CUT the Cut Or “Shape and Make” of a Diamond Can Be Considered
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Finish, Culet Size, and Girdle Thickness: Categories of the GIA Diamond Cut Grading System
Finish, Culet Size, and Girdle Thickness: Categories of the GIA Diamond Cut Grading System This booklet summarizes the relationship of Finish, Culet Size, and Girdle Thickness to the GIA Cut Grading System for round brilliant diamonds. It is intended to help members of the jewelry trade better understand the attributes of diamond appearance, and how those attributes are evaluated within the GIA Cut Grading System. Finish—Polish and Symmetry In the GIA Cut Grading System for standard round brilliant To determine the relationship between finish and overall diamonds, finish (for Polish and Symmetry features) is cut quality, GIA conducted extensive observation testing factored into the final overall cut grade as follows: of numerous diamonds using standardized lighting and viewing conditions. Observations of diamonds with • To qualify for an Excellent cut grade, polish and comparable proportions, but differing in their polish and symmetry must be Very Good or Excellent. symmetry categories, were analyzed to determine the effects of finish on overall cut appearance. In this way, • To qualify for a Very Good cut grade, both polish GIA found that a one grade difference between the other and symmetry must be at least Good. aspects of a diamond’s cut grade and its polish and • To qualify for a Good cut grade, both polish and symmetry assessments did not significantly lower a symmetry must be at least Fair. trained observer’s assessment of face-up appearance, and could not be discerned reliably with the unaided eye— • To qualify for a Fair cut grade, both polish and e.g., polish and/or symmetry descriptions of Very Good symmetry must be at least Fair. -
Taaffeite, a New Beryllium Mineral, Found As a Cut Gem- Stone.I
765 Taaffeite, a new beryllium mineral, found as a cut gem- stone.I By B. W. ANDERSON,B.Sc., F.C.S., C. J. PAYNE, B.Sc. Laboratory of the Diamond, Pearl, and Precious Stone Trade Section of the London Chamber of Commerce. and G. F. CLARINGBULL,B.Sc., Ph.D., F.G.S. With microchemical analysis by M. H. HEY, M.A., D.Sc. Department of Mineralogy, British Museum. [Read June 7, 1951.] ------ N October 1945 Count Taaffe,2 a brilliant if unorthodox Dublin I gemmologist, in the course of examining a motley collection of gem- stones, came across a small mauve stone which puzzled him greatly. The stone had the appearance, and most of the characters, of spinel, but afforded clear evidence of double refraction. As recounted below, this stone was later found to belong to an entirely new mineral species-the only c~se hitherto known where a mineral has been first encountered as a faceted gem. Since the precise circumstances of such a discovery have both human and technical interest, it seemed best to obtain from Count Taaffe his own account of the event. This is accordingly given below before pro- ceeding to the more formal presentation of the data on the new mineral, which has been named taaffeite in honour of its discoverer. On one of my rounds in search of gems I came to Mr. Robert Dobbie, watchmaker and working jeweller in Fleet Street, Dublin; he allowed me in his genial way to go through all his boxes in which he kept stones, to pick out any that were real-most of them were glass-and to make him an offer for them. -
IDENTIFYING and VALUING OLD EUROPEAN CUT DIAMONDS Richard B
FEATURE ARTICLE IDENTIFYING AND VALUING OLD EUROPEAN CUT DIAMONDS Richard B. Drucker, GIA GG, Honorary FGA Identifying an old European cut diamond may seem simple but there is a set of GIA standards that determine from their perspective whether it is or is not. This set of standards is not widely accepted by vintage jewelry dealers that struggle with some of the non-calls. For the past several years, prices have risen significantly, sometimes even above the price of a modern brilliant when hard to find and in demand. While that is true in some sizes and qualities, the market is softening in other. uring the past decade, the gemguide has featured will be no cut grade assigned. A polish and symmetry grade several articles on old european cut diamonds. The will still appear. Dfirst article of the same title as this feature here, ap - peared in the November 2010 issue (Volume 29, issue 6). in in our article in 2010, we published the criteria used by the September 2011 (Volume 30, issue 5) another feature article giA to determine if a diamond was to be called old euro - appeared discussing the ongoing dilemma over old european pean cut. They look at four parameters only and today, they cut diamonds, specifically nomenclature on grading reports still consider only those four. Figure 1. The parameters are and the history of cutting styles and cut grading. Today, we as follows. continue to debate nomenclature. Table size: less than or equal to 53% Crown angle: greater than or equal to 40 degrees in November 2012 (Volume 31, issue 6), we published a mar - Lower half facet length: less than or equal to 60% ket trends article showing how the price of these diamonds Culet size: slightly large or larger has continued to rise over the years in comparison to round brilliant cuts. -
