Un)Conscious Representation: Race, Gender, Ideology
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Memetic Proliferation and Fan Participation in the Simpsons
THE UNIVERSITY OF HULL Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons being a Thesis submitted for the Degree of PhD Film Studies in the University of Hull by Jemma Diane Gilboy, BFA, BA (Hons) (University of Regina), MScRes (University of Edinburgh) April 2016 Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons by Jemma D. Gilboy University of Hull 201108684 Abstract (Thesis Summary) The objective of this thesis is to establish meme theory as an analytical paradigm within the fields of screen and fan studies. Meme theory is an emerging framework founded upon the broad concept of a “meme”, a unit of culture that, if successful, proliferates among a given group of people. Created as a cultural analogue to genetics, memetics has developed into a cultural theory and, as the concept of memes is increasingly applied to online behaviours and activities, its relevance to the area of media studies materialises. The landscapes of media production and spectatorship are in constant fluctuation in response to rapid technological progress. The internet provides global citizens with unprecedented access to media texts (and their producers), information, and other individuals and collectives who share similar knowledge and interests. The unprecedented speed with (and extent to) which information and media content spread among individuals and communities warrants the consideration of a modern analytical paradigm that can accommodate and keep up with developments. Meme theory fills this gap as it is compatible with existing frameworks and offers researchers a new perspective on the factors driving the popularity and spread (or lack of popular engagement with) a given media text and its audience. -
Well Seymour I Made It Despite Your Directions
Well Seymour I Made It Despite Your Directions Abe often loops unenviably when undiscussed Saundra underworking mordantly and recomforts her luminescence. Hyperphysical Taddeus gobbles infinitesimally, he equipoising his ascents very speculatively. Then Bennett never preach so starkly or macadamizes any ostriches phut. The Simpsons Steamed Hams Lyrics. Making light makeup have coal to sharing funny memes and tweets about 2021. Determined by independent artists, despite your own beat him of madagascar stop motion claymation rpg maker game, seymour i made it despite your directions ah superintendent chalmers does not to be made it turns him. Simpsons season 29 finale song Bayou Microfund. Norflax Oxdun Sidetower with Nick The Bard Playlist WFMU. 66 Get Directions Lehigh Valley PA 951 Marcon Blvd Suite 5. The KIDS COUNT data Book that assesses child reside-being in the United States. Your order a role and lets milhouse, welcome to get enough royals to. Bunge memphis Taverna Kia Kropolis. Just great just those we give strength as lord as evaluation the detty. Dress like facts have some kids then falls through his position to officially receive an albany, i made it was supposed to stay in utica. Bart is shown you are an order to circumvent pirate bay blocks, it with affection in this website or other state agencies. As my car and enjoying it into this is an effect on recon in this on many people, authoritative source of different process. VÅ¡echny obchodnà znaÄ•ky jsou vlastnictvÃm pÅ™ÃsluÅ¡ných majitelů v, well seymour i made it despite your directions ah, made of destruction and. -
The Performance of Intersectionality on the 21St Century Stand-Up
The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness. -
Locating South Asians in 21St Century American Popular Media
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Just Like Everyone Else? Locating South Asians in 21st Century American Popular Media Bhoomi K. Thakore Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Sociology Commons Recommended Citation Thakore, Bhoomi K., "Just Like Everyone Else? Locating South Asians in 21st Century American Popular Media" (2013). Dissertations. 549. https://ecommons.luc.edu/luc_diss/549 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Bhoomi K. Thakore LOYOLA UNIVERSITY CHICAGO JUST LIKE EVERYONE ELSE? LOCATING SOUTH ASIANS IN 21st CENTURY AMERICAN POPULAR MEDIA A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN SOCIOLOGY BY BHOOMI K. THAKORE CHICAGO, IL MAY 2013 Copyright by Bhoomi K. Thakore, 2013 All rights reserved. ACKNOWLEDGEMENTS This dissertation would have not been possible without the guidance of my committee members. First, I would like to thank my chair, Dr. J. Talmadge Wright. During the 2+ years that we have worked together, I have learned a great deal from you about audience studies and the very unique world of media sociology. In the fall of 2012 leading up to my dissertation defense, I had the privilege of meeting with you on a weekly basis to talk about my research, my teaching, my job market status, and everything in between. -
