Latin Music Solution

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LATIN MUSIC SOLUTION Creating the right ambiance in any establishment is essential for the overall customer experience and TouchTunes provides a powerful Latin music solution to meet the needs of each bar and restaurant. With a rich, fully-licensed music catalog, and a variety of Latin music genres and styles to choose from, TouchTunes allows locations to set the right mood and directly engage with Latin music fans in a variety of different ways. FULLY-LICENSED LATIN MUSIC CATALOG LATIN BACKGROUND MUSIC CHANNELS From Shakira to Vincenté Fernández to J Balvin, For locations that want to keep the party going, TouchTunes’ team of dedicated music programmers TouchTunes offers four different Latin-themed works closely with all of the major labels and background music channels. independents to ensure the hottest songs and artists are fully licensed and available. MOBILE APP AVAILABLE IN SPANISH The TouchTunes app allows patrons to control the LATIN MUSIC PROFILES jukebox directly from their phone and is available TouchTunes’ latest software allows for greater control in Spanish. of the jukebox experience through a wide selection of Latin-themed Music Profiles including Regional Mexican, Tropical, and Latin Mix. Locations can also set their jukebox language preference to Spanish. TouchT 9:45 PM 100% LATIN PLAYLISTS La Cabaña 20 A variety of Latin-themed playlists are made available and offer easy access to music from the hottest artists across all Latin genres and music styles including Salsa, Merengue, Mexicana and more. Romeo Santos Maluma Wisin Bella y Sensual Felices Los 4 Escapate Conmigo LATINMUSIC V.032018 LATINMUSIC My Favorites.

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Riaa 2018 Year-End Latin Music Revenue Report Latin Music Is Experiencing a Renaissance
RIAA 2018 YEAR-END LATIN MUSIC REVENUE REPORT LATIN MUSIC IS EXPERIENCING A RENAISSANCE. STREAMING HAS BROKEN DOWN GEOGRAPHIC AND GENRE BARRIERS, RESULTING IN LATIN MUSIC REACHING NEW AUDIENCES AT THE TOUCH OF A FINGER. The story behind this recovery starts with great music: J Balvin, Daddy Yankee, Karol G, Ozuna, Rosalia, Luis Miguel, Bad Bunny, Sofia Reyes, and so many other talented artists who released music in 2018 helped fuel the second year of double-digit growth in the U.S. Latin music market. Any conversation about the Latin music market starts with one word: streaming. Latin music’s transformation from a physical-based business to a streaming- driven one is even faster than the overall U.S. music market’s turnaround. Revenues from streaming now comprise 93% of the total Latin market, with paid subscription services fueling most of the growth. But there are inherent challenges for any market where fans have a heavier reliance on free, ad-supported services – an area that has not yet reached its full potential due to the efforts by some platforms to drive down the value of music. Overall, the Latin music market is showing signs of strength again, and we are excited for the next chapter of this comeback story. -Michele Ballantyne, COO, RIAA FIGURE 1 FIGURE The U.S. Latin music business grew 18% the overall U.S. music market. Latin music in 2018 to $413 million. Streaming formats accounted for 4.2% of the total $9.8 billion made up a remarkable 93% of total Latin U.S. music business, a slight increase music revenues, compared with 75% for versus 4.0% in 2017.
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Ticket Monster?
