DOCSLIB.ORG

Hope Empower Connect Faith & Action: Clergy As Allies People Like Us Live Like This the Family Restored

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hope Empower Connect Faith & Action: Clergy As Allies People Like Us Live Like This the Family Restored FOR MAINE’S RECOVERY COMMUNITY ISSUE 4 SEPT/OCT 2019 FREE Creative Recovery The Family Restored People Like Us Live Like This Faith & Action: Clergy as Allies hope empower connect SHARINGPAID ADVERTISEMENT THE We treat each person as a unique individual. Creating a solid foundation TOOLS TO HELP in recovery and achieving a life of peace & purpose! There is hope for men seeking recovery from drug & alcohol LIFT UP OTHERS addiction! When someone misuses substances to Beautiful surroundings in Hollis 28-day treatment program self-medicate unaddressed mental health Spiritually based program of conditions, support from a loved one can help. Recovery Study & practice as outlined in the Big Book The Maine Chapter of the National Alliance Structured program to start on Mental Illness – a partner of the Rx Abuse building a 12-step way of life Leadership Initiative of Maine – empowers people to intervene and share resources. www.providenceretreat.org (207) 298-9130 Working together, we’ll help address the opioid epidemic. Learn more at rali-me.org. * Providence Retreat is not affiliated with AA PAID FOR BY RX ABUSE LEADERSHIP INITIATIVE FOR MAINE’S RECOVERY COMMUNITY PUBLISHER Carolyn Delaney EDITOR Patricia McCarthy CREATIVE DIRECTOR Michael Geneseo CONTRIBUTING WRITERS Alison Jones Webb Amy Paradysz Casey McClurkin David Lee Kimble Greene Lara Santoro Catherine Berce Patricia McCarthy Sarah Kelly Sarah Siegel JOURNEY TEAM Barbara Connor Brenda Briggs Brian Delaney Carolanne Sullivan Carole Fontaine Deborah Train Kathy Potter Keagan Delaney Lisa Twombly Mary Atwood Mickie Kucinkas Nancy Wolach Niki Curtis Sue Dancil Sarah Lunt [email protected] (207) 679-5005 533 Congress St. Portland, ME 04101 www.recovery-journey.com CONNECT WITH US /recovery.journey.in.maine From left - David Lee, Nancy Wolach, Sue Dancil, Mary Atwood, Linda Riddell, On the cover: Glenn Simpson in Niki Curtis, Lisa Twombly, Carolyn Delaney, Sarah Lunt, Mickie Kucinkas, Patty front of Portland’s East End grafitti McCarthy. Sitting – Kimble Greene and Carole Fontaine wall | Photo by Brian Delaney SEPT/OCT 2019 3 A letter from the publisher Whether you use The Creative Type a pen, a camera, a paintbrush, a musical Big deep breaths! instrument, your vocal cords, physical As I sit here in East End’s gazebo staring at Casco movement or any of Bay, trying to get this letter written, I’m reminded the many, many other of how important breathing is. With about 48 hours means, using our until we print, I’m almost out of time and now just “voice” to share our have to do it. Maybe you can relate? self with others is not only how we connect but also how we amplify. This issue about creativity is full of inspiring ways to unveil, unleash and let unfold that piece inside This issue includes many wonderful stories about of you that allows for an expression of yourself to how people are using their voices to help connect either be seen by others or celebrated personally. and amplify hope – from sock monkeys to beautiful jewelry to colorful trucks – their “voices” are being We all have it within us, as Sarah Kelly’s article tells heard and shared. us. How we access creativity for ourselves is as different for each of us We have no idea how as our own fingerprints, much we impact others and my work is to – we can’t know the full uncover those ways for extent of each ripple myself. effect of each expression of ourselves. I believe our I find that I can access work isn’t to know … but that part of me in to just do. different ways on different days. I can Recovery is possible! feel creative by shining We say it over and over what God gave me and because the entire cleaning my kitchen. I Journey team believes can feel creative energy it – strongly! Our goal when I do geeky things is to amplify hope and with data analysis. And celebrate freedom from sometimes, on days addiction. We creatively like this, that energy is express ourselves here all around me and all I – in writing, through need to do is sit, breathe and let the freshness of the ideas, via photographs, in print, And we provide an air in and the incredible view feed my soul as I type. opportunity for you to do the same! Visit our website and click on Share Your Journey to see the various People who use creative expression to share a piece ways you can share in the magazine. of themselves externally have always fascinated me, partly because I didn’t consider myself “the creative I may not know the ripple effect created each time type” for much of my life. I do know today that I was these Journey pages head to the printer, but I do pretty harshly judging myself based on what I saw know that I’m responsible for what I amplify. others capable of in their expressions. Today, I choose to amplify hope. Today, I can appreciate my own brand of creativity. Sober sister hugs, I can accept that the goal isn’t necessarily to produce something but rather to allow myself that expression of who I am as a human being – and either celebrate it quietly with myself or share with others. And how that becomes visible to others is possible in so many ways. Carolyn Delaney, Publisher 4 SEPT/OCT 2019 inside In This Issue Making Connections ............................................6 Transformed: Eric Sorensen ............................10 Creative Recovery .............................................. 