Feminist Take on Hip Hop Molly Kirby
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Soh6.6.11Newreleaseb
RETURNS WITH A THREE LP COLLECTION! MMMIIIRRRRRROOORRR BBBAAALLLLLL::: LLLIIIVVVEEE &&& MMMOOORRREEE This is the ULTIMATE live set! All of Def Leppard’s hits, recorded live for the first time ever, are on this 180 gram virgin vinyl, 3 LP collection. FOUR NEW SONGS ARE FEATURED, INCLUDING “UNDEFEATED,” THE CURRENT #1 SINGLE AT CLASSIC ROCK RADIO. TITLE: MIRROR BALL ‐ LIVE & MORE RELEASE DATE: 7/5/11 LABEL: MAILBOAT RECORDS UPC: 698268952003 CATALOG #: MBR 9520 CLICK HERE TO LISTEN TO THE #1 SONG “UNDEFEATED” LP 1 LP 3 Rock! Rock (‘Til You Drop) Rock of Ages SUMMER TOUR DATES WITH SPECIAL GUEST HEART Rocket Let’s Get Rocked Animal June 15 West Palm Beach, FL July 23 New Orleans, LA Bonus Live: June 17 Tampa, FL July 24 San Antonio, TX C’mon C’mon Action June 18 Atlanta, GA August 8 Sturgis, SD Make Love Like A Man Bad Actress June 19 Orange Beach, AL August 10 St. Louis, MO Too Late For Love Undefeated June 22 Charlotte, NC August 13 Des Moines, IA Foolin’ June 24 Raleigh, NC August 16 Toronto, CAN Kings of the World June 25 Virginia Beach, VA August 17 Detroit, MI Nine Lives New Songs: June 26 Philadelphia, PA August 19 Louisville, KY Love Bites Undefeated June 29 Scranton, PA August 20 Pittsburgh, PA Kings of the World June 30 Boston, MA August 21 Buffalo, NY July 2 Uncasville, CT August 24 Cleveland, OH LP 2 It’s All About Believin’ July 3 Hershey, PA August 26 St. Paul, MN Rock On July 5 Milwaukee, WI August 27 Kansas City, MO Two Steps Behind July 7 Cincinnati, OH August 29 Denver, CO Bringin’ on the Heartbreak July 9 Washington, DC -
Imperium in 2120
Imperium in 2120 Overview One hundred years ago, Imperium - from Latin, meaning power - was named Port Vila, the capital of the Republic of Vanuatu. Vanuatu is an island chain in the Pacific Ocean, located in the Pacific Rim of Fire. Due to the risk of natural disasters such as earthquakes, typhoons and volcanoes, Vanuatu consistently tops the UN’s World Risk Report1. The climate of Vanuatu is tropical, with annual rainfall of 2 to 4 meters. Temperatures average 23° C in the winter and 28° C in the summer. Southeast trade winds bring cooling breezes in the afternoon. Port Vila in 2018 Imperium in 2120 Figure 1: Port Vila becomes Imperium2 In 2018, Port Vila’s population was 45,000 and growing at 2% per year. Farming, tourism, and the off shore financial industry were major economic drivers, with manufacturing less than 9% of the economy. In town, houses were made from cement and brick. Outlying areas used aluminum, bamboo, palm, coral, and cane. Port Vila had no high-density housing. Only 27% of houses had electricity, generated by burning diesel fuel. A solar panel trial in Espiritu Santo generated 40 kW for public buildings. The Devil’s Point wind farm produced a peak power of 3.6 MW3. Renewable energy sources were 20% of the island’s energy supply. City leaders noted that in 100 years, Port Vila’s population would reach 320,000. The island’s culture of local food production was at risk due to depletion of fish near shore and limited arable land. It was time for Port Vila to develop innovative solutions in housing, food, transportation, and energy to support the future population growth. -
SERMON SERIES: 11Th Gospel Conversation
