Richard Barone Cool Blue Halo Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Richard Barone Cool Blue Halo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Cool Blue Halo Country: France Released: 1988 Style: Alternative Rock MP3 version RAR size: 1716 mb FLAC version RAR size: 1544 mb WMA version RAR size: 1391 mb Rating: 4.3 Votes: 409 Other Formats: MPC DXD VOC DXD VQF WAV APE Tracklist Hide Credits A1 The Bulrushes 2:57 A2 I Belong To Me 3:57 The Visit A3 3:35 Written-By – Marc Bolan A4 Tangled In Your Web 4:10 A5 Silent Symphony / Flew A Falcon 5:50 Cry Baby Cry B1 3:22 Written-By – Lennon/McCartney* B2 Sweet Blue Cage 3:22 The Man Who Sold The World B3 4:08 Written-By – David Bowie B4 Love Is A Wind That Screams 4:36 B5 Numbers With Wings 4:20 Credits Acoustic Guitar, Backing Vocals – Nick Celeste Art Direction – Murray Brenman Artwork By [Coordinated By] – Robert Molnar Cello – Jane Scarpantoni Engineer [Live Sound] – Brendan McCabe Executive Producer – Vince Mauro Mastered By – Greg Calbi Mixed By – Jeff Lord-Alge Mixed By [Assistant] – Frankie D* Percussion, Vibraphone [Vibes], Piano – Valerie Naranjo Photography [Cover] – William Duke Producer [Production Assistant] – Rich Thomas Recorded By [Location Recording - Assistant] – Mark Shane Recorded By [Location Recording] – Randy Ezratty Vocals, Electric Guitar – Richard Barone Written-By – Richard Barone (tracks: A1, A2, A4, A5, B2, B4, B5) Barcode and Other Identifiers Other (Rights Society): SACEM Other versions Category Artist Title (Format) Label Category Country Year Passport PB 6058, Richard Cool Blue Halo (LP, Records, PB 6058, US 1987 PB6058 Barone Album) Passport PB6058 Records LICD 600046 Richard Cool Blue Halo (CD, LICD 600046 Line Records Germany 2018 E Barone Album, RE, RM) E Richard Cool Blue Halo (CD, Passport PBCD 6058 PBCD 6058 US 1987 Barone Album) Records Richard Cool Blue Halo (LP, New Rose ROSE 171 ROSE 171 France 1988 Barone Album, TP, W/Lbl) Records "Cool Blue Halo" 25th Richard Richard Barone none Anniversary Special none US 2012 Barone Music Edition (CD, Album) Related Music albums to Cool Blue Halo by Richard Barone Various - The Unplugged Collection: Volume One James McCartney - Close At Hand Richard Barone - Cry Baby Cry Stone Temple Pilots - Nº4 Paul Colman Trio - One Matthew Sweet - 100% Fun David Bowie - Alternative Biography The Bongos - Drums Along The Hudson The Rolling Stones - Bridges To Babylon Norah Jones - The Fall.

Copy Link

Recommended publications

Tony Visconti: the Autobiography: Bowie, Bolan and the Brooklyn Boy Pdf, Epub, Ebook
TONY VISCONTI: THE AUTOBIOGRAPHY: BOWIE, BOLAN AND THE BROOKLYN BOY PDF, EPUB, EBOOK Tony Visconti,Morrissey | 400 pages | 28 Apr 2008 | HarperCollins Publishers | 9780007229451 | English | London, United Kingdom Tony Visconti: the Autobiography: Bowie, Bolan and the Brooklyn Boy PDF Book Enlarge cover. The beginning of his career is fascinating, but -- like many rock bios -- the book begins to drag when Visconti exciting early years are over. Viscontis early years especially were exciting and enviable if you lived the music of that time. Through this, he met British producer Denny Cordell in while he was working as Richmond's in-house music producer. He has also collaborated as co-writer and producer on the album project by Richard Barone. We get inside the studio with some technical info that is hard to decipher and some more personal remembrances. For some fiction about this period, try Stairway to Hell by Charlie Williams. We learn very little about the birth of glam rock, but Visconti does mention that when he ran into Nathalie Merchant in , she served him a tuna wrap. It was a variation on Air on a G String I had paid attention during music appreciation classes in high school. Bill o'Reilly's Killing Ser. Click here to go to Subscribe page. This book provides a first-hand account of the London music scene of the s and 70s, from a man who helped to shape pop history. They inspire and encourage; their names are in small print, if they appear at all. Tony Visconti. Add to cart. Viconti has his tongue so far up the ass of certain living show business figures that his ghost writer's turdy tongue speaks with their voice - and in particular with the inflections of the tedious David Bowie.