12 Foster Creativity, Grow Your Career .............16 Wings for the Soul ..............................................18 12. Bridging the Brain ............................................. 20 In Every Issue Readers Share ........................................................9 On The Journey ..................................................19 Recovery Allies ...................................................22 Employer Profile .................................................24 This Recovery Life .............................................27 28. People Like Us Live Like This ........................ 28 Wellness Recovery ...........................................30 Financial Recovery ........................................... 32 Nonprofit Showcase ......................................... 33 Many Paths .........................................................34 Resources ............................................................ 36 24. A core value for Journey is inclusivity. We respect and value humans … …period. MAGAZINE SEPT/OCT 2019 5 Making ConnectionsFrom altered journals to sock monkeys, creativity can be a piece of the recovery puzzle PHOTO BRIAN BY DELANEY By Amy Paradysz squeeze clay, not really making you’re breaking a ‘rule’ by writing something, but connecting with in a book,” Neumann said. “And the material and then being better there’s something freeing about reativity is therapeutic, and able to not starting with a blank page.” certainly not just for artists. engage in CStitching sock monkeys, That same dialogue. painting on canvas with pre- That’s how sense of drawn images or making an simple this starting with altered journal in an art therapy can be.” something session – these sorts of activities other than can lighten the mood, forge Her a blank community or tease out buried outpatient slate can be thoughts and feelings. clients observed in often enjoy the creative “Addiction is about disconnect working efforts led and avoidance, while attachment on altered by artist Alex and connection are the root of books, Crowcroft our existence,” said Rebecca starting at Milestone Neumann, a licensed clinical with an An example of an altered book Recovery counselor and registered art existing Provided by Rebecca Neumann detox therapist with SMART Child & book and programs Family Services in Windham. being encouraged to transform and fabric artist Maggie Muth at “Cooking, gardening, pottery, fine it into something new, changing McAuley Residence, a women’s arts, movement, music – there its cover, adding to pages, taking recovery program in Portland run is healing in working with the pages out. They can collage, paint, by Mercy Hospital. earth and the hands, and we are cut, bend and fold. designed to have that sort of “Creativity drives all of us,” said connection. Some clients simply “It’s healthy risk-taking because Crowcroft, a Portland-based 6 SEPT/OCT 2019 painter, photographer and digital Crowcroft has taken the time to made a few paintings here and there.” artist who has been sober for about pre-draw canvases, transforming The fabric artist behind the annual a year. “Recovery doesn’t just have a group painting session into Sock Monkey Saturday day at to be stopping drugs and alcohol something as relaxing as coloring – Mayo Street Arts in Portland each but about doing all the things but with more novelty. February has brought stitching you love that you stopped doing projects, including sock monkey that you convinced yourself you materials, to the women at couldn’t do.” Attachment and McAuley Residence. A grandmotherly influence at “Being able to stitch, even if they’re Crowcroft’s meditation group at connection are only sewing on a pocket, has given Portland Recovery Community some of the women a real sense of Center suggested that he share the root of our accomplishment,” Muth said. “One painting with people in detox at woman held up a sock monkey and Milestone Recovery. existence. said, ‘This is the first thing I’ve made in my life!’” “People in detox are hurting, and “By the end, we’re having they’re thinking about all the conversations not only about There’s no plan, no pattern. Just things they think they should be recovery but about being human,” the invitation to make something doing,” Crowcroft said. “They’re Crowcroft said. “It’s about bringing for their children with their hands. afraid of making another mistake. art to people who have been where I can help in easing that burden I’ve been and showing them that “Everybody’s stitching develops with art, with something we there’s a glimmer of hope. We are its own personality. With a sock forgot about but enjoyed in the able to connect over there being monkey, because it has a face, past.
