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Our Love Affair with Movies
OUR LOVE AFFAIR WITH MOVIES A movie producer and Class of ’68 alumnus recalls the cinematic passions of his senior year—and offers some advice on rekindling the romance for today’s audiences. By Robert Cort crush on movies began on a Around the World was a grand spectacle Louis Jourdan as Gaston realizing how damp November night in 1956. that ultimately claimed the Academy much he loved Gigi and pursuing her Dressed in my first suit—itchy Award for Best Picture. Beyond its exotic through Paris singing, “Gigi, what mir- MY and gray—I sat in the backseat locales, it was my first experience of char- acle has made you the way you are?” of our Oldsmobile as my parents crossed acters attempting the impossible. When Before that scene, what I’d observed the Brooklyn Bridge into Manhattan. At David Niven as Phineas Fogg realized about men and women in love was my Mama Leone’s I tasted Parmesan cheese that crossing the International Date Line parents’ marriage, and that didn’t seem for the first time. Then we walked a few had returned him to London on Day 80, something to pine for. blocks to the only theater in the world the communal exuberance was thrilling. Three Best Pictures, three years in a playing the widescreen epic comedy- A year later my brother took me to an- row: the thrill of daring men in the wide, adventure, Around the World in 80 Days. other palace, the Capitol Theater, for The wide, Todd-AO world; the horrors that I was already a regular at Saturday Bridge on the River Kwai. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Current Review
Current Review Christian Ferras plays Beethoven and Berg Violin Concertos aud 95.590 EAN: 4022143955906 4022143955906 Fanfare (Robert Maxham - 2012.05.01) Audite’s program of violin concertos by Ludwig van Beethoven and Alban Berg captures two moments in the life of Christian Ferras, the first a studio recording from November 19, 1951, made in the Jesus-Christus-Kirche after the 18-year-old violinist had given a live performance of the work at the Titania Palast and more than a decade before he would record the work with Herbert von Karajan and the same orchestra. The young Ferras sounds both flexible and sprightly in the first movement’s passagework, producing a suave tone that might be described as almost gustatory in its effect as he soars above the orchestra. That tone lacks the sharp edge of Zino Francescatti’s and even the slightly reedy quality of Arthur Grumiaux’s, and he never seems to be deploying it simply for the sheer beauty of it: As sumptuous as it might sound, it always serves his high-minded concept of the work itself. And his playing of Fritz Kreisler’s famous cadenza similarly subordinates virtuosity to musical effect. Karl Böhm sets the mood for a probing exploration of the slow movement, in which Ferras sounds similarly committed; he never allows himself to be diverted into mannerism or eccentricity, as Anne-Sophie Mutter does in her performance with Kurt Masur and the New York Philharmonic (Deutsche Grammophon 289 471 349, Fanfare 26:5 and 26:6). What the young Michael Rabin achieved in the showpieces of Wieniawski and Paganini, Ferras arguably exceeded in the music of Beethoven. -
Voyager's Gold Record