“We exist to unite EVERY ONE with the life-giving power of Jesus!” Pekin First Messenger Monthly Newsletter - Pekin First United Methodist Church 1315 Court Street Pekin, IL 61554 Call us 309.347.3155 WWW.PEKINFIRST.ORG | FACEBOOK.COM/PEKINFIRST/ | AUGUST 2018 – VOLUME 19- ISSUE 08 Mark Your August Calendar 4th Feast @ First SERMON SERIES: 11th Gospel Conversation NEXT .STEPS 12th Membership Exploration Starts 12th Bible Sunday 12th Promotion Sunday 18th Snack Pack Meal & Fundraiser 19th Back Pack Blessings Honoring Educator’s 24th Night of Worship 25th Ice Cream Sundae Social 31st Peoria Chiefs Game facebook.com/PekinFirst/ Pastor’s Article By Rev. Jim McClarey Meetings. They have a tough rep. Meetings carry the brunt of a lot of jokes about time spent, about “boringness”, and more. Most pastors lament that we wish we had less meetings to go to. So I recently went to two meetings in one night, and THEY WERE AWESOME!!!! I came out charged up, ready to roll, eager about What an energy giving group! We met at what’s next, and amazed at our Pekin First a local restaurant (always a plus for me!) people. Oh yeah! and get this: 1 person is in her early 20s, The first meeting was with the leadership of another person is in her mid 30s, another our Men’s Club. These men are charged up, in the 40s, I’m in my 50s, another person their eyes sparkle with vision, and their body mid 60s, and another gentleman who is language radiates a desire to serve God by mid 70ish. -
ENG 350 Summer12
ENG 350: THE HISTORY OF HIP-HOP With your host, Dr. Russell A. Potter, a.k.a. Professa RAp Monday - Thursday, 6:30-8:30, Craig-Lee 252 http://350hiphop.blogspot.com/ In its rise to the top of the American popular music scene, Hip-hop has taken on all comers, and issued beatdown after beatdown. Yet how many of its fans today know the origins of the music? Sure, people might have heard something of Afrika Bambaataa or Grandmaster Flash, but how about the Last Poets or Grandmaster CAZ? For this class, we’ve booked a ride on the wayback machine which will take us all the way back to Hip-hop’s precursors, including the Blues, Calypso, Ska, and West African griots. From there, we’ll trace its roots and routes through the ‘parties in the park’ in the late 1970’s, the emergence of political Hip-hop with Public Enemy and KRS-One, the turn towards “gangsta” style in the 1990’s, and on into the current pantheon of rappers. Along the way, we’ll take a closer look at the essential elements of Hip-hop culture, including Breaking (breakdancing), Writing (graffiti), and Rapping, with a special look at the past and future of turntablism and digital sampling. Our two required textbook are Bradley and DuBois’s Anthology of Rap (Yale University Press) and Neal and Forman’s That's the Joint: The Hip-Hop Studies Reader are both available at the RIC campus store. Films shown in part or in whole will include Bamboozled, Style Wars, The Freshest Kids: A History of the B-Boy, Wild Style, and Zebrahead; there will is also a course blog with a discussion board and a wide array of links to audio and text resources at http://350hiphop.blogspot.com/ WRITTEN WORK: An informal response to our readings and listenings is due each week on the blog. -
Race and Justice
Race and Justice http://raj.sagepub.com/ Rap on Trial Charis E. Kubrin and Erik Nielson Race and Justice 2014 4: 185 originally published online 7 March 2014 DOI: 10.1177/2153368714525411 The online version of this article can be found at: http://raj.sagepub.com/content/4/3/185 Published by: http://www.sagepublications.com On behalf of: Official Journal of the American Society of Criminology, Division on People on Color and Crime Additional services and information for Race and Justice can be found at: Email Alerts: http://raj.sagepub.com/cgi/alerts Subscriptions: http://raj.