Load more

Recommended publications
  • Texts of Old Blog Posts
    !1 of !77 Ruined Books Blog A Book of Bibliolages—initial post, Feb. 27, 2013 A Book of Bibliolage makes a good place to begin this blog. The website goes back a few weeks now. The practice of bibliolaging goes back seven to ten years, depending on your definition. The word bibliolage goes back about three years, my invention, I think. And the blog starts now. A bibliolage is always an “altered book”—that’s the family—but, strange child in the corner, it abides by its own rules, sucks its very own thumb. (When I came up with the motto “Puerility Taken to a Whole New Level!” it made me smile, but it’s not terribly self-respectful.) A bibliolage is also always a collage, but it so severely does not hang on a wall, I had to build a website to hang it anywhere. A bibliolage sits on a shelf, here a creaky one, because the art takes a heavy book and makes it heavier. It takes a page and squares it, so the binding typically bulges. A library shelf keeps books aloft, vertical, slim, and Ssshhh-ed! My shelves sag, and the engorged volumes seem angry with being books. They protest at gravity, clamoring mirth. They revel in ruin and rue preservation. They do not resign to a system, least of all Dewey decimal. They do not speak for authority but squeal for special attention from the court. On the site you can find a list of titles, some eighty-six in the columns as of now, but the ranks are uneven, as some have struck off in wayward directions, but so far no new tendency has turned me from the !2 of !77 extraillustrative ‘lage.
    [Show full text]
  • One of a Kind, Unique Artist's Books Heide
    ONE OF A KIND ONE OF A KIND Unique Artist’s Books curated by Heide Hatry Pierre Menard Gallery Cambridge, MA 2011 ConTenTS © 2011, Pierre Menard Gallery Foreword 10 Arrow Street, Cambridge, MA 02138 by John Wronoski 6 Paul* M. Kaestner 74 617 868 20033 / www.pierremenardgallery.com Kahn & Selesnick 78 Editing: Heide Hatry Curator’s Statement Ulrich Klieber 66 Design: Heide Hatry, Joanna Seitz by Heide Hatry 7 Bill Knott 82 All images © the artist Bodo Korsig 84 Foreword © 2011 John Wronoski The Artist’s Book: Rich Kostelanetz 88 Curator’s Statement © 2011 Heide Hatry A Matter of Self-Reflection Christina Kruse 90 The Artist’s Book: A Matter of Self-Reflection © 2011 Thyrza Nichols Goodeve by Thyrza Nichols Goodeve 8 Andrea Lange 92 All rights reserved Nick Lawrence 94 No part of this catalogue Jean-Jacques Lebel 96 may be reproduced in any form Roberta Allen 18 Gregg LeFevre 98 by electronic or mechanical means, including photocopying, recording, or information storage retrieval Tatjana Bergelt 20 Annette Lemieux 100 without permission in writing from the publisher Elena Berriolo 24 Stephen Lipman 102 Star Black 26 Larry Miller 104 Christine Bofinger 28 Kate Millett 108 Curator’s Acknowledgements Dianne Bowen 30 Roberta Paul 110 My deepest gratitude belongs to Pierre Menard Gallery, the most generous gallery I’ve ever worked with Ian Boyden 32 Jim Peters 112 Dove Bradshaw 36 Raquel Rabinovich 116 I want to acknowledge the writers who have contributed text for the artist’s books Eli Brown 38 Aviva Rahmani 118 Jorge Accame, Walter Abish, Samuel Beckett, Paul Celan, Max Frisch, Sam Hamill, Friedrich Hoelderin, John Keats, Robert Kelly Inge Bruggeman 40 Osmo Rauhala 120 Andreas Koziol, Stéphane Mallarmé, Herbert Niemann, Johann P.