Voyager's Gold Record https://en.wikipedia.org/wiki/Voyager_Golden_Record #14 score, next page. YouTube (Perlman): https://www.youtube.com/watch?v=aVzIfSsskM0 Each Voyager space probe carries a gold-plated audio-visual disc in the event that the spacecraft is ever found by intelligent life forms from other planetary systems.[83] The disc carries photos of the Earth and its lifeforms, a range of scientific information, spoken greetings from people such as the Secretary- General of the United Nations and the President of the United States and a medley, "Sounds of Earth," that includes the sounds of whales, a baby crying, waves breaking on a shore, and a collection of music, including works by Mozart, Blind Willie Johnson, Chuck Berry, and Valya Balkanska. Other Eastern and Western classics are included, as well as various performances of indigenous music from around the world. The record also contains greetings in 55 different languages.[84] Track listing The track listing is as it appears on the 2017 reissue by ozmarecords. No. Title Length "Greeting from Kurt Waldheim, Secretary-General of the United Nations" (by Various 1. 0:44 Artists) 2. "Greetings in 55 Languages" (by Various Artists) 3:46 3. "United Nations Greetings/Whale Songs" (by Various Artists) 4:04 4. "The Sounds of Earth" (by Various Artists) 12:19 "Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Allegro (Johann Sebastian 5. 4:44 Bach)" (by Munich Bach Orchestra/Karl Richter) "Ketawang: Puspåwårnå (Kinds of Flowers)" (by Pura Paku Alaman Palace 6. 4:47 Orchestra/K.R.T. Wasitodipuro) 7. -
2016 Program Booklet
Rebecca Penneys Piano Festival Fourth Year July 12 – 30, 2016 University of South Florida, School of Music 4202 East Fowler Avenue, Tampa, FL The family of Steinway pianos at USF was made possible by the kind assistance of the Music Gallery in Clearwater, Florida Rebecca Penneys Ray Gottlieb, O.D., Ph.D President & Artistic Director Vice President Rebecca Penneys Friends of Piano wishes to give special thanks to: The University of South Florida for such warm hospitality, USF administration and staff for wonderful support and assistance, Glenn Suyker, Notable Works Inc., for piano tuning and maintenance, Christy Sallee and Emily Macias, for photos and video of each special moment, and All the devoted piano lovers, volunteers, and donors who make RPPF possible. The Rebecca Penneys Piano Festival is tuition-free for all students. It is supported entirely by charitable tax-deductible gifts made to Rebecca Penneys Friends of Piano Incorporated, a non-profit 501(c)(3). Your gifts build our future. Donate on-line: http://rebeccapenneyspianofestival.org/ Mail a check: Rebecca Penneys Friends of Piano P.O. Box 66054 St Pete Beach, Florida 33736 Become an RPPF volunteer, partner, or sponsor Email: [email protected] 2 FACULTY PHOTOS Seán Duggan Tannis Gibson Christopher Eunmi Ko Harding Yong Hi Moon Roberta Rust Thomas Omri Shimron Schumacher D mitri Shteinberg Richard Shuster Mayron Tsong Blanca Uribe Benjamin Warsaw Tabitha Columbare Yueun Kim Kevin Wu Head Coordinator Assistant Assistant 3 STUDENT PHOTOS (CONTINUED ON P. 51) Rolando Mijung Hannah Matthew Alejandro An Bossner Calderon Haewon David Natalie David Cho Cordóba-Hernández Doughty Furney David Oksana Noah Hsiu-Jung Gatchel Germain Hardaway Hou Jingning Minhee Jinsung Jason Renny Huang Kang Kim Kim Ko 4 CALENDAR OF EVENTS University of South Florida – School of Music Concerts and Masterclasses are FREE and open to the public Donations accepted at the door Festival Soirée Concerts – Barness Recital Hall, see p. -
Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall
