Would You Let This Plan Push You on Stage?

inmenT Would You Let This Plan Push You on Stage?

Chic Street Plan's School of Performance helps Performers and normal people overcome T h e P e a r.

By Jennifer Prost

Chic Street man, the founder of the succeeded to engage the audience’s school of performance .by the same participation in “Shower the People’’, name, perceived that the casual at­ yet maintained control over the flow mosphere at the Good Shepherd of the song. In the next piece, for restaurant in Santa Barbara was which she preferred to sing a solo, she ideal for a group of entertainment discouraged the audience from hopefuls to gain exposure and ex­ joining her by altering her attitude perience. Last Friday night the and style. This diversity of method students from Chic Street Man’s New and approach was refreshing. School Of Performance presented, at Why are these students of varying the Good Shepherd, musical pieces abilities performing together in Santa that ranged widely in style. Barbara? Chic Street Man’s New Several of these pieces were written School of Performance, established and composed by the artists, and all five months ago, offers month long were accompanied by guitar. A few of courses which are divided into two the presentations welcomed the parts, workshop énd performance. audience to sing along, though most Generally, the Friday night per­ did not. The quality in the en­ formance sessions, though open to the tertainment varied as drastically as public, take place in a small studio. the styles. Several of the musicians However,, periodically the per­ seemed petrified to have an audience, formances are staged in a public while others appeared genuinely at establishment, such as the Good ease, even professional in their ap­ Shepherd restaurhnt. The students proach to performance. provide entertainment of their One of these more professional en­ choosing, which is followed by tertainers even ventured to test dif­ critique and evaluation. ferent styles with each piece. She continued page 4 PAGE 2A DAILY NEXUS THURSDAY. NOVEMBER20. 1980 m m m