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30 Established 1961 Thursday, May 3, 2018 Lifestyle Music & Movies Watching the detectives: The movie sleuths saving silent cinema n the Spanish colonial-style environs of Hollywood’s knowledge amassed over a lifetime, information that can- reels, any of which could be lost through nitrate deterio- Roosevelt Hotel, around 100 film buffs chew pencils, not simply be culled from the Internet Movie Database or ration, fires or floods. Picture houses failing to return Ipolish spectacles and furrow brows in the flickering crowd sourced on Twitter. prints, poor handling, silent-era bootleggers and faulty glow of long-forgotten silent movies. These cinema projectors were among the hazards a studio would face sleuths are being shown a selection of snippets from We’re very proud’ trying to hang onto its beat-up movies. Among the more thousands of old films stored lovingly by the US Library “Anyone recognize that typewriter?” Library of high-profile gems uncovered by “Mostly Lost” are a 1928 of Congress-despite no one having the foggiest idea Congress technician Rachel Del Gaudio asked hopefully, Walt Disney cartoon, a 1933 Three Stooges color short, a what most of them are. poised with pen and pad as those present scrutinized the 1927 comedy by John Ford and “The White Shadow,” the The library hosts annual “Mostly Lost” workshops at grainy monochrome footage. “Some attendees have a earliest surviving film credit for Alfred Hitchcock. its Packard Campus in the foothills of Virginia’s Blue great knowledge of film history already but that’s not A stolen baby mixup vignette screened at the Ridge Mountains, where scholars and plain old enthusi- required. -
1707 Stereotypes of South Asians in Media Connected to South Asian
AP Research (2021) Stereotypes of South Asians in Media Connected to South Asian Teenagers’ Internalized Racism Lalitha Viswanathan1 and Brian Vernachio1# 1Cherry Hill High School East, Cherry Hill, NJ, USA #Advisor ABSTRACT 2020 put the entire world upside down in its call for racial equity and justice. During these unveiling times, minorities in America have come forward in protest of racial and ethnic stereotypes which Hollywood still plays into. This research paper capitalized on the removal and protest of these characters and dove more specifically into South Asian stereotypes which have been reinforced by television show and movie characters. The claim in these cries of disap- proval for these stereotypes was that it caused internalized racism in people who were brought up watching these stereotypes forced upon them. As building a body of knowledge progressed, the unmade connection of stereotypes to internalized racism in formal research became apparent, and therefore the research paper intended to see if there was a correlation between South Asian stereotypes and internalized racism. In order to identify internalized racism among South Asian teenagers, an open-ended survey was used as a method, followed by a mixed analysis to identify self- stereotyping indicators which would denote internalized racism. The research in the end did find a staunch correlation between the South Asian stereotypes and internalized racism in today’s South Asian teenagers. While today’s teenag- ers cannot rid themselves of the stereotypes already imposed on them, future South Asian children might possibly have accurate and fair representation in subsequent years. Introduction "Thank you, come again." These four words are the trademark quote of the now-infamous character of Apu Nahasa- peemapetilon, a Bengali convenience store owner from The Simpsons. -
The Controversy Over Apu and the Simpsons