004BILB06.QXP 2/5/09 6:52 PM Page 1 PUBLISHER HOWARD APPELBAUM EDITORIAL DIRECTOR BILL WERDE EDITORIAL EXECUTIVE EDITOR: ROBERT LEVINE 646-654-4707 DEPUTY EDITOR: Louis Hau 646-654-4708 SENIOR EDITORS: Jonathan Cohen 646-654-5582; Ann Donahue 323-525-2292 SPECIAL FEATURES EDITOR: Thom Duffy 646-654-4716 EDITORIALS | COMMENTARY | LETTERS INTERNATIONAL BUREAU CHIEF: Mark Sutherland 011-44-207-420-6155 OPINION EXECUTIVE DIRECTOR OF CONTENT AND PROGRAMMING FOR LATIN MUSIC AND ENTERTAINMENT: Leila Cobo (Miami) 305-361-5279 EXECUTIVE DIRECTOR OF CONTENT AND PROGRAMMING FOR TOURING AND LIVE ENTERTAINMENT: Ray Waddell (Nashville) 615-431-0441 EXECUTIVE DIRECTOR OF CONTENT AND PROGRAMMING FOR DIGITAL/MOBILE: Antony Bruno (Denver) 303-771-1342 SENIOR CORRESPONDENTS: Ed Christman (Retail) 646-654-4723; Paul Heine (Radio) 646-654-4669; Kamau High (Branding) 646-654-5297; Gail Mitchell (R&B) 323-525-2289; Chuck Taylor (Pop) 646-654-4729; Tom Ferguson (Deputy Global Editor) 011-44-207-420-6069 CORRESPONDENTS: Ayala Ben-Yehuda (Latin) 323-525-2293; Mike Boyle (Rock) 646-654-4727; Hillary Crosley (R&B/Hip-Hop) 646-654-4647; Cortney Harding (Indies) 646-654-5592; Mitchell Peters 323-525-2322; Ken Tucker (Radio) 615-712-6639 INTERNATIONAL: Lars Brandle (Australia), Wolfgang Spahr (Germany), Robert Thompson (Canada) BILLBOARD.BIZ NEWS EDITOR: Chris M. Walsh 646-654-4904 Ticket Monster? GLOBAL NEWS EDITOR: Andre Paine 011-44-207-420-6068 BILLBOARD.COM EDITOR: Jessica Letkemann 646-654-5536 A Possible Live Nation-Ticketmaster Merger Could Hurt The Music Business
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YEAR-END 2019 RIAA U.S. LATIN MUSIC REVENUES REPORT Joshua P
YEAR-END 2019 RIAA U.S. LATIN MUSIC REVENUES REPORT Joshua P. Friedlander, Senior Vice President, Research and Economics Matthew Bass, Manager, Research “We at RIAA, together with the entire music community, are focused at this time on helping musicians, songwriters and others impacted by the COVID-19 pandemic. For anyone needing help, please visit the resources collected at MusicCovidRelief.com. Every spring, we release different metrics about the prior year’s music industry, including an annual report focused on Latin music. Because these numbers have long-term significance and value, we are releasing that report today. Our thoughts remain with everyone affected by the pandemic.” – Michele Ballantyne, Chief Operating Officer, RIAA As streaming has become the dominant format in Latin music in the U.S., it has driven the market to its highest level since 2006. Total revenues of $554 million were up 28%, growing at a faster rate than the overall U.S. music FIGURE 2 FIGURE market that was up 13% for the year. Streaming formats grew 32% to $529 million, comprising 95% of total Latin music revenues in 2019. In 2019, Latin music accounted for 5.0% of the total $11.1 billion U.S. recorded music business, an increase versus 4.4% in 2018. FIGURE 1 FIGURE Digital and customized radio revenues (including services like Pandora, SiriusXM, and Internet radio services) reversed 2018’s decline. Revenues from SoundExchange distributions and royalties from similar directly licensed services increased 18% to $64 million, accounting for 12% of streaming revenues. Unit based formats of Latin music continued to experience declining revenues.
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4IOLWWOOD WALK of FAME Hollywood Walk of Fame Nomination
■>r 4IOLWWOOD WALK OF FAME Hollywood Walk Of Fame Nomination Selena Quintanllia-Perez mThe Queen off Tejano Music ns Before there was a JLo... Before there was a Shakira... Before there was a Beyonce... There was a transformative female artist called.... SELENA Selena was an American singer, songwriter, spokesperson actress, fashion designer and now a Legend, Her 'Ka* | contributions to music and fashion made her one of the most celebrated Mexican-American entertainers of the late 20th jj century. Her music, style, fashion and influence is as current today as when she was alive - a true institution for the ages. L Jp Billboardmagazine’s "top Latin artist of the ’90s", the "best selling Latin artist of the decade" and still charting today as A the 2016 Top Latin Album of the Year, Female Artist - her v legacy lives in her smile, music and family. While alive, she was regarded by the media and fans as the "Tejano Madonna" for her cutting edge clothing choices and dance moves. Today she ranks among the most influential 4I0IM00D Latin artists of all-time and is credited for catapulting the Texas WALK OF FAME sound into the mainstream market. The youngest child of the Quintanilla family, she debuted in the music scene in 1980 as the lead of the family band "Selena y Los Dinos” with her siblings A.B. Quintanilla and Suzette Quintanilla. Not only did she make record breaking music - but she broke all enty barriers of a male- dominated music scene. Her popularity exploded after she won the Female Vocalist of the Year in the 1986 Tejano Music Awards - a feat she would repeat nine consecutive years.
