John Lewis, Der Klassiker Des Modern Jazz Samstag, 2

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Late Night Jazz: John Lewis, der Klassiker des Modern Jazz Samstag, 2. Mai 2020, 22.05 - 24.00 Uhr Er erfand eine Zauberformel: Klaviertrio plus Vibrafon. Sein Modern Jazz Quartet konnte die anspruchsvollen Hörer ansprechen, und zugleich ein breites Publikum für den Kammerjazz begeistern. Jahrzehntelang war es auf allen Kontinenten unterwegs. Der zündende Geist dahinter sass am Klavier: John Lewis, geboren am 3. Mai 1920. Kaum ein Bandleader und Komponist hat die Brücke zwischen klassischer Kammermusik und swingendem, modernem Jazz so souverän und elegant überschritten wie er. Zwei Stunden Jazz reichen knapp aus, als Beleg dafür. Redaktion und Moderation: Andreas Müller-Crepon Titel: Komponist Interpreten Label CD-Titel VENDOME John Lewis MODERN JAZZ QUARTET Atlantic Pyramid TWO BASS HIT Dizzy Gillespie DIZZY GILLESPIE AND HIS Classics Re 1998 Dizzy Gillespie. ORCHESTRA ALL THE THINGS YOU ARE Jerome Kern JOHN LEWIS & SACHA Lone Hill J Afternoon in Paris DISTEL MOON DREAMS Chummy McGregor MILES DAVIS Capit ol 1998 Miles Davis: The complete birth of the cool recordings BLUES FOR ALICE Charlie Parker CHARLIE PARKER Verve 1988 Charlie Parker: Bird ORCHESTRA TWO DEGREES EAST, John Lewis KEITH JARRETT ECM up for it THREE DEGREE DA CAPO John Lewis JIMMY GIUFFRE & MODERN Lone Hill J Complete Recordings JAZZ QUARTET DJANGO John Lewis MODERN JAZZ QUARTET Atlantic Pyramid NUAGES Django Reinhardt BARNEY WILEN Gitanes Jaz 'Barney Wilen - Jazz sur Seine' HOW HIGH THE MOON Morgan Lewis ELLA FITZGERALD MCA '75th Birthday Celebration - The Original Decca Recordings' SEPTEMBER IN THE RAIN Harry Warren LESTER YOUNG Membran Mus 2008 Lester Young SKATING IN CENTRAL John Lewis BILL EVANS & JIM HALL Blue Note Undercurrent PARK MILANO John Lewis THE JAZZTET Chess 1991 Art Farmer & Benny Golson, featuring John Lewis ANIMAL DANCE John Lewis MODERN JAZZ QUARTET; Atlantic 1987 The Modern Jazz Quartet: ENS Lonely woman LONELY WOMAN Ornette Coleman ORNETTE COLEMAN Atlantic 1987 Ornette Coleman: The shape of jazz to come. TRIESTE John Lewis MODERN JAZZ QUARTET Atlantic 1987 The Modern Jazz Quartet: Lonely woman. SEPIA PANORAMA Billy Strayhorn MODERN JAZZ QUARTET; eastwest 1988 For Ellington ENS ALL THE THINGS YOU ARE Jerome Kern MJQ & PHIL WOODS Atlantic 'The Modern Jazz Quartet & Friends - A 40th anniversary cel GODCHILD George Wallington GERRY MULLIGAN GRP 1992 Gerry Mulligan: Re-birth of the cool. VENDOME John Lewis THE SWINGLE SINGERS & Verve 'Compact Jazz - The Sampler' MODERN JAZZ QUART. AFTERNOON IN PARIS John Lewis KENNY BURRELL Chess 1991 Kenny Burrell: A night at The Vanguard AUTUMN IN NEW YORK Vernon Duke PUTTE WICKMAN/JOHN Gazell 'Stockholm '81' LEWIS/RED MITCHELL SOFTLY AS IN A MORNING Sigmund Romberg MODERN JAZZ QUARTET Atlantic, J 1989 The Complete Last Concert SUNRISE ROUND ABOUT MIDNIGHT Thelonious Monk MODERN JAZZ QUARTET Atlantic, J 1989 The Complete Last Concert .

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ABSTRACT Title of Dissertation: SELECTED WORKS OF COMPOSERS ASSOCIATED WITH HOWARD UNIVERSITY Guericke Christopher Royal, Doctor of Musical Arts, 2018 Dissertation directed by: Professor Chris Gekker School of Music Throughout its over 100 year history, Howard University has produced and attracted many talented composers of many musical genres. Limiting this project to any one genre or focus would have lessened the overall impact of the music they created and the inspiration that has been a lauded part of the institution. The project will demonstrate the various harmonic, melodic, rhythmic and emotional contributions of the selected composers through interpretation of their music on the trumpet. Composers have been connected to the university in three general ways: as students, alumni and faculty; as commissioned artists; and through the performance of their works by notable performers associated with Howard. The pieces selected for this project exemplify a wide range of musical expressions and compositional techniques, and hopefully have been presented in a way that allows the emotional impact of each piece to resonate in a unique fashion. The selected works tended to fall into the categories of A. Trumpet and Brass Works B. Spirituals/ Meditational/ Religious Works C. Popular and Jazz Pieces D. Organ or other Instrumental Works E. Works of Historical Reference or Significance In some cases, certain pieces may be categorized across multiple categories (e.g. an organ piece based on religious material). As this was also a recording project, great care was taken during the recording process to capture as much emotional content as possible through stereo microphone techniques and the use of high quality equipment.