[Show full text]
Download a PDF of the Press Kit Here
THE BRILLIANT MISTAKES [email protected] • 917.821.6262 THE BRILLIANT MISTAKES’ “DISTANT DRUMMING” SET FOR RELEASE OCTOBER 7 The Brilliant Mistakes—the New York City based band lauded for “restlessy catchy hooks, a clever turn of phrase and frothy, piano-driven pop with heart, soul and smarts” (The Boston Globe) are ready to unveil Distant Drumming, their new album set for release on October 7 on the band’s own Aunt Mimi’s Records. The album was produced by bassist Lincoln Schleifer (Levon Helm, Buddy Miller) and recorded at Lincoln’s Log Cabin in The Bronx, features guest musicians Mike Viola (The Candy Butchers, Walk Hard), Larry Campbell (Bob Dylan, Paul Simon) and Marc Shulman (Suzanne Vega) and was mastered by Fred Kevorkian (Ryan Adams, The White Stripes) in Hell’s Kitchen in Manhattan. Songwriter-bassist Erik Philbrook describes Distant Drumming as an album that musically and lyrically is about “finding and following the rhythms of your own life.” To that end the band sought to create a more organic album and delved deeper in the studio, experimenting with dynamics, arrangements, atmosphere, instrumentation and grooves to create music not only rich in meaning and emotion, but one that mixes blasts of majestic rock with meditative and moody acoustic pop and folk. The result is a ruthlessly thrilling album by a band that has long flown beneath the radar of the mainstream but are kindred spirits with such contemporaryAmericana envelope- pushers as Wilco, My Morning Jacket and Spoon. Distant Drumming benefits from the evolution of the band’s two songwriters—Alan Walker and Erik Philbrook— into separate but equally provocative lyricists.
[Show full text]
Michael Grace / Tapeop Behind the Gear
was getting pretty busy at night building custom mic Behind The Gear preamps for people, so I quit working for that company This Issue’s Prince of Preamps and started out on my own. That remained a garage operation for several years until my brother Eben and I Michael Grace joined forces and became partners. We decided we by Walt Szalva wanted to start a manufacturing company and build preamps on a larger scale so we could take advantage of the economies of scale, being able to buy better components and build things that were not absolutely stressed in terms of cost. That was almost twelve years ago when we came out with the first official Grace Design product, which was the 801 preamp. What kind of problems does a small manufacturer like yourself encounter in terms of designing and building Michael Grace started Grace feedback amplifier, or a trans-impedance amp, and something that a larger manufacturer Design in 1994, a boutique pro these types of amplifiers use a different kind of might not encounter? audio company located in Boulder, negative feedback in the current domain instead of the CO. The story of his rise as a Quality control is the top issue for any manufacturing designer is one born from a love voltage domain. They are able to track really complex company. Being a boutique manufacturer, most of our of music. His need for a preamp to waveforms, resolve rich harmonic structures and track products are fairly expensive and not something that record Grateful Dead concerts transients without the various aberrations of slew rate someone just plunks down on a credit card on a whim drove him to design his first limiting and things that are associated with textbook for their studio.
[Show full text]
Method to Our Madness As a New Beginning for Method to Our Madness Let Me Down Hard
The last few years have been busy ones for Frankenstein 3000. After promoting their third full-length release, the well-received Where Do We Go From Here, for the good part of 2009, culminating with the band headlining the Love & Rockets Tribute CD Release Party, they spent a few months working on their second covers album and things did not slow down in 2010. Early in the year Frankenstein 3000 unleashed They’ll Be Waking Up Soon to more positive reviews; they served as the back-up band for legendary Dead Boys guitarist Cheetah Chrome as well as ex-Bongos leader Richard Barone; they put their unique stamp on songs by Queen, Devo, The Cars and Alice Cooper for a tributes on Main Man Records; they played numerous shows with David Johansen, recent Rock And Roll Hall Of Fame inductee Dennis Dunaway, The Batusis, Steve Conte & The Crazy Truth, Skid Row, Blue Coupe and a highly successful benefit show headlined by members of Bon Jovi; and front-man Keith Roth landed the lead role in an independent film, Let Me Down Hard. Throughout it all Frankenstein 3000 still found the time to record their strongest collection of songs yet. Method To Our Madness features 16 tracks, some of which have been revisited from earlier releases. Long-time fans may recognize titles like “Going Away”, “Everybody Else” and “Panic In Needle Park”, but the band feels that this is the first time these songs are being properly represented. “We decided to polish up some old gems, quite a few we had played live for a long time but never released” says guitarist/vocalist Keith Roth.