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'Despacito' with Outstanding Achievement Award at Music Biz 2018
Music Business Association to Honor Record-Breaking Hit ‘Despacito’ with Outstanding Achievement Award at Music Biz 2018 February 13, 2018 – The Music Business Association (Music Biz) will present its Outstanding Achievement Award to record-breaking hit “Despacito” — by Luis Fonsi featuring Daddy Yankee along with Justin Bieber on its remix — at the Music Biz 2018 Awards Luncheon during its 60th annual conference on May 17 at the Omni Nashville Hotel. Released on January 13, 2017, “Despacito” — which is primarily sung in Spanish — quickly became a dominant Latin smash, debuting at #2 on Billboard’s Hot Latin Songs chart and reaching #1 a month later, where it has remained for 42 non-consecutive weeks, breaking the record set by Enrique Iglesias’ “Bailando” featuring Descemer Bueno and Gente de Zona. A remix featuring Justin Bieber was released the following April, jolting “Despacito” to #1 on the all-genre Billboard Hot 100 chart, the first primarily Spanish song to do so since “Macarena (Bayside Boys Mix)” in 1996. The track held the top spot for 16 consecutive weeks, tying the record previously set by Mariah Carey and Boyz II Men’s “One Sweet Day.” “Despacito” has since become the first-ever Latin single to be certified Diamond by the Recording Industry Association of America (RIAA) — with over 10 million sales and track-equivalent streams — and currently reigns as the most-watched video in YouTube history, with over 4.7 billion views. It was also the first primarily Spanish song to top 1 billion streams on Spotify. The track was recognized with four Latin GRAMMY Awards, including Record of the Year and Song of the Year, as well as two American Music Awards for Collaboration of the Year and Favorite Pop/Rock Song.
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“Standardization of Cultural Products in Latin Pop-Music”
“STANDARDIZATION OF CULTURAL PRODUCTS IN LATIN POP-MUSIC” RESEARCH PAPER PREPARED FOR THE 28TH ANNUAL ILASSA CONFERENCE ON LATIN AMERICA TO BE HELD AT THE UNIVERSITY OF TEXAS AT AUSTIN FROM FEBRUARY 7TH THROUGH FEBRUARY 9TH ISRAEL ALONSO CHAVEZ LATIN AMERICAN AND CARIBBEAN CENTER FLORIDA INTERNATIONAL UNIVERSITY MIAMI, FLORIDA [email protected] 2008 Introduction 2 This work represents the initial stage of a project whose seed germinated thanks in part to what seems to be an ongoing debate between two different approaches to music in the sociological field. The first approach puts much of its emphasis on the functional dimension of music. That is, on the social functions it performs, enables and enhances; but also on its economic functionality. The subservience of music to economic ends does not imply a loss in terms of creativity for the representatives of this perspective. The second perspective does not deny that music fulfills certain economic and social functions. Yet, unlike the former, the latter warns against the atrophy of creativity that can be brought about by the models implented by “the culture industries”, to use Theodor W. Adorno’s concept. My concern here lies with the question of whether the claims made by this important member of the Frankfurt school about the products of “the culture industries” can be substantiated with empirical evidence. I want to investigate whether popular music (Latin pop music in this case) is indeed, as Adorno says, just another standardized product fashioned after the formulas of “the culture industries”. This work, however, forms part of a broader preoccupation with the issue of musical style, what causes it and what makes it change.
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Improvisation in Latin Dance Music: History and Style
City University of New York (CUNY) CUNY Academic Works Publications and Research John Jay College of Criminal Justice 1998 Improvisation in Latin Dance Music: History and style Peter L. Manuel CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/jj_pubs/318 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] CHAPTER Srx Improvisation in Latin Dance Music: History and Style PETER MANUEL Latin dance music constitutes one of the most dynamic and sophisticated urban popular music traditions in the Americas. Improvisation plays an important role in this set of genres, and its styles are sufficiently distinctive, complex, and internally significant as to merit book-length treatment along the lines of Paul Berliner's volume Thinking in Jazz (1994 ). To date, however, the subject of Latin improvisation has received only marginal and cursory analytical treat ment, primarily in recent pedagogical guidebooks and videos. 1 While a single chijpter such as this can hardly do justice to the subject, an attempt will be made here to sketch some aspects of the historical development of Latin im provisational styles, to outline the sorts of improvisation occurring in main stream contemporary Latin music, and to take a more focused look at improvi sational styles of one representative instrument, the piano. An ultimate and only partially realized goal in this study is to hypothesize a unified, coherent aesthetic of Latin improvisation in general.
