-chrétienne…………………………….………..……….……….…....27 Audience mixte………….……………………….………….………......…………......33 Actes 10,1–11,18 et le lecteur lucanien…….………….…………………....………...……37 2. Actes 10,1–11,18 et ses personnages : une question d’identité……………...…...……........46 Apports de l’analyse narrative………………………………………………………...48 3. Considérations méthodologiques..........................................………………….……………..62 Distinctions de base…………………………………………………………………...63 Quelques outils narratologiques et leur utilité pour notre projet….………………….65 Limites de la méthode………………………………………………………………...69 iii Chapitre II : Un sommet longuement préparé : le contexte littéraire d’Actes 10,1–11,18 ..................71 1. -
© in This Web Service Cambridge University
Cambridge University Press 978-1-107-02345-1 - The Cambridge Companion to Jewish Music Edited By Joshua S.Walden Index More information Index 21st-Century Ensemble, 242 An-sky Expeditions, 44 An-sky, S., 44, 223 A yidisher heym in Amerike (A Jewish Home in antiphonal psalmody, 87 America), 225 anti-Semitism, 4–5, 13, 156–7, 164–5, 168, Abrams, Harriett, 159 173–4, 177, 178, 181–2, 203, 204, 220 Achron, Joseph, 177, 180, 181, 208 Arab Revolt, 233, 234 “Hebrew Melody,” 180 Arabic music, 18, 233, 241 Achzib, 80 Aranyi,´ Juliette, 210 Adler, Hugo, 203 archaeomusicology, 3, 75 Instructional Cantatas, 203 Archives of Oriental Music, 21 Adler, Israel, 153 Argov, A., 241 Adler, Karl, 207, 213 Ark of the Covenant, 81 Admon, Y., 241 ars combinatoria, 249–51 Adon olam (Lord of the World), 151 Asaph, 79, 80, 86, 87 Adorno, Theodor W., 23, 247–8, 255 Ashkenaz, 29, 119–20, 137, 144 aerophones, 77, 86 Ashkenazic diaspora, 13, 18, 33 Ahavah Rabbah (Great Love), 90–1 Ashkenazic liturgy, 4, 88–95, 99–102, 103, 143, “Ah! vous dirai-je, maman” (Ah! Mother, If I 172, 187–98 Could Tell You), 2 Atkinson, Brooks, 212 Ajiashvili, Hana, 238 atonality, 202, 209, 232, 234, 237, 238, 239, 240, Akbar, Christoph Borkowsky, 132 247 Akeda (Binding of Isaac), 16 Auer, Leopold, 175 al ha-sheminit,87 augmented second, 65, 66, 91 alamot,87 Auschwitz, 23, 210, 255 Alberstein, Chava, 133 Austro-Hungarian Empire, 29, 30, 37 Aleppo Codex, 45 Avenary, Hanokh, 92 Alexander, Haim, 232, 233, 235 Avi Chai Foundation, 53 Chaconne, 232 Avidom, Menachem, 233, 235, 239 Six Israeli Dances, 233 Alexandra the Hashmona’ite, 239 Alkan, Charles-Valentin, 161, 169, 171–2, 196 Mediterranean Sinfonietta, 233, 235 “By the Rivers of Babylon,” 172 Philharmonic Symphony, 235 Pr´eludes, op. -
ARICCIA 2006 Doc.Pmd
Vol. 38, No. 5/6 - May/June “Mission And Money Perspective From Religious Life” - ARICCIA 2006 - SEDOS RESIDENTIAL SEMINAR Sedos - Via dei Verbiti, 1 - 00154 ROMA - TEL.: (+39)065741350 / FAX: (+39)065755787 SEDOS e-mail address: [email protected] - SEDOS Homepage: http://www.sedos.org Servizio di Documentazione e Studi - Documentation and Research Centre Centre de Documentation et de Recherche - Servicio de Documentación e Investigación 2006/98 Contents Summary of the Annual SEDOS Seminar 2006 Fr Carlos Rodríguez Linera, OP Opening Session of the SEDOS Seminar 2006 • “ You Cannot Serve God and Money” (Mt 6:24) — Some Biblical and Theological Considerations Concerning Mission and Money Fr John Fuellenbach, SVD 1. Mission and Money • “A Mission for Money” — An Interpretation of the Prohibition of Money by Francis of Assisi Seen Against the Economic-Social Background of His Time — Stimuli for Today Fr Helmut Rakowski, OFM Cap 2. Mission to the Poor in the Gospel • Mission dans l’Évangile Fr Alessandro Guarda, MCCJ 3. Mission of the Church • Poverty and Mission Fr Fernando Domingues, MCCJ 4. Synthesis of the Work • Economy for Mission: Religious Life’s Prospects • Final Summary Fr Alessandro Guarda, MCCJ 5. Practical Cooperation: Working Groups’ Projects • English Groups • French Groups • Spanish Groups • Italian Groups 6. Appendix • Efficiency and Effectiveness in Mission Fr Joseph Mattam, SJ • ‘Opus solidaritatis pax’, Peace is the Fruit of Solidarity Fr Helmut Rakowski, OFM Cap 6. Acknowledgement Sr Mary Wright, IBVM 2006/99 Summary of the Annual SEDOS Seminar 2006 Greetings to all our readers! We have concluded our Annual SEDOS Seminar at Ariccia, where over one hundred religious men and women of different nationalities and from different Institutes for five days shared their insights, reflections and experiences on the use and meaning of money in our mission, past and present. -