The mor-e-thematically- honestly retain any of the unified Hawks and Doves anti-establishment stance is divided into two distinct that was punk’s hallmark. sides. The first is par­ But there are a few, and ticularly “quiet” and foremost among them is the acoustic in keeping with its English band Gang of Four. careful emulation of Combining a harsh yet traditional folk styles, at superbly rhythmic sound times calling to mind 1978’s with cerebral, leftist Gomes a Time LP as well as political attacks on the in­ Barbra Streisand much earlier Young com­ justice and insanity of. our Guilty Neil Young positions. Worthy of mention culture, Gang of Four comes Jim Carroll Band (Colbumia) Hawks and Doves on this folkish Side One are closest to achieving Catholic Boy “The Old Homestead,” in revolution in art. Perhaps byjonathan alburger (Warner Bros.) which Young more-or-Iess best of all, they do it without (Atco) successfully fits a dream­ resorting to the outdated Ex-slum kid author and The unique feature of Barbra Streisand’s new album, Throughout his career, like narrative into a folk- dyed-hair, Pretenders-butt- smack addict Jim Carroll “Guilty”, is her collaboration with pop singer/songwriter Canadian-born Neil Young ballad format, and “Captain on pseudo-rebelliousness has now become a rock star Barry Gibb of “Saturday Night Fever” and Bee Gee fame. has here and there made a Kennedy,” which ends the chic that is still popular with an album filled with The first impression would be something like, “How number of musical com­ side with the tale of “a young .among many UCSB fresh­ sexual and violent images simpy!” Well, the verdict is in: Not guilty. Their artistic mentaries upon these United mariner headed to war,” men coeds. that will at least make you marriage may not have produced a milestone achievement, States (e.g., “Southern though somewhat hesitantly, This 4-track EP contains sit up and take notice. While but it is definitely not a millstone to their careers; it’s a Man” ). Well, finally Young it might be added (hence, the nothing new to import there’s nothing new about very good album. has devoted an entire LP to “Doves” portion of the buyers: all four songs have Catholic Boy, Carroll is able The union resulted from last year’s Bee Gee concert the subject of Americana, album). been part of previously to- take the best factors of which Babs attended. She liked what she saw and, following Past and Present. On Side Two Young released singles. But for rock (two parts Iggy Pop, suit of her past two chart-topping duet records with Neil On the current work, abandons the calmer tones domestic buyers only one part Tom Petty on Diamond and Donna Summer, the album was conceived. Young shies away from the of the “good old days” to familiar with Gang of Four’s vocals, equal amounts of Lou With nearly 40 albums (if you include her musical often self-pitying in­ make some reflections upon brilliant debut JLP En­ Reed and Patti Smith with soundtracks) to her credit, Streisand has cultivated her trospection of many past what he considers to be their tertainment this EP is a lyrics and Stones rock riffs), enormous vocal talents to become one of — if not the — efforts to present various opposite: the contemporary good buy. Its best track is and combine them into an preeminent songstress of her generation. With Gibb scenarios, not unlike the social and political climate. the new single “Outside the impressive, if ragged, debut. producing, writing, and singing with her the love and style of certain songs off last Against a moderate C/W Trains Don’t Run on Time,” Radio play will be a continued page 5 year’s Bust Never Sleeps. background and through the arguably the group’s best problem mainly because the eyes of a blue-collar and single effort. Its chaotic track.from Catholic Boy that alternatingly beer-drinking- noisiness seems symbolic is getting played, “People redneck viewpoint, Young of G ang of F o u r ’s Who Died,” is inferior to the attempts some commentary revolutionary orientation, rest of the album. Despite with a locomotive cadence continued page 5 lines like “Cathy was 11 clashing with Andy Gill’s when she pulled the plug/ On metallic, staccato guitar 26 reds and a bottle of wine," ¡SCRUB (Including Postage) slashes. Vocalist Jon King’s “People Who Died” is GANG singing is echoed above the repetitive and the recurring ¡SHIRT din, his lyrics of “they died” gets obnoxious. I In Surgical Blue authoritarianism and sexual Better^choices would be the I or Surgical Green « oppression within the home bluesy “City Drops into the S M L X L as urgent as the music: Night,” which features Send Check or ty QTY. COLORSIZE “Discipline is his Stones sideman Bobby Keys Money Order to: O passion...he wants his wife to on sax, and the poppish I FLIPSIDE run, and fetch...” “Day and Night.” Three 209 W. University Dr. c The other highlight of this rockers, “It’s Too Late,” Arlington Heights, 111. EP is called “It’s Her “Nothing is True” and 1 SPECIAL EOmON FOUR-TRACK EP io Factory.” Combining a “Three Sisters,” are all 60005 Illinois Residents add 6 % Sales Tax JL Gang of Four funky bass rhythm by Dave clever upbeat songs with ly­ Allen with King’s mouth- Special Edition EP rics'like “My other sister’s organ playing, the musical name is Anita/ She has one (Warner Bros.) effect is a melancholy tonal peculiar feature/ When the backdrop to drummer Hugo boys come to meet her/ she Ever since the demise of Burnham’s deadpan vocals. turns out like a jungle Kick off the Fast, Free punk rock into new wave Lyrically “It’s Her Factory” cheetah.” muzak it has become in­ is also about sexual op­ weekend with a Delivery pression, this time by a mass Domino’s Pizza creasingly difficult to find But the main asset that any ‘new wave’ bands who continued page 6 Carroll has going for him is his band, and especially Don’t miss any of the football action this weekend Domino’s Pizza will deliver a guitarists Brian Lindsley hot, nutritious pizza to your door in 30 9 6 8 -1Ô 5 7 GOLETA and Terrell Winn. 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. ■ I PAGE3A TH U RS DA Y. NOVEMBER20, 1980 DAILY NEXUS ¡ p stage: The Graduate si>r Sunday Nov. 23 Streamers: Gut Level Theater 6, 8,10 pm b y lawrence Worcester reaction ranged from the amused, bemused and Physics 1610 “This guy with his chute confused to the kind of $1.50 goin’ straight up above him controlled, civilized Sponsored by psychosis evident at a good in a streamer, like a tulip a Willow Had >7 only white, you know. All horror film. Afterwards, the twisted and never gonna audience was drained as a ■ open... Beautiful Streamer, result of those wounds Open for me. The sky is opened on stage and those Santa Barbara FAMILY above, But no canopy.” opened off. Little babbling 3441 State Street SUN TANNING went on. (805) 687-3543 I choose this quote as a CENTERS warning; this is not an easy The plot, which provides play. Neither the subject- the emotional showcase, tells the story of six enlisted 1/3 Discount material, not the treatment when you join with a friend! thereof. When you see this men based on an army post play, you will be subject to in Virginia in.1965. Anti-war Goieta an evening of no holds sentiments at this time were 5858 Hollister Avenue barred theater and if you not yet solidified (have they (805) 967-8983 come out ‘clean’ the images ever been?) and the cause and characters and all they had not yet hit the streets. represent will linger in your The intellectual faction SUN T IM thoughts. I say ‘when’ you began to make themselves see this play, for I urge you heard through teach-ins but to do so. This is surely some the media had not yet of the best theater to be seen covered the issue to any ¿ y . on the college level today. great extent and it meant ■¿5- ^ It would be to easy for me little to the enlisted men. But C If you haven’t had the to pass the acclaim onto the Stanley Earl Gunn as Carlyle and Dennis W. Viau many were struggling with chance...TONITE IN CONCERT script alone for Stanley as Richie in a scene from Streamers, a play by the army for their own Glenn’s direction seldom David Rabe. reasons, few were in it for deviates from the written their piece of mind. Rabe “THE PUPPIES” word. But in this directorial time to wonder why, woopee of the audience. The play deals with this warily and choice lies the strength. we’re all gona die) provides sets a pace in it’s dealings again leaves interpretation Tampering of David Rabe’s the most pointed statement with violence, of the topic up to the THE HOT NEW BAND SANTA Streamers would serve no on an issue confronted by the homosexuality, disease, audience. Dealing with the BARBARA’S BEEN purpose. It is all there and play and appropriately sets freedom and friendship subject as he does is suf­ TALKING ABOUT the responsibility of the the tone for what is to follow. which the audience can keep ficient. The ‘noble cause’ is up with only in an instinctive Director Glenn states, director and actors is to dig COME FOR THE it out and then bury the questioned. sense followed with an “Streamers will always be a audience with it. Glenn and a Playwright Rabe deals on educated response to the relevant play because even FUN OF IT strong cast of eleven males a variety of levels from the primitive response. though it is set during the do their bit and the audience scant to the raw in a myriad I generally dislike bab­ Vietnam War, it is not just duly responds. of hefty topics but wisely bling intervals and post show about a topical event. The The scene is set by takes no blatant stands. This gatherings which tend to fears and entrapment of Country Joe McDonald he leaves to his characters, highlight a play’s inability to Rabe’s characters are what Hobey Baker’s provide. This play provides. create the play’s universal whose I-Feel-Like-I’m-Fix- their interactions and most 5918 Hollister Ave. in’-To-Die Rage (Ain’t no importantly to the response During the play, audience qualities.” Food & Drink & Dancing Karen Hart: Have Voice, Will Travel by Jonathan alburger She grew restless so she cost of cocaine). packed her few belongings, Conclusions are your own. Isla Vista has an ap­ changed her name, and Hart’s North Carolina pealingly mellow mood — an headed west. roots are most apparent in appropriate setting for the Hart is quick to laugh and her southern accent, which music of say Joni Mitchell. It smile, eager to please, lends itself conveniently to is that very music which has energetic and animated, yet her song repertoire. She’s inspired Karen Hart, a controlled and thoughtful — self assured, a quality which This may be traveling songstress who has qualities she hopes are most people-find necessary been playing Borsodi’s and reflected in her show, which for the aspiring young will be seen on campus Nov. is comprised of song and singer, and which has been a your chance 25. determining factor in A sort of modern day securing her jobs at clubs fora troubador, Karen Hart has across the States. “They journeyed her way across heard me audition at Bor­ the United States with her sodi’s and asked me to start