GOW LANGSFORD GALLERY

DALE FRANK b. 1959,

Australian artist Dale Frank is a painter known for his evocative abstract works challenging the concept of painting. He is one of Australia’s most successful artists. His works, the results of a practice of more than 35 years, is aligned with some of the most exciting and innovative contemporary painters of today. His works are held in major collections worldwide including the Museum of Fine Arts, Boston, the Kunsthaus, Zurich and the Solomon R. Guggenheim Musuem, New York.

The genius of Frank’s practice lies in his ability to subvert the traditions of painting while also exposing and isolating the medium’s underlying conceptuality. He uses the universal languages of color, tone, and rhythm to engage with the viewer on a purely instinctual level, subconsciously enlisting his viewers as participants in his ongoing experiment with the potentiality of paint and surface. Frank’s singular vision combined with his masterly manipulation of the painted surface make his stunningly evocative compositions hypnotically beauti- ful, but also cerebrally engaging. (Forrest, N. 2014)

Dale Frank has a career that spans more than thirty years. His exhibition history is vast and international. It in- cludes inclusion in the , in the Aperto section in 1984 and in the collateral exhibition Personal Structures in 2013. In 2010 he participated in the 17th Biennale of : The Beauty of Distance, Songs of Survival in a Precarious Age. He was recognized with a major solo retrospective at the Museum of Contem- porary Art, Sydney in 2000. In 2005 he won the Arthur Guy Memorial Painting Prize from the Bendigo Art Gallery. The monograph So Far: the Art of Dale Frank 2005-1980 (Schwatz Publishing) was published in 2007 and follows the publication of his earlier monograph Dale Frank (Craftsman House, 1992).

His paintings are held in every major public collection in Australia and in numerous museum private and cor- porate collections in the Asia Pacific, and the .

Gow Langsford Gallery has represented Dale Frank since 1997.

SELECTED SOLO EXHIBITIONS

2015 Dale Frank, Gow Langsford Gallery, Auckland

2014 Toby Jugs, Roslyn Oxley9 Gallery, Sydney

2013 Nobody's Sweetie, Roslyn Oxley9 Gallery, Sydney Date Custard Tart, Anna Schwartz Gallery,

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2012 The Silence Rode a Donkey Into Town, Gallery Reis, Singapore Art Statements Gallery, Hong Kong Armory Show, New York (Anna Schwartz Gallery) Devon is my favourite luncheon meat, Gow Langsford Gallery, Auckland

2011 Dale Frank, Gow Langsford Gallery, Auckland

2010 Ice Age, Roslyn Oxley9 Gallery, Sydney

2009 Miscellaneous, Roslyn Oxley9 Gallery, Sydney The Big Black Bubble, Anna Schwartz, Melbourne

2008 Dale Frank, Gow Langsford Gallery, Auckland Some Boring Paintings, Roslyn Oxley9 Gallery, Sydney

2007 Sore Throat, Roslyn Oxley9 Gallery, Sydney

2006 Dale Frank, Gow Langsford Gallery, Auckland Dale Frank, Roslyn Oxley9 Gallery, Sydney

2005 Bendigo Art Prize Exhibition, Bendigo Schubert Gallery, Gold Coast Frieze Art Fair (Schwartz Gallery), London

2004 Recent Paintings, Gow Langsford Gallery, Auckland Roslyn Oxley9 Gallery, Sydney

2003 Dale Frank, Studio Foyer Exhibitioins, Sydney Opera House, Sydney New Paintings, Anna Schwartz Gallery, Melbourne Views From The Bruce Highway, Roselyn Oxley9 Gallery, Sydney

2002 Anna Schwartz Gallery, Melbourne, Australia Resisting Colour, Gow Langsford Gallery, Sydney, Australia

2001 Gow Langsford Gallery, Auckland, New Zealand Roslyn Oxley9 Gallery, Sydney, Australia Multistylus Program, Auckland City Gallery, Auckland, New Zealand Low-down, Monash University Gallery, Melbourne, Australia Desire, RMIT Gallery, Royal Melbourne Institute of Technology, Melbourne, Australia

2000 "Dale Frank, Ecstasy 20 Years of Painting", Museum of Contemporary Art, Sydney, Australia curated by Sue Cramer Dale Frank, Art Gallery of NSW, Sydney, Australia Roslyn Oxley9 Gallery, Sydney, Australia Anna Schwartz Gallery, Melbourne, Australia "Miss Junior Gin Gin Showgirl", Dale Frank (and Adam Cullen), Hazelhurst

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Regional Gallery, Sydney, Australia Galerie Albert Baronian, Brussels

1999 Roslyn Oxley9 Gallery, Sydney, Australia Karyn Lovegrove Gallery, Los Angeles

1998 "Gin Gin Paintings", Bundaberg Art Gallery, (touring), Toowoomba Regional Gallery, Tamworth City Gallery), Australia Roslyn Oxley9 Gallery, Sydney, Australia "Unseen New York Paintings 1985-86", Alderton Gallery, Anna Schwartz Gallery, Melbourne, Australia

1997 Gow Langsford Gallery, Auckland (touring Govett-Brewster Gallery, New Plymouth; Wellington City Gallery, Wellington, New Zealand "Movie Show", Roslyn Oxley9 Gallery, Sydney Anna Schwartz Gallery, Melbourne, Australia

1996 Tyson Stable, 2001 Roslyn Oxley9 Gallery, Sydney, Australia Teststrip Gallery, Auckland Bellas Gallery, Brisbane, Australia Centre for Contemporary Photography, Melbourne, Australia "Disco-Behaviouralism", Upper Roma Street, Brisbane (VOLT, Brisbane Festival) "Pool Hall", Institute of Modern Art, Brisbane, Australia Roslyn Oxley9 Gallery, (photography) Sydney, Australia "Perfumed Lotus" (sculpture performance), Room 117, Asia Pacific Hotel, Art Fair, Brisbane, Australia

1995 Bellas Gallery, Brisbane, Australia Sculpture Performance, Roslyn Oxley9 Gallery, Sydney, Australia Dale Frank/Scott Redford (collaboration), ISNT Gallery, Brisbane, AustraliaKaryn Lovegrove Gallery, Melbourne, Australia

1994 Karyn Lovegrove Gallery, Melbourne, Australia Project Space, Level 2, Art Gallery of , Sydney, Australia Sherman Galleries Goodhope, Sydney, Australia Private Viewing, Hugh Jamieson Collection, Bilpin, NSW, Untitled, 2006 Australia Jack Shainman Gallery, New York, USA Wollongong City Gallery, Wollongong, NSW (Drawing Retrospective, 1980-1994) , Australia Unseen 1984 Exhibition, Karyn Lovegrove Gallery, Melbourne, Australia “Satellite of Love”, Contemporary Art Space, (in association with the National Gallery of Australia, 'Virtual Reality'), Canberra, Australia

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1993 Solander Gallery, Canberra, Australia Bellas Gallery, Brisbane, Australia Monash University Gallery, Monash University, Melbourne (Drawing Retrospective, 1980-1992) , Australia Institute of Contemporary Art, P.I.C.A., Perth (Drawing Retrospective 1980-1992) , Australia Sherman Gallery Goodhope, Sydney, Australia UNFAIR, Cologne Galerie Albert Baronian, Brussels

1992 Newcastle Regional Gallery, Newcastle (collaboration with John Coburn) Roslyn Oxley9 Gallery, Sydney, Australia Contemporary Art Centre of South Australia, Adelaide, Australia Nolan Gallery, Canberra (collaboration with John Coburn), Australia Karyn Lovegrove Gallery, Melbourne, Australia The Villa Verte, Kuala Lipis (Kuala Lumpur),Malaysia Roslyn Oxley9 Gallery, Sydney, Australia

1991 Roslyn Oxley9 Gallery, Sydney, Australia Institute of Modern Art, Brisbane (collaboration with John Cobum) Tamworth City Gallery, Tamworth, Australia Deutscher Brunswick Street, Melbourne, Australia

