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http://bookunitsteacher.com/wp http://bookunitsteacher.com/history/historypages.htm http://www.pinterest.com/lindagaymiller/ Ten Interesting Facts . The Great Depression 1. On October 29, 1929, the stock market lost $14 billion. During the week of Black Tuesday, the stock market lost $30 billion. This would be equivalent to $377,587,032,770.41 today. 2. Dorothea Lange’s photo of Florence Thompson with several of her children has become a moving symbol to the Great Depression. In the photo, Florence Thompson was age 32 with seven children. She was a migrant pea picker in California. 3. Average Rate of Unemployment during the Great Depression in 1929: 3.2% in 1930: 8.9% in 1931: 16.3% in 1932: 24.1% in 1933: 24.9% in 1934: 21.7% in 1935: 20.1% in 1936: 16.9% in 1937: 14.3% in 1938: 19.0% in 1939: 17.2% 4. The board game Monopoly became a big success when it first went on the market in 1935. Players could pretend to be rich. This was a nice break from the reality of the depression. © Gay Miller ~ Book Units Teacher 5. As money became scarce, gangsters began to surface. Some infamous gangsters of the 1930s included: John Dillinger “Baby Face” Nelson Machine Gun Kelly Pretty Boy Floyd Ma Barker and her Boys Bonnie and Clyde 6. Going to the movies was a favorite pastime during the Great Depression. Approximately 60 to 80 million Americans went to the movies weekly. Hit movies included: Tom Sawyer (1930) Frankenstein (1931) King Kong (1933) Snow White and the Seven Dwarfs (1937) The Wizard of Oz (1939) Gone with the Wind (1939) Mr. Smith Goes to Washington (1939) 9. Average Wages during the 1930s Occupation Income Industries $1388/year Government Workers $1517/year Public School Teacher $1455/year Building Trades $1233/year Health Services Worker $933/year Doctor $3172/year 7. Because buttons were too expensive, Americans began using zippers during the Great Depression. 8. Franklin Delano Roosevelt promised a “New Deal for the American People” when he became President in 1933. He established a number of federal organizations such as TVA, NRA, CCC, and WPA to get people back to work. © Gay Miller ~ Book Units Teacher 10. Price of Goods Price in Price in Price in Prince in Product the 1920s the 1930s the 1940s the 1950s Butter $ .70 $ .46 $ .42 $ .74 (Pound) Eggs $ .78 $ .52 $ .45 $ .67 (Dozen) Rice $ .17 $ .09 $ .08 $ .17 (Pound) Washing Machine $ 85.00 $ 74,50 $ 48.00 $ 65.00 (Electrical) Bicycle $ 43.00 $ 32,00 $29,00 $45.00 Information Sources http://facts.randomhistory.com/2009/04/12_great-depression.html http://www.shmoop.com/great-depression/statistics.html http://great-depression-facts.com/ http://usa.usembassy.de/etexts/his/e_prices1.htm Photo Credits http://commons.wikimedia.org/wiki/File:Poor_mother_and_children,_Oklahoma,_1936_by_Dorot hea_Lange.jpg http://commons.wikimedia.org/wiki/File:Lange-MigrantMother02.jpg http://commons.wikimedia.org/wiki/File:The_Wizard_of_Oz_Haley_Bolger_Garland_Lahr_1939.j pg © Gay Miller ~ Book Units Teacher Credits: Font and Clipart .