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Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
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Benny Golson (* 25
JAMU 20150408-2 – Benny Golson (* 25. 1. 1929) 6 Along Came Betty 581030 6:08 9 Blues March 581030 6:13 Art Blakey and the Jazz Messengers: Lee Morgan-tp; Benny Golson-ts; Bobby Timmons-p; Jymie Merritt-b; Art Blakey-dr. Van Gelder Studio, Hackensack, New Jersey, October 30, 1958. LP Blue Note BST 84003 „Moanin’“ / CD Blue Note 7243 4 95324 2 7. 3 I Remember Clifford (1957) (138) 581122 5:36 10 Blues March 581122 5:46 1 Whisper Not (1956) (297) 581122 7:11 Art Blakey and the Jazz Messengers: Lee Morgan-tp; Benny Golson-ts; Bobby Timmons-p; Jymie Merritt-b; Art Blakey-dr. Live at the Olympia, Paris, November 22 / December 17, 1958. LP Fontana 680 202 and EP Fontana 460 642 / CD Gitanes 832 659-2. 4 I Remember Clifford 600206 3:10 11 Blues March 600206 5:17 13 Killer Joe (1959) (628) 600206 4:58 Art Farmer-Benny Golson Jazztet: Art Farmer-tp; Curtis Fuller-tb; Benny Golson-ts; McCoy Tyner-p; Addison Farmer-b; Lex Humphries-dr. New York City, February 6, 9 and 10, 1960. LP Argo 664 „Meet the Jazztet“ / CD Mosaic MD7-225. 2 Whisper Not 620302 5:20 Art Farmer-Benny Golson Jazztet: Art Farmer-tp; Grachan Moncur III-tb; Benny Golson-ts; Harold Mabern-p; Herbie Lewis-b; Roy McCurdy-dr. New York City, March 2, 1962. LP Mercury SR 60698 „Here and Now“ / CD Mosaic MD7-225. 7 Along Came Betty 620621 5:29 Art Farmer-Benny Golson Jazztet: Art Farmer-tp; Grachan Moncur III-tb; Benny Golson-ts; Harold Mabern-p; Herbie Lewis-b; Roy McCurdy-dr.
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The Evolution of Ornette Coleman's Music And
DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style.
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ART FARMER NEA Jazz Master (1999)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. ART FARMER NEA Jazz Master (1999) Interviewee: Art Farmer (August 21, 1928 – October 4, 1999) Interviewer: Dr. Anthony Brown Dates: June 29-30, 1995 Repository: Archives Center, National Museum of American History Description: Transcript, 96 pp. Brown: Today is June 29, 1995. This is the Jazz Oral History Program interview for the Smithsonian Institution with Art Farmer in one of his homes, at least his New York based apartment, conducted by Anthony Brown. Mr. Farmer, if I can call you Art, would you please state your full name? Farmer: My full name is Arthur Stewart Farmer. Brown: And your date and place of birth? Farmer: The date of birth is August 21, 1928, and I was born in a town called Council Bluffs, Iowa. Brown: What is that near? Farmer: It across the Mississippi River from Omaha. It’s like a suburb of Omaha. Brown: Do you know the circumstances that brought your family there? Farmer: No idea. In fact, when my brother and I were four years old, we moved Arizona. Brown: Could you talk about Addison please? Farmer: Addison, yes well, we were twin brothers. I was born one hour in front of him, and he was larger than me, a bit. And we were very close. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Brown: So, you were fraternal twins? As opposed to identical twins? Farmer: Yes. Right.