    [Show full text]
  • An Interview with Ken Campbell Nancy Campbell 15
    The Blue Notebook Volume 11 No.2 Spring - Summer 2017 1 The Blue Notebook is published in two formats: a PDF colour version, and a paper, black and white version. An annual subscription covers both formats for two issues, UK or international. For subscriptions, please visit: www.bookarts.uwe.ac.uk We welcome submissions of writing on contemporary artists’ books and related issues for The Blue Notebook. Please email [email protected] for guidelines or see: http://www.bookarts.uwe.ac.uk/publications/blue- notebook.html Artists’ contributions are by invitation from the Art Editor, Tom Sowden. The Blue Notebook journal for artists’ books is published by Wild Conversations Press, Bristol www.wildconversations.co.uk Editor: Sarah Bodman [email protected] Art Editor: Tom Sowden [email protected] Cover design: Tom Sowden Editorial address: Impact Press at the Centre for Fine Print Research UWE Bristol, Kennel Lodge Road, Bristol, BS3 2JT, UK Tel: +44 (0)117 328 4915 [email protected] www.bookarts.uwe.ac.uk The Blue Notebook Vol.11 No.2 Spring - Summer 2017 ISSN 1751-1712 (print) ISSN 1751-1720 (online) © 2017 publication, Impact Press © 2017 texts, individual authors © 2017 images, individual artists Permission to photocopy texts for personal use, one-off educational use in study packs, or for individual academic study is granted. For any other use, please contact the editor and the individual author or artist for their authorisation. The views expressed within The Blue Notebook are not necessarily those of the editors or
    [Show full text]
  • The Art of Altered Books, an Cara Barer Carole P
    THE GALLERY AT PENN COLLEGE Pennsylvania College of Technology Williamsport, Pennsylvania JANUARY 11 – FEBRUARY 28, 2018 INTRODUCTION ARTISTS Books become the canvas for contemporary artists in this national juried Cynthia Ahlstrin Edwin Jager Anthony Mead exhibition. Throughout history, books have been read, burned, banned, and Maine Wisconsin Arizona collected. Today, books are both valuable and disposable. Contemporary artists Heather Allen Hietala Peggy Johnston Christopher Moss hold the history of books – from scrolls (c. 2400 BC) to vegetable-fiber paper North Carolina Iowa Georgia (China c. 100 AD) to woodblock printing (Europe, 1418) and the Gutenberg Bible (1456) – in their hands when they choose to transform them into works Seth Apter Kevin H. Jones Brenda Oelbaum of art. The Gallery at Penn College is pleased to present a selection of artists New York Louisiana Michigan working in this important medium in Books Undone: the art of altered books, an Cara Barer Carole P. Kunstadt Chris Perry exhibition of altered books, book objects, collages, sculptures, installations, Texas New York Connecticut and more. Heather Beardsley Mary Larsen Gregg Silvis The Gallery at Penn College strives to be an important educational resource for Virginia Florida Delaware students and a cultural asset to Pennsylvania College of Technology and local Doug Beube Susan Lenz David Stabley communities. The Gallery exposes visitors to a wide variety of art, encourages New York South Carolina Pennsylvania creative thinking, adds to the cultural value of our community, and fosters an awareness of and appreciation for contemporary art. Since 2006, the Gallery Caryl Burtner Adriane Little Deborah Stabley Virginia Michigan Pennsylvania has hosted over 55 solo exhibitions and over 20 group or traveling exhibitions.