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://raj.sagepub.com/content/4/3/185.refs.html >> Version of Record - Aug 14, 2014 OnlineFirst Version of Record - Mar 7, 2014 What is This? Downloaded from raj.sagepub.com at UNIV CALIFORNIA IRVINE on August 15, 2014 Article Race and Justice 2014, Vol. 4(3) 185-211 ª The Author(s) 2014 Rap on Trial Reprints and permission: sagepub.com/journalsPermissions.nav DOI: 10.1177/2153368714525411 raj.sagepub.com Charis E. Kubrin1 and Erik Nielson2 Abstract In criminal proceedings across the United States, rap music lyrics are being introduced as evidence of a defendant’s guilt. In this article, we draw attention to this disturbing practice, what we call ‘‘rap on trial,’’ and explore its context, describe its elements and contours, and consider its broader significance. We first offer historical context, demonstrating that although the widespread use of rap lyrics in criminal trials may be a relatively recent phenomenon, it resides within a long tradition of antagonism between the legal establishment and hip-hop culture, one that can be traced back to hip-hop’s earliest roots. -
The Titles Below Are Being Released for Record Store
THE TITLES BELOW ARE BEING RELEASED FOR RECORD STORE DAY (v.2.2 updated 4-01) ARTISTA TITOLO FORMATO LABEL LA DONNA IL SOGNO & IL GRANDE ¢ 883 2LP PICTURE WARNER INCUBO ¢ ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO LP SPACE AGE ¢ AL GREEN GREEN IS BLUES LP FAT POSSUM ¢ ALESSANDRO ALESSANDRONI RITMO DELL’INDUSTRIA N°2 LP BTF ¢ ALFREDO LINARES Y SU SONORA YO TRAIGO BOOGALOO LP VAMPISOUL LIVE FROM THE APOLLO THEATRE ¢ ALICE COOPER 2LP WARNER GLASGOW, FEB 19, 1982 SOUNDS LIKE A MELODY (GRANT & KELLY ¢ ALPHAVILLE REMIX BY BLANK & JONES X GOLD & 12" WARNER LLOYD) HERITAGE II:DEMOS ALTERNATIVE TAKES ¢ AMERICA LP WARNER 1971-1976 ¢ ANDREA SENATORE HÉRITAGE LP ONDE / ITER-RESEARCH ¢ ANDREW GOLD SOMETHING NEW: UNREALISED GOLD LP WARNER ¢ ANNIHILATOR TRIPLE THREAT UNPLUGGED LP WARNER ¢ ANOUSHKA SHANKAR LOVE LETTERS LP UNIVERSAL ¢ ARCHERS OF LOAF RALEIGH DAYS 7" MERGE ¢ ARTICOLO 31 LA RICONQUISTA DEL FORUM 2LP COLORATO BMG ¢ ASHA PUTHLI ASHA PUTHLI LP MR. BONGO ¢ AWESOME DRE YOU CAN'T HOLD ME BACK LP BLOCGLOBAL ¢ BAIN REMIXES 12'' PICTURE CIMBARECORD ¢ BAND OF PAIN A CLOCKWORK ORANGE LP DIRTER ¢ BARDO POND ON THE ELLIPSE LP FIRE ¢ BARRY DRANSFIELD BARRY DRANSFIELD LP GLASS MODERN ¢ BARRY HAY & JB MEIJERS THE ARTONE SESSION 10" MUSIC ON VINYL ¢ BASTILLE ALL THIS BAD BLOOD 2LP UNIVERSAL ¢ BATMOBILE BIG BAT A GO-GO 7'' COLORATO MUSIC ON VINYL I MISTICI DELL'OCCIDENTE (10° ¢ BAUSTELLE LP WARNER ANNIVERSARIO) ¢ BECK UNEVENTFUL DAYS (ST. VINCENT REMIX) 7" UNIVERSAL GRANDPAW WOULD (25TH ANNIVERSARY ¢ BEN LEE 2LP COLORATO LIGHTNING ROD DELUXE) ¢ BEN WATT WITH ROBERT WYATT SUMMER INTO WINTER 12'' CHERRY RED ¢ BERT JANSCH LIVE IN ITALY LP EARTH ¢ BIFFY CLYRO MODERNS 7'' COLORATO WARNER ¢ BLACK ARK PLAYERS GUIDANCE 12'' PICTURE VP GOOD TO GO ¢ BLACK LIPS FEAT. -
Dj Issue Can’T Explain Just What Attracts Me to This Dirty Game
MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS E-40, TURF TALK OZONE MAGAZINE MAGAZINE OZONE FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE CAN’T EXPLAIN JUST WHAT ATTRACTS ME TO THIS DIRTY GAME ME TO ATTRACTS JUST WHAT MIMS PIMP C BIG BOI LIL FLIP THREE 6 MAFIA RICK ROSS & CAROL CITY CARTEL SLICK PULLA SLIM THUG’s YOUNG JEEZY BOSS HOGG OUTLAWZ & BLOODRAW: B.G.’s CHOPPER CITY BOYZ & MORE APRIL 2007 USDAUSDAUSDA * SCANDALOUS SIDEKICK HACKING * RAPQUEST: THE ULTIMATE* GANGSTA RAP GRILLZ ROADTRIP &WISHLIST MORE GUIDE MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS REAL, RAW, & UNCENSORED SOUTHERN RAP E-40, TURF TALK FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE MIMS PIMP C LIL FLIP THREE 6 MAFIA & THE SLIM THUG’s BOSS HOGG OUTLAWZ BIG BOI & PURPLE