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June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
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Late Night Jazz: Benny Golson
Late Night Jazz: Benny Golson Samstag, 27. Januar 2018, 22.05 - 24.00 Uhr Es gibt wenige Jazzmusiker, die so viele Standards geschrieben haben, wie der Saxophonist Benny Golson. Am Anfang seiner Karriere war er Musical Director von Art Blakey’s Jazz Messengers, und er komponierte: «Blues March», «I Remember Clifford», «Along Came Betty», «Wisper Not» und viele andere Tunes erblickten das Licht der Welt. Und Benny Golson hörte bis heute nicht auf mit schreiben, - nächstes Jahr wird er neunzig! Redaktion: Beat Blaser Moderation: Annina Salis Art Farmer & Benny Golson: Meet The Jazztet (1960) Label: MCA / Chess Track A5: Blues March Elsie Bianchi Trio: Fly Me To The Moon (1962) Label: Sonorama Track 1: I Remember Clifford Lew Tabackin: Pyramid. Netherlands Metropole Orchestra (1990) Label: Koch Jazz Track 7: Are You Real? Chet Baker: In New York (1958) Label: Riverside Track 5: Blue Thoughts Track 1: Fair Weather Mark Murphy: Beauty and the Beast (1985) Label: Vogue Track 8: Along Came Betty Joey Defrancesco: Wonderful! Wonderful!(2012) Label: High Note Track Five Spot After Dark Paquito D'Rivera: Manhattan Burn (1986) Label: CBS Track 6: Feelings Of The Heart Benny Golson + Shirley Horn: One Day, Forever (1999) Label: Arkadia Track 1: One Day, Forever Track 5: Sad To Say Benny Golson: New Time, New’tet (2009) Label: Concord Track 8: Gypsy Jingle Jangle Hank Crawford: After hours (1966) Label: Atlantic Track 2: Junction The Manhattan Transfer: Vocalese (1985) Label: Atlantic Track 1: That’s Killer Joe Quincy Jones: The Quintessence (1961)
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The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)
Graduate Theses, Dissertations, and Problem Reports 2019 The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett Curtis Goods West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Music Performance Commons Recommended Citation Goods, Emmett Curtis, "The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964)" (2019). Graduate Theses, Dissertations, and Problem Reports. 7464. https://researchrepository.wvu.edu/etd/7464 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett C. Goods Dissertation submitted to the School of Music at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Trombone Performance H.
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Don't Miss the Tribute to the Modern Jazz Quartet Performance!
Sketches 3 Don’t miss the Tribute to the Modern Jazz Quartet Performance! Jazz aficionados with a sense of history will already have their tickets to this premier performance of a tribute to the now-deceased members of the celebrated Modern Jazz Quartet. Larry Vuckovich and Noel Jewkes, both eminent musicians in their own rights, have assembled an outstanding group, picked not only for their musical abilities, but also because all of them have had, in different ways, connections to the music of the Modern Jazz Quartet. Herb Gibson has studied the vibraphone with the vibes genius Milt Jackson, who was such an important part of the music of the Modern Jazz Quartet. Herb carries with him and continues this lineage of jazz music. Akira Tana, on drums, has accompanied the Heath Brothers – Albert “Tootie” Heath and Jimmy Heath – who are still performing with the artistic quality of their now-deceased brother, Percy Heath, who was a member of the MJQ. In this world premier performance in the Coleman Auditorium, Larry Vuckovich, piano, and Noel Jewkes, reeds, (co-leaders) Tommy Kesecker, vibes, Josh Workman, guitar, Eric Golub, violin, and Buca Necak, bass, along with Gibson and Tana, will perform the rich and gorgeous compositions listeners associated with the Modern Jazz Quartet for the decades when they reigned supreme. Among the compositions planned for the evening are: Django, Bag's Groove, Skating In Central Park, selections from Porgy & Bess, Concerto De Aranjuez, and Thinking Of You MJQ by Vince Guaraldi, plus original compositions by Noel Jewkes which are strikingly rich in texture and nuance.
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Modern Jazz Quartet
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Innovation Through Generations of Jazz Vibraphonists: Jackson
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Respectability and the Modern Jazz Quartet; Some Cultural Aspects of Its Image and Legacy As Seen Through the Press
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2011 Respectability and The Modern Jazz Quartet; Some Cultural Aspects of Its Image and Legacy As Seen Through the Press Carla Marie Rupp CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/74 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Respectability and The Modern Jazz Quartet: Some Cultural Aspects of Its Image and Legacy As Seen Through the Press By Carla Marie Rupp Submitted in Partial Fulfillment of the Requirements for the M.A. Degree The City College of New York Thesis Adviser, Prof. Barbara R. Hanning The Department of Music Fall Term 2010 2 CONTENTS ACKNOWLEDGMENTS 3 1. INTRODUCTION 5 2. RESPECTABILITY THROUGH DRESS 22 3. PERFECTION IN PRESENTATION 29 4. CHANGING THE VENUE FROM NIGHT CLUB TO CONCERT HALL 34 5. PROFESSIONALISM OF THE MJQ 43 6. PERSONAL CONCLUDING REMARKS 48 BIBLIOGRAPHY 54 3 Acknowledgements I would like to give a big thanks of gratitude and applause to the incredible Professor Barbara R. Hanning for being my thesis advisor! Her dedication, personal editing, attention to detail and accuracy, kindness and help were invaluable in completing this project on the MJQ. As Chair of the Music Department, she advised me on my BFA requirements in music at City College. And now--some years later with Professor Hanning's encouragement, wisdom and editing--I am thrilled to complete my M.A.
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