    [Show full text]
  • First Cut Communication from Members of the Guild of American Papercutters March 2020
    First Cut Communication From Members Of The Guild Of American Papercutters March 2020 Check In With Mindy Some of you might be familiar with the wonderful book by Julia Cameron, The Artist’s Way. If you are not familiar with the book, I encourage you to take it out of the library or buy a copy. It is hard to believe it is 28 years old! One of the activities from the book is to go on a weekly artist date. This could be anything from buying cheap art supplies to play around with to going to a museum exhibit. The goal is to get your creativity flowing. I recently had a terrific artist date. A dear friend came to Philadelphia from Takoma Park, MD and we went to the Barnes Foundation to see 30 Americans. This exhibit presents works by 30 important and influential contemporary African American artists. When we walked into the gallery we were greeted by Kara Walker’s Camptown Ladies (1998). I actually saw this last year in DC at another exhibit on silhouettes so it was a joy to encounter it again although the story of how African American’s were treated during the antebellum era is so disturbing, which of course is the point of the story Walker is telling. I could go on about the entire exhibit, which was amazing, but I only wanted to focus on papercutting. You can find more information about it online as it continues to travel around the country for a few more years. After we left the Barnes, we headed to the Free Library of Philadelphia used bookstore.
    [Show full text]
  • Woodstock Vol
    Mailed free to requesting homes in Eastford, Pomfret & Woodstock Vol. V, No. 3 Complimentary to homes by request (860) 928-1818/e-mail: [email protected] FRIDAY, OCTOBER 16, 2009 THIS WEEK’S Gun confirmed in accidental shooting Homebuyer QUOTE BELONGED TO ‘Nearly all men can stand PUTNAM POLICE tax credit adversity, but if you want DEPARTMENT to test a man’s power, expiring BY CHRISTOPHER TANGUAY give him power.’ STONEBRIDGE PRESS STAFF WRITER Ballistics tests performed by REAL ESTATE INSIDE the Connecticut State Police have confirmed the bullet that struck AGENTS SAY HOUSE a bystander at the Woodstock A8-9 — OPINION File photo Fairgrounds was fired from a SALES INCREASING A11 — SPORTS Putnam police officer’s gun. A Connecticut State Police vehicle sits outside the Putnam Fish and Game Club property Monday, Aug. 31, on Stonebridge Road, Woodstock. The facility was the B1 — HOT SPOT BY OLIVIA BRAATEN Turn To SHOOTING, page A13 source of a stray bullet that wounded a 66-year-old man in the head as he stood in VILLAGER CORRESONDENT B4 — OBITS the craft fair tent at the nearby Woodstock Fairgrounds. With a federal tax credit for first- B5 — RELIGION time homebuyers about to expire, B6-7 — CALENDAR local real estate agents and mort- gage bankers are rushing to finalize Three running for Board of Education purchases before the deadline. LOCAL The American Recovery and Reinvestment Act of 2009 gives first- time homebuyers a chance to reclaim a 10 percent credit, up to $8,000, off the purchase price of a new home. Unlike a 2008 measure that required payback over a 15-year period, the 2009 credit does not have to be repaid as long as the property is used as a principal residence for at least three years.
    [Show full text]
  • Northeast Vehicle Services
    Mailed free to requesting homes in Thompson Vol. V, No. IV Complimentary to homes by request (860) 928-1818/e-mail: [email protected] FRIDAY, OCTOBER 23, 2009 THIS WEEK’S Forest products industry in decline QUOTE Sewer EXPERTS SAY MANY FACTORS CONTRIBUTED ‘Say what you have to JUST PRIOR TO RECESSION say, not what you loan in BY MATT SANDERSON try a challenge. quality lumber, railroad ties, pallets, ought.’ VILLAGER STAFF WRITER According to Joan Nichols, a certi- wood for fuel and mulch. Connecticut’s loggers, sawmill fied forester and president of the The primary woods products workers, timber harvesters, Connecticut Professional Timber industry in Connecticut employs foresters, firewood producers and Producers Association (Timpro), the 3,600 workers and contributes $500 works lumber truckers have been facing forest products industry has been million to the state’s annual econo- INSIDE mounting challenges over last few vital to Connecticut’s economy for a my. long time. Year and after year, the However, those in the industry say BY MATT SANDERSON years due to compounded contribut- VILLAGER STAFF WRITER A8-10— OPINION ing factors that have been making state’s forests produce and sustain a A12 — SPORTS the economic vitality of the indus- variety of wood products, including Turn To FOREST, page A11 THOMPSON — The Trinity Foundation, of the Marianapolis B1 — HOT SPOT Preparatory School, and the town B3 — CALENDAR are close to finalizing its mutual memorandum of understanding to B5 — OBITS move forward with the first phase of B6 — RELIGION Towns host fall festivities the proposed sewer connection proj- ect.