Feature Have gun, will travel: The myth of the frontier in the Hollywood Western John Springhall Newspaper editor (bit player): ‘This is the West, sir. When the legend becomes fact, we print the legend’. The Man Who Shot Liberty Valance (dir. John Ford, 1962). Gil Westrum (Randolph Scott): ‘You know what’s on the back of a poor man when he dies? The clothes of pride. And they are not a bit warmer to him dead than they were when he was alive. Is that all you want, Steve?’ Steve Judd (Joel McCrea): ‘All I want is to enter my house justified’. Ride the High Country [a.k.a. Guns in the Afternoon] (dir. Sam Peckinpah, 1962)> J. W. Grant (Ralph Bellamy): ‘You bastard!’ Henry ‘Rico’ Fardan (Lee Marvin): ‘Yes, sir. In my case an accident of birth. But you, you’re a self-made man.’ The Professionals (dir. Richard Brooks, 1966).1 he Western movies that from Taround 1910 until the 1960s made up at least a fifth of all the American film titles on general release signified Lee Marvin, Lee Van Cleef, John Wayne and Strother Martin on the set of The Man Who Shot Liberty Valance escapist entertainment for British directed and produced by John Ford. audiences: an alluring vision of vast © Sunset Boulevard/Corbis open spaces, of cowboys on horseback outlined against an imposing landscape. For Americans themselves, the Western a schoolboy in the 1950s, the Western believed that the western frontier was signified their own turbulent frontier has an undeniable appeal, allowing the closing or had already closed – as the history west of the Mississippi in the cinemagoer to interrogate, from youth U. -
Newsmakers Proposal to Speed Drug Review
t COLUMBIA MISSOURIAN, Thursday, June 24, 1982 Page 2A High doors Newsmakers court opens Robert Guillaume, TV's "Ben- fensive tackle for the New York son," is being sued for divorce by Jets, and offensive guards Craig ' ' to press in rape trials his estranged wife, Marine R. Wi- Wolfley and Steve Courson of the' lliams, 46, of St. Louis. Guillaume, Pittsburgh Steelers, Ed Newman WASHINGTON (UPI) - The Su- Burger charged the ruling could re- The Globe took its case to the Su- 61, whose real name is Robert Wil- of the Miami Dolphins, Tom Con- preme Court ruled 6-- 3 Wednesday sult in. "a television audience" preme Court. But two months after liams and who hails from St. don of the Kansas City Chiefs and that states cannot require judges to watching the young rape victims in the first appeal, the justices sent it gs Louis, has been separated from his Bob Young of the New Orleans automatically shut courtroom doors states where televised court pro--ceedin- back for state court review in light of wife since 1962. He lives in Tarza-n- a, Saints. to the press and public whenever are allowed. the high court's landmark 1980 rul- Calif. Mrs. Williams' attorney young rape victims testify. He argued the state law was de- ing in the Richmond ' Newspapers she is permanently disabled signed only prevent the risk of case. said Sister Imelda Hester probably is sensitive com-- , ."to by severe skin disease. He said Settling a conflict of severe psychological damage caused The state court concluded that a the Pittsburgh Pirates' oldest fan peting constitutional rights, jus- $494 in Se- the to details of the rape cases involving victims under she gets a month Social and a loyal one. -
49Th USA Film Festival Schedule of Events
HIGH FASHION HIGH FINANCE 49th Annual H I G H L I F E USA Film Festival April 24-28, 2019 Angelika Film Center Dallas Sienna Miller in American Woman “A R O L L E R C O A S T E R O F FABULOUSNESS AND FOLLY ” FROM THE DIRECTOR OF DIOR AND I H AL STON A F I L M B Y FRÉDERIC TCHENG prODUCeD THE ORCHARD CNN FILMS DOGWOOF TDOG preSeNT a FILM by FrÉDÉrIC TCHeNG IN aSSOCIaTION WITH pOSSIbILITy eNTerTaINMeNT SHarp HOUSe GLOSS “HaLSTON” by rOLaND baLLeSTer CO- DIreCTOr OF eDITeD MUSIC OrIGINaL SCrIpTeD prODUCerS STepHaNIe LeVy paUL DaLLaS prODUCer MICHaeL praLL pHOTOGrapHy CHrIS W. JOHNSON by ÈLIa GaSULL baLaDa FrÉDÉrIC TCHeNG SUperVISOr TraCy MCKNIGHT MUSIC by STaNLey CLarKe CINeMaTOGrapHy by aarON KOVaLCHIK exeCUTIVe prODUCerS aMy eNTeLIS COUrTNey SexTON aNNa GODaS OLI HarbOTTLe LeSLey FrOWICK IaN SHarp rebeCCa JOerIN-SHarp eMMa DUTTON LaWreNCe beNeNSON eLySe beNeNSON DOUGLaS SCHWaLbe LOUIS a. MarTaraNO