guitar, VW van, and dog that same night,” she SECOND Lucille, surviving by playing smiled. gigs and thriving on the “People want to reach out, adventures which go along but are afraid. People want with her travels. “I’ve to open up and I really can CHRISTMAS! discovered the beauty of open people up with my America I never knew music and my stage per­ existed,” she related. monolog. She tries to be formance,” she explained Anyone who purchases Hart received a degree in amusing while still con­ with a more serious tone. $150.00 or m ore worth classical voice from East veying a personal message. Having been bitten by the Carolina University, but has “I write about things im­ Santa Barbara bug, Hart of merchandise since sought a variation on portant to me, as an in­ says she has come to “really that classical singing career dividual and as a member of like this area” and plans to b e tw e e n Thanksgiving Day theme. She writes some of the world community,” she continue to work here, and Christmas Day her own material and per­ asserted. Her concern is the preferably with music forms numbers of Mitchell, impetus for composing students from UCSB. may become eligible to Rickie Lee Jones, some “Mean Streak” (a song to For a sample of her music Janis Joplin, as well as a few the Ayatolla about the and showmanship, she en­ WIN A COMPLETE REFUND of the older blues pieces of American hostages) and “20 courages everyone to attend ON THEIR Bonnie Raitt. She has had Minutes or So” (a song of her free concert Tuesday in extensive back up ex­ complaint about the high Storke Plaza. TOTAL PURCHASE PRICE! perience, having performed with Jim Essery of Allman Band fame, among others. Back East, she soloed with This is not a rebate, but a The Bassett Mountain String Band being named Hobbit TOTAL REFUND. (Hart is but one of her many aliases). She sang numerous Mitchell favorites, such as Drawing will be held “Laughing it all Away” and between Christmas and New Year’s Day “You Turn Me On,” plus she UNIQUE GIFT IDEAS Winner need not be present at drawing. performed many of her and original compositions. Songs entitled “It Ain’t Love (Must HOLIDAY DECORATIONS be Lust),” “I Ain’t Sexy • Paint It Yourself & Save • Sadie no More” and “You Don’t Move Me” are in­ LbiwbAiid's dicative of her con­ 5152 H O LLIS TE R A V E . temporary country and blues approach to her per­ 5915 CALLE REAL • ORCHID BOWL CENTER S t e r e o SANTA BARBARA • 964-67061 10-6 ».w.. T-F 10-5:30 SAT. 967 3093 sonal philosophy of drugs, AR THE 'NEWSOUND! •SEETHE NEW LOOK & HEAR THE NEW SOUND! • SEE THE Nl sex and women’s dilemmas. , ..... PAGE4A DAILY NEXUS THURSDAY. NOVEMBER20. 1980 Chinese Language & C u ltu n a l Steadies CLCS Offers: * Reasonable expenses * Travel * Concentrated study in Taiwan * Extensive course listing School of Performance \ * Full university credit chic street from cover the boundaries for the stage, imitate outrageous movements, and the - Accepting applications The other half of the course consists the actions. inhibited ones. AH of the exercises £ o r all q u a n te n s of Monday night workshops, com­ The circle stage is broken, chairs employed focus on the expressed art M FOR FREE PAMPHLET AND COUNSELING: prised of 10 to 20 students. The are set up on one side of the studio, form, rather than on individual Chinese Language and Cultural Studies structure of the workshops vary and an imaginary line divides the abilities. P.O. Box 15563, Long Beach, CA 90815 according to the interests of the room into stage and audience. At the Presently Chic Street Man’s New students. Since it opened in June, the sight of a stage, old inhibitions return, School of Performance is a one-man school has attracted a majority of though because of the ease created by operation. Chic hopes to expand and musically oriented performers, and the previous experience, not as form several formal programs that thus its direction has been such as to strongly. Or were these previous will emphasize different aspects of develop these talents. However, no inhibitions reduced because one felt at the performing arts. In this manner STREAMERS matter in what direction his students . ease in the presence of others who he will appeal to a wider group of a play by David Rabe abilities lie, Chic strives first to open also took the stage? Whatever the performers, including dancers, directed by Stanley Glenn and develop the human being and his cause, the affect on the students is a comedians, and actors, as well as the presented by the personality, and then direct him to sense of comfort with their stage musicians he has already attracted. UCSB Department of Dramatic Art using his strengths to support his environment. Chic also offers special group weaknesses in performance. Once this stage setting has been workshops for organizations and UCSB Studio Theatre ★ 8 pm For the many who feel performing, established, Chic slowly introduces institutions on a daily basis. He is Nov. 13-15 ★ Nov. 19-22 ★ Dec. 4-6 especially singing in front of a group, his students to the art of performance willing to work with children and is akin to nakedness before strangers, through speech, storytelling, im­ adults, and in areas outside of Santa also 2 pm ★ Nov. 15 iEt 22 Chic Street Man will alter your at­ provisation and song. He stresses Barbara. (No Late Seating) titude. He reduces the fear of em­ emotional rather than intellectual To evaluate the success of the Tickets: $2 (Fri Sat'nights $2.50) barrassment, if not the em­ response to art. By limiting the time program, one must consider the Arts & Lectures Office (961 3535) barrassment itself. to complete a specific task, he forces goals, and the degree to which they Note: The play contains Chic’s methods are fairly basic. He the student to act without thinking. are met. Chic Street Man’s New coarse language and violence begins with group interaction, Other workshop activities include School of Performance promises that followed by group performance and spontaneous discussion of a very “you will walk away (from the ends with individual performance. broad topic for 30 seconds or only five school) with a new confidence in your Group warm-ups include circle games seconds, and comparing the reaction ability to communicate and definitely in which each student takes the stage of both audience and speaker to the have a good time.” He states only that — the center of the circle of bodies. different time factors, “ifam-honing” “real performers get better, would-be Because it is not a stage as we know it, is an exercise that aims at performers get excited, and non­ g r e a t ! the students do not feel the discomfort exaggerating the performers’ performers get released,” but does DINNER and nervousness that accompany restrained gestures to bring out the not claim to make a performer of performing in a theater-like setting. extreme in “hammyness”, so that a anyone. (For $55 a month — eight Good lor three pieces of juicy, golden brown sessions — how could he?) As such, Kentucky Fried Chicken, plus single servings of On this makeshift stage, one student compromise can be established cole slaw, mashed potatoes and gravy, and a roll. moves, while the others, who provide between these excessive and the school is a success. Limit two offers per coupon per customer. Customer pays all applicable sales tax. Continuum: Stapled Together by jean mattock banks of machinery, descending bands of har­ Rosemary Latasa. Stately, a Offer expires Dec. 10 | Posed above us on Process timorously uncomfortable. mony lose their internal bit eagle-like, but seemingly offer good only at Theatre’s high stage plat­ Like a pharmacist, he relationship and go flightless, Latasa was Calle Real I form, Brian Horner’s head is mixes bits of this and that on dissonant as they evaporate shakey opening night. A bird 9 6 7 -0 7 0 2 « with a balance problem. The 5697 Calle R eal! surrounded by swirling his synthesizers, to form the into sUence. Goleta® bands of fluorescent color. first section of Continuum, Tacitly the evening’s basically static He looks like the Great Oz subtitled An Evening of Art, central purpose, the dancing choreography gave her little after Toto has pulled the Music and Dance. was basically purposeless. else to think about. curtain aside, surrounded by His first piece, titled either The dancer’s roles carried Ichikawa seems to start at “R.Y.” or “Are You” (I names like Hydronian, the beginning and know not which) starts with Aspitarian and Plutonian. choreograph until she runs the sound of rhythmic hand There was also a Humanoid out of music. Sequences are pats, like drumming on your or an Olfax. One was stapled one on another, end own knees. Suddenly .the missing. I don’t know which. to end, with little sense of WHERE’D YOU rhythm is transformed to a The intricate costuming form or contour. somewhat funky disco-beat, and make-up (by New Wave Continuum is richer in punctuated with Space In- designers Theda DeRamus movement invention than vaders-pinball lazer-blasts. and Johnny Foam) adds to earlier Ichikawa works I’ve An arhythm ic,' wailing the camp otherwordly effect. seen, partly because of the G ET YOUR melody emerges, midway The aquaceous Hydronian, individual characterizations between a trumpetting Jacalyn Gross, has the most she gives each solo. But also elephant and a gimmick­ effective get-up. Put her on because her space con­ laden electric guitar. the list for your next figurations are coming out of costume party. Webbed the chorus line, into three HAIRCUT Horner’s next work, an fingers and sea monster dimensions. About Faces. untitled improvisation, is waving ridges down her Some of Continuum’s Everyone likes to be noticed. heavily cushioned with back detail the skin- dramatic impetus may have reverb. It begins with pure, been lost with the loss of a A good haircut makes a big difference clutching full-body costume simple wave forms sliding in of blues and greys. dancer to injury. But the in how you feel about yourself. and out of phase with one elaborate mise-en-scene And if you don't feel good about you, another, then builds into an The thrill of the swoop and fails to suggest anything but w ho w ill? ear-stunning wall of sound, spar of birds, and their itself, and forms no coherent About Faces is all about hair cuts replete with snatches of brittle little neck movements whole when haphazardly and haircare. . . . tonal rock and roll riffing. and odd, proud stance have blended with movement. all about you. “The Watchtower” is enchanted thousands of If you are wUling to take formed primarily of sharply- dancers' and mimes. the risk, Continuum may 3759 STATE \ vAbout Faces^ÿ attacking organ-like church Choreographer (and concert continue this Friday, 682-5294 NATURE AND EARTH UNITED WITH SOENCE hair design for men and women harmonies that rapidly producer) Karen Ichikawa Saturday and Sunday decay and lose pitch. The rehashes a lot of that evenings. Performances material you’ve seen a were not confirmed at press thousand times in her time. Call Process Theatre NOW ON SALE. Aspitarian solo for to make sure at 966-6620. r