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PUNKS! TOPICALITY and the 1950S GANGSTER BIO-PIC CYCLE
cHAPTER 6 PUnKs! TOPIcALItY AnD tHe 1950s gANGSTER BIo-PIc cYcLe ------------------------------- PeteR stAnfield “This is a re-creation of an era. An era of jazz Jalopies Prohibition And Trigger-Happy Punks.” — Baby Face Nelson this essay examines a distinctive and coherent cycle of films, pro- duced in the late 1950s and early 1960s, which exploited the notoriety of Prohibition-era gangsters such as Baby Face Nelson, Al Capone, Bonnie Parker, Ma Barker, Mad Dog Coll, Pretty Boy Floyd, Machine Gun Kelly, John Dillinger, and Legs Diamond. Despite the historical specificity of the gangsters portrayed in these “bio-pics,” the films each display a marked interest in relating their exploits to contemporary topical con- cerns. Not the least of these was a desire to exploit headline-grabbing, sensational stories of delinquent youth in the 1950s and to link these to equally sensational stories of punk hoodlums from 1920s and 1930s. In the following pages, some of the crossovers and overlaps between cycles of juvenile delinquency films and gangster bio-pics will be critically eval- uated. At the centre of analysis is the manner in which many of the films in the 1950s bio-pic gangster cycle present only a passing interest in pe- riod verisimilitude; producing a display of complex alignments between the historical and the contemporary. 185 peter stanfield DeLInQUENTS, gANGSTERs, AnD PUnKs In the 1950s, the representation of gangsters and of juvenile delinquents shared a common concern with explaining deviancy in terms of a rudi- mentary psychology,
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TOPICALITY and the 1950S GANGSTER BIO-PIC CYCLE
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kent Academic Repository CHAPTER 6 PUNKS! TOPICALITY AND THE 1950s gANgSTER BIO-PIC CYCLE ------------------------------- peter Stanfield “This is a re-creation of an era. An era of jazz Jalopies Prohibition And Trigger-Happy Punks” — Baby Face Nelson this essay examines a distinctive and coherent cycle of films, pro- duced in the late 1950s and early 1960s, which exploited the notoriety of Prohibition-era gangsters such as Baby Face Nelson, Al Capone, Bonnie Parker, Ma Barker, Mad Dog Coll, Pretty Boy Floyd, Machine Gun Kelly, John Dillinger, and Legs Diamond. Despite the historical specificity of the gangsters portrayed in these “bio-pics,” the films each display a marked interest in relating their exploits to contemporary topical con- cerns. Not the least of these was a desire to exploit headline-grabbing, sensational stories of delinquent youth in the 1950s and to link these to equally sensational stories of punk hoodlums from 1920s and 1930s. In the following pages, some of the crossovers and overlaps between cycles of juvenile delinquency films and gangster bio-pics will be critically eval- uated. At the centre of analysis is the manner in which many of the films in the 1950s bio-pic gangster cycle present only a passing interest in pe- riod verisimilitude; producing a display of complex alignments between the historical and the contemporary. 15 peter stanfield DELINQUENTS, gANgSTERS AND PUNKS In the 1950s, the representation of gangsters and of juvenile delinquents shared a common concern with explaining deviancy in terms of a rudi- mentary psychology, which held that criminality was fostered by psycho- pathic personalities.
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U.S. Department of Justice Federal Bureau of Investigation Washington, D.C. 20535 August 24, 2020 MR. JOHN GREENEWALD JR. SUITE
U.S. Department of Justice Federal Bureau of Investigation Washington, D.C. 20535 August 24, 2020 MR. JOHN GREENEWALD JR. SUITE 1203 27305 WEST LIVE OAK ROAD CASTAIC, CA 91384-4520 FOIPA Request No.: 1374338-000 Subject: List of FBI Pre-Processed Files/Database Dear Mr. Greenewald: This is in response to your Freedom of Information/Privacy Acts (FOIPA) request. The FBI has completed its search for records responsive to your request. Please see the paragraphs below for relevant information specific to your request as well as the enclosed FBI FOIPA Addendum for standard responses applicable to all requests. Material consisting of 192 pages has been reviewed pursuant to Title 5, U.S. Code § 552/552a, and this material is being released to you in its entirety with no excisions of information. Please refer to the enclosed FBI FOIPA Addendum for additional standard responses applicable to your request. “Part 1” of the Addendum includes standard responses that apply to all requests. “Part 2” includes additional standard responses that apply to all requests for records about yourself or any third party individuals. “Part 3” includes general information about FBI records that you may find useful. Also enclosed is our Explanation of Exemptions. For questions regarding our determinations, visit the www.fbi.gov/foia website under “Contact Us.” The FOIPA Request number listed above has been assigned to your request. Please use this number in all correspondence concerning your request. If you are not satisfied with the Federal Bureau of Investigation’s determination in response to this request, you may administratively appeal by writing to the Director, Office of Information Policy (OIP), United States Department of Justice, 441 G Street, NW, 6th Floor, Washington, D.C.