RIBBON RICK ROSS B.G.’s CHOPPER CITY BOYZ YOUNG JEEZY’s USDA CAROL CITY & MORE CARTEL* RAPQUEST: THE* SCANDALOUS ULTIMATE RAP SIDEKICK ROADTRIP& HACKING MORE GUIDE * GANGSTA GRILLZ WISHLIST OZONE MAG // 11 PUBLISHER/EDITOR-IN-CHIEF // Julia Beverly CHIEF OPERATIONS OFFICER // N. Ali Early MUSIC EDITOR // Randy Roper FEATURES EDITOR // Eric Perrin ART DIRECTOR // Tene Gooden ADVERTISING SALES // Che’ Johnson PROMOTIONS DIRECTOR // Malik Abdul MARKETING DIRECTOR // David Muhammad LEGAL CONSULTANT // Kyle P. King, P.A. SUBSCRIPTIONS MANAGER // Destine Cajuste ADMINISTRATIVE // Cordice Gardner, Kisha Smith CONTRIBUTORS // Alexander Cannon, Bogan, Carlton Wade, Charlamagne the God, Chuck T, E-Feezy, Edward Hall, Felita Knight, Iisha Hillmon, Jacinta Howard, Jaro Vacek, Jessica INTERVIEWS Koslow, J Lash, Jason Cordes, Jo Jo, Joey Columbo, Johnny Louis, Kamikaze, Keadron Smith, Keith Kennedy, Kenneth Brewer, K.G. -
Hood, My Street: Ghetto Spaces in American Hip-Hop Music
Pobrane z czasopisma New Horizons in English Studies http://newhorizons.umcs.pl Data: 22/08/2019 20:22:20 New Horizons in English Studies 2/2017 CULTURE & MEDIA • Lidia Kniaź Maria Curie-SkłodowSka univerSity (uMCS) in LubLin [email protected] My City, My ‘Hood, My Street: Ghetto Spaces in American Hip-Hop Music Abstract: As a subculture created by black and Latino men and women in the late 1970s in the United States, hip-hop from the very beginning was closely related to urban environment. Undoubtedly, space has various functions in hip-hop music, among which its potential to express the group identity seems to be of the utmost importance. The goal of this paper is to examine selected rap lyrics which are rooted in the urban landscape: “N.Y. State of Mind” by Nas, “H.O.O.D” by Masta Ace, and “Street Struck,” in order to elaborate on the significance of space in hip-hop music. Interestingly, spaces such as the city as a whole, a neighborhood, and a particular street or even block which are referred to in the rap lyrics mentioned above express oneUMCS and the same broader category of urban environment, thus, words con- nected to urban spaces are often employed interchangeably. Keywords: hip-hop, space, urbanscape. Music has always been deeply rooted in everyday life of African American commu- nities, and from the very beginning it has been connected with certain spaces. If one takes into account slave songs chanted in the fields (often considered the first examples of rapping), or Jazz Era during which most blacks no longer worked on the plantations but in big cities, it seems that music and place were not only inseparable but also nat- urally harmonized. -
Getting Started with Your Ipod
02_577727 ch01.qxd 9/17/04 9:46 PM Page 9 Chapter 1 Getting Started with Your iPod In This Chapter ᮣ Comparing iPod models ᮣ Powering up your iPod ᮣ Using and recharging your battery ᮣ Scrolling through the iPod main menu ᮣ Resetting the iPod ob Dylan and Dave Van Ronk in Greenwich Village, David Bowie and Iggy BPop on the Lower East Side, and the Velvet Underground in the subway. Dire Straits on Wall Street, Steely Dan in Midtown, and Sonny Rollins on the Brooklyn Bridge. The Drifters on Broadway, Miles Davis uptown, John and Yoko on the Upper West Side. Charlie Parker in Harlem, Yo-Yo Ma on the Upper East Side, Primal Fear across Central Park. “The music must change,” sang Roger Daltrey of the Who, and the only way you can conveniently carry that much music around while touring the Big Apple in one day is with an Apple iPod. Music has changed so much during the shift from purchasing music in stores to obtaining music online that the music industry hardly recognizes it, and the Apple iPod music player is one of the major catalysts. The iPod holds so much music that no matter how large your music collection, you will seriously consider putting all your music into digital format on your computer, trans- ferring portions of it to the iPod, and playing music from both your computer and your iPod from now on. You might never stop buying CDs, but you won’t have to buyCOPYRIGHTED all your music that way. And MATERIAL you’ll never again need to replace the music that you already own. -