1990 Milburn+Arte, Brisbane, Australia Deutscher Brunswick Street, Melbourne, Australia Roslyn Oxley9 Gallery, Sydney, Australia Sculptures and Constructions, Milburn, Brisbane, Australia

1989 Milburn+Arte, Brisbane, Australia Roslyn Oxley9 Gallery, Sydney, Australia

1988 Jack Shainman Gallery, New York, USA Milburn+Arte, Brisbane, Australia Mori Gallery, Sydney, Australia Realities Gallery, Melbourne, Australia E.M.R. Gallery, Sydney, Australia

1987 Studio Marconi, Milan, Italy Musee de Arte Modern di Ville Liege, Liege; curated by Albert Baronian Marianne Deson Gallery, Chicago Realities Gallery, Melbourne Mori Gallery, Sydney

1986 Massimo Audiello Gallery, New York Galerie Polynero, Antwerp Galerie Albert Baronian, Brussels Triagono Modern Arte, Nola (Naples) Roslyn Oxley9 Gallery, Sydney

1985 Palais Des Beaux-Arts (Galerie Albert Baronian), Brussels Galerie Barbara Farber, Amsterdam

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Roslyn Oxley9 Gallery, Sydney Canberra School of Art Gallery, Canberra Studio d'Art Cannaviello, Milan

1984 Studio d'Art Cannaviello, Milan Roslyn Oxley9 Gallery, Sydney University Gallery, Melbourne Institute of Modern Art, Brisbane Monique Knowlton Gallery, New York

1983 Museum Fodor, (Stedelijk Museum), Amsterdam Roslyn Oxley9 Gallery, Sydney

1982 Galerie Tanit, Munich Perspective 12/82, International Kunstmesse, Basel Roslyn OxIey9 Gallery, Sydney Severina Teucher Galerie, Zurich

1981 Acme Art Gallery, London PS.1. Gallery (Project Studio One), New York Praxis Gallery, Perth Fernando Pellegrino Galerie, Bologna

1980 Project Art Gallery, Dublin Young Artists Club, (FMK), Budapest Galerie Sixto Notes, Milan

1979 Experimental Art Foundation, Adelaide

SELECTED GROUP EXHIBITIONS

2015 Spring Catalogue, Gow Langsford Gallery, Auckland

2014 Adelaide Biennial of Australian Art: Dark Heart, Art Gallery of South Australia, Adelaide Levels of Abstraction, Gow Langsford Gallery, Auckland

2013 Full Circle, Gow Langsford Gallery, Auckland Auckland Art Fair, Gow Langsfor Gallery, Auckland The Big Picture, Gow langsfor Gallery, Auckland

2010 17th : The Beauty of Distance, Songs of Survival in a Precarious Age [upcoming]

2008 Contemporary Australia - Optimism, Gallery of Modern Art l Art Gallery, Brisbane Neo-Goth: Back in Black, The Art Museum, University of Queensland, curated by Alison Kubler

2007 The Year in Art, S.H. Ervin Gallery, Sydney Strange Cargo: Contemporary Art as a State of Encounter, Newcastle Region Art Gallery, Broken Hill

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Regional Art Gallery, Bendigo Art Gallery, Orange Regional Gallery, Wagga Wagga Art Gallery, Tweed River Regional Gallery

2006 Before the Body-Matter, Monash University Museum of Art, Melbourne Parallel Lives: Australian Painting Today, Tarrawara Biennial, Tarrawarra Museum of Art, Healesville, Victoria

2005 Frieze Exhibition, Gow Langford Gallery, Auckland Drawing Centre, curated by Ross Woodrow, Newcastle Region Art Gallery, NSW, Jan-Mar 2005 Winner-The Arthur Guy Memorial Painting Prize 2005, Bendigo Art Gallery, Victoria

2004 Auto Fetish: Mechanics of Desire, curated by Nick Mitzevich, Newcastle Region Art Gallery, Newcastle, New South Wales Swoon, Australian Centre for Contemporary Art (ACCA), Melbourne Three-way abstraction, MUMA Monash University Museum of Art, Melbourne Selected Contemporary Art, Maragret Moore and Anna Scwartz Gallery, Perth

2003 The Year in Art, S.H Ervin Gallery, Sydney IN Conversation, The VanVliet Collection of International Contempoary Art with artworks from the collection of the University of Queensland, University Art Museum, University of Queensland, Brisbane On the Beach with Whiteley, Brett Whiteley Studio, Sydney Field Work: Australian Art 1968 – 2002, National Gallery of Victoria, Federation Square

2002 Dirty Dozen, Roslyn Oxley9 Gallery, Sydney Sublime: 25 Years of the Wesfarmers Collection of Australian Art, Art Gallery of Western Australia, Perth, Western Australia The First Twenty Years, Roslyn Oxley9 Gallery, Sydney Other Views: An Exhibition from the Griffith Univeristy Art Collection, Griffith University, Nathan, Queensland

2001 low-down, Monash University Gallery, Monash University, Melbourne Multistylus Program, Auckland City Gallery, Auckland Desire, RMIT Gallery, Royal Melbourne Institute of Technology, Melbourne

2000 Monochromes, University Art Museum, The University of Queensland, Brisbane

1999 Moral Hallucinations: Channelling Hitchcock, Museum of Contemporary Art, Sydney, curated by Edward Colless Contemporary Art Prize (winner), Geelong Art Gallery Funk de Siecle, Museum of Modern Art Heide, Melbourne, curated by Murray White Exploratory Behaviour: Contemporary Art from the Permanent Collection, National Gallery of Victoria, Melbourne Molecular Reality, Experimental Art Foundation, Adelaide, curated by Christopher Chapman

1998 Mercant Collection, Sherman Galleries (Hargrave), Sydney Art 29'98, Basel Art Fair, Switzerland The Female Form Divine, Monash University Gallery, Melbourne Blue, Annandale Galleries, Sydney Group Show, Alderton Gallery, Brisbane

1997

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Art 28'97, Basel Art Fair, Switzerland Art Forum Berlin, Berlin Art Fair, Germany It's a Guitar Shaped World III, Tamworth City Gallery, Tamworth NOW, Bellas Gallery, Brisbane Dead Sun, Art Gallery of New South Wales, Sydney, curated by Mike Parr Ambient (Male) Identity, Contemporary Art Centre of South Australia, curated by Christopher Chapman

1996 Hidden Treasures II. Art in Corporate Collections, S.H. Erwin Gallery, Sydney Adelaide Biennale of Australian Art, Art Gallery of South Australia, Adelaide, curated by Christopher Chapman Art 27'96, Basel Art Fair, Switzerland New Additions, Monash University Collection, Monash University, Melbourne Sweet & Sticky, Bundaberg Arts Centre; curated by Jane Gallagher Australia: Familiar and Strange, Seoul Arts Centre, Korea; curated by Timothy Morrell lmants Tillers. Dale Frank. Geoff Lowe. Robyn Stacy, Karyn Lovegrove Gallery, Melbourne Cologne Art Fair, Cologne, Germany

1995 Group Exhibition, Roslyn Oxley9 Gallery, Sydney Aspects of Australian Printmaking 1984-1994, National Gallery of Victoria, Melbourne Christmas Show, Peter Bellas Gallery, Brisbane Group Exhibition, Karyn Lovegrove Gallery, Melbourne Out of the Analogue, Plimsoll Gallery, Hobart; curated by Leigh Hobba

1994 McCaughey Prize Exhibition. National Gallery of Victoria, Melbourne 25 Years of Performance Art in Australia. Ivan Dougherty Gallery, Sydney (touring), curated by Nick Waterlow Faces of Hope. Art Gallery of New South Wales, Sydney Virtual Reality. 1st Biennale of Contemporary Art, National Gallery of Australia, Canberra, curated by Mary Eagle

1993 Wit's End. Museum of Contemporary Art, Sydney; curated by Kay Campbell Rad Scunge. new art from Sydney, Karyn Lovegrove Gallery, Melbourne, curated by Dale Frank Dale Frank. lmants Tillers. John Young, Sherman Goodhope Gallery, Sydney Summer Show. Jack Shainman Gallery, New York Human National Gallery of Australia, Canberra, (video installation), curated by Christopher Chapman