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OPEN <1 00 A M T O 9 P M. MON. THUR FRI » SAT 11 00 A.M. T O 10:00 PM UHIWI „ Im ccNiNeLCcy m u s i c a i SUN 9 00 A.M. T O 9:00 P.M 91© f H l i i l i i D f l J ; ©EL NCKTE 967-0313 H €©EN 1C-1© SEN 1 2 -8 9 6 8 -4 6 6 5 254 ORAMI AVI. (1 B M Wm i m* Halbster) ROUTA THURSDAY. NOVEMBER20. 1980 DAILY NEXUS PAGE5A

SLEEPING BAG SALES: Good i commissions setting top quality, 1 triple layer, sleeping bags— rec- i?8flmfF8t a f limi! r tangular, backpacker, & mummy. • Sell at half the retail cost. Gteat ! on campus. Ideal as holiday gifts. , Free info: SLEEPING BAGS UN- > LIMITED, 105 Wolf Rd., Albany. | New York 12205 Bette H e r : Divine on the Screen V w w w w w w w v by sandy robertson Question: Who is the only human being on this planet EYE SOFT & HARD who can make self- referential jokes about EXAMINATIONS CONTACT LENSES flabby arms? Answer: Bette Midler, of DR. L.J. SANDERS course. “Sometimes your body has a mind of its own,” OPTOMETRIST she says. Her body certainly COMPETITIVE STUDENT HEALTH CENTER RATES does. Everything moves, often independently, with a • WITH UCSB REG CARD kinky kind of rhythm that is FAST SERVICE unique to Midler, FAIRVIEW SHOPPING CENTER PHONE “American’s Treasure 173 NORTH FAIRVIEW AVEN UE 964-5910 Chest’ ’ as she calls herself.

