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Sarajevo, October, 20–22. 2016 Sarajevo, October, “MUSIC IN SOCIETY”• The 10th International Symposium • THE COLLECTION OF PAPERS The 10th International Symposium “MUSIC IN SOCIETY” Sarajevo, October, 20–22. 2016 THE COLLECTION OF PAPERS • THE COLLECTION OF PAPERS “MUSIC IN SOCIETY” THE COLLECTION OF PAPERS Editors: Amra Bosnić and Naida Hukić Reviewers: Dr. Jelena Beočanin, Faculty of Philology and Arts, University of Kragujevac, Serbia Dr. Ivan Čavlović, Academy of Music, University of Sarajevo, Bosnia and Herzegovina Dr. Dean Duda, Faculty of Philosophy, University of Zagreb, Croatia Dr. Scottt Gleason, Columbia University Department of Music, United States of America Dr. Dimitrije O. Golemović, Faculty of Music in Belgrade, Serbia Dr. Fatima Hadžić, Academy of Music, University of Sarajevo, Bosnia and Herzegovina Dr. Refik Hodžić, Academy of Music, University of Sarajevo, Bosnia and Herzegovina Dr. Vesna Ivkov, Academy of Arts, University of Novi Sad, Serbia Dr. Igor Karača, Oklahoma State University, United States of America Dr. Milorad Kenjalović, Academy of Arts, University of Banja Luka, Bosnia and Herzegovina Dr. Sanja Kiš Žuvela, Academy of Music, University of Zagreb, Croatia Dr. Marija Klobčar, Institute of Ethnomusicology in Ljubljana, Slovenia Dr. Lasanthi Manaranjanie Kalinga Dona, University of Ljubljana, Slovenia Dr. Indira Meškić, Faculty of Philosophy, University of Zenica, Bosnia and Herzegovina Dr. Irena Miholić, Institute of Ethnology and Folklore Research in Zagreb, Croatia Dr. Mladen Miličević, Loyola Marymount University Los Angeles, United States of America Dr. Lana Paćuka, Academy of Music, University of Sarajevo, Bosnia and Herzegovina Dr. Dragica Panić Kašanski, Academy of Arts, University of Banja Luka, Bosnia and Herzegovina Dr. Milena Petrović, Faculty of Music in Belgrade, Serbia Dr. Ira Prodanov Krajišnik, Academy of Arts, University of Novi Sad, Serbia Dr. Davorka Radica, Academy of Arts, University of Split, Croatia Dr. Leon Stefanija, Faculty of Arts, University of Ljubljana, Slovenia Dr. Srđan Teparić, Faculty of Music in Belgrade, Serbia The views and opinions expressed herein are those of the individual author(s) and do not necessarily reflect the policies or opinions of the Collection of Papers “Music in Society”, its editor, staff or publishers. The 10th International Symposium “Music in Society”, Sarajevo, October, 20–22. 2016 Organisation Musicological Society of the Federation of Bosnia and Herzegovina Academy of Music, University of Sarajevo President of the Musicological Society of the Federation of Bosnia and Herzegovina Dr. Fatima Hadžić Dean of the Academy of Music, University of Sarajevo Dr. Senad Kazić Program Committee Dr. Helmut Loos (Chair), Dr. Klaus Näumann, Dr. Nico Schüler, Dr. Refik Hodžić, Dr. Jasmina Talam, Dr. Tamara Karača Beljak, Dr. Valida Akšamija-Tvrtković, Dr. Fatima Hadžić, Dr. Lana Paćuka Organizational Committee Dr. Valida Akšamija-Tvrtković, Dr. Amra Bosnić, Dr. Fatima Hadžić Mr. Nerma Hodžić-Mulabegović, Dr. Naida Hukić, Dr. Lana Paćuka, Mr. Esma Sulejmanagić, Dr. Tamara Karača Beljak, Mr. Amra Toska Task Group Organizational Committee and students of Musicology, Ethnomusicology, Theory of Music and Music Pedagogy of the Academy of Music in Sarajevo Conference venue University of Sarajevo, Academy of Music Josipa Stadlera 1/2 Sarajevo, Bosnia and Herzegovina Contact E-mail: [email protected] Phone: 00 387 33 44 21 26 5 TABLE OF CONTENTS INTRODUCTION / 9 INAUGURAL LECTURE / 11 WORLD MUSIC OR REGIONALISM? A FUNDAMENTAL QUESTION OF MUSIC HISTORY Helmut Loos / 13 PART I: NEW RESEARCH – THEORY OF MUSIC MUSIC AS RULED BY PRIMARY PROCESSES: CONDENSATION Miloš Zatkalik / 25 TREATMENT OF TEXT IN VOCAL WORKS BY