1992 The Hypothesis of Imitation, Sutton Gallery, Melbourne; curated by Rex Butler Courts and Jesters, Ars Multiplacata Gallery, Sydney; curated by Jeff Gibson Prolepsis, National Museum of Art, Kuala Lumpur; curated by Redza Niza- Tan Medium Density: Contemporary Australian Drawings and Photographs, Australian National Gallery, Canberra

1991 Selected Contemporary Australian Artists, Deutscher Brunswick Street, Melbourne Banal Art, Artspace, Sydney; curated by Rex Butler The Hypothesis of Imitation, Bellas Gallery, Brisbane; curated by Rex Butler The History of the Electronic Page, Institute of Contemporary Art (ICA), Amsterdam; curated by Paul Groot Cross Currents, Contemporary New Zealand and Australian Art from the Chartwell Collection

1990 Group Show, Roslyn Oxley9 Gallery, Sydney 8th Biennale of Sydney, Art Gallery of New South Wales, Sydney; curated by Rene Block

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Australian Contemporary Art Fair 2, Royal Exhibitions Buildings, Melbourne Greenpeace Benefit Exhibition, Linden Gallery, Melbourne 100 Artists Against Animal Experimentation, Deutscher Brunswick Street, Melbourne Vache, Site Gallery, Brisbane

1989 I.C.l. Contemporary Art Collection, Australian Centre For Contemporary Art,Melbourne; Ballarat Fine Art Gallery (touring) Group Show, The University of South East Queensland, Toowoomba Australian Art Post 1960, Deutscher Gertrude Street, Melbourne Cosmos, City Gallery, Melbourne

1988 15 Years Galerie Albert Baronian, Museum International Cultureel, Centrum, Antwerp Advance Australian Painting, Auckland City Art Gallery, Auckland; Robert McDougall Art Gallery, Christchurch Australian Drawing. Australian National Gallery, Canberra The New Generation (1983-1988) Phillip Morris Arts Grant Purchase, Australian National Gallery, Canberra Irony, Humour and Dissent, Manly Art Gallery and Museum, Sydney; curated by Alison Carroll 1987 Primal Painting, Heide Park Art Gallery, Melbourne The Australian Exhibition, Frankfurter Kunstverein, Frankfurt; Wuttembergische Kunstverein, Stuttgart What Is This Thing Called Science, The University Gallery, Univeristy of Melbourne, Melbourne Australian Contemporay Drawing, Heide Park and Art Gallery, Melbourne Group Show, Jack Shainman Gallery, New York Backlash: Australian Drawing Revival 1976-1986, National Gallery of Victoria, Melbourne Milano + 12 ,OSAON Centro di Arte Contemporanea, Milan

1987 Primal Painting, Heide Park Art Gallery, Melbourne Nature Re-defined, Galerie Segal-Steinberg, Montreal Documentation, Danial Newburg Gallery, New York Drawings, 56 Bleeker Street, New York The Australian Bicentennial Perspecta, Art Gallery of New South Wales, Sydney; Art Gallery of Western Australia, Perth 15 Years Galerie Albert Baronian, Museum International Cultureel, Centrum, Antwerp

1986 Everyman. Zurich Forum (Barbara Farber Gallery), Zurich New Generation. 5 Painters from New York, Segel Steinberg Gallery, Montreal New Purchases - Recent European Art. Museum of Modern Art, Chicago Forbidden Objects, Roslyn Oxley9 Gallery, Sydney

1985 Dale Frank/Roberto Agus. Unimedia Galerie, Genova Australian Visions. Queensland Art Gallery, Brisbane, Art Gallery of New South Wales, Sydney, Art Gallery of Western Australia, Perth; curated by Diane Waldman Doppelganger/cover, Aorta Gallery, Amsterdam; curated by Paul Groot Nuove Trame dell'Arte, Castello Genazzano, Rome, curated by Achille BonitoOliva Anniottanta, Chiostri di San Domenico, Imola (Museum of Modern Art, Bologna); curated by Renato Barilli, Flavio Caroli Master Drawings. Galerie Barbara Farber, Amsterdam Rondo, 2nd Rassenga lntemazionale d'Arte, Antichi Arsenali, Amalfi; curated by Gaspare Russo

1984 Fremantle Drawing Exhibition. Fremantle Arts Centre, Fremantle; curated by Christa Johannes Form>lmage>Sign, Art Gallery of Western Australia, Perth; curated by Tony Bond

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Dreams & Nightmares, Roslyn Oxley9 Gallery, Sydney Aperto 84, Arte e Arti: Attualita e Storia', Biennale of Venice; curated by Flavio Caroli & John Roberts Symbol, Emblem and Signature. Govett- Brewster Gallery, New Plymouth; curated by Jennifer Phipps L'Occhio SuII Imagine. Carla Feishci, Sestri Levante Recent Australian Art - An American Perspective, Solomon R. Guggenheim Museum, New York, curated by Diane Waldman Inspirit, Monique Knowlton Gallery, New York; curated by Garry Nichols

1983 Panorama della Post – Critica, Musei Palazzo Lanfranchi, Pisa, Italy; curated by Achille Bonito Oliva (with Thomas Lawson & Anselm Kiefer, invited by Helena Kontova) Tall Poppies, Melbourne University Gallery, Melbourne, curated by Paul Taylor Perspecta 83, Art Gallery of New South Wales, Sydney; curated by Bernice Murphy End of Civilization. Part II, Ewing Gallery, Melbourne; curated by Vivian Shark-LeWitt Place, Gimpel Fils Gallery, London; curated by Caryn Faure-Walker De Goddeliik Komedie (The Divine Comedy), Galerie t'Venster, Rotterdam,and Bonnefantan Museum, Maastricht; curated by Paul Groot Faces and Portraits from Life, Heide Park Gallery, Melbourne D'un Autre Continent, ARC2, Musee d'Art Modern de Ia ville de Paris; curated by Suzanne Page Recent Australian Painting, Art Gallery of South Australia, Adelaide Drawings, Art Projects, Melbourne Vox Pop, National Gallery of Victoria, Melbourne Michelle Foundation Collection, National Gallery of Victoria, Melbourne

1982 4th Biennale of Sydney, Art Gallery of New South Wales, Sydney; curated by William Wright Muswellbrook Art Prize, Muswellbrook, (winning entry, Bernice Murphy, Judge) White and Black Drawings. Willard Gallery, New York

1981 Les Oeuvres Plastigues Exposition, Espace Lyonnais d'Arte Contemporain, Lyon, France; curated by Marie Claude-Jeune April Show P.S.1. (Project Studies One), New York Anzart, Robert McDougall Art Gallery, Christchurch; curated by Ian Hunter

1980 Post 80's Video, Action Space Gallery, London Proiect Art Gallery, (Spring Program), Dublin

1979 Sydney Biennale 'Alternatives', Sculpture Centre, Sydney Nexus: 4 Artists, Triskel Art Gallery, Cork

1978 Ten Contemporary Sculptors. State Office Block, Sydney La Trobe University Sculpture Festival La Trobe University Art Centre, Melbourne

1977 Mildura Sculpture Triennale, Mildura Arts Centre, Mildura Contemporary Art Society Exhibition. Paddington Town Hall, Sydney

1976 Four Painters. Cooks Hill Gallery, Newcastle

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1975 Wynne Exhibition, Art Gallery of NSW, Sydney Maitland Bradmill Painting Prize, (winning entry), Maitland, Australia (Syd Ball, Judge) Contemporary Art Society Exhibition, Hogarth Gallery, Sydney