[Show full text]
Song Stories
Song Stories Music That Brings Back Memories and Emotions (Vol. 1) Kyle Bylin Song Stories Music That Brings Back Memories and Emotions (Vol. 1) Kyle Bylin © 2016 Kyle Bylin Contents CONTENTS 1 Introduction By Kyle Bylin Songs become a part of the story of our lives — something we take with us wherever we go. Inside of us, in our hearts and minds, their lyrics linger. We recall those words, but what we remember isn’t what they meant to the artist who wrote them. It’s what they mean to us. We interject ourselves into their songs, and it feels as though they mirror our own memories and emotions. Songs give us insight into those around us — those we love and hate. We see dysfunction in our relationships, come to understand the beauty and the darkness of our love, and gain empathy for the true nature of the human condition. Some songs make us happy, while others bring sadness. Some songs connect with our present, and others bring us back to the past. They help us recall the memories we have long forgotten. Some songs we simply enjoy because they don’t remind us of anyone or anything. Songs are tied to our personal identity and to particular moments in our lives. The more charged with emotion a chapter becomes, the more likely it is that a song will be associated with our memories of it. And not only with our memories of the events themselves, but with how we remember feeling. This is what music does for us. It connects with the stories of our lives.
[Show full text]
PRESS RELEASE; for IMMEDIATE RELEASE Contact Linda Adams
PRESS RELEASE; FOR IMMEDIATE RELEASE Contact Linda Adams: 909-925-7337 PHIL YEH, GODFATHER OF THE AMERICAN GRAPHIC NOVEL, SIMPSONS’ CARTOONIST PHIL ORTIZ TO PAINT A MURAL AT NEW YORK’S HOTEL PENNSYLVANIA ON MAY 27 AND AT BOOKEXPOAMERICA ON MAY 29-31, 2009 Phil Yeh, often called the Godfather of the modern American Graphic Novel, will paint a new mural promoting literacy and the arts in the lobby of Hotel Pennsylvania on Wednesday, May 27, from 11 am to 6 pm. The historic Hotel Penn is located across the street from Madison Square Garden at 401 Seventh Avenue. Phil Ortiz, one of the original artists behind the Simpsons, will join Yeh in creating this work of art, which will be donated to the city’s schools and libraries after the event. The two artists will also paint a second mural at the BookExpoAmerica trade show at the Javits Convention Center from May 29-31. Yeh will be giving away copies of a special collector’s preview edition of his new Dinosaurs Across New York comic book at both events. Everyone is invited to help create the mural for the City of New York on May 27 at the Hotel Pennsylvania. These family friendly mural events are sponsored by The Hotel Penn- sylvania, BookExpoAmerica, ComiXpress, The Palm Restaurants, Brother Jimmy’s BBQue, and Mustang Harry’s Restaurant. Legendary musician Candy John, (drummer for Donovan from 1966 -1970), will be at the Hotel Penn- sylvania event to play a few songs. His percussion work was also featured on Donovan’s “Beat Café” concert series at Joe’s Pub, with Richard Barone at Joe’s Pub, the Marc Bolan 40th Anniversary Tribute in Central Park, and with Denny Laine (Moody Blues & Wings) at the Cutting Room for May Pang’s birth- day celebration.