Evaluation of Brilliance, Fire, and Scintillation in Round Brilliant
Optical Engineering 46͑9͒, 093604 ͑September 2007͒ Evaluation of brilliance, fire, and scintillation in round brilliant gemstones Jose Sasian, FELLOW SPIE Abstract. We discuss several illumination effects in gemstones and University of Arizona present maps to evaluate them. The matrices and tilt views of these College of Optical Sciences maps permit one to find the stones that perform best in terms of illumi- 1630 East University Boulevard nation properties. By using the concepts of the main cutter’s line, and the Tucson, Arizona 85721 anti-cutter’s line, the problem of finding the best stones is reduced by E-mail: [email protected] one dimension in the cutter’s space. For the first time it is clearly shown why the Tolkowsky cut, and other cuts adjacent to it along the main cutter’s line, is one of the best round brilliant cuts. The maps we intro- Jason Quick duce are a valuable educational tool, provide a basis for gemstone grad- Jacob Sheffield ing, and are useful in the jewelry industry to assess gemstone American Gem Society Laboratories performance. © 2007 Society of Photo-Optical Instrumentation Engineers. 8917 West Sahara Avenue ͓DOI: 10.1117/1.2769018͔ Las Vegas, Nevada 89117 Subject terms: gemstone evaluation; gemstone grading; gemstone brilliance; gemstone fire; gemstone scintillation; gemstone cuts; round brilliant; gemstones; diamond cuts; diamonds. James Caudill American Gem Society Advanced Instruments Paper 060668R received Aug. 28, 2006; revised manuscript received Feb. 16, 8881 West Sahara Avenue 2007; accepted for publication Apr. 10, 2007; published online Oct. 1, 2007. Las Vegas, Nevada 89117 Peter Yantzer American Gem Society Laboratories 8917 West Sahara Avenue Las Vegas, Nevada 89117 1 Introduction are refracted out of the stone. -
Cover Intro Page Page 1 Page 2 Page 3
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Gemstones2.Pdf
The Science of Gemology Gemology can be defined as the science of gems. It is most closely Minerals as Gemstones allied with mineralogy, drawing on knowledge of chemistry, physics and geology. Knowledge of physics and chemistry aids in understanding the physical, chemical, and optical properties of minerals. Geological knowledge allows an understanding of the origins and probable natural sources of gemstones. Gemology is not only concerned with the study of natural gem materials, but also with gem testing and evaluation methods, the cutting, polishing and mounting of gem-quality specimens, as well as identification of the distinguishing properties and aesthetic value (grade) of synthetically manufactured gems. Gemologists must also concern themselves with the properties, value and sources of precious metals, as well as the market value of gems and precious metals. What constitutes a gemstone ? Gems traditionally held in highest esteem are diamonds, rubies, “Gemstone” is a collective term for all “stones” used for personal adornment (i.e. as jewelry) or for other ornamental uses. sapphires, emeralds, and some varieties of opal. However, large, high-quality specimens of semiprecious gems (e.g. Tourmaline) The term is usually restricted to “stones” of natural origin, however, often command a very high price even in their natural form. there are “synthetic gems”. Prepared precious gems Not all gemstones are minerals as such (e.g. amber, pearl, coral, jet, opal, ivory, petrified wood). Some are rocks (multimineralic). A “gem” can be thought of as a gemstone that has been cut and/or polished to accentuate its beauty. Gemstones are generally divided into two main categories: Precious gems: characterized by great beauty, durability, stability, large size and rarity. -
Overseas Cutting Gem Mountain Sapphires