When Comedic Stereotypes Cease to Be Funny: The Controversy over Apu and The Simpsons From characters such as Tonto in the 1950s show, The Lone Ranger, to Apu Nahasapeemapetilon from the highly acclaimed cartoon The Simpsons, racial and ethnic stereotypes remain an abiding concern throughout the media. Though strides toward equal representation and accurate racial depiction in movies and television are being made, racial stereotypes and jokes regarding race and racial stereotypes continue to run rampant across genres. This is especially true for comedy, a genre that thrives on pushing the boundaries of appropriateness, tasteful humor, and what is often called “political istolethetv / CC BY 2.0 / modified correctness.” An important part of this debate centers on whether these stereotypical portrayals made for the sake of getting a laugh are truly harmful or if they are simply making hot-topic issues seem less dauntingly serious. Following the making of a documentary by comedian Hari Kondabolu entitled “The Problem with Apu,” The Simpsons has faced an onslaught of criticism about Apu, the Indian convenience store owner with a heavy accent. The show responded via a scene featuring a short interaction between characters Marge and Lisa in its 29th season; Lisa breaks the fourth wall and states to the camera, “Something that started decades ago and was applauded and inoffensive is now politically incorrect. What can you do?” Many concerned with the show’s portrayal of Indian-Americans seemed to perceive this response as dismissive. Matt Groening, the creator of The Simpsons, has largely written off the backlash saying, “I’m proud of what we do on the show. -
The Last Resort | Apollo 11 | Birds of Passage | the Facebook Dilemma | Hillbilly | Jihadists | Cuban Food Stories | Poetry in America Ent Tainment
May-June 2019 VOL. 34 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES NO. 3 IN THIS ISSUE The Last Resort | Apollo 11 | Birds of Passage | The Facebook Dilemma | Hillbilly | Jihadists | Cuban Food Stories | Poetry in America Ent tainment BAKER & TAYLOR’S SPECIALIZED ENTERTAINMENT TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Le n more about Bak & Taylor’s Ent tainment team: ELITE Helpful personnel focused exclusively on Entertainment products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide processing staff ready to prepare your movie and music products to your shelf-ready specifications KNOWLEDGEABLE Full-time staff of catalogers, backed by their MLS degree Experience and more than 43 years of Baker & Taylor is the media cataloging expertise most experienced in the business; selling Entertainment products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review The Last Resort show cat who attained feline cult status in her short lifetime), and photo galleries. An HHH1/2 (2018) 70 min. DVD: offbeat portrait of a bygone time and place $29.95 ($349 w/PPR from in America, this is highly recommended. Publisher/Editor: Randy Pitman www.kinolorberedu.com). Aud: C, P. (C. Cassady) Associate Editor: Jazza Williams-Wood DRA. Kino Lorber (avail. from most distributors). Editorial Assistant: Christopher Pitman Closed captioned. A fine companion Graphic Designer: Carol Kaufman Inspired by a 1970s film toThe Last Resort photography-docu- Marketing Director: Anne Williams is Next Year Jerusalem mentary project (that (VL-1/15). -
Professor Henry Louis Gates, Jr
PBS Winter 2020 Press Tour Panel Biographies Asian Americans Premieres May 2020 on PBS (check local listings) Hari Kondabolu, series participant Hari Kondabolu is a comedian, writer & podcaster based in Brooklyn, N.Y. He has been described by The New York Times as “one of the most exciting political comics in stand-up today.” In 2018, his Netflix special Warn Your Relatives was released, and he was named one of Variety’s Top 10 Comics To Watch. Hari has released two comedy albums, “Waiting for 2042” and “Mainstream American Comic,” with the legendary indie rock label Kill Rock Stars. He has performed on The Late Show with David Letterman, Conan, Jimmy Kimmel Live, John Oliver’s NY Stand-Up Show, @Midnight and has his own half-hour special on Comedy Central. He is a former writer & correspondent on the Chris Rock produced FX TV show Totally Biased with W. Kamau Bell. In 2017, he released his critically acclaimed documentary The Problem with Apu on truTV. Hari is a regular on the public radio gameshow “Wait Wait, Don’t Tell Me.” Hari has also appeared on such notable radio shows and podcasts as “Fresh Air with Terry Gross,”” WTF with Marc Maron,” ‘2 Dope Queens,” “Morning Edition,” “All Things Considered,” “A Prairie Home Companion,” “Wits,” “Studio 360,’ and “Bullseye.” He co-hosted the popular “Politically Reactive” podcast with W. Kamau Bell and currently co-hosts “The Kondabolu Brothers Podcast” with his brother Ashok on Earwolf. Hari attended both Bowdoin College and Wesleyan University, graduating from the former institution with a B.A. -
A Textual Analysis of the Royal Tenenbaums