    [Show full text]
  • Ballet Excel Ohio Poise for Community Collaborations
    CUYAHOGA VALLEY ART CENTER WINTER 2019 • VOL. 6 BALLET EXCEL OHIO POISE FOR COMMUNITY COLLABORATIONS The Cuyahoga Valley Art Center revamped its Tuesday evening open studio live modeling sessions this past fall, via a collaboration with Ballet Excel Ohio. Mia Kilinger, founder of Ballet Excel Ohio, coordinated a beautiful array of dancers to pose for our artists on Tuesday Nights. “The dancers were able to choose what outfits they were able to wear,” stated CVAC director, Danielle Dieterich. “You could see the excitement in both the artists’ and dancers’ eyes. It was uplifting to have them posing in our gallery space. The artists were able to create beautifully inspired work thanks to this collaboration.” CVAC is thrilled to announce that they will be continuing this partnership for this upcoming Winter 2019 session. These Live Model Open Studio Sessions run for 8 weeks, starting January 15 from 6:30 - 9:00 pm on Tuesdays evenings. The cost is $5 per member and $10 per non-member. This collaboration was made possible via support from Peg’s Foundation. Model Emily Kavenagh (Above) Pastel by Mo Mosyjowski Model Bird from Magic Flute (Below) Sketch by Mo Mosyjowski CLASSES 3 NEW AT CVAC! 7 WORKSHOPS 8 EXHIBITS 10 EVENTS 2 AND 12 A MESSAGE FROM THE DIRECTOR Here at CVAC, we offer classes and workshops for all levels of artistic development covering topics such as: painting, drawing, ceramics, wood carving and mixed medias. These classes are offered four times a year by our esteemed faculty, many of whom are internationally known or world ranked.
    [Show full text]
  • The Path Is a Circle
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2006 The Path Is A Circle MaryLea Martin Harris Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Interdisciplinary Arts and Media Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/796 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. The Path Is A Circle Documentation submitted in partial fulfillment of the requirements for the degree of Master of Interdisciplinary Studies at Virginia Commonwealth University. MaryLea Martin Harris Virginia Commonwealth University MIS 2006 Sweet Briar College BA 1998 Virginia Commonwealth University Richmond, Virginia August, 2006 Table of Contents ... Artist's Statement The Path Is A Circle .........................................................111 Introduction............................................................................................ 1 Personal Aesthetics ...................................................................................1 Answering The Voice Within .......................................................................2 Painting .................................................................................................3 Combining Painting With Computer
    [Show full text]
  • Deconstructing Books, Reconstructing Women Summers Esther Morris University of South Carolina
    University of South Carolina Scholar Commons Theses and Dissertations 1-1-2013 Deconstructing Books, Reconstructing Women Summers Esther Morris University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Art Practice Commons Recommended Citation Morris, S. E.(2013). Deconstructing Books, Reconstructing Women. (Master's thesis). Retrieved from https://scholarcommons.sc.edu/ etd/447 This Open Access Thesis is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. DECONSTRUCTING BOOKS, RECONSTRUCTING WOMEN by Summers Morris Bachelor of Fine Arts University of South Carolina, 2007 ___________________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Arts in Art Studio College of Arts and Sciences University of South Carolina 2013 Accepted by: Sara Schneckloth, Director of Thesis Marius Valdes, Reader Bradford Collins, Reader Lacy Ford, Vice Provost and Dean of Graduate Studies ABSTRACT The goal of my thesis project is to examine the notion of choice encountered by females with respect to gender roles. I intend to underscore the turmoil which often comes from choices that leave many classic feminine roles left unattended by either sex. I have created three altered books that address these struggles, as I have personally experienced these, regarding marriage, motherhood, and domesticity. Each book analyzes the conflicting nature of choice and, according to my own decisions as a modern feminist, concludes accordingly. This in-depth look at the struggle for women to not only choose gender roles to adopt, but to live with the consequences that lie in their wake, is best communicated through the use of altered books.
