Kathy Yancey 1154 St
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download Curriculum Vitae
C O R R I N A S E P H O R A 1200 Foster St NW Studio B11W, Box 39 Atlanta, GA 30318 678-523-9969 [email protected] corrinasephora.com Education 2005 MFA Sculpture, Georgia State University, Atlanta, GA 1995 BFA Metals & Sculpture, Massachusetts College of Art and Design, Boston, MA Solo/ Duo Exhibitions 2021 Solo Exhibition, Spalding Nix Fine Art, Atlanta, GA *forthcoming 2020 Blood of the Earth II, Sewell Mill Library & Cultural Center, Marietta, GA *forthcoming 2019 Alchemical Divide, Madison-Morgan Cultural Center, Madison, GA Blood of the Earth, Sinclair Gallery, ArtsXChange, East Point, GA Between the Deep Blue Sea and the Universe, Mason Fine Arts, Atlanta, GA 2017 On Waters of Time, Callanwolde Fine Arts Gallery, Atlanta, GA 2017 Voyages Unforeseen, Kibbee Gallery, Atlanta, GA (Duo) 2015 Emergence from the Waters, Gallery 72, Mayor’s Office of Cultural Affairs, Atlanta, GA 2014 Nautical Observations, Art Partners, High Museum of Art, Atlanta, GA 2013 Soaring on the Surface of the Waters, Norcross Cultural Arts Center, Norcross, GA 2012 Flowing as Water, Rodriguez Room, Goat Farm Arts Center, Atlanta, GA 2008 Rescue Vehicles and Souls of the South, House of Colors, Atlanta, GA Exhibitions 2020 Group Exhibition, Spalding Nix Fine Art, Gallery Residences, Atlanta, GA *forthcoming 2019 Flicker, South River Art Studios, Atlanta, GA Ensemble, Spalding Nix Fine Art, Atlanta, GA Losing Control: Guns, Government, and Group-Think, ATHICA: Athens Institute for Contemporary Art, Athens, -
High Museum of Art
About the High Museum of Art The High Museum of Art is the leading art museum in the Southeastern United States. Located in Atlanta’s Midtown arts and business district, the High has more than 14,000 works of art in its permanent collection. The Museum has an extensive anthology of 19th- and 20th-century American and decorative art; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, folk art, photography, and African art. The High is also dedicated to supporting and collecting works by Southern artists, and in 1996 the Museum launched its “Picturing the South” program to commission emerging and established photographers to create new work inspired by the Southern landscape. Established in 1905 as the Atlanta Art Association, the Museum’s first permanent home came in 1926, with the donation by Mrs. Joseph M. High of her family’s residence on Peachtree Street. In 1955, the Museum moved to a new brick structure adjacent to the old High house. After 122 Georgia art patrons died in a plane crash on a Museum-sponsored European tour in 1962, the Atlanta Arts Alliance was founded in their memory, and the Atlanta Memorial Arts Center opened in 1968—constructed around the existing Museum. In 1979, Coca-Cola magnate Robert W. Woodruff offered a $7.5 million challenge grant to build a new facility; Museum officials matched and exceeded the grant, generating a total of $20 million. The High Museum of Art’s building designed by noted architect Richard Meier opened to worldwide acclaim in 1983, and it has received many design awards, including a 1991 citation from the American Institute of Architects as one of the “ten best works of American architecture of the 1980s.” Meier’s 135,000-square-foot facility, now known as the Stent Family Wing, tripled the Museum’s space, enabling the institution to mount more comprehensive displays of its collections. -
Archives Alive!