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The Irish-American Gangster in Film
Farrell 1 THE IRISH-AMERICAN GANGSTER IN FILM By Professor Steven G. Farrell 1 Farrell 2 When The Godfather was released in the early seventies, it effectively created a myth of the virtually unbeatable Italian crime family for the American public that endured for the remainder of the century. This film also effectively eliminated all other white ethnic organized gangs from the silver screen, as well as from the public’s eye. Hollywood, as we shall see, had their history wrong in this case. The Italian Mafia was never as invincible as Hollywood depicted it on film, nor did they always have everything their own way when it came to illegal activities. It wasn’t until the close of the last century that the film industry began to expose the old-time hoods as being fallible and besieged on all sides from new criminal elements connected with newly arrived immigrant groups. The Cubans, Russians and the Colombian hoods, along with the longer established African and Mexican American gangs, had begun to nibble away at the turf long controlled by the almighty Italian mob. As the paradigm of the urban underworld began to shift to reflect the new realities of the global economy, another look at the past by historians and Hollywood is revealing that the Italian gang never had absolute power as it was once commonly believed. The Irish hoodlums, to single out the subject of this paper, were actually engaged in gangland activities years before the arrival of the Italians and the Irish also competed with the Italians up until recently.
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Albertmohler.Com – Reading Log, August 6, 2009 Public Enemies
http://www.albertmohler.com/2009/08/06/reading-log-august-6-2009-public-enemies/ 1/3 AlbertMohler.com Reading Log, August 6, 2009 Public Enemies Thursday, August 6, 2009 To be human, it seems, is to be fascinated with crime. This simple fact explains why so much of our popular entertainment is driven by narratives and plots dealing with crime, crimefighters, criminals, and the police. News about crime and criminals often takes the top position in the newspaper and leads the nightly news. From a Christian worldview perspective, this is actually quite understandable. Our Creator gifted us with a moral sense and the capacity of conscience. At some very early age, sin becomes an active part of our consciousness. As we grow older, we grow more and more aware of our own capacity for wrongdoing. The spectacular evil represented by notorious criminals becomes a fascination hard to resist. This can be healthy if a closer look at crime and criminality brings greater moral discernment and deeper insight into the reality of human depravity. On the other hand, a preoccupation with criminality can reflect a fascination with evil that must never be granted. Millions of Americans have gone to see the movie “Public Enemies,” starring Johnny Depp as John Dillinger and Christian Bale as Melvin Purvis of the FBI. In the course of the movie, viewers are reminded of the gangster era of the 1930s and notorious characters including Machine Gun Kelly, Baby Face Nelson, Pretty Boy Floyd, and a host of others. But, whereas the movie reduces the story of this era to only a handful of its most famous personalities, the book upon which the movie is based offers far more.
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PDF Download Machine Gun Kelly : the Notorious Life and Crimes Of
MACHINE GUN KELLY : THE NOTORIOUS LIFE AND CRIMES OF THE DEPRESSION ERA GANGSTER PDF, EPUB, EBOOK Charles River Editors | 92 pages | 24 Jan 2019 | Independently Published | 9781795055666 | English | none Machine Gun Kelly : The Notorious Life and Crimes of the Depression Era Gangster PDF Book Most of the liquor came into the country over land through Canada and Mexico or by boat. Two years later, the machine-gun toting Barrow again appeared in Oklahoma when his car became mired in mud outside Commerce. Rockett delivered the eulogy, his voice was often overridden by shouting friends, wisecracks and laughter. Crime gale. Raney and other detectives from the Memphis Police Department. Bush was the 43rd president of the United States. The workers shutoff their machines and refused to leave until the company recognize their union. In addition organized crime had gone global. At first the coroner ruled that Kathryn right had shot Charlie in self-defense. He was among the first five players inducted into the sport's Hall of Fame. Torrio had moved to Chicago and called Capone to join him. The gangster's world, however, was not set in the western landscape but in America's cities. It also continued its background investigations for the Executive Branch and government agencies. In addition, by , outlaws in the Midwest began racing through the heartland robbing banks. More From encyclopedia. Those who planned to give it up treated January 16, , like New Year 's Eve, with their resolutions to stop drinking slated to begin the next morning. For another, it has been pointed out that pecan trees are dominant in the area rather than walnut trees.