    [Show full text]
  • Killingly Test 3-30 NEW.Qxt
    Mailed free to requesting homes in Brooklyn, the borough of Danielson, Killingly & its villages Vol. III, No. 51 Complimentary home delivery (860) 928-1818/email:[email protected] ‘Not the fastest horse can catch a word spoken in anger.’ Friday, October 9, 2009 Rec building meeting set BY MATT SANDERSON Prince Hill Road April 2008 because its for- an option instead of tear- VILLAGER STAFF WRITER Wednesday, Oct. 28, dur- mer headquarters on ing it down. The one bid BROOKLYN — A town ing a town meeting. The Prince Hill Road, conve- that was discussed, com- meeting was set and bids selectmen voted in niently located next to ing from Stone Brook were awarded on two September 2008 to raze the Donald Francis Builders, was for $56,100 town projects at the the building and again Recreation Park, was to replace the sheetrock, Board of Selectmen’s last February, and have infested with rodents and insulation, floors, base- meeting last Wednesday, set aside $10,000 in the termites and had water ment and roof. However, Sept. 30. budget to do just that. damage and a sagging the costs increased to Taxpayers will have The department had to structure. $77,000 when tacking on their say on the future of move to the Clifford B. Last week the select- the work needed to the the Parks and Recreation Green Memorial Center men reviewed bids to Department building on at 69 South Main St. in renovate the building as Turn To REC, page A11 Dodd tours Day Kimball Hospital BY OLIVIA BRAATEN VILLAGER CORRESPONDENT PUTNAM — Nearly a dozen administrators, physicians and nurses trailed behind U.S.
    [Show full text]
  • Art and Performances
    museumVIEWS A quarterly newsletter for small and mid-sized art museums July 2014 Cara Barer, Tie-dye, (detail) 2013, altered book: sculpted, dyed, and photographed. In “Adaptation,” Kalamazoo Institute of Arts, MI 1 Echoes of Black Mountain College In the year 1933, the Nazis forced the closing of Ger- many’s Bauhaus school. That same year, in Black Moun- tain, a small town in North Carolina, the Black Mountain College was founded by a classics scholar, John Andre Rice, and an engineer, Theodore Dreiser, with the intent of placing art-making at the heart of a liberal arts educa- tion. Expatriated teachers from the Bauhaus migrating to the U.S. were drawn to the progressive ideas put forward in Black Mountain. Among them was Josef Albers and his wife Anni. Josef became the leader of the art program; Anni taught textile design and weaving. Thus, the birth of Black Mountain as the “Shangri La” for avant-garde art. Other instructors from the defunct Bauhaus such as architect Walter Gropius and stage Katsushika Hokusai, Under the Wave off Kanagawa also known as the Great Wave, designer Xanti Schawinsky filtered South. American artists attracted Woodblock print; ink and color on paper. In “Hokusai,” Museum of Fine Art, Boston. MA included Jacob Lawrence and Robert Motherwell. And in the student body at some point were Cy Twombly and Robert Rauschenberg. Merce Cunningham’s dance company Say “Hi” to the Digital was formed here, and faculty member Buckminster Fuller made his first geodesic dome here. Docent Years passed successfully, Albers left to go to Yale as So now, to attract the millenials, we need interactive apps in museums.
    [Show full text]