HEAT TREATING 202021 GEMSTONE MONTANA FACETING & OVERSEAS FACETING HEAT TREATING AND Recommended for Large High Value Stones and Custom Cutting for Jewelry Finished Gemstones Ready for Jewelry FACETING PRICE LIST Heat Treating and Montana Faceting Number of Price Cost per Stones Stone Pay for Heat Treating based upon 1 $54 $54.00 rough weight of the stone. 2 $82 $41.00 We recommend sending the heat treat- ed stone to one of our highly skilled 3 $109 $36.33 cutters for evaluation and a sugges- 4 $137 $34.25 Gem Mountain Montana, USA tion of the best cut to maximize the 5 $162 $32.40 size and value. 6 $186 $31.00 P.O. Box 148 We will contact you with cutting sug- 7 $208 $29.71 21 Sapphire Gulch Lane gestions and the estimated cost. 8 $230 $28.75 Philipsburg, MT 59858 Montana Faceting charges are based 9 $252 $28.00 Toll Free: (866) 459-GEMS (4367) upon the finished weight of the cut 10 $274 $27.40 Local: (406) 859-GEMS (4367) gemstone. Fax: (406) 859-5055 A standard 57 facet round brilliant costs $99 per carat ($99 minimum). Each Additional Stone Only $22 each www.GemMountainMT.com 11 $296 $26.90 [email protected] Fancy cuts cost $129 per carat ($129 12 $318 $26.50 minimum), plus $1 per facet. Faceting Billed when Done (BWD) 13 $340 $26.15 INFO FOR ALL ORDERS 14 $362 $25.85 based upon finished weight 15 $384 $25.60 Shipping and Handling: Priority Mail $11 16 $406 $25.38 Insured Mail $30 17 $428 $25.17 HEAT TREATING Foreign Address $ TBD 18 $450 $25.00 Improves Color and Clarity The Small Print: 19 $472 $24.84 # Stones or $ per stone or $ per carat Price is per parcel (one bag) Ct Weight whichever is GREATER 20 $494 $24.70 Add $30 per parcel (bag) per Split Order. -
Cut Shape and Style the Diamond Course
Cut Shape and Style The Diamond Course Diamond Council of America © 2015 Cut Shape and Style In This Lesson: • The C of Personality • Optical Performance • The Features of Cut • The Round Brilliant • Classic Fancy Shapes • Branded Diamond Cuts • Shape, Style, and Cost • Presenting Cuts and Brands THE C OF PERSONALITY In the diamond industry the term “cut” has two distinct meanings. One is descriptive. It refers to the diamond’s shape and faceting style. The other relates to quality, and includes proportions, symmetry, and polish. Most customers are familiar with only the first meaning – cut shape and style. That’s the aspect of All sorts of cutting shapes are cut you’re going to examine in this lesson. The next possible with diamonds. lesson explores the second part of this C. For many customers, cut shape and style is part of their mental image of a diamond. Shape contrib- utes to the messages that a diamond sends about the personality of the one who gives or wears it. When presenting this aspect of cut, you need to match the images and messages of the diamonds you show with the customers you serve. With branded diamond cuts, you may need to explain other elements that add appeal or value. When you’ve accomplished these objectives you’ve taken an important step toward closing the sale. The Diamond Course 5 Diamond Council of America © 1 Cut Shape and Style Lesson Objectives When you have successfully completed this lesson you will be able to: • Define the optical ingredients of diamond’s beauty. • Describe diamond cuts in understandable terms. -
The Ideal Brilliant Cut: Its Beginnings to Today
MICHAEL D. COWING is the author of Objective Diamond Clarity Grading, an educator, gemologist and appraiser operating an Accredited Gemologist Association Certified Gem Laboratory. His career in diamonds, gems, and gemology spans 35 years. The Ideal Brilliant Cut: Its Beginnings to Today Figure 1. Face-up view of the Ideal Figure 2. 20° Tilt from face-up Figure 3. 20° Tilt forward from the side Cut at its beginning in the 1860’s view of the early Ideal Cut. view of the early Ideal Cut. time frame. Figure 4. Face-up view of today’s Figure 5. 20° tilt from face-up Figure 6. 20° tilt forward from the side view Ideal Cut with fundamentally the view of today’s Ideal Cut. of today’s Ideal Cut. same main angles as the early Ideal. Introduction back angle1.“ It was also known in Europe around the turn of the 19th century as the American Cut. The Ideal Cut’s Since its beginnings in the early 20th century to the present appearance is transformed in Figures 4-6 with today’s day, confusion and misunderstanding has frequently proportions, (larger table size, longer lower girdle facets, surrounded the use (or misuse) of the term “Ideal Round thicker girdle, etc.), while retaining the same fundamental Brilliant Cut,” its defining properties and origin. Some have crown and pavilion main angles which are key to its beauty. advocated eliminating its use altogether. Through the examination of the Ideal Round Brilliant Cut’s (Ideal Cut The Ideal’s beginning with the American Cut hereafter) evolution, this article endeavors to clear up its history, clarify its defining properties and in the process The beginning of today’s Ideal Round Brilliant Cut was the dispel the misunderstanding and mythology surrounding this design attributed to Henry Morse and his diamond cutting most popular of diamond cuts. -
Estimating Weights of Mounted Colored Gemstones