Judaïca Salle Des Ventes Favart Jeudi 22 Novembre 2018 Expert
Judaïca Salle des ventes Favart Jeudi 22 novembre 2018 Expert : Naftaly FRAENCKEL 11, boulevard d’Anvers 67000 Strasbourg [email protected] 06 11 04 62 30 Jeudi 22 novembre 2018 à 14 heures Vente aux enchères publiques Salle des Ventes Favart 3, rue Favart 75002 Paris JUDAÏCA Responsable de la vente : Elodie DELABALLE Collection de Monsieur B. [email protected] Tél. : 01 78 91 10 16 (lots 1 à 249) Exposition publique à la salle des ventes Favart À divers Mardi 20 novembre de 10 h à 18 h (lots 250 à 427) Mercredi 21 novembre de 10 h à 18 h Téléphone pendant l’exposition : 01 53 40 77 10 Catalogue visible sur www.ader-paris.fr Enchérissez en direct sur www.drouotlive.com En 1re de couverture, est reproduit le lot 6 En 4e de couverture, est reproduit le lot 419 Tableaux, dessins, estampes, sculptures - Collection de Monsieur B. 1 2 2 3 4 Tableaux, dessins, estampes, sculptures dessins, estampes, Tableaux, 1 E. BELMANN (XIXE SIÈCLE) L’antiquaire juif, 1889 Huile sur toile. Signée et datée en bas à droite. 92 x 73 cm 8 000 / 12 000 € 2 ALEXIs LouIs dE BRoCA (1868-1948) Juif marocain Huile sur papier. Signée en bas à gauche. 30 x 22 cm 200 / 300 € 3 R. CEoLIA (XIXE-XXE SIÈCLE) Portrait de rabbin Pierre noire et rehauts de gouache. Signé en bas à gauche. 43,5 x 38 cm 100 / 200 € 4 José CRUZ-HERRERA (1890-1972) Tête d’oriental. Huile sur papier bistre. Signée en bas à droite. -
FRANZ LISZT's and CHARLES VALENTIN ALKAN's SETTINGS of PSALM 137 by KATHERINE WELLS ROBSON (Under the D
ROMANTIC LITURGISTS: FRANZ LISZT’S AND CHARLES VALENTIN ALKAN’S SETTINGS OF PSALM 137 by KATHERINE WELLS ROBSON (Under the Direction of David Schiller) ABSTRACT In 1859, Franz Liszt and Charles Valentin Alkan both composed settings of Psalm 137, “By the rivers of Babylon.” Though they were composed in the same year, Liszt’s Der 137 Psalm and Alkan’s Super flumina Babylonis would seem to have little in common. Der 137 Psalm is a two-part work scored for soloist and choir with accompaniment; Super flumina Babylonis is a three-part programmatic piano solo that leaves out the psalm’s text in the work itself. Both Liszt and Alkan bring to light in their respective settings of Psalm 137 the duality of hope and despair that is found in the psalm’s text, but in very different ways. In doing so, each composer reveals something about himself that is reflected in his respective setting; for this reason, both settings are exemplary Romantic works. INDEX WORDS: Liszt, Alkan, Der 137 Psalm, Super flumina Babylonis, Psalm 137, Romantic sacred music, programmatic music ROMANTIC LITURGISTS: FRANZ LISZT’S AND CHARLES VALENTIN ALKAN’S SETTINGS OF PSALM 137 by KATHERINE WELLS ROBSON A.B., University of Georgia, 2005 A.B.J., University of Georgia, 2005 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2012 © 2012 Katherine Wells Robson All Rights Reserved ROMANTIC LITURGISTS: FRANZ LISZT’S AND CHARLES VALENTIN ALKAN’S SETTINGS OF PSALM 137 by KATHERINE WELLS ROBSON Major Professor: David Schiller Committee: Leonard Ball Martha Thomas Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia August 2012 iv DEDICATION This is dedicated to my parents, without whose infinite love and unfailing support I would not be where I am today.