Lisa BrokopLisa EXCLUSIVE INTERVIEW EXCLUSIVE INTERVIEW 14 HOT DANCES INCLUDING: BOBBY JO · CRAZY CHICK · A GIRL LIKE YOU · STANLEY’S STOMP STANLEY’S · YOU LIKE GIRL A · CHICK CRAZY · JO BOBBY INCLUDING: 14 DANCES HOT • • • fPu McAdam Paul of Paul McAdam AdayinthelifeA day in the life Festival Again Rise Festival Again Will South The SouthWill Masters World Masters 2005 The 2005 copihdsnwie ig h Lines the sings songwriter Accomplished sings the Lines songwriter h otl aaieddctdt iedancing ThemonthlymagazinededicatedtoLinedancingThe monthly magazine dedicated Line to Issue: 113Issue:113•October2005•£2.80Issue: 2005 •£2.80 •October
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9 771366 650024 92860 OCTOBER 2005
Editorial and Advertising Clare House Dear Dancers 166 Lord Street Southport, PR9 0QA It’s a changing world and we have to move with the times. Tel: 01704 392300 Fax: 01704 501678 As our readers know, this magazine is produced by a handful Subscription Enquiries of dedicated people. We all love working on the magazine and Tel: 01704 392339 thoroughly enjoy putting it together from all the information [email protected] you send each month. It’s a joy to be a part of that process and speaking personally, I am lucky to be able to combine my Agent Enquiries career and my hobby in a way that allows me to deliver a top Michael Hegarty • Tel: 0161 281 6441 quality magazine for Line dancers. [email protected] Publisher Linedancer has been the centre of our world for nine years and Betty Drummond no doubt it will always remain so. However, it is a changing [email protected] world and the Internet has made a major change to the way The Linedancer Team we bring you information. As publishers, we must be just as committed to the standard of your website as we are to the Acting Editor standard of your magazine. Pamela Edelston [email protected] As more and more people turn to our website for instant information we face a situation were Assistant Editor our web based workload has increased beyond all our expectations and the ever growing Nick Baty demand is astonishing. As users of the site will know, it is not only constantly updated but it [email protected] is also the heart of the international dance scene with great features and facilities. The main Dance Editor attraction, of course being the dance database, which is by far the quickest, easiest way to fi nd Steve Healy a dance script. At the click of a mouse you have access to well over 17,000 dance scripts and [email protected] have the choice to search by any criteria. You can search for dances at any level, by any song, or choreographer, by the number of walls, by the artist, the album, by the style or rhythm. Assistant Dance Editor You can even search for dances with a particular number of counts. If you only wanted to see Annette Edmondson beginner dances to a particular track of music with 32 count in waltz rhythm – just click the [email protected] mouse and it will happen. Advertising Sales Manager Chris Chew Behind the scenes a lot of work goes to keep that database and the site updated and recently [email protected] we have been focusing on responding to your suggestions for ways to improve the site. Creative Services Manager At present the site is funded entirely by magazine subscribers and a handful of on-line Simon Justice members who are, in fact, subsidising it for everyone else who uses it. That situation is [email protected] unbalanced, unfair and unrealistic. Creative Services Team Which brings me to the point, after almost eight years of holding our cover price, it will be Abi Rix and Dave Clement necessary, in the not too distant future, to apply a small increase and also to introduce a token Web Manager fee for access to the web. Please remember if you are a subscriber to the magazine your access Steve Brereton to the site is free. If you are an on-line member you are already supporting us and we thank [email protected] you. The token charge for access to the web will only apply to those who use the site and who Circulation Manager do not currently make any contribution to its development or upkeep. Chris Pearce [email protected] In closing, I would just like to thank everyone for supporting the work we do especially our loyal readers and advertisers and in particular our army of agents. Without you we couldn’t do Group General Manager it. Thanks a bunch and here’s to an exciting future! Mike Rose [email protected] Yours in Line, Photography Tom Bennett Credits ‘Boot Logo’ courtesy of London Boots Ltd.