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Songs Albums
RIAA JULY 2018 GOLD & PLATINUM Janis Joplin | Janis Joplin's Greatest Hits AWARDS ALBUMS Columbia Records Various Artists | Hamilton (Original In July, RIAA certified Broadway Cast Recording) 128 Song Awards and Atlantic Records 25 Album Awards. All RIAA Awards dating back to 1958 are available at riaa. com/gold-platinum! Don’t miss the NEW riaa.com/ goldandplatinum60 site Luke Combs | This One's For You Shawn Mendes | Handwritten Columbia Nashville/River Island Records celebrating 60 years of Gold House Artists & Platinum Awards and many #RIAATopCertified milestones for your favorite artists! SONG ALBUM AWARDS 128 AWARDS 25 Youngboy Never Broke Again | Until Death Call My Name APG/Atlantic Records SONGS Drake | God's Plan Young Money/Cash Money/ Republic Records Taylor Swift | Look What You X Ambassadors | Renegades Dua Lipa | New Rules Migos | Walk It Talk It Ariana Grande | No Tears Made Me Do KidinaKorner/Interscope Warner Bros Records Quality Control Music/Motown Left to Cry Big Machine Records Records Records/Capitol Records Republic Records Jason Aldean | You Make It Easy Morgan Wallen | Up Down Nathaniel Rateliff & the Nicki Minaj | Chun-Li Selena Gomez | Bad Liar Broken Bow Records Big Loud Records Night Sweats | S.O.B. Young Money/Cash Money/ Interscope Records Fantasy/Stax Records Republic Records www.riaa.com // // // GOLD & PLATINUM AWARDS JULY | 7/1/18 - 7/31/18 MULTI PLATINUM SINGLE | 27 Cert Date | Title | Artist | Genre | Label | Plat Level | Release Date | 7/10/2018 That's What I Like Bruno Mars Pop Atlantic Records 11/18/2016 Bruno Mars & 7/10/2018 Pop Atlantic Records 11/18/2016 Finesse Cardi B 7/27/2018 Sorry Not Sorry Demi Lovato Pop Island Records 7/11/2017 R&B/ 7/27/2018 Wild Thoughts (Feat.
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STORM Report Is a Compilation of Up-And-Coming Bands and Artists Popular Music in America Has Never Been More Who Are Worth Watching
Music Without Borders BLACKPINK Jeremy Zucker RY X MISSIO and more ISSUE NO. 63 SUMMER 2019 TABLE OF CONTENTS 4 EYE OF THE STORM Music Without Borders: The Rise of Non-English Language Music in America 5 STORM TRACKER Clairo, Natti Natasha, Raveena, and Florida Georgia Line 6 STORM FORECAST Rihanna @ NYFW, Discover WORLDZ, Life Is Beautiful, and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. On the Cover: Jessie Reyez. Photo by Mabdulle ©2019 ABOUT A LETTER THE STORM FROM THE REPORT EDITOR Watching the MTV Video Music Awards this STORM = STRATEGIC TRACKING OF RELEVANT MEDIA week, it was undeniable to note that, despite a continuing immigration crisis in our country, The STORM Report is a compilation of up-and-coming bands and artists popular music in America has never been more who are worth watching. Only those showing the most promising globally influenced and inspired. One of our potential for future commercial success make it onto our monthly list. favorite new artists Rosalía (who was all of the buzz of Coachella 2019) and Columbian reggaeton How do we know? singer, J Balvin (STORM 35) claimed the award for “Best Latin” at the event this year. And while Through correspondence with industry insiders and our own ravenous there remains some industry controversy in media consumption, we spend our month gathering names of artists defining Rosalía as a “Latinx” artist (she is from who are “bubbling under”. We then extensively vet this information, Barcelona vs. Latin American countries), the fact analyzing an artist’s print & digital media coverage, social media that she primarily performs in Spanish and has growth, sales chart statistics, and various other checks and balances to collaborated with breakthrough Latin musicians ensure that our list represents the cream of the crop.