The Divine Miss M’s new film Divine Madness is Midler doing what she does ORCHID BOWL best — singing, dancing, talking, strutting. Midler • Bowling - Open 24 Hours does what everybody wants to do but hasn’t the nerve — •Billiards telling the bawdiest jokes, wearing the tackiest clothes, • Game Machines and generally conducting herself with the absolute • Coffee Shop minumum of taste and propriety. COUNTRY MUSIC at the Galleon Room Midler tells the audience that she made a singular THURSDAY • FRIDAY • SATURDAY NITES attempt to clean up her act. Aids, just as she set out down ORCHID BOWL - GALLEON ROOM the path of reason and respectability, “a still small 5925 Calle Real - Goleta * • • Ph. 967-0128 voice from within spoke to me saying, ‘Fuck ’em if they Delago, the toast of screaming fans. Except for a and vulnerable heart of a can’t take a joke!”’ And Chicago” routine, she ap­ brief scene during the woman whose good in­ America owes its heartfelt pears dressed as a mermaid opening titles in which the tentions have been abused, thanks to Midler’s con­ riding on an electric head usher instructs his maligned and twisted by science, without which The wheelchair with a glitter crew on the necessities of other people. Many of her when it means forever... Last of the Very Tacky palm tree attached. After good taste and high art, the songs concern the disap­ Ladies would have become murmuring a nonsense entire footage of Divine pointments of love — being Just Another Fabulous incantation, her legs Madness is Midler on stage. taken advantage of, being Voice. miraculously appear—she’s Midler is accompanied by rejected — but the sparks of a lady, not a fish! What she the Harlettes, her backup life always ignite Midler and Midler’s outfits belong in says at this point cannot be vocalists who bump, grind she plunges into songs like the Smithsonion Institute. printed, even in the Nexus. and moan their way through “Boogey-Woogey Bugle Boy She appears on stage As a concert film Divine the show. The Harlettes From Company B” and wearing a peacock brocade Madness establishes an include Jocelyn Brown, Ula “The Rose” (the title song gown, complete with energy level unequaled by Hedwig and Diva Gray. from her recent movie) with feathers in the tail and most concert films which unbeatable vibrancy and zippers and tassles in all the includes backstage shots of Beneath the surface of zest. No doubt about it, Bette right (and wrong) places. the performers, interviews Midler’s dynamic stage Midler always comes out on Later, for her “Dolores and endless shots of presence lurks the scarred top. _____ , - Streisand from 2 side”, which demands Streisand to stretch her already We’ve been helping couples design passion material, Guilty emerges as the quintessential pop impressive range. The latter song is quite unique in that it their own wedding rings album. After only two weeks in release, the album has sets her intense vocal lines against a soft, solemn musical for over 9 years. soared to the national top five, and the excellent single cut, backdrop. Halfway through the piece, the number departs, “Woman in Love”, is rivaling Queen’s “Another One Bites it intensifies, builds, and reverberates harmoniously with the Dust” for the number one position. Barbra, a beautiful blend is achieved. the G old C oncept My major dissatisfaction with the product is in the lyrics The final track on the album is “Make It Like A IN VICTORIA COURT. STATE STREET AT VICTORIA of the songs. While Gibb has unquestionable talent for Memory”, a sweeping seven and a half minute opus which, SANTA BARBARA musical composition and arrangement, he relies far too some say, is Streisand and Gibb’s attempt at “Pop often on cliches and solecisms, sacrificing message and Significance.” It succeeds, and it doesn’t. It begins with a meaningfulness for melodiousness. Expressions such as moody torch piano measure with Streisand’s carefully “our love will climb any mountain”, “we’ve got a highway articulated vocals gradually developing simultaneously to the sky”, “our love is one in a million”, and “the road is with the orchestration into a powerful, passionate piece. Jim Cum utt & Andy Weintraub Present* narrow and long” are enough to make even the most ardent The style is very similar to her earlier “Prisoner” hit, the fan wince. The title-cut unfortunately exemplifies this point climax being colored with heavy acoustic guitar and drums all too well. dominating the base line, along with the injection of a The rest {>f the album is pretty much of consistently high creative interplay of piano and vocals. The fault of the peice quality. Streisand’s vocal vituosity, power and presence is is what amounts to a second ending, a David Shire movie- indellible. Her mellifluous voice is awesome: she can glide of-the-week arrangement which seems obviously disjointed effortlessly up the scale, as she does on “Run Wild”, or and inappropriate. contrast high to low pitches on the intriguing “Love In- Despite some of the fractured lyrics, the album is perfect for the soft light and love-making mood. A must for the neil young from 2 Doves presents something of Streisand fan, the album will also please the unsure or upon the current-day con­ a departure from past Young discriminating. No go for the B-52’s crowd or the disco servatism of the common LPs. Here the more­ devotee, the album avoids turbid tastelessness. It’s mellow. man, especially oh tunes like customary note of intensely (I’m proud to be a) “Union personal urgency is largely Man” and the album’s replaced by his somewhat­ Outlaw-ish title track, which less convincing narration or features such lyrics as role-playing of others’ SÌ “Ready to go, willin’ to stay stories; and, as a result, c a. s \a a. 1 ■ a r c a r and pay, U.S.A., U.S.A./So something — perhaps a real my sweet love can dance sympathy for the characters another free day” ; thus this of his invention — often Featuring designer jeans & cords cut fully sums up the appears as lacking. Thus it for men fir women J e a n - C u e “hawkish” point of view to seems as if Neil Young had which the material of this best stick to emoting his own CALVIN KLEIN • JORDACHE second side leads up. miseries. CHENIN DE EER • VANDERBILT • SASSON In general, Hawks and —Patti Prichard PLUS k!A!4!A!A!4!4!A!A,4L'A,A,4 ,A,A,A,A,# ,A* • CAP EERRAT JUMPSUITS ft CORDS ? o n t y • CANTERBURY SPORTSWEAR e SKI M OVIE * Rugby shorts, pants ft jerseys — starting at $12.20 e • 40% off on most men's ft women's shirts LARSEN FEITEN BAND Warren M iller Film e * ¥ t In Search of * Sun, Nov. 23, 7:30pm * e Skiing LOCATED IN VICTORIA COURT * Adjacent to Chapala SL parking lot Arlington Theatre e Sunday, Novem ber 23 * $10 * $9 * $8 6,8,10 pm • 1910 Buch 10% OFF on any purchase * ARLINGTON THEATRE BOX OFFICE. COUN TY BOWL BOX OFFICE. TURNING POINT. Door Prizes • $1.50 * of more than one item BILL GAMBLE'S - LA CUMBRE PLAZA. MORNINGLORY MUSIC. ALL TICKETRON * SPONSORED BY UCSB SKI TEAM LOCATIONS. AND ALL THE USUAL TRI-COUNTY TICKET OUTLETS FOR INFORMATION CALL 805-965-5181 i ■■■.... Produced by Vision Attractions ■■■■■■■■ ■ ■ \