[Show full text]
COVER STORY Introduction Peermusic Was Founded in 1928 By
COVER STORY Introduction Peermusic was founded in 1928 by Ralph S. Peer and continues to be privately owned by the Peer family. In 1923, working for the Okeh Record Company Ralph S. Peer made the first recording of a black artist performing the blues, "Crazy Blues" by Mamie Smith. It was the first R&B recording in the country and Ralph became a specialist in the music of the South, where he traveled as a talent scout. A year later he recorded Fiddlin'John Carson playing "Little Old Log Cabin Down The Lane," generally regarded as the first commercial country recording. Peer left Okeh when it was sold to the American Phonograph Company (later CBS) in 1927. When the Victor Talking Machine Company couldn't match his previous salary, together they formed a publishing company which held the copyrights of the songs he was recording. Two of his major finds were the Carter Family and also Jimmy Rodgers. In the 1930's he went to Puerto Rico and recorded Pedro Flores and Ralph Hernandez. In Mexico he discovered a new style of music called 'bolero' and signed the material of Augustin Lara. Peer then began traveling throughout South America finding music he then had his staff in the U.S. obtain English lyrics to and present to the big bands of the day. These Latin melodies quickly became standard repertoire for the big bands. Ralph's next move was to London in 1932, where he opened an office to establish a European operation. Offices then opened throughout the world from this base.
[Show full text]
A Conversation with Amy Rigby by Frank Goodman
A Conversation with Amy Rigby by Frank Goodman (Puremusic.com 5/2003) One of our main missions at Puremusic.com is discovering and proliferating what we feel is good pop music for grownups. Frequently these acts may have a retro sound of one era or another, sometimes several eras in a given record. Because only AAA radio will play a given percentage of these artists, many of them are flying under the radar. Some tour as bands, others make produced records and hit the road as solo artists in singer songwriter type venues, and open up shows or even tours for bands when opportunity knocks. One of the best and highest profile examples of this is Amy Rigby. If there is a woman out there writing funnier songs than Amy, we want to hear about it. Bittersweet, poignant—sure, she’s all that, too. But as the writer of “Tonight I’m Gonna Give the Drummer Some,” “I Hate Every Bone in Your Body But Mine” and “Are We Ever Gonna Have Sex Again?” she towers above the supposedly funny songwriters we’ve come across, especially the silly or overstated variety. Although she has brilliant and subtle songwriting cohorts in the likes of Bill DeMain, Steve Allen, and Bill Lloyd, she can and mostly does do it all by herself. Consider the first chorus on her new record Til The Wheels Fall Off (on Signature Sounds), from the song “Why Do I”: Why do I pull wings off butterflies Look for things that hurt my eyes I kiss the boys but I’m the one who cries Why do I get off on misery Loneliness feels good to me I’m happy when I’m all hung out to dry Why do I But when I call her funny, I’m also underselling her, because her keen vision into the fragility and fragmentation of the grownup condition goes beyond that.
[Show full text]
1 a Conversation with Jill Sobule by Frank Goodman
A Conversation with Jill Sobule by Frank Goodman Puremusic 3/2002 I first saw Jill Sobule play in my early days in Nashville, ’89. In those days, before the 48 Hours story and the forgettable movie that centered around it, The Bluebird Café was a hip place for aspiring songwriters to hang out. Between the New Traditionalist movement in the late 80s and early 90s spearheaded by Randy Travis and the Steve Earle/Lyle Lovett wave, a lot of new blood was coming into town. Songwriters and singers of many descriptions were thinking that this looked like a pretty hip scene, and it was, for a little while. To the newcomer, there were so many good songwriters to be absorbed and emulated in rooms like The Bluebird that one could go out every night (and I did) and see people that were writing hits, or writing great songs. And the town got bigger, even the newcomers could feel it swell. In those days, before the country boom of the mid 90s (and the inevitable, subsequent bust of the late 90s) one of the new writers on the scene was a diminutive, blonde dynamo from Denver named Jill Sobule. She wasn’t playing the tiny Vagabond Travel Guitar just yet, which would soon come to be her trademark. She was playing very cool, jazzy pop songs on a nylon string with a keyboard player who had a million great sounds. By jazzy pop songs I mean here that they were inventive, cutting edge pop songs that used jazz chords, not that they sounded in any way like jazz standards.