1974 Red Cross Art Prize, Sydney, (winning entry - John Olsen, Judge)

PUBLIC COLLECTIONS

ABN Amro, Sydney Boston Museum of Fine Art, Boston, USA Zurich Kunsthaus, Zurich Exxon Corp. Collection, New York, USA Ball State University Collection, Indiana, USA Solomon R. Guggenheim Museum, New York, USA Musee de ViIIe de Leige, Leige Trans-Art Collection, Milan First National Bank of Chicago Collection, Chicago Westpac Collection, New York Allen Allen and Hemsley Collection, Sydney University of Melbourne Collection, Melbourne Tamworth City Gallery Collection, Tamworth National Gallery of Victoria, Melbourne National Gallery of Australia, Canberra Art Gallery of New South Wales, Sydney Art Gallery of South Australia, Adelaide Art Gallery of Western Australia, Perth Queensland Art Gallery, Brisbane Museum of New Zealand Te Papa Tongarewa, Wellington Perc Tucker Regional Art Gallery, Townsville Wollongong City Art Gallery, Wollongong Burnie Municipal Gallery, Burnie Griffith University Collection, Brisbane Darwin Institute of Technology Collection, Darwin Newcastle Regional Art Gallery, Newcastle Museum of Contemporary Art, Sydney Philip Morris Collection, Canberra IBM Collection, Melbourne Shell Australia Collection, Melbourne BP Collection, Melbourne Monash University Collection, Melbourne Chartwell Collection, Auckland Art Gallery Toi o Tamaki, Auckland Auckland Art Gallery Toi o Tamaki, Auckland UBS Collection, Sydney and Melbourne

PRIVATE COLLECTIONS

Hugh Jamieson Collection, Sydney Smorgon Family Collection, Melbourne Jim Wolfensohn Collection, New York Clayton Press Jnr Collection, Los Angeles

As well as numerous private collections in:

Amsterdam, Antwerp, Brecia, Brisbane, Brussels, Budapest, Chicago, Cologne, Dallas, Dublin, Dusseldorf, Haarlem, Houston, Leige, London, Los Angeles, Melbourne, Milan, Montreal, Munich, Naples, New York, Palermo, St GaIlen

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SELECTED BIBLIOGRAPHY

2008 Ashley Crawford, `Dale Frank, The Story So Far,' Art World, Issue 1, Feb/Mar, pp. 42-46 So Far: The Art of Dale Frank, 1980-2005, Schwartz Publishing, Melbourne (440 pages)

2007 Sebastian Smee, `Into the twilight zone,' The Australian, 31 March - April 1 2007, pp.18-19 Before the Body-Matter, exh. Cat., Monash University Museum of Art, Melbourne Terry Ingram, `Frank identified as Australiana buyer', The Australian Financial Review, Thursday, 23 November 2006, p.19

2006 Danika Jones, `To be Frank', Vogue Living, May/June 2006, pp.162 - 175 Tracey Clement, `Preview: Dale Frank, Roslyn Oxley9 Gallery, 4 - 24 May 2006', Australian Art Collector, Issue 36, April - June 2006, p.217 Timothy Morrell, `Previews QLD, Dale Frank', Art Galleries Schubert, Australian Art Collector, Issue 33, July- September p.245 Annette Larkin, Justin Miller and Damian Hackett, `going, going, gone…', Three auction house experts reveal their top 10 favourite Australian artists to watch…,' Vogue Living, May-June, pg.110 Richard Kalina, `Report from Downunder: Down Under no more', Art in America, April 2005, pg.77 Nick Mitzevich and Ross Woodrow, Drawing Centre, exh. cat., Newcastle Region Art Gallery, Jan - March

2005 Jane Rankin-Reid, `Dale Frank,' Australian Art Collector, Issue 31, January-March, pg.89 Sebastian Smee, `Competitors help regional painters to make their mark,' The Australian, 31st January Ingrid Woodrow, Auto Fetish, exh. cat., Newcastle Region Art Gallery, Nov 04 - Jan 05, Jane Rankin-Reid, `Dale Frank's conceptual abstraction,' Art & Australia, vol.42 no.2, Summer, p.211-214 Ashley Crawford, `Dale Frank' (feature), Art & Australia, Vol.42 No.2, Summer, p. 207 Andrea Tu, `Swoon,' Broadsheet Contemporary Visual Arts & Culture, vol. 33 no.3, September - November, CACSA, p.58 Ihor Holubizky, `Dale Frank,' Australian Art Collector, issue 29, July - September, p.183 Dominique Angeloro, `Tag-team smackdown,' Sydney Morning Herald (Metro), Jun 4 - 10, p.26

2004 Alex McDonald, `The Dead Zone,' State of the Arts (Reviews), June `Smells like Victory,' The Art Life, http://artlife.blogspot.com/, 11 June Michael Walters, `Eclectic Dreams,' Belle, 30th Anniversary Issue, April/May, p.186-191 Ewen McDonald, `The ever-expanding field,' Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, p.32 - 36 `Dale Frank,' Blaze: Visual Art Writing from the Contemporary Art Centre of South Australia 1990 - 2002, CACSA, Adelaide, p.24

2003 Anne Loxley, `Gems behind the verbiage,' Sydney Morning Herald (Metropolitan), Wednesday, April 9, p.14 Lenny Ann Low and Peter Hill, `Grin and bare it,' Sydney Morning Herald, Weekend Edition, April 12 - 13, p.12

2002 Ashley Crawford, Australia ARCO 2002, (catalogue), Art & Australia, pp 11,13

2001 Simon Rees, 'Dale Frank', (review), Art Text, Los Angeles, no 75, November, pp 80 T.J. McNamara, 'Potshot at the critic is part of the serious game of looking', (review), The New Zealand Herald, Auckland, April 9

2000 Editors, 'Australia's 50 Most Collectable Artists,' Australian Art

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Collector, Sydney, Issue 11, January-March, pp 65. Sue Cramer, 'The Painter of These Paintings is Either Dale Frank, Or If Not Dale Frank, Someone Else of the Same Name,' (interview with Dale Frank) Dale Frank, Ecstasy Twenty Years Of Painting. (catalogue) Museum of Contemporary Art, MCA, Sydney, pp 3-19 Christopher Chapman, 'DFX4,' (article), Dale Frank. Ecstasy Twenty Years Of Painting. (catalogue) Museum of Contemporary Art, MCA, Sydney, pp 20-25. Elizabeth Fortescue, 'Varnishing act' (article), The Daily Telegraph, Sydney, February 4, pp 119. Timothy Morrell, 'very Frank,' (article), The Eye, Sydney, Vol 2 No 2, February 10, pp 70-73 Giles Auty, 'Title fright,' (review), Arts Review, The Weekend Australian, Sydney, February 12 - 13, pp. 19 Bruce James, 'To Be Earnest, It's Far From Frank', (review), The Sydney Morning Herald, Arts, Sydney, February 26, pp. S14 Annette Hughes, 'The Ecstasy of St Frank,' (article) HQ Magazine, Sydney, No 69, March - April, pp 28. Andrew Frost, 'Australia's 50 Most Collectable Artists,' Australian Art Collector, Issue 7, Jan-Mar, pp 27-64 (35)

1998 Michael Newall, 'ambient (male) identity,' (review), Eyeline, Brisbane, No.35, p 41 Linda Michael, Bernice Murphy, Ben Curnow, The MCA Collection: The Loti and Victor Smoraon Gift of Contemporary Australian Art, (publication), Museum of Contemporary Art, Sydney, pp 32, 60-61, 104 Jeff Gibson, 'Dale Frank,' (review), Flash Art (international). Milan, March-April, no 223 Peter Timms, 'Frankly, he gives a damn,' (review), The Age, Melbourne, June 24 Christopher Chapman, 'Dale Frank: Cool Cosmic World,' (catalogue), Anna Schwartz Gallery, Melbourne, June Ken Lord, 'Encore... people,' The Sunday Mail, Brisbane, July 5, p 81 Rex Butler, 'Frank exploration of the importance of being outrageous,'(review), The Courier-Mail, Brisbane, (arts weekend 12) July 11, p 12