PAGESA DAILY NEXUS THURSDAY. NOVEMBER20. 1980

SPECIAL MOVIE PRICES ********** —NEW!!!— MONDAY AND TUESDAY Unknown Comic: It's in the Bag ADULTS $2.00 C H ILD R E N $1.50 It’s a given fact that with fame comes recognition. Your and a half before he found work as a comic actor, appearing face appears everywhere: on television, in newspapers, on regularly in sits at Red Fox’s Club. He also became a AT ALL METROPOLITAN posters, in films. People you’ve never met act like long-lost regular on the Sonny and Cher Show. Langston feels that THEATERS kinsmen when you meet (hem on the street. You can’t grab this was where he learned to a burger at McDonald’s in peace any more. stay afloat as a comedian. Unless you’re Murray Langston. He’s been on television, Once the show went off the in newspapers, on posters and will be in films. Still, nobody air, Langston opened his own stops him in the supermarket. They probably would, club, Show Biz, in North WALTER W — ,1 though, if he ran over to the checkstand, grabbed a large Hollywood. He had stars who bag, punched out holes for eyes and mouth, and started made guest appearances, BLENDA and he also helped along JACKSON firing off “bag” jokes a hundred times more groan- inducing than your worst elephant jokes. struggling comedians. also: THE FIRST DEADLY SIN tftíPSCeSIZtk . Murray Langston is the Unknown Comic, a man who has Eventually he closed the achieved fame through telling jokes incognito. Have bag, place down when he was no will perform. longer able to afford to run Langston was introduced to show business via “Laugh- ’ the club. Langston notes, “I “2001:A SPACE In,” the high-rated comedy show. He was working as a specialized in bankruptcy.! ” computer operator (some time after being discharged from. Langston invented his the Canadian army for having flat feet) when he decided to current character for an call the producer of “Laugh-In.” He offered to do his im­ appearance on the Gong Show. He needed the $50 to pay for MOM n ih *'i * STANLEY KUBRICK PRODUCTION ODYSSEY« pression of a fork. He got the job, and billing himself as his admission to the Actor’s Union, but was too em­ downtown Burbank’s greatest impressionist, he returned to barrassed to show his face since he’d already appeared on the show to do impressions of a grandfather clock and a 16 nationwide television shows. He cut eye and moüth holes M M M Bn in a large paper bag, placed it over his head, and voila! the I »«5-57*12 GEORGE tube of toothpaste. BURNS His boss apparently didn’t enjoy his brand of humor, for Unknown Comic. IESTA 1 OH, GODI he found himself fired from his computer job. It was a year Langston became a regular. He appeared on other shows. R I« Siali* Sin* The Unknown Comic was known. BOOK» In his night club act, Langston is the Unknown Comic for O the first 15 minutes (complete with bag), then de-bags and is Murray Langston, comic, the rest of the show. Both sides of the comic complement each other and deliver a show that is wacky and hilarious.______• gang from 2 for this sun-baked univer­ media that glorifies the sity. But if you’re the type of stereotypical role of women person who likes to think and in society: “Housewife dance at the same time, this Heroines...addicts to their band is for you. homes.. .it’s her factory.’’ Gang of Four’s music and —Rob Palmer message may be too radical

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of note!