CO-exeCUTIVe WrITTeN, prODUCeD prODUCerS ELSA PERETTI HARVEY REESE MAGNUS ANDERSSON RAJA SETHURAMAN FeaTUrING TaVI GeVINSON aND DIreCTeD by FrÉDÉrIC TCHeNG Fest Tix On@HALSTONFILM WWW.HALSTON.SaleFILM 4 /10 IMAGE © STAN SHAFFER Udo Kier The White Crow Ed Asner: Constance Towers in The Naked Kiss Constance Towers On Stage and Off Timothy Busfield Melissa Gilbert Jeff Daniels in Guest Artist Bryn Vale and Taylor Schilling in Family Denise Crosby Laura Steinel Traci Lords Frédéric Tcheng Ed Zwick Stephen Tobolowsky Bryn Vale Chris Roe Foster Wilson Kurt Jacobsen Josh Zuckerman Cheryl Allison Eli Powers Olicer Muñoz Wendy Davis in Christina Beck -
Boston Symphony Orchestra Concert Programs, Season 91, 1971
FRIDAY -SATURDAY 17 NINETY-FIRST SEASON 1971-1972 ADIVARI created for all time a perfect marriage of precision and beauty for both the eye and the ear. He had the unique genius to combine a thorough knowledge of the acoustical values of wood with a fine artist's sense of the good and the beautiful. Unexcelled by anything before or after, his violins have such purity of tone, they are said to speak with the voice of a lovely soul within. In business, as in the arts, experience and ability are invaluable. We suggest you take advantage of our extensive insurance background by letting us review your needs either business or personal and counsel you to an intelligent program. We respectfully invite your inquiry. CHARLES H. WATKINS & CO., INC. Richard P. Nyquist, President Charles G. Carleton, Vice President 147 Milk Street Boston, Massachusetts 02109 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETY-FIRST SEASON 1971-1972 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President FRANCIS W. HATCH PHILIP K. ALLEN Vice-President HAROLD D. HODGKINSON ROBERT H. GARDINER Vice-President E. MORTON JENNINGS JR JOHN L THORNDIKE Treasurer EDWARD M. KENNEDY ALLEN G. BARRY HENRY A. LAUGHLIN ERWIN D. CANHAM EDWARD G. MURRAY RICHARD P. CHAPMAN JOHN T. NOONAN ABRAM T. COLLIER MRS JAMES H. PERKINS MRS HARRIS FAHNESTOCK IRVING W. RABB THEODORE P. FERRIS PAUL C. REARDON SIDNEY STONEMAN TRUSTEES EMERITUS HENRY B. CABOT PALFREY PERKINS EDWARD A. TAFT ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. -
City of Toronto Customized Global Template
WOMEN’S MUSICAL CLUB OF TORONTO Inventory [1898-2000] Papers of the Women’s Musical Club of Toronto, including minutes, annual reports, programs and reviews documenting the activities of this local organization established to promote music in Toronto by presenting concerts and funding prizes for promising young performers. 5 boxes; 1.55 linear metres Box #1: Minutes, Annual reports, Programs and Reviews Item #1: Minutebook. Executive Meetings Apr.9, 1925 – Apr.28, 1949 File #2: Minutebook. Executive Meetings Sept.23, 1953 – May 11, 1956 File #3: Minutes. July 9, 1956 – May 16, 1958 File #4: Minutes. June 20,1958 – Mar.24,1960 File #5: Minutes. Apr.29,1960 – Apr.5,1962 File #6: Minutes. Apr.26,1962 – Apr.4,1964 File #7: Minutes. Apr.9, 1964 – Mar.10,1966 File #8: Minutes. Mar.30,1966 – Mar.23,1967 File #9: Minutes. Apr.6,1967 – Mar.20,1969 File #10: Minutes. Apr.16,1969 – Mar.18,1971 File #11: Minutes. Apr.1, 1971 – Apr.19, 1973 File #12: Photographs – Mobile canteen, given by Club to assist war effort 1941-42 – 3 photos Item #13: Scrapbook no. III. Programs, critical reviews Nov.5, 1925 - Mar.19, 1931 Annual reports 1925-26; 1926-27; 1927-28; 1929-30 Item #14: Scrapbook no. V. Programs, critical reviews January 1938-March 1951 Annual reports 1939-40; 1940-41; 1941-42; 1946-47; 1947-48; 1948-49; 1949-50; 1950-51 G:\Special Collections\1 Performing Arts\Archival Inventory Sheets\Womens Musical Club Of Toronto Collection.Doc Page 1 WOMEN’S MUSICAL CLUB OF TORONTO Inventory Page 2 Box 1 (continued): Minutes, Annual Reports, Programs and Reviews. -