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Alcatraz 9/2/08 4:34 PM Page 13
1.Ward, Alcatraz 9/2/08 4:34 PM Page 13 1 THE FEDERAL GOVERNMENT’S WAR ON “PUBLIC ENEMIES” Shortly after the First World War many Americans came to be- lieve that rampant crime was a defining element of their society. Attention soon centered on the gangster, the paragon of modern criminality and eventually the subject of innumerable newspaper and magazine articles, scores of novels and plays, and more than a hundred Hollywood movies. The media gangster was an inven- tion, much less an accurate reflection of reality than a projection created from various Americans’ beliefs, concerns and ideas about what would sell. ... The rhetoric of crime gained a resonant new term in April 1930 when the Chicago Crime Commission released a list of the city’s twenty-eight most dangerous “public enemies.” Journalists across the country published the list, adopted the term, and dubbed the notorious Al Capone “Public Enemy Number One.”1 On April 27, 1926, Illinois Assistant State’s Attorney William H. Mc- Swiggin was in a Cicero saloon drinking beer with five other men—a former police officer and four gangsters, one of them a man he had un- successfully prosecuted for murder a few months earlier. As McSwiggin and the others walked out of the bar, Al Capone and his men opened up with machine guns. Several members of the group jumped to safety be- hind an automobile but three men, including McSwiggin, were hit. As Capone and his henchmen roared away, the survivors placed the wounded men in an automobile and drove off; later in the evening, McSwiggin’s body was dumped along a road outside of town.2 The murder and the suspicious associations of the assistant state’s at- torney created a sensation in the press.
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Verne Sankey and the Kidnapping of Charles Boettcher II Lisa Lindell South Dakota State University, [email protected]
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Hilton M. Briggs Library Faculty Publications Hilton M. Briggs Library 2004 "No Greater Menace": Verne Sankey and the Kidnapping of Charles Boettcher II Lisa Lindell South Dakota State University, [email protected] Follow this and additional works at: http://openprairie.sdstate.edu/library_pubs Part of the United States History Commons Recommended Citation Lindell, Lisa, ""No Greater Menace": Verne Sankey and the Kidnapping of Charles Boettcher II" (2004). Hilton M. Briggs Library Faculty Publications. Paper 30. http://openprairie.sdstate.edu/library_pubs/30 This Article is brought to you for free and open access by the Hilton M. Briggs Library at Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Hilton M. Briggs Library Faculty Publications by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. "No Greater Menace" Verne Sankey and the Kidnapping of Charles Boettcher II Lisa Lindell ABOUT THE AUTHOR LISA LINDELL is a catalog librarian at South Dakota State University in Brookings, South Dakota. She holds two master's degrees and has contributed articles to several history journals. Photo: The kidnappers' hideaway in Buffalo County, South Dakota. Colorado Historical Society. COLORADO HISTORY n January 31, 1934, three federal agents and three policemen converged upon a barbershop on Chicago's North Side. Posi tioning themselves in the shop's rear room and in a funeral parlor next door, they waited with an expectant air.
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St. Paul Gangster Bus Tours, Led by Costumed Guides, Entertain Tourists with Tales of St
Where to Find Dillinger's Hideout and Ma Barker's Boys. By Paul Maccabee It was the lawless 1930s of tommy guns, jazz and bootleg hooch, a time when every major American city harbored speakeasies, brothels and gambling dens, the years when a crime syndicate headed by Lucky Luciano, Bugsy Siegel and Meyer Lansky in New York and Al Capone in Chicago spread its tentacles across the nation. But it was the Depression-era bandits, termed "Public Enemies" by the Federal Bureau of Investigation, who captivated and horrified the public—bankrobbers like John Dillinger, George "Machine Gun Kelly" Barnes and Lester "Babyface Nelson" Gillis; kidnapper Alvin "Creepy" Karpis; and the legendary den mother of crime, Katherine "Ma" Barker. Each of these outlaws sought safe harbor in St. Paul, Minnesota, a city U.S. Senator Royal Copeland condemned as a "Poison Spot of American Crime." As a member of the Senate Racketeering Committee, the New York Republican was in a position to know. Visitors to the Saintly City today seek out the historic homes of novelist F. Scott Fitzgerald and railroad magnate James J. Hill. But to the FBI, St. Paul is better remembered as home to Machine Gun Kelly and dozens of other desperados. St. Paul "was a haven for criminals," confided a 1934 FBI memo. "The citizenry knew it, the hoodlums knew it, and every police officer knew it." "Everyone had the same things in common," wrote Creepy Karpis of Minnesota's capitol city. "Stealing, killing and looting." If you hadn't seen a criminal in a few months, Karpis mused in his autobiography, you knew he'd be in one of two places--federal prison or St.