CAL Performing Arts The UCSB Committee on presents the West Coast Arts and Lectures is Premiere of Crowsnest, a presenting the Santa Bar­ dance/theatre trio, Nov. 20 bara premiere of the and 21 at 8 p.m. in Campbell Australian box office sen­ Hall. The performances will sation, Newsfront from offer similar programs on director Phillip Noyce at Thursday and Friday Campbell Hall on Nov. 25 at although each evening will 7:30 p.m. The surprise hit of feature different solo works the 1978 Cannes and New by Martha Clarke and York Film Festivals, Robert Barnett. Newsfront follows the ad­ ventures of a group of Crowsnest was founded in newsreel-makers as they 1978 by • Clarke with Felix capture the historic Blaska to further explore moments of two turbulent creative interactions in decades on film. dance, theatre and music. The story . of the Barnett joined the company Newsfronters — who love shortly thereafter. film, news, and each other — Crowsnest made its debut in is set against an exciting and 1979 at the American Dance amusing panoram a of music! Festival. Recently the newsreel events: from Marx filmf company has performed at (Chico) to Nixon (Richard), The UCSB music department will present the the Espace Cardin in Paris, from war-time crooners to The Noon Film Series at UCSB will conclude today with University Symphony Orchestra, conducted by Frank the Palm Beach Festival, rock and roll, from singing Mystery Of Stonehenge. The film will be shown in Collura, in concert Nov. 22 at 8 p.m. in Lotte Lehmann the American Dance dogs to devastating floods, Buchanan 1940, and as always, is free. Hall. Works to be performed include Carl Maria von Festival and at the Spoleto, from Olympic races to cold The Santa Barbara Museum of Art will present a Weber’s Overture to “Der Freischuetz”, Mozart’s Italy Festival in July. war politics. tribute to Peter Sellers with the film Lilita, directed in “Symphony No. 38 in D Major, K. 504, (Praque)” , and 1962 by Stanley Kubrick. In an adaption of Vladimir Kent Kennan’s “Night Soliloquy for Flute and String Nabokov’s novel, Peter Sellers plays the evil genius Clare Orchestra.” Admission is $2, and will be on sale one hour lecture! Quilty, who seems to condition the behavior of the other in advance of the performance time at the door. characters although he is absent from the screen most of The UCSB Symphonic Wind Ensemble will present a Danny Simon, brother of well-known playwright Neil the time, he plays several personalities in the film, concert on Tuesday Nov. 25 at 8 p.m. in Lotte Lehmann Simon, will conduct a seminar, “The Craft of Comedy displaying his chameleon talents and mastery of comic Concert Hall. Pieces to be performed include Fricker’s Writing’’ Nov. 22 and 23, Dec. 6 and 7, and Dec. 13 and 14. accents. The film screens in the museum’s auditorium “Flourish for Brass”, “Antietam” by Paul Whear, Simon will use lectures, discussion, and simulation of Nov. 21 at 7:30 p.m.; Nov. 22 and 23 at 1:30 & 7:30 p.m. ‘American Overture for Band” by Josph Willcox Jenkins, actual working conditions to cover problems that arise in The final film in UCSB’s Michelangelo Antonioni Film and Clifton Williams’ “Symphonic Sutie.” In addition, writing comedy. Details and enrollment infomation is Series, The Passenger (1975), screens Nov. 23 in Chem. UCSB graduate student Shelley Rink will conduct Nor­ available form UC Extension at 961-4200. 1179 at 7:30 p.m. The film stars Jack Nicholson and Maria man Dello Joio’s “Fantasies on a theme by Haydn”, and Gore Vidal, celebrated author, politician, satirist and Schneider in a tale of international suspense. graduate student Lisa Nash will conduct “Sketches on a journalist^ will give a lecture titled “The State of the Tudor Psalm” by Fisher Tull. The concert is free. Duel At Ganryu Island is the third film in the Union: Demise and Rebirth of the American Republic.” Fleischmann Auditorium’s Samurai Film Festival. In the UCSB’s music department will present guest organist His lecture will be on Nov. 24 at 3 p.m. in Campbell Hall, Carole Terry in a free concert Nov. 23 at 4 p.m. in Lotte film, the great Musashi comes face-to-face with his evil and tickets are available through Arts and Lectures, arch-rival Kojiro. Screening at 7:30 p.m., the film’s ad­ Lehmann Hall. The program will include works by J.S. UCSB Office of Public Information and the Ticket Bureau mission is $2.50 general, $2.00 members and seniors, and Bach, William Albright, W.A. Mozart, Louis-Nicolaus of Santa Barbara. Clerambault, and Johannes Brahms. $1.50 children. Asahi! ARTS &LECTURES Coming Events Winter Events Gore Vidal Lecture Gore Vidal, author, politician, His visit to UCSB is sponsored Overview satirist and critic will present a jointly by the Committee on Arts public lecture entitled “The State and Lectures, the Hutchins Center, During Winter quarter, CAL of the Union: Demise and Rebirth the College of Letters and Scien­ Performing Arts will offer a of the American Republic” on Nov. ces, the Chancellor, and the variety of exciting events in music, 24 at 3 p.m. in Campbell Hail. Departments of Economics, dance ancLtheater. In its cover story on Vidal, the English, Political Science and The Los Angeles Chamber Or­ Saturday Review hailed him as Sociology. The free tickets are chestra will return Jan. 13 for its “the last gentleman of American gone but any vacant seats second performance this season letters, a stylish politician of the available-at 2:55 p.m. will be filled with a program featuring Bach’s mother tongue, and our most with those waiting at Campbell Brandenburg Concerti. An ingratiating snob — a snob of Hall. For further information call amusing and entertaining evening conscience, contemptuous of all 961-2072. of song and music from the 1800s to the 1980s will be presented by that is not quality.” Bolcom and Morris January 16. The Saint Paul Chamber Or­ chestra with Pinchas Zukerman, ( ’alem lai* Music Director, and -Romuald Tecco, violinist, will offer the works of Mendelssohn, Stravinsky, Thurs.i Nov. 20 Bach, and Mozart in February. Noon, Buchanan 1940 Murray Perahia, the ex­ THE MYSTERY OF traordinarily gifted pianist, brings STONEHENGE his intensely poetic style to (Noon Films) Campbell Hall in March. The Claude Kipnis Mime Beyond ‘Pilobolus’ with Thurs., Nov. 20 and Theatre, with the Peter Borno Jazz Fri., Nov. 21 Quintet, will present Kipnis’ new 8 p.m., Campbell Hall work, “The Body,” on January 28. Martha Clarke’s ‘Crowsnesf CROWSNEST In February, the Louis Falco Crowsnest, the exciting dance/- Pilobolus, complete the Crowsnest Trio (West Coast Premiere) Dance Company will be in theatre trio, will make its West trio. residence and will offer a free Coast premiere Nov. 20 and 21 in lecture-demonstration on Feb. 4 Campbell Hall at 8 p.m. The Anna Kisselgoff of the New York Sun., Nov. 23 and two performances on Nov. 5 company will present similar Times calls Miss Clarke an 7:30 p.m., Chem 1179 and 6. Falco received the 1979 programs on Thursday and Friday ” ...unabashed romantic whose THE PASSENGER Harkness Award for Best Male although each performance will specialty is the dramatic vignette (Antonioni Film Series) Modern Dancer. Folk Dance feature different solo works. — making pictures come alive.” returns to UCSB in February with Crowsnest was founded in 1978 Her work explores creative in­ Mon., Nov. 24 the National Folk Ballet of by Martha Clarke, a member of teractions in dance, theatre, and 3 p.m., Campbell Hall Yugoslavia, which is on its second Piloboluf- Dance Theatre since music and is full of imagination THE STATE OF THE UNION: American tour. 1873. Pilobolus brought something and symbolism, the athletic, DEMISE AND REBIRTH OF ’in H irsh. UCSB. will host the itew to dance with its innovative linked movetnents common- to THE AMERICAN REPJJBLIC highly acclaimed Long Wharf style of athletic movements and Pilobolus are mixed with ClariceV Theatre of Connecticut, on its first characteristic vigor, . stamina, emphasis on dramatic expression. West Coast tour. Long Wharf will daring and dazzling originality. The Crowsnest programs will Tues., Nov. 25 present Private Lives by Noel Felix Blaska, a French dancer feature recent group works by 7:30 p.m., Campbell Hall Coward (March 6) and' James formerly with Roland Petit’s ballet Martha Clarke as well as solo NEWSFRONT Goldman’s Lion in Winter (March company, and Robert Barnett, a works by Clarke and Barnett from (Australian Cinema Series-) 7). current performing member of the Pilobolus repertoire. 1PAGE8A Advertisement THURSOA Y. NOVEMBER20. 1980 A.S. Program Board

SCHOOL BUS Polanski Film Tues.