1997 Rex Butler, 'Eyes Closed in Dale's Disco', Like, No 2, March, pp 14-17 Christopher Chapman, 'Abstract Identity', Broadsheet, Adelaide, vol 26, no 1, Autumn, pp 6- 7 Dale Frank, 'Only the Lonely,' MONICA, Auckland, New Zealand, Summer 97, pp14-15 Robin Neate, 'Big Art Moments,' MONICA, Auckland New Zealand, Summer 97, pp 43 Virginia Trioli, 'A sign of the times," The Age, Metro Arts, Melbourne, 19 March Robert Nelson, 'Tantrums and goo: the mark of bad-boy art,' (review), The Age, Melbourne, 19 March Christopher Chapman, 'Molecular Reality,' (catalogue), Dale Frank New Zealand tour, Govett Brewster Art Gallery, New Plymouth, New Zealand Lindsay Shonagh, 'Art that oozes talent,' (review), Sunday Star-Times, Auckland, NZ, July 20, p 8 'Extreme Close-Up,' Listener (review), Auckland, NZ, July 12 p 41 'Brisbane-based artist extends the boundaries,' Daily News, (review), Auckland, NZ, June 17 Matthew Bannister, 'What's On,' North and South Magazine, July issue TJ Macnamara, 'Painting by Numbers,' Perspective on Art, NZ Herald (review), August 1 Michael NewalI, 'Michael Newall Interviews Christopher Chapman,' Broadsheet, Adelaide, Vol 24 No 4, Summer, pp 14-15 Suzanna Treister, 'New Aussie Boys,' (review). Broadsheet, Adelaide, Vol 24, No 4, Summer, p 18 Christopher Allen, Art in Australia From Colonization to Postmodernism, Thames and Hudson, London, p 212

1996 Bruce James, 'Galleries', (review), The Sydney Morning Herald, September 13 Peter Ward, 'The State of the Arts - What's Hot in '96', (article), The Australian, 6-7 January, pp 20-22 Christopher Chapman, Adelaide Biennale of Australian Art, (catalogue), Art Gallery of South Australia, Adelaide, March, pp 14, 60-61, 102-103, 136 Dale Frank, (photo spread), Art + Text, Sydney, No. 53, January, pp 44-45 Peter Ward, 'On-the-edge Biennale for an age of anxiety', (review), The Australian, 5 March, pp 12

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Joanna Mendelssohn, 'Dale Frank', (review), The Australian, 22 March, pp 10 Bruce James, 'Chapmans Casper, (review), Broadsheet, Adelaide, vol 25, no. 2, Winter, pp 21 Robyn McKenzie, 'Scratching the surface of intrigue', The Age, 28 June, Melbourne, pp 21 Tessa Laird, 'Frank (Social Realism)', (review), MONICA, issue 3, Auckland, New Zealand, pp 28 Kit Messham-Muir, 'Dale Frank: Social Realism', (review), Eyeline, no. 31, Spring, pp 44-45 Tessa Laird, 'Frank and Redford (Social Realism) Dale and Scott' (review) Monica, August/September Dale Frank, 'And Where to Now - Reality and Art,' paper delivered at Volt Symposium, Institute of Modem Art, Brisbane, 5 September Christopher Chapman, 'Room Service,' (review), Broadsheet, Adelaide, Summer 96/97, Vol 25 No 4, pp 23 William McAloon, 'The Self and Other Inventions,' The Chartwell Collection, (catalogue) Auckland City Gallery, Chartwell Collection exhibition, Auckland, New Zealand Bernard Freedman, 'Virtual reality confuses', Australian Jewish News, Sydney, 6th January, 1995. Sonia Barron, 'Viewers are deliberately victimised', (review), The Canberra Times, Canberra,13 January, 1995, pp.12 Charles Green, Peripheral Vision - Contemporary Australian Art (publication), Craftman House Publishers, Sydney, pp 36-37 Robert Lindsay, The Shell Collection of Contemporary Australian Art (catalogue), Melbourne, pp36-37

1994 Christopher Chapman, 'Dale Frank: Reclining Nude', National Gallerv News, January-February, Canberra, p.16 John McCaughey Memorial Art Prize, (catalogue), Gallery, National Gallery of Victoria, Melbourne, February, p.20 Susan McCulloch, 'Finding the Art of the Matter, (review), Herald Sun Melbourne, March 30th Christopher Heathcote, 'Dunlop drives his one formula', (review), The Age. Melbourne, March 30th Nick Waterlow, 25 Years of Performance Art in Australia, (catalogue), Ivan Dougherty Gallery, Sydney, June, pp.6, 27, 62, 64 Elwyn Lynn, 'Curious kinships of myth and man', (review), The Weekend Australian. June 18-19, pp. Review 13 Anthony Bond, 'Dash and Daring: The Work of Dale Frank', Look Magazine, Art Gallery of New South Wales, Sydney Christopher Chapman, Dale Frank: It's a Rush, (catalogue, Art Gallery of New South Wales, Sydney John McDonald, 'This time it's not the Poms whinging', The Sydney Morning Herald, 23 July, ppl3A Elwyn Lynn, 'Touched by a cast of Thousands', (review), The Weekend Australian, 30-31 July, Review ppl3 Rex Butler, 'Nixon's Watergate', Agenda. #37, Melbourne, July, pp.9-12 Christopher Chapman, 'Carnivorous Plants: Cultured Nature in Contemporary Art', Art & Australia, (article) Spring, Vol.32, No.1., Sydney, pp.92-97 Jeff Gibson, 'Dale Frank' (review), ~Sydney No.49, September, pp.73 Mary Eagle, Introduction, Virtual Reality, (catalogue), National Gallery of Australia, Canberra, December, pp.5 Christopher Chapman, 'Dale Frank and the Diamond Dogs', (article), Virtual Reality. (catalogue), National Gallery of Australia, Canberra, December, pp 46-47 Christopher Chapman, Satellite of Love, (catalogue), 'Reality Used to be a Freind of Mine', 'The Liquidity Problem and the Rush' (reprint AGNSW, 'It's a Rush', June 1994), 'Satellite of Love' Canberra Contemporary Art Space, Canberra, December, 32 pages Christopher Chapman, 'Conceptual Vertigo: New Object Art from Australia' (article), MIDWEST, Dunedin, New Zealand, Number Six, December, pp.31-35 Farah Farouque, 'Welcome to the National Gallery where shopping is an art, really', The Age, Melbourne, 9th December, 1994, pp.24 Bruce James, 'User-friendly artworks are a virtual reality', The Age, Melbourne 21 December,1994, pp.22 Bruce James, 'With a slip of the eye', Sydney Morning Herald. 21 December 1994, pp.16 Sonia Barron, 'Roads to nowhere and everywhere', (review), The Canberra Times, 23 December, 1994, pp27 Cohn Hood, 'Shop-soiled and Scintillating', (review), REALTIME, issue 4,

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December, 1994, pp.27 'Dale Frank', Artfan, Melbourne, Spring, No. 3 & 4, pp 35-36 David McNeiII, 'Virtual Reality', (review), Art + Text, Sydney, issue 51, 1995, pp.70-71