Linedancer is published monthly in the United Kingdom by Champion Media Group (Waypride Ltd), Clare House, 166 Lord Street, Southport, PR9 0QA. © 2005 Entire contents by Champion Media Group. All rights reserved. No portion of this publication may be reproduced in any medium without prior written permission from the publisher. Comments and opinions printed do not necessarily reflect those of the publishers. ISSN 1366-6509 www.www.linedancermagazine.comlinedancermagazine.com 3 CD CITY P.O. BOX 125, NEWARK, NOTTS, NG23 6PS TEL/FAX: 01636 822525
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4 OR MORE CD’S = £2.80. OVERSEAS P&P EXTRA 92886 a new publication from Champion Media Group | DIGITAL92821 DANCER and ONLINEDANCER © 2004 Champion Media Group. All rights reserved. Regulars Features Contents 60 I’m AGirlLike You Free 59 GoLittleDarling Let’s 58 57 Masquerade 56 Crazy Chick 55 Don’t BlameTheVain Cha 54 53 Somebody's Don’t GetMeWrong Somebody 52 51 Bobby Jo 50 Building Bridges 49 Urban Living 48 Stanley’s IslandsInTheStream Stomp 47 dances: 14 fantastic Steppin’ off the page 47 –60 One? Number is Who feedback. and votes onyour based entirely defiThe chart, dance Line nitive Playlist and charts –33 30 month. this in are you See if more. much and scene club the from News Grapevine 13 –19 The Southenjoysthebiggesteventever Festival Seaon 40 Top classdancinginBlackpool World Masters 20 Linda Willisseeksthetruth Brad Paisley 6 20 FESTIVAL FEVER
STAR QUALITY
OCTOBER 2005
40 6 5 WASTING NO TIME Once more with feeling
was so looking forward to my one-to-one interview with fi ve-time CMA Award winning, Linda Willis finds Brad Paisley Double Platinum Country superstar, Brad Paisley. However, my dentist had other plans for me. After the perfect medicine as an uncomfortable morning having treatment I was unable to talk properly. I reluctantly handed he talks the truth about his my clipboard of questions to my son Anthony, sat emotions, sharing humour back with notepad and pencil poised, and had to Ido one of the hardest things I’ve ever had to do – stay silent with Dolly Parton, Alcohol while Brad, graciously and good-humouredly, gave us the low-down on his life and the sparkling brand new album and going fi shing – Time Well Wasted. 6 October 2005
Born and raised in Glen Dale, West Virginia “Only my wife, you know,” he laughs. “I don’t he wrote his fi rst song aged 12. Since then mind. I’m quite patient about that. But that is he has penned hundreds. His music is a the case isn’t it? A lot of times?” Anthony is distinctive blend of deeply emotional lyrics nodding his head in male agreement at this and Paisley’s natural ability to observe the point. “And I think it’s because there’s a lot of absurd. Unravelling the humour. Is his new pressure on women these days that they have music a reflection of his character? “Oh yes. It to go to those lengths that they have to when certainly is a reflection. I think in a lot of ways they are preparing to go out.” the album really does encompass who I am, emotionally. And I’m very proud of that.” Maintaining personal relationships in the business is notoriously difficult. Does he fi nd Like me, Brad Paisley is a Scorpio – is he it so? “Oh, you know, it’s not that bad because typical of his star sign? “Well, I’m not very you do get a lot of time off. Even with the familiar with that. I don’t know. I always constraints of working, you can still be close describe myself as – I’m defi nitely emotional. even when you’re with other people a lot of And I’m somebody who is very focused on the time. You fi nd time to be together.” getting things right. And getting perfection with what I do. So, that’s part of who I am.” The New York Times proclaimed it to be, “Words of wisdom delivered twangily. This He has some pretty big guns lined up and is the most appealing kind of advice song: a shooting with him on this record, Alan sneaky one, with a narrator – a liquid narrator, Jackson and Dolly P. among them. It was Alan in this case – who refuses to pick sides. One of J. putting a hold on one of Paisley’s songs, I’m this season’s most popular Country songs.” Gonna Miss Her that led Arista Nashville to request a copy of his demos. Lyrics are blunt, totally believable and blisteringly true. “You had some of the best A deal was offered to times you’ll never him, instantly. “Well, remember – with when it comes to me.” Alcohol is the their involvement I fi rst single from the felt it would work. new album and is And the song that already breaking was recorded with records as the fastest Dolly Parton had rising chart single of a kind of humour Paisley’s career to that seemed to suit date. Why that song? her. And I thought it would be nice to “Well, I grew up have her on there.” seeing those guys and It works really well. watching the effect “Oh – thank you.” of it on audiences, you know. And I Country music is so think that’s the main special to Brad because simply, “I grew up inspiration for it. Watching people go from with it. I grew up with that in my household Jekyll to Hyde in the course of an evening. and to be part