Download Augustin Dumay Biography
Augustin Dumay International critics have compared Augustin Dumay to the great violinists of the 20th century, describing him as a “great classical stylist”, a reputation underscored by his outstanding recordings for Deutsche Grammophon: Beethoven’s complete sonatas with Maria João Pires, a set that “surely ranks with Grumiaux/Haskil, Menuhin/Kempff, or Perlman/Ashkenazy” (International Piano), Brahms’ trios in which “the Milstein legacy in Dumay’s playing is wonderfully apparent” (Gramophone), and Mozart’s concertos with the Camerata Salzburg, “without exaggeration one of the finest Mozart violin concerto discs ever made” (Classic CD), in which he “confirms that he is an exceptional interpreter of Mozart as were Stern or Grumiaux before him” (Classica). Born into a family of musicians – his mother is a cellist and pianist, his father an amateur violinist – Augustin Dumay started violin lessons at the age of 5, after attending a concert by Nathan Milstein. Aged ten, he entered the Paris Conservatoire, winning the premier prix at the age of thirteen. His first concert at the Théâtre des Champs- Élysée followed a year later and he then appeared at the Montreux Festival, playing for Joseph Szigeti and Henryk Szeryng, who invited him to replace him on a tour of South America. On his return, Augustin Dumay worked in Paris with Nathan Milstein, who said of him: “I believe he will take his place amongt the great violinists of the year 2000”. He then went on to work in Brussels with Arthur Grumiaux for five years. He soon became familiar to concert audiences in France, but his international career took off thanks to his encounter with Herbert von Karajan. -
The Rose Tech Explorer Student Newspaper
Rose-Hulman Institute of Technology Rose-Hulman Scholar The Rose Tech Explorer Student Newspaper Spring 5-27-1960 The Rose Tech Explorer - May 27, 1960 The Rose Tech Explorer Staff Rose-Hulman Institute of Technology Follow this and additional works at: https://scholar.rose-hulman.edu/rose_tech_explorer Recommended Citation The Rose Tech Explorer Staff, "The Rose Tech Explorer - May 27, 1960" (1960). The Rose Tech Explorer. 4. https://scholar.rose-hulman.edu/rose_tech_explorer/4 Disclaimer: Archived issues of the Rose-Hulman yearbook, which were compiled by students, may contain stereotyped, insensitive or inappropriate content, such as images, that reflected prejudicial attitudes of their day--attitudes that should not have been acceptable then, and which would be widely condemned by today's standards. Rose-Hulman is presenting the yearbooks as originally published because they are an archival record of a point in time. To remove offensive material now would, in essence, sanitize history by erasing the stereotypes and prejudices from historical record as if they never existed. This Book is brought to you for free and open access by the Student Newspaper at Rose-Hulman Scholar. It has been accepted for inclusion in The Rose Tech Explorer by an authorized administrator of Rose-Hulman Scholar. For more information, please contact [email protected]. "To new horizons for information" VOLUME 1 ROSE POLYTECHNIC INSTITUTE, TERRE HAUTE,INDIANA, MAY 27, 1960 NUMBER 14 SECY. OF INTERIOR Editor's TO GIVE ADDRESS Corner AT COMMENCEMENT Fred A. Seaton, United States Secretary Sea ton President Secretary of the Interior, will del- graduated Student Council and iver the commencement address ;from Kansas State College lhas received a number of honor- One of the most important at the eighty-second commence- offices held at Rose by a student ment of Rose Polytechnic Insti- ary degrees.