Download Chapter 6 Passport to Mission.Pdf
Chapter 6 So Why Not? Have you ever gone out to eat and not had enough money to cover the bill? Have you taken your car to get fxed at the garage and returned to fnd the bill twice what you expected it to be? In both cases you were not really ready for what happened because your expectations were wrong. It wasn’t much fun, was it? Getting “caught off guard” is never a pleasant experience! Many problems in the feld develop because of similar reasons. Unre- alistic goals and expectations along with faulty motives lie behind many of the diffculties that arise in the feld. This chapter is an attempt to lead you to honestly confront your goals and motives so that your mission experi- ence can be proftable to you and the people you go to serve. We will also take a look at what it means to be “called.” Goals One thing that is really important is that we set realistic goals. Setting goals that are either too high (false expectations) or too low (no expecta- tions) can cause us a lot of frustration and disappointment down the road. 48 Getting Charged Up for Mission Think about It • What picture is in your mind when you think of your mis- sion service? • What do you expect to be doing? • How do you see yourself being received by the people where you are going? • What are your goals for your mission service? Be honest and be specifc! Write down what comes to your mind now. As you think about setting realistic goals, there are several things you can do to help yourself: 1. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
NSD174 Westside Gunn X Mr. Green
WESTSIDE GUNN X MR. GREEN FLYGOD Is Good…All The Time LP COMING SOON KEY SELLING POINTS • One of the first physical releases from Westside Gunn, who is one of rap’s top young stars and recently signed to Eminem’s Shady Records • Westside Gunn has collaborated with countless A-list hip-hop artists including MF DOOM, Action Bronson, Danny Brown, Alchemist, Roc Marciano, Statik Selektah, Smoke DZA, Stalley, Royce da 5’9”, and many more • Entirely produced by Mr. Green, an acclaimed hip-hop producer who has worked with Snoop Doog, A$AP Ferg, The Roots, Jedi Mind Tricks, Freddie Gibbs, KRS-One, Bodega Bamz, R.A. The Rugged Man, Deniro Farrar, Raz Fresco, Pacewon, Talib Kweli, and many more. • Mr. Green is also the host of the popular show “Live From The Streets” on VICE’s Noisey network DESCRIPTION ARTIST: Westside Gunn x Mr. Green Buffalo, NY rapper Westside Gunn is one of hip-hop’s most exciting TITLE: FLYGOD Is Good... All The Time new stars, attracting fans and acclaim for his unique voice, exquisitely CATALOG: CD-NSD174 gritty wordplay, and minimalist, soul-drenched production. Mr. Green LABEL: Nature Sounds is a renowned hip-hop producer who has crafted tracks for the likes of GENRE: Hip-Hop/Rap Jedi Mind Tricks, Snoop Doog, A$AP Ferg, The Roots, Freddie Gibbs, BARCODE: 822720717422 KRS-One, Bodega Bamz, R.A. The Rugged Man, Deniro Farrar, Raz FORMAT: CD Fresco, and many more. Now, the two artists are joining forces for a HOME MARKET: Buffalo, NY / New York City new collaborative EP, FLYGOD Is Good… All The Time.