ARCHIVES ALIVE! An Introduction to Primary Sources: Art in the Archives TARGET GRADE RANGE: 6-12 OVERVIEW By looking closely at artworks from the City of Savannah Municipal Archives’ collections, students will learn the basic tools for analyzing artistic images using description and reflection in order to improve visual literacy, as well as to identify the strengths and weaknesses of using art as a historical tool. Students will create a brief story, journal entry, or art piece reflecting on the subjects of the images. What is a Primary Source? A primary source is a first-hand, original account or record about a person, place, object, or an event. Oral histories, objects, photographs, and documents such as newspapers, census records, diaries, and journals are primary sources. Secondary sources are accounts, records, or evidence derived from original or primary sources. Textbooks are secondary sources. Objectives: After completing this learning activity, students will be able to: Describe the subjects of artworks and place them in a historical context Understand the components of an in-depth visual analysis Time Required: 1 hour Topic/s: Social Studies, Art, Creative Writing Standards: VA6.RE.1 VA7.RE.1 VA8.RE.1 Reflect on the context of personal works of art in relation to community, culture, and the world. a. Identify how the issues of time, place, and culture are reflected in selected works of art. b. Interpret works or art considering themes, ideas, moods, and/or intentions. c. Define where and how we encounter images in our daily lives and how images influence our view of the world. -
Robbie Barber
ROBBIE BARBER 617 Cardinal Drive Department of Art, One Bear Place Woodway, Texas 76712 #97263, Baylor University Home Phone: (254)710-6402 Waco, Texas 76798-7263 Office Phone: (254)710-6402 Born: July 23, 1964 Fax: (254)710-1566 Williamston, North Carolina E-Mail: [email protected] EDUCATION 1988-91 Master of Fine Arts: Sculpture, University of Arizona, Tucson, Arizona 1982-87 Bachelor of Fine Arts: Sculpture, East Carolina University, Greenville, North Carolina 1986 University of Georgia Studies Abroad Program, Summer Classes, Cortona, Italy EMPLOYMENT 2000- Baylor University, Waco, Texas: Associate Professor (tenured, fall 2004): Sculpture, 3-D Design 1994-00 Midwestern State University, Wichita Falls, Texas: Assistant Professor of Art (tenure approved, spring 2000): Sculpture, Metalsmithing, Design II, Art Appreciation, Senior Exhibition 1993-94 East Carolina University, Greenville, North Carolina: Visiting Lecturer: Sculpture, Design I, Design II, Beginning Drawing SELECTED GRANTS/ FELLOWSHIPS/ SABBATICALS 2006 Allbritton Grant For Faculty Scholarship, Baylor University, Waco, Texas, in relation to the Keen Invitational Iron Casting Symposium in Houston, Texas “SUMMER SABBATICAL”, Baylor University, Waco, Texas 1996-97 “FOUND TEXTURES: RESIN-BONDED SAND CASTING”, Research Grant, Midwestern State University, Wichita Falls, Texas 1993-94 Southern Arts Federation/NEA Regional Visual Arts Fellowship in Sculpture 1993 North Carolina Arts Council Visual Artists Fellowship GALLERY AFFILIATIONS 1994-04 Somerhill Gallery, Chapel Hill, -
Oxford College
EMORY BOLD LIBERAL ARTS IS PLUS FEARLESS RESEARCH A DIVERSE, INVOLVED COMMUNITY IN ATLANTA, A CITY RICH WITH OPPORTUNITY PREPARING STUDENTS TO CHANGE THE WORLD PAGE 1 l EMORY UNIVERSITY ACADEMICS AT EMORY, undergraduates benefit from an unusual combi- OUR FACULTY—leading scholars, teachers, and experts— nation—the strong teaching and personal connections of a set the tone in our intellectual community, where learning liberal arts college, paired with the resources and expertise extends into after-class conversations and mentoring, and of a top research university. students gain inspiration from their enthusiasm. This combination makes a difference. Students gain access Emory offers an unusual number of academic choices, from to groundbreaking ideas and minds, explore with a vast undergraduate colleges to majors to preprofessional paths, array of tools, and make creative and interdisciplinary giving students many ways to find their right fit. And learning collaborations. across majors is enriched by the city of Atlanta, where students can gain experience and begin to set their sights on the future. INTERNSHIPS 2,000 available in Atlanta and APPLYING KNOWLEDGE 10,000+ Emory students are using what they learn in the class- beyond room to make a difference in the world. Through research, internships, and off-campus study, our students contribute of students do research with to discoveries, tackle difficult issues, and gain a global under- a faculty member across the standing. After graduation, they have experience to build on 55% sciences, -