1993 Naomi Cass, 'Dale Frank', (review), Art + Text. No.44, Sydney, January, pp 82 Paul Foss, 'The Painters Dildo (Portrait of Dale Frank)', Wit's End (catalogue), Museum of Contemporary Art, publisher, Sydney, January, pp.143-167 Catharine Lumby, 'Smiling Saboteurs: Irony and Contemporary Art', Wit's End. (catalogue), MCA publisher, Sydney, January, pp.11-29 Kay Campbell, 'Out of Humour, Wit's End (catalogue), MCA publisher, Sydney, January, pp.11-29 Sofia Barron, 'Showman or Shaman: a controversial artist", (review), Canberra Times, Canberra, March 3rd, Arts. pp.30-31 Kay Campbell, 'At Wit's End', Look Magazine, Art Gallery of New South Wales, Sydney, March, p20. Ashley Crawford, 'The Orgasmic Alienation', (catalogue), Where Angels Fear to Tread. Drawings 1980-1992. Monash University Gallery, Melbourne, April, pp.3-7 Cathanne Lumby, 'The Engine of Irony', (catalogue), Where Angels Fear to Tread. Drawings1980-1992, Monash University Gallery, Melbourne, April, pp.8-14 Robert Rooney, 'Bad boy more of a bland boy', (review), The Australian, The Weekend Review, Sydney, May 8-9, pp.11 Jeff Gibson, 'Avant-Grunge', Art + Text, Sydney, No.45, May, pp.23-25 Graham Forsyth, 'Wit's Living End', (review), Art + Text, Sydney No.45, May, pp.26-29, 99. 'Wit's End', MCA Members Newsletter, Museum of Contemporary Art, Sydney, May-June, p.2 'Wit's End: The Uses of Irony' (screenings) MCA Members Newsletter, Museum of Contemporary Art, Sydney, May -June, p.9 Christopher Chapman, 'Dale Frank's Organicism' (review), Art Monthly Australia. Canberra,June 1993 pp.22-23 Lynn Fern, 'A hero aground', (review), The Sydney Morning Herald, June 4, p.24. 'A Frank Exchange', The Sydney Morning Herald, July 16 Elwyn Lynn, 'Various Aspects of Genius', (review), The Weekend Australian, July 23-24, p.13 Felcity Fenner, 'Electric Currents Flowing on Canvas', (review), The Sydney Morning Herald. July 31st, p.46 Christopher Heathcote, 'Art Striking but not a feature', (article), The Age, Melbourne, September 21st, p15 Dale Frank, UNFAIR (catalogue), Unfair 93', publisher, Cologne, Germany (Kim Machen Art) Christopher Chapman, 'Dale Frank', World Art inaugural issue, Melbourne, November, pp.100-104 Graham Coulter Smith, 'Dale Frank' by Jane Magon, (book review), Eyeline. Brisbane, No.22 & 23, summer, pp.61-62

1992 Leanne Baxter, Tempo Notes', (review), Sun Herald, 19 January, p140 Jill Stowell, 'Elegant Abstracts Submerged in Paint', (review), Newcastle Herald, 21 January, p. 7 'Challenging Art at the Gallery', (review), Newcastle Herald - Trends, p.7 'Port Exhibit', (review), Newcastle Herald, 15 January, p.17 Graham Forsyth, 'Luscious Landscapes: Banal Beauties', Art + Text, No. 41, Melbourne January, pp. 41-45 Elwyn Lynn, 'Cringe Theory Gives Way to Admiration', The Weekend Australian, 14 March Ken Bolton, "Short Rope enough to tie up the message", (review) Advertiser, Adelaide, April 8, (In the Galleries) Chistopher Heathcote, "Melbourne", Art Monthly, Canberra, issue 49, May, pp 14-16 Rex Butler, "The Hypothesis of Imitation" (article) Ag~jj~, Melbourne, issue 23, May/June, pp 17-21 Rosahind Walker, "Dale Frank/John Coburn" (review) MUSE, Musecrits, July, pp3l Jane Magon, Dale Frank Monograph, Craftsman House Publisher, Sydney, September. Hardcover 204 pages. Jane Magon, The Sacred and the Profane, (article) Art & Australia, Sydney, Spring Issue, Vol 30, No 1 pp 92-95 Christopher Heathcote, "Dale Frank, not one of the old school, even yesterdays", (review) The Age, Melbourne, October 14 ppl4 Robert Rooney, "Frank on the coffee table", (review) Weekend Australian,

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Melbourne,October 17, Review pp l I Elwyn Lynn, "Triumph of the smooth in the rough recessionary times", (review) Weekend Australian, Sydney, October 31. Review pp l I Terence Maloon, 'It is a violence from within', (article), You Are Here, catalogue, IMA, publisher, Brisbane, November, pp40

1991 Elwyn Lynn, 'In or out of Race, its a minefield', (review), Weekend Australian, Sydney, 5 January, p Review 8 Jo Saurin, 'Reward of Sensual Pleasures', (review), The Sydney Morning Herald, Sydney, 22 March, p 12 Editors, Herald, Sydney, 23 March, p 50 Elwyn Lynn, 'Champs canvass art with punch', (review), The Weekend Australian, Sydney, 23 March, p8 Review Michael Richards, 'Explosion of Paints Combines the Classical and Chaotic',(review),The Courier-Mail, Brisbane, 25 June, p 20 Adam Geczy, 'Banal Art', (review), Agenda, no 18, Melbourne, July p 16 Peter Hutchings, 'Banal Art', (review), Art + Text, Sydney, no 39, May, p 74 Bernard Smith and Terry Smith, Australian Painting 1788-1990, Oxford University Press, pp.531, 534, 539 Graham Forsyth, 'Dale Frank',(review), Art + Text, Sydney, no 40, September, pp 86-87 Wayne Hudson, Chiliasm, (catalogue), Institute of Modem Art, Brisbane, June, Bulletin Rex Butler, Banal Art, (catalogue), Artspace, Sydney Roslyn Oxley9 Gallery, Dale Frank, (catalogue), Koln Art Fair, November Felicity Fenner, 'A more than frank exchange of views', (review), Sydney Morning Herald, 26 October, p 47 Rex Butler, The Hypothesis of Imitation, (catalogue), Bellas Gallery, Brisbane, October, pp 5-7 Bernice Murphy, 'The Power Collection; Development in the 1980s', Art and Australia, vol. 29, no.2, summer, Sydney. p.211 Robert Rooney, 'Bad Boy Ages Tastefully', The Australian, 23-24 November, p.6 Brian Phipps, 'Good Taste: Bad Taste', Oz Arts Magazine, Sydney, Issue 1, Spring, 1991 pp. 26-31 Marie Giessler, 'Collecting Art and Antiques', Oz Arts Magazine, Sydney, Issue 1, Spring, 1991 pp. 42-47 Elwyn Lynn, "No Claus for Santa but plenty of Anima" (Review) Weekend Australian, Sydney, December 21, Review p 3 Bernard Smith/Terry Smith, Australian Painting 1788-1990, Oxford University Press, "Post Modern Plurality 1980-1 990", Chapter 16, pp 531, 534

1990 Ashley Crawford, 'A Chronicle of Australian Art 1980-1989', Tension 19, January Arthur McIntyre, Contemporary Australian Collage and its Origins, Craftmans House Publishers, Sydney Anna Johnson, 'Dale Frank', Interior Architecture and Design, no 22, pp 152-157 Catherine Lumby, 'Dale Frank - Fed-up with Art', (review), Art and Text, no 25, Summer, pp 139-141 Jay Younger, 'Post Modernism - The Baby and the Bathwater', Broadsheet, Adelaide, vol 19, no 1, March, p 10 Rene Block, The Readymade Boomerang: Certain Relations in 20th Centurv Art, (catalogue), Sydney, 8th Biennale of Sydney, April, pp 458-459, 475 Jane Magon, 'Fame and the Art of Dale Frank', Dale Frank: Adieu, Melbourne, Deutscher Brunswick Street, June Christopher Heathcote, "Martin and Frank", Art Monthly, June, ppl4 Dale Frank, "Just Imagine The Biennale sees you but you don't see it", Tension, No. 21, June Catharine Lumby, Dale Frank Adieu, (catalogue introduction), Deutscher Brunswick Street, June, p 3 Louise Neri, 'Block's Buster: Eros, C'est Ia vie, Cumulus From Australia', Parkett, Zurich, no 25, September, pp 143-49 Paul Groot, 'Sydney Biennale' (review), Flash Art, Milan, no 154, October Sonia Harford, 'Arts bad boy takes on the system', (review), Sunday Herald, Melbourne, 24 June

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Ronald Miller, 'Go south for gentle pleasures', (review), The Herald, Melbourne, 20 June