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The Influence of Latin Music in Postwar New York City Overview
THE INFLUENCE OF LATIN MUSIC IN POSTWAR NEW YORK CITY OVERVIEW ESSENTIAL QUESTION How did the growth of New York City’s Latino population in the 1940s and 50s help to increase the popularity of Latin music and dance in American culture? OVERVIEW In the fall of 1957, the Broadway musical West Side Story opened at the Winter Garden Theatre in Manhattan. Featuring a musical score by Leonard Bernstein and lyrics by Stephen Sondheim, its story centered on two rival teenage gangs -- the all-white Jets and the Puerto Rican Sharks -- facing off on the streets of New York City. The play’s showcase number, “America,” dramatized the disparities between life in rural Puerto Rico and the opportunities available to immigrants living in the United States. Bernstein’s orchestrations drew heavily on Latin-style percussion and dance rhythms -- sounds that had become prominent in New York over the course of the 1940s and 50s, as the city’s Latino population boomed. During and immediately following World War II, the United States experienced an historic wave of immigration from Latin America, including a record number of immigrants from the U.S. territory of Puerto Rico. In 1940, the U.S. census reported just under 70,000 Puerto Ricans living in the country; by 1950, that number had grown to over 226,000, with eighty-three percent of that population living in New York City. As alluded to in West Side Story, many Puerto Ricans, (who held natural born U.S. citizenship), arrived seeking jobs in factories and on ship docks -- industries with greater economic security than the agricultural work available in Puerto Rico.
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Latin Music Quiz Class
Name: Date: Latin Music Quiz Class: 1. The diversity of Latin musical styles reflects: 6. What can you infer from the fact that most Latin a. The size of Latin America music lends itself to dancing? b. Many different Latin American cultural groups a. Most Latin music has a weak rhythm c. The large population of Latin America b. Dance is a key element of Latin American culture d. No communication between Latin American countries c. All the best Latin musicians are also dance experts d. You can't really enjoy Latin music unless you dance to 2. What can you infer from the mix of European, it African, and Indigenous influences in Latin music? a. Those were the three main styles of music in the 7. Latin rap, Latin hip-hop, and reggaeton show that ancient world Latin music: b. The first Latin musicians were trying to mix as many a. Celebrates musicians from Cuba and Puerto Rico different styles as possible b. Is mostly played in underground dance clubs c. All Latin Americans today are descended from one of c. Remains true to its Spanish and Portuguese roots these three cultures d. Continues to absorb and combine new influences d. Those three cultures have mixed together in Latin America for centuries 8. If you saw these musicians playing at an event, the music 3. What does it mean if a piece of music is would most likely be: syncopated? a. The main downbeats are always stressed b. Off-beats are stressed a. Ranchera c. All beats are stressed b.
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Despacito Mp3 Download Free Justin Bieber Download Audio: Luis Fonsi, Daddy Yankee Ft
despacito mp3 download free justin bieber Download Audio: Luis Fonsi, Daddy Yankee Ft. Justin Bieber – Despacito (Remix) Mr Frank is the Founder, Owner and CEO of Mzigotv Digital Investments include mzigotv.com. He is Pro Blogger, Developer and Innovator of digital ideas around the world. He is skilled for more than seven years. Vision of mzigotv.com is to connect music industry and fans in the same room easily. Recommended for you. JIFUNZE MAHUSIANO KATIKA MAPENZI. TRENDING SONGS. Nyimbo Mpya 2021, Video Mpya, Bongo flava, Singeli, Ngoma za mbele, Nigeria Wimbo Mpya, Ngoma Leo, Mp3 New Songs Mp4, 2018, 2019 Harmonize, Qaswida,African Music, Mapenzi, Jux, South africa, Nyimbo za dini, South Africa Nyimbo za Injili, Download Audio, Video Mpya, Vichekesho, Comedy, Alikiba, Audio. All songs uploaded are respectively to their owners. Mzigotv do not claim any ownership of songs uploaded. If you feel your rights are being infringed please contact us [email protected] © 2021 Mzigotv Media Group. TRENDING SONG. Alikiba Ft. Mayorkun – Jealous: Download Video Mp4. Alikiba Ft Mayorkun – Jealous: Download Audio Mp3 Download Video: Rayvanny Ft. Mayorkun. Despacito mp3 download free justin bieber. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices.
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