BOSNIAN AND HERZEGOVINIAN COMPOSERS Amra Bosnić / 38 THE REVIEW OF THE COLLECTION MEšOVITI HOROVI II BY JOSIP SLAVENSKI Sanda Dodik / 54 PART II: NEW RESEARCH – MUSICAL PEDAGOGY ACOUSTICS IN SOLFEGGIO – EFFECT AND OUTCOMES IN EDUCATIONAL PRACTICE Nerma Hodžić-Mulabegović / 71 SIGNIFICANCE AND EFFECT OF EXTERNAL FACTORS ON THE FORMATION AND SHAPING OF INDIVIDUAL/SUBJECTIVE MUSICAL THOUGHT IN THE SPHERE OF ELEMENTARY MUSIC THEORY Senad Kazić / 80 LEVELS OF MUSIC APPRECIATION AS A CHALLENGE FOR MUSIC CURRICULUM Nikolina Matoš and Ana Čorić / 87 6 TABLE OF CONTENTS POPULARIZATION OF MUSIC EDUCATION ON THE EXAMPLE OF MUSICAL AND THEATRICAL PROJECT DIRTY DANCING Sanja Nuhanović and Alma Ferović-Fazlić / 102 COMPETENCIES OF TEACHERS FOR REALIZATION OF BEGINNER SOLFEGGIO Tihana Škojo / 115 ONLINE CLASSES IN MUSICAL CULTURE FOR GENERAL- EDUCATION HIGH-SCHOOL STUDENTS IN MOODLE LMS Valida Tvrtković-Akšamija / 130 PLAYING INSTRUMENT IN REGULAR MUSIC CLASS: MUSICAL-PEDAGOGICAL AND DIDACTIC IMPLICATIONS Sabina Vidulin / 147 PART III: NEW RESEARCH – ETHNOMUSICOLOGY THE MULTICULTURALITY OF CHILDREN’S FOLKLORE IN VOJVODINA Nice Fracile / 167 INSIDE AND OUTSIDE, HERE AND THERE: MUSIC FROM BOSNIAN POSAVINA TO ZAGREB Guido Raschieri / 182 FOLKLORE LIFE IN MULTICULTURAL CITY OF KLAIPEDA (1990-2015) Rimantas Sliužinskas / 200 THE ENEMY – A PARTISAN HYMNBOOK: CRITICAL NOTES ON MEMORY, MUSIC, AND THE MAKING OF A DOCUMENTARY FILM Federico Spinetti / 217 CULTURAL ENGAGEMENT IN APPLIED ETHNOMUSICOLOGY: EXAMPLES FROM BOSNIA AND HERZEGOVINA A CONTRIBUTION TO APPLIED SCIENCE Jasmina Talam and Tamara Karača Beljak / 246 (IM)POSSIBILITY OF DOING ETHNOMUSICOLOGY BEYOND URBAN/RURAL DICHOTOMY Jelka Vukobratović / 256 TABLE OF CONTENTS 7 PART IV: NEW REASEARCH – MUSICOLOGY FROM THE CROATIAN MUSIC ARCHIVES. SLAVKO ZLATIĆ (1910–1993): MUSICIAN, IDEOLOGIST, AGITATOR Lada Duraković / 271 (DO) WE KEEP FORGETTING ABOUT MIROSLAV ŠPILER (?): OUR CONTRIBUTION TO THE 110TH ANNIVERSARY OF COMPOSER’S BIRTH Senka Hodžić / 287 NICOLÒ VITO DI GOZZE (NIKOLA VITOV GUČETIĆ, 1549–1610) AND THE ROLE OF MUSIC IN RENAISSANCE DUBROVNIK Monika Jurić Janjik / 308 MODELS OF PERFORMANCES OF TRAVELLING VIRTUOSI IN THE PERIOD OF CLASSICISM: GIORNOVICHI IN STOCKHOLM Vjera Katalinić / 321 OPERABALKANSKA CARICA – FROM CREATION TO CONTEMPORARY PERFORMANCE Ana Perunović Ražnatović / 333 WORKS WITH MUSICAL TOPICS BY 16TH AND 17TH CENTURY CROATIAN AUTHORD PRESERVED IN POLISH LIBRARIES Stanislav Tuksar / 342 HOW TO SPLIT THE HERITAGE WHEN INVENTING A NATION. GERMANY’S POLITICAL AND MUSICAL DIVISION Marie Agnes Dittrich / 359 CURRENT RESEARCH METHODOLOGIES FOR REDISCOVERING FORGOTTEN COMPOSERS: USING COMMERCIAL GENEALOGY AND NEWSPAPER DATABASES AND OTHER ONLINE ARCHIVES Nico Schüler / 369 CONTRIBUTORS / 387 9 INTRODUCTION With a great pleasure we present, to our reading audience, the Collection of Papers of the 10th International Symposium Music in Society, held from October 20 to 22, 2016 in Sarajevo. The Symposium itself has been held biennially since its inception in 1998, organized by the Musicological Society of the Federation of Bosnia and Herzegovina and the Academy of Music, University of Sarajevo. With this round number of previously published Collections, we proudly join the celebration of another significant jubilee – the 20th anniversary since the Musicological Society of the Federation of Bosnia and Herzegovina was founded. The Musicological Society played a great role in establishing the encouraging atmosphere for music science development; with its extraordinary efforts and with the wholehearted help of the Academy of Music of the University of Sarajevo it remains faithful to the mission of preserving the dignity of music science, although its affirmation, on the ground of sagging