NOTE S AND NE W TECHNIQUES ESTI MATING WEIGHTS OF MOUNTED COL ORED GEMS TONES By Charles I. Carmona Updated formulas are presented for estimating the weights of mounted col - ored gemstones. These formulas are derived from measurements and weights of thousands of German-cut calibrated amethysts and citrines, rep - resenting most commercially available shapes and sizes. As with the formu - las taught by GIA, the dimensions of a stone are multiplied by its specific gravity and by a “shape factor” that is determined by the stone’s face-up outline. This article also illustrates how the shape factor changes over a con - tinuum of common face-up outlines. As in previous formulas, a separate weight correction factor is applied to stones that show proportion variations in profile view. Estimating weights of mounted gemstones has gemstone weights, or negotiating the sale or pawn become a common routine for many of today’s jew - of jewelry. elry tradespeople. Weight estimation is necessary Over the past two decades, estate jewelry has when the stone cannot be removed from its mount - become increasingly important in the market (fig - ing, either because the client will not allow it or ure 1). No longer is all second-hand jewelry simply because the piece might be damaged. This is typi - melted down and the stones recut for remounting. cally the case with estate jewelry (i.e., jewelry that In fact, more jewelers are entering this market, at has been previously owned). Estimating weight both wholesale and retail levels, as witnessed by might be done when performing an appraisal, calcu - regular estate jewelry sections in the trade pres s lating an offer to purchase jewelry with unknown (see, e.g., Jewelers’ Circular-Keystone and Professional Jeweler ), the growth of estate jewelry sections at trade shows (such as the Las Vegas JCK Show), and the prevalence of this jewelry in on-line bul - letin boards (e.g., http:// www.diamonds.net , ABOUT THE AUTHOR http://www.poly gon.net) and Web sites (e.g. -
Identifying Diamonds Diamond Is One of the Most Important Gemstones Traded in the World Today
GEMMOLOGY Identifying Diamonds Diamond is one of the most important gemstones traded in the world today. Diamond has all properties in the superlative state- best luster, highest hardness, highest thermal conductivity among gems and these properties help in identification and form the basis for some of the tips to check whether the white stone is a diamond. t is said that Alexander the stone then do so only with a stone case of simulants, the line will Great found a valley full of both holder or tweezer. Never move appear partially or complete. This Idiamonds and poisonous snakes. your fingers through the diamonds, test can be easily carried out on No one could work out how to you would never know how many unset stones; but care must be retrieve the jewels until Alexander diamonds would get stuck to your taken when they are mounted. had the idea of throwing down fingers and fall out. Confusion is possible with raw meat, to which the diamonds old cut diamonds, in which full attached. When eagles flew down Visual Methods advantage of the low critical angle for the meat, Alexander's men just was not taken in cutting. Here, the had to follow them to their nests. It Tilt Test line may appear unnaturally clear or sounds like fantasy but diamonds The high Refractive Index (RI) of transparent for diamonds. The large are attracted to fat, and the story Diamond makes possible a simple culet and the facet edges will be reminded people how to tell real test to distinguish it quickly from immediately apparent to the naked diamonds from fakes. -
Diamond Cut Instructions Figure 2 ¾ to Cut Diamonds in 1/2” Or 1” Increments: Cut Strip of Fabric to Desired Width of Diamond
Diamond Cut Instructions Figure 2 ¾ To cut diamonds in 1/2” or 1” increments: Cut strip of fabric to desired width of diamond. Note: Layer fabric strips to cut multiple diamonds at a time. Place Diamond Cut Ruler on width of fabric, aligning bottom line of ruler with raw edge of fabric. Create first angle by cutting along the outside right edge Figure 1 3 of ruler. Cut in slots subsequently equal to the width of the fabric To cut 3/4” increment diamonds: strips. (Figure 1) Lift ruler and Cut strip of fabric to desired width of diamond. Note: Layer fabric reposition on fabric strip to strips to cut multiple diamonds at a time. Place Diamond Cut continue cutting diamonds. Ruler on width of fabric, aligning bottom line of ruler with raw edge of fabric. Example: For 2” diamonds, cut 2” strips of fabric. Align 6 4 2 Create first angle by cutting along the outside right edge of ruler. bottom edge of ruler on raw edge Lift ruler and place 1/4” dotted line of ruler on newly cut angled of fabric. Cut on outside right edge of ruler. fabric edge. Cut in appropriate slot to equal width of fabric strip. Cut in slots marked 2”, 4” and 6”. Lift ruler and place 1/4” dotted line of ruler on just cut angle and again cut in appropriate slot to equal width of strip. (Figure 3) To cut 1/4” increment diamonds: Cut strip of fabric to desired width of diamond. Note: Layer fabric Example: For 2-3/4” diamonds, cut 2-3/4” strips of fabric.