University of Rhode Island DigitalCommons@URI Open Access Master's Theses 2019 WHEN THE ALTERNATIVE BECOMES HEGEMONIC: A TEXTUAL ANALYSIS OF THE ROYAL TENENBAUMS Patrick Crowe University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/theses Recommended Citation Crowe, Patrick, "WHEN THE ALTERNATIVE BECOMES HEGEMONIC: A TEXTUAL ANALYSIS OF THE ROYAL TENENBAUMS" (2019). Open Access Master's Theses. Paper 1473. https://digitalcommons.uri.edu/theses/1473 This Thesis is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Master's Theses by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. WHEN THE ALTERNATIVE BECOMES HEGEMONIC: A TEXTUAL ANALYSIS OF THE ROYAL TENENBAUMS BY PATRICK CROWE A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN KINESIOLOGY UNIVERSITY OF RHODE ISLAND 2019 MASTER OF SCIENCE THESIS OF PATRICK CROWE APPROVED: Thesis Committee: Major Professor Kyle Kusz Scott Kushner Annemarie Vaccaro Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2019 Abstract Wes Anderson has been designated by many as one of the first ‘Indiewood’ directors. While his films possess a quirky, atypical, and oddball visual and aesthetic style, at least one of his films, The Royal Tenenbaums, offers performances of gender and race—particularly of white masculinity—that reinforce a number of gender and racial stereotypes (Beynon, 2002; Buchbinder, 2013; Connell, 1995; Kimmel, 1996; Moss, 2011). In this thesis, I conduct a critical textual analysis on The Royal Tenenbaums to illuminate the retrogressive gender and racial ideas that Anderson uses to constitute various performances or models of white masculinity. -
Doc Nyc Announces Full Lineup for Eighth Edition November 9-16, 2017
DOC NYC ANNOUNCES FULL LINEUP FOR EIGHTH EDITION NOVEMBER 9-16, 2017 Program Includes 23 World Premieres, 23 U.S. Premieres Among Over 250 Films and Events Greg Barker’s The Final Year Opens Festival; Eric Clapton: Life in 12 Bars Closes Event With Director Lili Fini Zanuck & Eric Clapton In Person; World Premiere of Far From the Tree Screens As Centerpiece New Films By Barbara Kopple, Errol Morris, Chris Smith, Sam Pollard, Joe Berlinger NEW YORK, Oct. 11, 2017 – DOC NYC, America’s largest documentary festival, announced the full lineup for its eighth edition, running November 9-16 at the IFC Center in Greenwich Village and Chelsea’s SVA Theatre and Cinepolis Chelsea. The 2017 festival includes 111 feature-length documentaries among over 250 films and events overall. Included are 23 world premieres and 23 U.S. premieres, with more than 350 doc makers and special guests expected in person to present their films or participate on panels. Special Events announced today include Closing Night Film, the NYC premiere of Eric Clapton: Life in 12 Bars, directed by Lili Fini Zanuck, with the acclaimed musician in attendance; Centerpiece Film, the world premiere of Far From the Tree, director Rachel Dretzin’s adaptation of Andrew Solomon’s bestselling book; and the NYC premiere of Wormwood, an ambitious new project from Errol Morris exploring the 1953 death of a CIA agent. Previously announced, the NYC premiere Greg Barker’s The Final Year, accompanied by members of the Obama administration, will open the festival. World premieres at the festival -
University of Pardubice Faculty of Arts and Philosophy American Cartoons
University of Pardubice Faculty of Arts and Philosophy American Cartoons: Parody and Satire in South Park and The Simpsons Jana Brandová Master thesis 2011 Uniw€.2ita Paldu!ice Fát!lťa fflozoffck{ AkadeDi.lý lok: 2010/2or1 ZÁDANI DIPLoMovE PRÁCE (PRoJEKTU' UNĚLEcKÉlIo DiL^, !lNlELEcIrÉJro vÝKoNU] HO5ll6 M7503 UčiťelstviI.o základni školy učitelstwíangljďého jeylá Ámerické krcslené seriály: párodie a saťjfa w south Pa.ku Katedra áng1istiky á ámei]<anisťjky Zása,]y pro rypra(oráli: studonik, s vyuŽitnn Iclcvxnll)i s.L n.ltirni liielatuN nejpŇ olrj6.i ?'kla{lli pojD}. s lini' lrudť placo}il túpř slfj.a' parodn, l bldé dofinovai lcaÚools.]. ol,a z\.letré l@ďéné scliíly Da} dÓ k,h.io koDiexiu zsadi. 6vůj výběl zdil]odni'inr a ob, té' .halakleliz j. s Óhlldcn laieji.I sp..jiiika JádEIn práce bude analýZ' vybralý.lr op'od zv!hnÝ.I' seliá]ů, Y lížsc siudelika zanĎři . něktorá tómatá napi. siál,IIi školsh'i, Iasoli IÍahy lromos.\uJ]iiu a neleBáhi piisLěho\tlcťtai (tén.tn, která podlc plůzkunů leíjniho llininj !cjvícť ?n.pokojuji ii l:ilo' o1'ě IozdólL|i an'ornjk] občaly)' kLlltunrí análýZu si,LdentLl oIie Ó Ít.val l(riin[é Zdloje a s\n ýýrÓdy ťlro.lné do]ožíodliazr na primilri dila. Po]edlí ," 'rpoJr,. " L.'-', 1.,,.,.-.t tr ,, roz]joI l Y]'slovi ob.c|ójši Závřrr ! nroŽrcí..hj Dodo!á.h á t.fckliviiě sÍn'j.kÍ.]r postnPli \oL,' .,,. ,' , I ]tozsJh tsIÚicbilr l,rÍ.i l]ozsú pr lvní zprálv] Foua Zplalll:nli dij'.nxx! pl'ťe s'nm onbomé liiclatul!: Áttraldo, s' Linguistic leories ofEulrou.' New Yoll:MÓúÍťÓn d€ Gru_ yster) 1994 Áťirandoj s.