High Museum of Art Premieres North American Tour of Iris Van Herpen’S Innovative Haute Couture Designs
FOR IMMEDIATE RELEASE HIGH MUSEUM OF ART PREMIERES NORTH AMERICAN TOUR OF IRIS VAN HERPEN’S INNOVATIVE HAUTE COUTURE DESIGNS Major exhibition to feature recent works, including imaginative sculptural designs crafted using 3D-printing technology ATLANTA, Nov. 5, 2015 – The High Museum of Art is the first U.S. museum to present a major exhibition of work by visionary Dutch fashion designer Iris van Herpen, a cutting-edge artist inspired by diverse influences in the arts, sciences, music and philosophy. Marking the High’s first presentation of fashion design, “Iris van Herpen: Transforming Fashion” features one-of-a-kind haute couture—acclaimed for its combination of traditional craftsmanship and futuristic, innovative techniques—and includes some of the world’s first examples of 3D-printed fashion. The exhibition is co-organized with the Groninger Museum (the Netherlands) and debuts at the High, where it will be on view from Nov. 7, 2015, through May 15, 2016, before continuing on a North American tour. “Iris van Herpen’s work is an incredible fusion of artistic expression, craftsmanship and creativity,” said Sarah Schleuning, curator of decorative arts and design at the High. “The marriage of traditional, handcrafted designs and 21st-century technology makes her work innovative, dynamic and a signifier of a bold, new future for fashion design. With this presentation, the High continues to champion the outstanding visionaries who design the world around us.” Iris van Herpen has garnered international acclaim for her couture designs, which interweave traditional handwork with groundbreaking 3D-printing technology, computer modeling and engraving constructed in collaboration Iris van Herpen (Dutch, born with architects, engineers and digital design specialists. -
Suggested Non-Fiction Reading
SUGGESTED NON-FICTION READING ANIMALS 001.94 KEL Kelleher, Colm A. Hunt for the skinwalker: science confronts the unexplained at a remote ranch in Utah — For more than fifty years, the bizarre events at a remote Utah ranch have ranged from the perplexing to the wholly terrifying. Vanishing and mutilated cattle. Unidentified Flying Objects. The appearance of huge, otherworldly creatures. 156 FOU Fouts, Roger. Next of kin: what chimpanzees have taught me about who we are — The author tells of his thirty-year friendship with Washoe, a chimpanzee he began working with in 1967 as part of a program to teach American Sign Language to primates, and discusses his efforts to save laboratory chimpanzees that are being subjected to biomedical experimentation. 179 BAU Baur, Gene. Farm sanctuary: changing hearts and minds about animals and food — Examines the ethical questions surrounding the production of beef, poultry, pork, milk, and eggs, describing the often horrifying conditions the animals are kept in before being slaughtered, and encourages people to begin promoting compassion for farm animals and refusing to buy animal products from farms that treat their animals badly. 333.95 GRE Green, Alan. Animal underworld: inside America's black market for rare and exotic species — An investigation of the largely undocumented underground economy involving the trafficking in rare and exotic species of animals in the United States, looking at what happens to surplus animals from the nation's zoos, theme parks, and laboratories. 333.95 McN McNamee, Thomas. The return of the wolf to Yellowstone — Discusses the return of wolves to Yellowstone National Park in January of 1995 after their sixty-nine year absence from the park and chronicles the drama of the reintroduction, the political forces behind it, and the lives of wolves in their new home. -