[Show full text]
November-December 2007 Newsletter
H oboken H istorical M useum NewsletterVolume 13, Number 6 November/December 2007 A lot of the new paintings in this exhibition, Hanavan says, “are on broadly rectangular canvases, almost a cinemat- ic aspect ratio. This reflects my changing sensibilities about how to best describe a landscape subject.” He modestly gives more credit to Hoboken’s unique char- acter than he does to his own talent. “I try to paint the subject just as it appears and in no way do I try to alter the appearance of the subject,” he says, explaining representational realism. “If the subject looks good in the painting, it is mostly due to the fact that the subject already looked good in real life.” A fan of Hoboken’s sidewalk culture, Hanavan says, “it’s a friendlier vibe than you have in New York. I’ve gotten to Frank Hanavan captures light and shadows at play in Hoboken landscapes know scores of Hobokenites through painting in various Hoboken locales over and over through the years.” Frank Hanavan: Part of the Landscape This summer, painter Frank Hanavan and his easel have been nearly as ubiquitous as the Mr. Softee ice cream truck around the neighborhoods of Hoboken. This Jersey City- based artist usually divides his time between Hudson County and New York City, but he spent the bulk of his summer paint- ing scenes of Hoboken for his second show at the Hoboken Historical Museum in four years. In the practice of plein air artists, Hanavan prefers to paint outdoors, in front of—almost a part of—the landscapes he’s Speakers, Sinatra Idol Contest been fascinated by for almost two decades.
[Show full text]
The Bongos, Phantom Train (JEM Records): with the Recent Shuttering
The Bongos, Phantom Train (JEM Records): With the recent shuttering of Hoboken’s famed rock venue Maxwell’s, one of the club’s (and the city’s) most famous exports, The Bongos , stepped back into the spotlight to bid it goodbye as the last act to perform there. Fronted by Richard Barone and James Mastro (now playing with Ian Hunter ), the group was one of the first "college rock" bands, scoring alterna-hits like "In the Congo" and "Numbers with Wings." This reissued album was originally recorded in 1986 after the band’s final RCA album, ‘85’s Beat Hotel , but never saw the light of day, and marks a reunion with the just- revived JEM label owner Marty Scott , who released the group’s 1982 full-length debut, Drums Along the Hudson , on the PVC imprint of his then vital Plainfield, NJ, import distributor. The remixed 14-track package, which features three previously unreleased recordings, offers the martial rhythms and shiny, tick-tock techno-pop hooks of the ‘80s on tracks like the first single, "My Wildest Dreams," which also combines British invasion vibes straight out of the Stones ’ "Under My Thumb:" and the shiny new Cars smell of "One Bold Stroke." At the same time, Primal Barone influences like T. Rex , John Lennon and Iggy circa "Gimme Danger" slip their way into the cover of Donovan ’s "Sunshine Superman," the psychedelic "Saturn Eyes" and the doomy "Roman Circus," respectively. One of the unreleased demos, "Under Someone’s Spell," proves the hidden link between the Feelies and Neil Diamond ’s "Cherry Cherry," while "Run to the Wild" echoes "Number with Wings" and the title track offers a moody, melodic harbinger of The Shins that makes you wonder what a collaboration between Barone and Danger Mouse might sound like.
[Show full text]
For '64 Fall Semester the HOYA Has Recently Elected Its Editorial Board for Death Unexpectedly Ended Dr
Vol. XLl~, No. ~ 15 GEORGETOWN UNIVERSITY, WASHINGTON, D. C. Thursday, February 13, 1964 Dr. Ruby's Demise New Editors, Columns From Heart Attack Luxury Halls Slated Ends Long Service Vivify Expanded HOYA On February 1, sudden For '64 Fall Semester The HOYA has recently elected its editorial board for death unexpectedly ended Dr. the 175th Anniversary Year, 1964. The announcement of James S. Ruby's 26 years of ! the new board is made in conjunction with the expansion service to Georgetown. The of The HOYA to the status of an all-undergraduate news Executive Secretary of the paper. In the future, beginning with this issue, The HOYA Alumni Association suc will be distributed to and written by the undergraduate cumbed in his home, 4461 Green I wich Parkway, at the age of 58. students - College, Foreign Born in Helena, Montana, Ruby I Curley Science Series Service, Institute of Lan earned his Bachelor of Arts, Mas guages & Linguistics, Busi ters, and Doctoral degrees at Features MIT General Georgetown. During his tenure as ness Administration, and chairman of the GU English De I! On Science Socialism Nursing - of Georgetown partment he edited a collection of ! University. verse with Philip Kane, George i by Dick Conroy town Anthology. The fifth lecture of the At the outbreak of World War I New Columns II, Ruby was a lieutenant colonel I James Curley Science Series in the United States Army. He will be delivered in Gaston The 1964 editorial board includes was promoted to chief of the liaison NO MORE RUBBISH .•. will be filed behind New North when Hall next Tuesday by General one senior, nine juniors, five soph branch of the War Department.
[Show full text]