1989 Jane Magon, 'Dale Frank', (review), Eyeline, no 5, pp 32-33 A selection of 19th and 20th Century Art, (catalogue), Deutscher Fine Art, Melbourne, November, p 109, illustrated Paul Groot, 'De kunstgeschiedenis is dood. Leve de kunstgesch-denis!: Pittoresk II', Museumiournal, Amsterdam, vol 34, no 2 & 3, pp 97-103 Dale Frank, (catalogue), Sydney, Roslyn Oxley9 GaIIery,July William Wright and Robert Lindsay, ICI Contem~orarv Art Collection, (catalogue), Melbourne Michael Richards, 'Europia from the Abstract' (review), The Courier Mail, Brisbane, 5 April Carolyn Barnes, 'Cosmic Resistance', Agenda Contemporary Art, no 5, June, pp 3-5 Bob Linguard and Sue Cramer, Institute of Modern Art - 1975 to 1989: A Documentary History, lnstitute of Modern Art, pp 84, 121 Annette Cyr, 'Dale Frank', (review), 108 Review, New York, no 10, January, p 9 Elwyn Lynn, 'Carving Out Skill's Domain', (review), The Weekend Australian, 19 August, p 113 Christopher Allen, Satirising surfaces beneath face value', (review), The Sydney Morning Herald, 25 August, p14

1988 Andrew Bogle, Advance Australia Painting, (catalogue), Auckland, Auckland City Gallery, Dan Cameron, 'Showdown at Southern Cross', - Notes on the 1988 Australian Biennale, Artlink, Adelaide, vol 8, no 3, pp 10-14 Betsy Brennan, 'AvantGaga', Vogue Living, June-July, pp 114,117-118, 152 Graham Coulter-Smith, 'Dale Frank', (interview), Eyeline, no 6, September, pp 10-11 Robert Rooney, 'Dale Frank' (review), The Weekend Australian, 14 May Dale Frank - Trusting in the Pipe-Dream (catalogue), Melbourne, Realities Gallery, April Dale Frank - Drawing Survey, (catalogue), Sydney, EMR Gallery in association with Mori Gallery, May 15 Years Galene Albert Baronian in I.C.C., (catalogue), Antwerp/Brussels, Galerie Albert Baronian, November pp 34-35 Jennifer McCamley, 'A Storm in a Teacup? - Dale Frank', Tension, no 14, September, pp 12-18 Arthur Mcintyre, Australian Contemporary Drawing, Boolarong Publishers, Sydney

1987 Naomi Cass (ed), What Is This Thing Called Science?, (catalogue), Melbourne, The University Gallery Daniela Salvioni, 'Combustible Demarcations: The Art of Dale Frank', in Tony Bond (ed), The Australian Bicentennial Perspecta, (catalogue), Sydney, Art Gallery of New South Wales, October, pp 28-35 Dale Frank, (catalogue), Realities Gallery, June Luisa Somaini 'tuttoarte' La Re ublica Milan, 16 January Gian Petro Vincenzo, 'Neo Geo", Per Lui Vogue, Milan, 16 January Arturo Carlo Quintavalle, 'Dale Frank: Quadri come apparizioni' (review), Panorama, March, p 26 Adriano Antolini, 'E l'arte trovo casa a Milano', II Giornale Nuovo, Milan, 8 February Luciano Caprile, 'Da Schlichter a Frank e Pardi' (review), II Sole 24 Ore, Milan, 8 February Giancinto di Pietrantonio, 'Dale Frank/Alfredo Pirri', (review), Flash Art, (ltalia), Milan, March, pp 50-51 'Thronging the Canvases', Follow Me, Sydney, August, p 140 Pamela Hansford, 'Dale Frank', Art and Australia, vol 25, no 2, Summer, pp 240-243 Terry Smith, 'Frank Explores the Heights of Bad Taste', (review), Times on Sunday, 11 October, p 30 Elwyn Lynn, 'From The Hall of Fame...', (review), The Weekend Australian, 10 October

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Robert Rooney, 'A return to Cosmic abstraction' (review), The Weekend Australian, 27 June Shona Martyn, 'Why Dale Frank can buy Gaultier', Vogue Australia, no 4, April, p 101 Robert Rooney, 'Marvelling at this thing called science', (review), Weekend Australian, Sydney, 5 December Dale Frank, 'The Story of a Crime - for Want of a Better Title', (unpublished manuscript) Murrurundi, March, pp 1-16

1986 Gregorio Magnani, 'Dale Frank', (review), Flash Art, (International), no 126, Milano, February, pp 60-61 Gregorio Magnani, 'Dale Frank', (interview), Westuff, no 3, Florence, March, pp 16-17 Pier Luigi Tazzi, 'Dale Frank', (review), Artforum, vol 24, no 8, New York, April, pp 118 Timothy Morrell, 'Big Drawings', Art and Australia, vol 23, no 3, March, p366 Francesco Alfano Miglietti, 'Che Tempo Fara?', Flash Art (ltalia), no 133, April, pp 72-73 Paul Groot, 'Die Malerei im Dienste eines anatomisdhen Projects. Einige Bermerkungen zum junger europaischer Maler', in Europe-America: 1940 to the Present, (catalogue), Cologne, Museum Ludwig, September, pp 407-418 3rd International Tnennale der Zeichnung, (catalogue), Nurnberg, Nationalmuseum Nurnberg Leo Loomans, Dale Frank (unpublished interview for undergraduate history thesis), Hannah Fink, 'Art Stars: Dale Frank', X-Press, Sydney, vol 1, no 6, December, p 12 Ted Gott, Backlash: The Australian Drawing Revival 1976-1986 (catalogue), Melbourne, National Gallery of Victoria, pp 38-41,83,95

1985 Helena Kontova 'Dale Frank' (interview), Flash Art (International), no 120, Milan, January, p 70-71 Michael Kohn, 'Dale Frank' (review), Flash Art (International), no 120 January, p 43-44 Paul Groot, Dale Frank, (catalogue) 9e Foire d'Art Actual, (Galerie Albert Baronian) Palais Des Beaux-Arts Brussels, January Gerrit Henry, 'Dale Frank' (review), Art in America, 1985, no 2, New York, February, p 140-141 Paul Groot, De Surrealistiche Variaties van Dale Frank, Museumiournal, no 1, Amsterdam, March, p 49

Dale Frank', Artists Pages, Museumiournal, 1985, no 1, Amsterdam, March, p 50-51 Donald B. Kuspit, 'Australian Visions at the Guggenheim' (review), Art in America, no 3, New York, March, p 153-154 Angela Vettasi, 'Europe and America: Two Aspects of the New Surreal', Flash Art (International), no 122, Milan, May, pp 20-2 1 Paul Groot, 'Cover/Doppelganger' (catalogue), Aorta, Amsterdam, May, p 95 Arthur Mcintyre, 'Freudian Imagery Abounds, (review), The Age, Melbourne, 25 May, p 44 Elwyn Lynn, 'View of Chaos, Malignity', (review), Weekend Australian, Sydney, May 25, pp Review 14 Achille Bonito Oliva, Nuove Trame Dell'Arte, (catalogue), Castello Gennazzano, Italy, July, pp 68-69 Antonio d'Avossa, 'Le trame del Castello', Flash Art (ltalia), no 128, Milan, summer, pp 62-63 Helena Kontova and Giancarlo Politi, 'From New York with Love', Flash Art, no 123, Milan,summer, pp 46-47 (reprinted, Flash Art ltalia), no 128, Milan, summer, pp 26-27 Abbatoir his face took on the look of a coin, 2008, 2000 x 2000 mm