FY2019 K-9/Handler Teams
Director Commissioner Colonel Thomas Mark Williams Barnard 1 Headquarters Colonel Thomas Barnard, Director Lt. Colonel Johnny Johnson, Assistant Director Major Stephen Adams Major Mike England 2 Headquarters Support Staff Lt. Wayne Hubbard Lt. Wanda Roberts Lt. Judd Smith Jen Hammonds Jamie Hawkins Kim Cato Mark McKinnon Ashley Moon Taye Pierce Sharon Sims Debbie Stephens Shannon Witcher 3 The Vision of the Law Enforcement Division is to ensure that Georgia’s natural resources will be conserved for our present and future generations. The Mission of the Law Enforcement Division is to conserve our natural resources and to protect the people we serve. We maintain public support through fair and vigorous law enforcement, quality education, and community involvement. We commit ourselves to our Vision and Mission by practicing our core beliefs, which are trust, fairness and professionalism. Headquarters The Georgia Department of Natural Resources, Law Enforcement Division, currently has 212 POST-certified Game Wardens with statewide authority and full arrest powers and 28 non-sworn staff members. The primary duties of these Game Wardens are enforcement of all laws and regulations pertaining to hunting, fishing, commercial fishing, environmental violations, and recreational boating, as well as to provide public safety on all our DNR-controlled properties. The Law Enforcement Division operates with a straight-line chain of command. It consists of the Colonel, Lt. Colonel, two Majors, nine Captains (7 Region Supervisors, 1 Training Director, 1 Pilot), seven Lieutenants (database management, special permits/captive wildlife and wild animals, boating law administrator/administrative support, professional standards, investigations, 2 pilots), and 194 field Game Wardens (Sergeants, Corporals, Game Wardens First Class, and Game Wardens). -
2018 Jr. Invitational Steer & Heifer Shows October 12
2018 Jr. Invitational Steer & Heifer Shows October 12-14, 2018 Rule Book Open to Jr. 4H & FFA Exhibitors from GA, FL, TN, AL, NC, SC & MS. (4th thru 12th Grade, by Sept. 1, 2018). Hosted by the Georgia National Fair Mail Entries to: Georgia State 4-H Office c/o Heather Shultz Hoke Smith Annex # 321-UGA Athens, GA 30602 (706)542-8892 Georgia National Fairgrounds & Agricenter I-75 Exits 134 & 135 Perry, Georgia Fair Livestock/Horse Show Schedule Thursday, October 4 8:00 am - 8:00 pm ................... Barns open for junior livestock arrivals ............................................. All Barns 5:00 pm-8:00 pm .................... Jr. Heifer check-in .................................................................... Practice Ring 3 5:00 pm-8:00 pm .................... Jr. Steer weigh-in ...................................................................... Practice Ring 3 By 8:00 pm ............................. Jr. Steers and Heifers due ....................................................... Beef/Dairy Barn 2:00 pm - 7:00 pm .................. Jr. Market Goats weigh-in ..................................... Swine/Sheep/Goat Barn #1 3:00-8:00pm ........................... GNF Barrel Blast ............................................................Covered Horse Arena NEW Friday, October 5 8:00 am ................................... Jr Mrkt. Goat Showmanship (grades 12-1) ........................... New South Arena 9:30 am ................................... Georgia Open Drill Team Competition .................................. Practice -
2017- 2018 HAWKINSVILLE HIGH SCHOOL Student Handbook 24 Red Devil Drive Hawkinsville, GA 31036 (478) 783-7210