By Films Chairperson action takes place within a Repulsion is Roman Polan­ small apartment, the effects ski’s . psychological thriller are so disruptive that you’re about a young woman (played never certain what has hap­ by Catherine Deneuve) who pened or what is happening. both desires and fears sexual In addition to spacial encounters with men. disorientation, the film reflects Taking place over several the woman’s fears by changing days, the film describes the sets in confusing and Deneuve’s obsession with mén, sometimes terrifying ways. which is expressed through Objects appear and disappear. fascination with razor blades, In a particularly frightening undershirts, and a complete scene, the walls turn to clay and catalogue of phallic symbols. hands come out of the walls to By the end of the film two men grab her as she passes by. are dead and the young woman Undoubtedly the most un­ is completely detached from settling element in Repulsion is reality. the viewer’s response to the The technical genius of young woman’s plight. When we Repulsion is evident in the watch her fears and fantasies sound track as well as thé visual consume her, we cannot help style. The sound track creates wonder: could our own sub­ suspense and terror in a conscious fears and thoughts manner unmatched by the surface and destroy us? Will cheap thrills of heavy footsteps they consume us? Or have they and asthmatic breathing that done so already? pervade thrillers of today. On campus next week with The superb camera work in Repulsion will be an early Repulsion reflects the woman’s Alfred Hitchcock classic Local rockers, the Spoilers play at UCen II tonight. psychosis. Polanski uses thriller, Number Seventeen, as subjective camera shots to the last co-feature of the British depict Deneuve’s growing Film Series. Repulsion and detachment from reality; the Number Seventeen will be v iew er’s p ersp ectiv e is shown on Tuesday, Nov. 25, at 6 manipulated to produce and 9 p.m. in the UCen Pavilion. The Spoilers Return disorientation and instability. Ticket prices are $1.50 for Free Concert Tonight ! Even though most of the film undergraduates and $2 general.

By Annette Goliti they moved to L.A. to become rock vocals), and Craig Wisda (bass, UCen Events Chairperson stars. Since then they have been vocals) trade off singing lead. In this poster-filled town of ours playing famous places like The Their emotion filled voices and the name of the Spoilers used to Troubador, getting rave reviews in solemn, unsmiling stage presence come up all the time. Have you noted magazines like BAM and give the music a dark, serious feel noticed that recently they haven’t releasing a new single, which complements the subject been around? Well that’s because “Reckless/Battling On,’’1 on matter of their songs. Drummer Rocket Records which will also be Mickey Kessler completes the line­ featured on an upcoming com­ up. Contest! pilation album of American Bands. There will be a raffle tomorrow Pretty good for local Santa Bar- I can’t impress upon you the at noon in the UCen lobby. Two barans. In case you’ve missed this importance of supporting our local pairs of tickets to the Unknown hot, up and coming group you can groups. The Spoilers have Comic show, which will be held at see them tonight in the UCen II sophisticated their music to such a Campbell Hall on Saturday night Catalyst at 8:30 p.m. degree that I know you’ll be at 8 p.m.; will be given away. But The Spoilers have an interesting thoroughly impressed. You are there is one catch; you have to blend of music that could best be definitely in for a night of surprise weqr a bag on your head to qualify. described as rock/new wave. Their and pleasure so show your faces in So- show up tomorrow with your songs deal with themes such as the Catalyst tonight because you’ll bag and you’ll have a chance to win relationships, infidelity, sexual regret it if you don’t. At the rate Catherine Deneuve in Repulsion. excellent seats to this outrageous frustration, jealousy, risk-taking this band is escalating to fame I’m show. Also even if you don’t win a and failure. Dean Stefan (guitar, sure you’ll never hear them play pair of seats, come anyway vocals), Chris Hickey (guitar, for free again so don’t miss out! because this is a once in a life time The Unknown Comic show, so don’t miss out! /4SSOCIMTON OF THE UNKNOWN COMIC will Gong Show, Las Vegas ap­ perform Saturday, Nov. 22 at pearances, and his nude poster COLLEGE UNIONS-IN Œ I^M O N A . Campbell Hall. The show will with a bag over his head. He is REGION XV begin at 8 p.m. with tickets priced presently in pre-production for the $4.50 students, $4.50 general, on starring role in his own screenplay sale at the A.S. Ticket Office on the entitled, Did You Ever Have One of third floor UCen, Morninglory Those Days? He will be appearing Music in Isla Vista and Turning unbagggd playing the hero of the Point Records and Ticket Bureau film; a psychiatrist. Don’t miss the in Santa Barbara. The Unknown show this Saturday at Campbell By Betsy Wilson qualify for Regionals and maybe Comic has gained recognition for Hall where the Unknown Comic Special Events Chairperson get on T.V. The games will begin his appearances on Chuck Barris’ will reveal his true identity!!! All those College Bowl fans that at 7 p.m. on Monday, Jan. 12 and did not want to participate, continue for two weeks. The wanted to watch, yet didn’t know Finals will be played on Friday, where or when,r just keep Jan. 23. All games wifi be played See You reading. There will be 10 College in the UCen II Pavilion. Come on Wear a Bag bowl games played the second out to cheer on your favorite Next Year! Win Tickets and third week of Winter quarter team. You might learn so that our winning team can something. Calendar Tuesday, Nov. 25 Wednesday, Nov. 26 Thursday, Nov. 20 Friday, Nov. 21 Saturday, Nov. 22 Sunday, Nov. 23 Monday, Nov. 24 Unknown Comic Film Free Concert! nothing but... Campbell Hall “Repulsion” with The Spoilers “Number Seventeen’ UCen II Catalyst 8 p.m. 8:30 p.m. $4.50 $5.50 UCen Pavilion Wednesday, Dec. 3 Refreshments available 6 and 9 p.m. Concert Committee Mtg Special Events Films Committee Meeting Program board Office Committee Program Board Office 5 p.m. Meeting 5 p.m. UCen 2272 Pubtteky Committee Mtg 4 p.m. Program Board Office 6 p.m.