of it now is a thrill for me. And When they started drinking way too much. I do love being a part of it. Singing and playing And I wanted to do something that took a light sometimes with some of the people I used to hearted look at the effect of it. That it has. In listen to. And especially at this point in my so many parts of our lives.” career.” I’ll Take You Back, and Easy are just two of the I love the track, You Need a Man, particularly tracks that are very dancer friendly. If brand the line about having, “Someone to kill the new dances were specially choreographed to spiders.” I can relate to that all right. “Well, his songs, how would he feel about that? we had a huge problem when I had to kill a huge spider in our house in Nashville. “Oh – that would be great. Don’t expect me to Anyway, we have a lot of them in the States. do it though,” he laughs out loud. And I think that line certainly comes from trying to get rid of those things. So I’ve really “Cos I’m not the best dancer. I’ve had a kind of realised that the onus on a man is to lifetime up on stage and never really learned kill the spiders,” his laugh is deep and soft. to do anything else.” “It’s what a man’s good for.” Time Warp is very, very fast. Amazingly so. The ballad Waiting on a Woman is lovely. And Like the Dixie Chicks Fly on speed. let’s face it girls, we’ve all kept our blokes waiting time and time again haven’t we. And Did he make it up as he went along? “We don’t we always promise to be ready on time – rehearsed for a while. Because it was kind of next time? And are we? NO. Is there a special written in the studio. So. Yeah, I was thinking woman he doesn’t mind waiting around for? about it the whole time I was playing it. It 7 October 2005
was one of those things that felt real good, In today’s sometimes troubled and unsettled with the various different Country concert times, are audiences more willing to get musicians.” back in touch with their country roots? “I think they are,” he says unequivocally. “I Paisley’s songs are tug-at-our-heart think that it’s something they can fall back songs. Deeply emotional. Is he an on in many ways. I think we’re seeing a lot emotional person? “Oh yes,” he of that these days. It’s a resurgence.” replied instantly. “That’s the way I live.” Biggest inspiration? “Oh, I don’t know. As an artiste maybe Buck Owens comes to Friend and fellow Opry cast mind as somebody that I would consider member Bill Anderson says, as a bench marker. Through a great musical “the thing that makes Brad career. The sound he’s got.” such a good songwriter is he can make people cry, then turn Brad has a clear idea of where he’s headed. around and have them laughing on the “I just hope to continue doing this. To same record.” That’s a pretty remarkable continue growing as an artiste over the accomplishment, does he work next few years. And I hope I can work and especially hard to achieve that? my career can achieve longevity.”
“Yeah. I work pretty hard for “I’d just like to say, that it tickles me that it. As a songwriter it’s not you folks have heard what I’m doing over easy to deal with the real there in England. To know that you’re world and you’re always listening to it. And that you like it. I’m looking for that inspiration proud to know that.” there inside you.” Anthony thanked Brad for talking to him. “It’s very hard to do – but “Oh, my pleasure,” he replied in his soft you’ve done that.” Anthony southern melt in the mouth accent. “Good assured him. luck for the future – I think your album is fantastic,” Anthony told him. When he’s not busy working he casts his line “Oh, thank you. Tell your mother I said hi in an altogether different – and wish her better.” You know what? I direction. was feeling better already.
Chilling out by going fi shing. “I don’t do that much these days Win the new but I really like that because it’s a real Brad Paisley different pastime. It’s album completely different from everything I do We have fi ve for a living.” copies to give away if you can answer the following question:
What is the first single from this album?
Send your answers on a postcard or on the back of a sealed down envelope – to: The winners of the Brad Paisley Competition Cliff Richard Competition Linedancer Magazine, (August Linedancer) are, Clare House, 166 Lord Street, Brian Shade from Suffolk, W. Harrison from Leicestershire, Southport, PR9 0QA Susan Rouse from Southampton, The editor’s decision is final and no Maureen Allen from Devon correspondence can be entered into and Helen Morris from Abergele. 8 "USINESS /PPORTUNITY FOR $ANCERS AND #LUBS !LREADY TEACHING DANCING OR WOULD LIKE TO START 7OULD YOU LIKE ANOTHER STRING TO YOUR BOW -BUJO$MVC 5FBDIJOH-BUJOXJUIPVU1BSUOFSTo5IFSFGPSFJO-JOF IBTCFFO FTUBCMJTIFEJOUIF4PVUI8FTUGPSmWFZFBST-BTUZFBSXFFBSOUb XJUIGPVSNPSOJOHTFTTJPOTBOEUXPFWFOJOHTFTTJPOT(SPVQTFTTJPOTSBOHF GSPNDMJFOUTUPBOEBUJUTQFBLJOUIFXJOUFSNPOUITXFXFSFCSJOHJOH QMFBTVSFUPNPSFUIBOQFPQMFBXFFL
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ZPVDBOCFVQBOESVOOJOHXJUIJOUISFFNPOUIT 92893
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