2017- 2018 HAWKINSVILLE HIGH SCHOOL Student Handbook 24 Red Devil Drive Hawkinsville, GA 31036 (478) 783-7210 Russell Lawley Principal Hilary Barker Assistant Principal Amy H. Black Counselor W. David Daniell Athletic Director 1 TABLE OF CONTENTS General Information ................................................................................................................................................... 3 Accreditation ................................................................................................................................................. 4 Faculty and Staff ........................................................................................................................................... 5 School Calendar ............................................................................................................................................ 6 Bell Schedule ................................................................................................................................................ 7 Academics .................................................................................................................................................................. 8 Grading ....................................................................................................................................................................... 8 End of Course Assessments ......................................................................................................................... -
Shawne Major CV 2021
S H A W N E M A J O R SOLO & TWO PERSON EXHIBITIONS 2020 Shawne Major— Texas Gallery, Houston, TX, Jan - Feb Folie à Deux— Lawndale Arts Center, Houston, TX, Jan- Mar 2018 Shawne Major: Pareidolia—Callan Contemporary, New Orleans, LA, Aug-Sep. 2017 Side Eye: Recent Work by Shawne Major—Isaac Delgado Fine Art Gallery, New Orleans, LA, Aug-Sep 2016 Spotlight on Shawne Major—Hilliard Museum of Art, Lafayette, LA, Dec-May 2015 Surface Tension Marcia Wood Gallery Midtown, Atlanta, GA, Jun-Jul, solo Collective Memory — Callan Contemporary, New Orleans, LA, Jan, solo 2013 Monkey Mind — Moreau Art Gallery, St. Mary’s College, Notre Dame, IN, Oct, solo Ravens and Crows —Mary C. O’Keefe Cultural Center, Ocean Springs, MS, Aug-Sep, solo 2012 Rhyme and Reason: The Art of Shawne Major—Hilliard Museum of Art, Lafayette, LA, Sep- Dec, solo On a Darkling Plain — Chicago Cultural Center, Chicago, IL, Apr- Jun, solo Fetish — Marcia Wood Gallery, Atlanta, GA, Jan- Feb, solo 2010 Tickle: New Works by Shawne Major — Heriard-Cimino Gallery, New Orleans, LA, May, solo 2009 Love Calls Us to the Things of This World— Irvine Contemporary, Washington, DC, Apr solo 2008 The Sacred Space of Shawne Major — Opelousas Museum of Art, Opelousas, LA, Feb-Apr solo 2007 Recent Fiber Works by Shawne Major & Christine Tedesco — Ogden Museum of Southern Art, New Orleans, Jan-Mar 2006 Apogee — Heriard-Cimino Gallery, New Orleans, May-Jun solo Intrinsic Value: Works by Shawne Major— Alexandria Museum of Art, Alexandria, LA, Apr-May solo 2005 Coffee Milk — Fine Arts Gallery, University -
NABC Setup Takes Brawn, but Mostly Brains for Success Roof,” Says Johnston
Sunday, November 29, 2009 Volume 82, Number 3 Daily Bulletin 82nd Fall North American Bridge Championships Editors: Brent Manley and Dave Smith NABC setup takes brawn, but mostly brains for success roof,” says Johnston. “The Manchester Grand Hyatt is one of only about 25 venues in the country that has it all.” A workable alternative is to use a convention center and a nearby hotel or to use two hotels. Two or two-and-a-half Nail LM Open Pairs champions Tor Helness and years prior to the tournament Martin Andresen. date, the sponsoring district’s tournament chair (in San Diego, Norwegians storm to it’s hardworking Ken Monzingo of District 22) puts together LM Open Pairs win committees that take care Tor Helness and Martin Andresen, in 17th of the local responsibilities: place with a session to go, posted a 68.31% game partnerships, hospitality, prizes in the fi nal session of the Bobby Nail Life Master and caddies, for example. Open Pairs to win the event by nearly a board. Planning continues in Second place went to Hemant and Justin Lall. Three members of the NABC setup crew: Brian Russell, Martin the run-up to the NABC as Ware and Ken Horwedel. Third were Jeff Meckstroth and Chris Compton. the national tournament team On a top of 77, Helness and Andresen were about By Jean Seager works with hotel staff and local 63 matchpoints clear of second. On Wednesday, Nov. 18, when most bridge committee members to make sure preparations are The winners are from Oslo, Norway. Helness, players were not yet thinking about the NABC in progressing smoothly.