values, appears as a constant struggle for survival. The 10th International SymposiumMusic in Society was attended by a total of 44 experts from Europe and the world (Bosnia and Herzegovina, Croatia, Slovenia, Serbia, Austria, Germany, Italy, Lithuania, Turkey, United States), who presented their papers in the fields of musicology, ethnomusicology, music theory and music pedagogy. Three working days were completed with two concerts: the first one, namedSevdalinka Evening, presented to the participants and the numerous audience the traditional music of Bosnia and Herzegovina performed by ensemble Etnoakademik, which has been led by Branka Vidović and Tamara Karača Beljak for more than a decade at the Music Academy of the University of Sarajevo; the second concert event, named The first hundred years of the Bosnian-Herzegovinian solo song, presented the chronology of one of the most important music forms of compositional practice in Bosnia and Herzegovina, through performances by soprano Adema Pljevljak Krehić and pianist Maja Ačkar Zlatarević. With these events, Musicological Society once again presented to the public its role as one of the creators and preservers of true cultural and social values ​​of Sarajevo and Bosnia and Herzegovina. The Program committee offered theComposing in the history of “small nations” as the central musicological theme of the Symposium, and this main course was extended by ethnomusicological reflections on the challenges of urban culture, and contemporary discourses on music issues in relation to history, theory and practice in fields of music theory and music pedagogy. The keynote speaker for the central theme of the symposium was the renowned German musicologist, dr. Helmut Loos, in front of the Institute of Musicology at the University of Leipzig, who presented inaugural lecture on World music or regionalization? The basic question of musical historiography. 10 INTRODUCTION The other two thematic areas have traditionally been dedicated to new research in listed fields and applied (ethno)musicology,
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    God. 36., br. 1., 331.-359. Zagreb, 2004 UDC: 323.1(497.6)(091) Society, Ethnicity, and Politics in Bosnia-Herzegovina MLADEN ANČIĆ Institute of Historical Sciences, Croatian Academy of Sciences and Arts, Zadar, Republic of Croatia In his memoirs, general Sefer Halilović pays considerable attention to his part in preparing for Bosnian war during the winter of 1991-1992. Halilović organized and led the PL (Patriotic League), a paramilitary organization asso- ciated with the SDA (Stranka demokratske akcije – political party organized and led by Alija Izetbegović). The PL formed the core of the ABH (Army of the Republic of Bosnia and Herzegovina), and Halilović therefore became the first commander of Bosnian Muslims’ armed forces in the summer of 1992.1 In the appendices to his memoirs, Halilović even included two documents pertaining to the SDA’s preparations for war in late 1991 and early 1992.2 In the first of these documents, would be general enumerated various tasks to be completed before the onset of war, including the creation of a military organi- zation and the identification of Bosnian communities according to their eth- nic makeup. “The ethnic structures of villages, local communities, urban and suburban neighborhoods are to be marked on maps,” the documents reads, “(Muslim and Croatian villages — full green circle, with a letter H adjoining Croatian villages, Serbian villages — blue circle)”. 3 In the second document, which is dated 25 Feb 92 — almost two months before large scale fighting broke out — Halilović defined the aim of the paramilitary organization he had just formed as protection of Bosnia-Herzegovina’s Muslim population.