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Melvin Purvis Part 2 of 2
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Landmark Cases in the History
XVIII ALL INDIA CONFERENCE OF DIRECTORS OF FINGER PRINT BUREAUX AT HARYANA POLICE ACADEMY (HPA) 30th and 31st March, 2017 LANDMARK CASES IN THE HISTORY OF FINGER PRINT SCIENCE CENTRAL FINGER PRINT BUREAU NATIONAL CRIME RECORDS BUREAU MINISTRY OF HOME AFFAIRS TABLE OF CONTENTS Case TOPIC/CASE COUNTRY & PAGE NO. No. YEAR I Francisca Rojas Argentina, 1892 1 II Kanglali Charan India, 1898 3 III Henry Jackson England, 1902 5 IV Alfred and Albert England, 1905 7 Stratton V Boudet & Simonin Case France, 1912 9 VI George Kelly USA, 1933 11 VII John Herbert Dillinger USA, 1934 13 VIII Robert J. Phillips aka USA, 1941 15 Roscoe Pitts IX Shirley Mckie Fingerprint UK, 1997 17 Scandal X Madrid Train Bombings Spain, 2004 19 CASE No. I FRANCISCA ROJAS, ARGENTINA, 1892 First conviction in the modern history through fingerprints BACKGROUND OF THE CASE: On June 19, 1892, 27-year-old Rojas murdered her two children in Necochea, Buenos Aires Province, in Argentina, her six-year-old son, Ponciano Carballo Rojas, and his four-year-old sister Teresa Carballo Rojas were found brutally murdered in their home. Francisca tried to simulate an attack by incising her own throat and then blaming the murders on her neighbor one Pedro Ramón Velázquez. Francisca Rojas is believed to be the first criminal established to have been guilty through fingerprint evidence in the world. In 1892, Croatian-born, Argentine police official Juan Vucetich helped convict Francisca Rojas for the murder of two of her own children by identifying Rojas’ bloody fingerprints at the crime scene. Rare picture of Right Thumb Impression of Francisca Rojas Francisca Rojas found of on door jamb SOME OF THE LANDMARK CASES IN THE HISTORY OF FINGER PRINT SCIENCE Page 1 INVESTIGATION OF THE CASE: The report of the murder did not reach La Plata (the provincial capital) until July 8, 1892.
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Machine Gun Kelly Last Updated Wednesday, 28 September 2011 19:59
Machine Gun Kelly Last Updated Wednesday, 28 September 2011 19:59 George Kelly Barnes (July 18, 1895 – July 18, 1954 in Leavenworth), better known as "Machine Gun Kelly", was an American gangster during the prohibition era.His nickname came from his favorite weapon, a Thompson submachine gun. His most famous crime was the kidnapping of oil tycoon & businessman Charles Urschel in July 1933 for which he, and his gang, earned $200,000 ransom. The FBI investigation eventually led to Kelly's arrest in Memphis, Tennessee on September 26, 1933. His crimes also included bootlegging and armed robbery.As he lived in the Prohibition era of the 1920s and 30s, Kelly was able to find work as a bootlegger for himself as well as a colleague. After a short time, and several run-ins with the local Memphis police, he decided to leave town and head west with a new girlfriend. To protect his family and escape law enforcement officers, he changed his name to George R. Kelly.[3] He continued to commit smaller crimes and bootlegging. He was arrested in Tulsa, Oklahoma, for smuggling liquor onto an Indian Reservation in 1928 and sentenced for three years to Leavenworth Penitentiary, Kansas, beginning February 11, 1928. He was reportedly a model inmate and was released early. Shortly thereafter, Kelly married Katherine Thorne, who purchased Kelly's first machine gun and went to great lengths to familiarize his name in the underground crime circles. She was known to hand out the expended .45cal cartridge casings from his Tommy Gun as souvenirs. Some historians claim that Katherine even went so far as to plot some small bank robberies.
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