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Lucia Spadano and Achille Bonito Oliva, 'Nuove Trame Dell'Arte', Segno, no 47, Rome, June, p 8-15 Ashley Crawford, 'Dale Frank: Dionysus verses Apollo', Stilletto, no 24, Melbourne, June, p 4 Alida Militello, 'Tanti Modi Di Essere Blouson', EpocaModa, no 11, Verona, October, p 66-67 Silvia Zangheri, 'Espressione, Spirito Selvaggio e neoprimitivo', (catalogue), Anniottanta, (Flavio Caroli and Renalto Barilli), Bologna, July, pp 163-169, 195-196, 223 Lucia Spadano, 'Fall Out', Secino, no 48, Rome, September, pp 30-32 Gregorio Magnani, 'Dale Frank' (review), Flash Art (ltalia), no 130, Milano, December, p 46 Francesca Alfano Miglietti, 'Provisioni de Tempo', Flash Art (ltalia), no 130, Milano, December, pp 662-64 Megan Cronly, 'Mastering the Art', Follow Me, no 19, Sydney, October, pp136-141 Rondo, (catalogue), Antichi Arsenali, Amalfi, December, pp 50-51, 90-91 Camille Sbrissa, 'Milan', Artline, London, vol 2, no 10, winter, p 18 Peter Haynes, Dale Frank, (catalogue), Canberra, Canberra School of Art Gallery 'Bold and Provocative' (review), Canberra Times, 18 June Paul Goodwin, 'Dale Frank' (review), Flash Art, (Italian edition), Milan, no 126, January John McDonald, 'Dale Frank/Mike Parr, Art Network, Sydney, no 17, Spring, p 53 Terence Maloon, "Australia, emotionally unbuttoned', Sydney Morning Herald, 16 March Ronald Miller, 'Neurotic vision fits the bill', The Herald,Melbourne, 20 June Giulio Ciavoliello, 'Dale Frank', Juliet, Trieste, no 23, December,p 9 Paul Groot, 'Dale Frank: With the eye if you are quick enough to turn on the light you can see what the dark looks like', Art and Text, Melbourne, no 17, April 1985, pp 29-30, 81-83

1984 Cathy Peake, 'Tiber to Lilliput - and back again', (review) Sydney, The Financial Review, 29 June Arthur Mcintyre,' Slow down, young man', (review), The Age, Melbourne, 10 July Gertrude Langer, 'Young Artists Images, Eerie, Disturbing' (review), The Courier Mail, Brisbane, 19 September Grant Hannan, 'Effective, original' (review), The Herald, Melbourne, 16 August, p 26 Robert Rooney, 'Bygone era meets "new wave"' (review), The Weekend Australian, Sydney, Magazine 13, 11 August Vivienne Shark LeWitt, 'The End of Civilization Part II: Love Among the Ruins', Art and Text, Melbourne, no 10, Winter 1984, pp 1-6 Gallery of South Australia, pp 17, 53, 93 Sue Cramer, 'A change of place, a change of meaning', (review), The Age, Melbourne, 17 August Eric Gibson, 'Australian in Manhattan', Studio International, London, no 197, 1007, p 45 Stuart Morgan, The Journey from the Tiber to Lilliput and back again. DaleFrank - Death, Broadsheet, Sydney, Roslyn Oxley9 Gallery, June Jennifer Phipps, Symbols. Emblems. Signatures: Australian Drawing 1984, (exhibition catalogue), New Plymouth, Govett-Brewster Gallery Diane Waldman, Australian Visions: 1984 Exxon International Exhibition, (exhibition catalogue), New York, Solomon R Guggenheim Museum, September, pp 19-20, 32-40 Susanna Short, 'Seascape surge ahead of the narrow, cosy view' (review), The Sydney Morning Herald, 29 June, p 10 Elwyn Lynn, 'Still Life:delusion to the didactic' (review), Sydney, The Weekend Australian, 28 April Tony Bond, Form>lmage

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(catalogue), Bleak Romantics, Solomon R. Guggenheim Museum, New York, September, pp 11-21, 32-41 Paul Groot, 'Closed Quotes' (review - Venice Biennale), Artforum, vol XXIII, no 1, New York, September, p 107 Stuart Morgan, 'Dale Frank' (review), Artforum, vol XXIII, no 2, New York, October, p 101 Paul Groot, 'Dale Frank', Artists, no 22-23, Paris, October,p 116-119 Elio Graziolo, 'Dale Frank' (review), Flash Art (International), no 11, Milan, November, p49 Ken Sofer, 'Views from DownundeF, Art News, vol 83, no 10, New York, December, p 157

1983 Sue Cramer, 'Masterpieces and Tall Poppies', (review), Art Network, Sydney, no 10, Winter, p 42 Elizabeth Cross, Figures and Face Drawn from Life, (catalogue), Melbourne, Heide Park and Art Gallery, October Dale Frank, Punchline, Broadsheet, Sydney, Roslyn OxIey9 Gallery, Sydney, August Bernice Murphy, Australian Perspecta 1983, (catalogue),Sydney, Art Gallery of New South Wales, May, p 44 Jennifer Phipps, 'Paintings', in Leon Paroisseien (ed), Australian Art Review 2, Melbourne, Warner Association, pp 74-81 Tim McLauchlan, 'The Art Market in 1982', in Leon Paroisien (edit) Australian Art Review 2, Melbourne, Warner Association, pp 122-125 Robert Rooney, 'Taylor Made to Fit a Theory', The Australian, Sydney, 14 May Michael Spens, 'Austraian Art Beyond the Cringe', Studio International, London, vol 196, no 1002, pp 13-15 Paul Taylor, 'Arts News: Artists in Paris', Vogue Australia, Sydney, October Bernice Murphy, 'Recent Painting in Australia', Flash Art, no 110, Milan, February, p 56-59 Helen Kontova, 'Anselm Kiefer, Thomas Lawson, Dale Frank' in Achille BonitoOliva (ed), Critica ad Arte: Panorama della Post – Critica (catalogue) Musei Palazzo Lanfranchi, Pisa, Italy, March, p 138-142 Paul Taylor, Tall Poppies, (catalogue), Melbourne University Gallery, Melbourne, April Mathew Collings 'Place at Gimpel FiIs' (review), Artscribe, London, no 42, September, p 61-62 Helen Kontova, 'La Peinture issue de Ia performance', Flash Art (edition Francaise) no 1, Milan, Autumn, p 12-17 C. Galantai, 'New Painting', Artpool, no 3, Budapest, Winter Leon Paroissien and Suzanne Page, D'un Autre Continent: L'Australia' (catalogue), Musee d'Arte Modern de Ia Ville de Paris, September, pp 25,27,29-107 Ashley Crawford, 'Dale Frank', Tension, no 2, Melbourne, October, p 28-30 Michael Spens 'Dream and Reality', Studio International, vol 196, no 1002, London, November, p 13-14 William Wright, 'Australian Perspecta', Studio International, vol 196, no 1002, London, November, p 36-39 Paul Groot, The Divine Comedy, (catalogue), Rotterdamse Kunststichting, Rotterdam, October Peter Haynes, 'ACT 3: Ten Performance Artists', Australian Art Review, no 2, Sydney, p 49-54 Robert Rooney, 'Tall Poppies', (review), Flash Art, no 115, Milan, November, p 74

1982 Wystan Curnow, 'Christchurch ANZART', (review), Artforum, New York, April Terence Maloon, 'Dale Frank rides the crest of a wave like an experienced surfer', The Sydney Morning Herald, 4 September Bernice Murphy, 'Some Recent Painting in Australia', in Achille Bonito Oliva (edit), Transavantaarde International, Milan, Giarncarlo Politi, p 275 Roberto Daolio, 'Dale Frank, Artista', Lapis Arte, Salerno, June pp 8-10 Bari Expo Arte, Art Fair (review), Domus, Milan, no 629, June, p 74 Helena Kontova 'From Performance to Painting', Flash Art, no 106, Milan, February, p 16-21 Mike Parr 'Vision in Disbelief, 4th Biennale of Sydney', (review), Flash Art, no 108, Milan, June, p 71-72 William Wright, Vision in Disbelief, 4th Biennale of Sydney, (catalogue) Art Gallery of New South Wales, Sydney Marcia Tucker 'An Iconography of Recent Figurative Painting: Sex, Death, Violence and the Apocalypse', Artforum, Vol )(X, no 10, New York, June Roberto Daolia, 'Dale Frank Artiste', Lapis Arte, Salerno (Italy), June, p 8-9 Editorial, Review of Ban Expo Arts, Domus, no 629, Milan, p 74, June Mike Parr, 'Glossolalia/Stroke: the Art of Dale Frank', AsDect, Sydney, Spring, p 60-63 Jennifer Phipps, 'Anzart', Australian Art Review, no I Sydney, p 81

26 LORNE ST PO BOX 5461 WELLESLEY ST AUCKLAND 1141 NEW ZEALAND - T +64 9 303 4290 F +64 9 303 4302 - WWW.GOWLANGSFORDGALLERY.COM [email protected]