The Apostles
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Robert Duncan
Robert Duncan The Collected Later Poems and Plays Edited and with an Introduction by Peter Quartermain Contents Preface . xix Acknowledgments . xxi Introduction: Discovery Making . xxv The Opening of the Field (1960) Often I Am Permitted to Return to a Meadow ... 3 The Dance ...4 The Law I Love Is Major Mover ... 6 The Structure of Rime I ... 8 The Structure of Rime II ... 9 A Poem Slow Beginning ... 10 The Structure of Rime III . 12 The Structure of Rime IV . 13 The Structure of Rime V ... 14 The Structure of Rime VI ... 14 The Structure of Rime VII ...15 Three Pages from a Birthday Bopk ... 16 This Place Rumord to Have Been Sodom ... 17 The Ballad of the Enamord Mage ... 18 The Ballad of Mrs Noah ...20 The Maiden . 23 The Propositions ... 25 Four Pictures of the Real Universe ...34 Evocation . 35 Of Blasphemy ...36 Nor Is the Past Pure . 37 Crosses of Harmony and Disharmony ...39 A Poem of Despondencies ••• 43 Poetry, a Natural Thing • • . 44 Keeping the Rhyme ... 45 A Song of the Old Order ...46 The Question ... 48 The Performance We Wait For . 49 At Christmas ... 52 Proofs ...53 Yes, as a Look Springs to Its Face ... 54 Yes, as a Look Springs to Its Face ...55 A Poem Beginning with a Line by Pindar . The Structure of Rime VIII ...64 The Structure of Rime IX ... 65 The Structure of Rime X ... 65 The Structure of Rime XI ... 66 A Storm of White ... 67 Atlantis . 68 Out of the Black ...69 Bone Dance ...70 Under Ground ... 71 The Natural Doctrine . -
The Key of the Mysteries
THE KEY OF THE MYSTERIES (LA CLEF DES GRANDS MYSTÈRES) BY ELIPHAS LEVI THE KEY OF THE MYSTERIES ACCORDING TO ENOCH, ABRAHAM, HERMES TRISMEGISTUS AND SOLOMON BY ELIPHAS LEVI TRANSLATED, WITH AN INTRODUCTION, BY ALEISTER CROWLEY “Religion says: ‘Believe and you will un- derstand.’ Science comes to say to you: ‘Un- derstand and you will believe.’ “At that moment the whole of science will change front; the spirit, so long dethroned and forgotten, will take its ancient place; it will be demonstrated that the old traditions are all true, that the whole of paganism is only a system of corrupted and misplaced truths, that it is sufficient to cleanse them, so to say, and to put them back again in their place, to see them shine with all their rays. In a word, all ideas will change, and since on all sides a multitude of the elect cry in concert, ‘Come, Lord, come!’ why should you blame the men who throw themselves forward into that majestic future, and pride themselves on having foreseen it?” (J. De Maistre, Soirées de St. Petersbourg.) TRANSLATOR’S NOTE IN the biographical and critical essay which Mr. Waite prefixes to his Mysteries of Magic he says: ‘A word must be added of the method of this digest, which claims to be something more than translation and has been infinitely more laborious. I believe it to be in all respects faithful, and where it has been necessary or possible for it to be literal, there also it is invariably literal.’ We agree that it is either more or less than translation, and the following examples selected at haz- ard in the course of half-an-hour will enable the reader to judge whether Mr. -
The History of the Origins of Christianity. Book VI. the Reigns of Hadrian and Antoninus Pius
The History of the Origins of Christianity. Book VI. The Reigns of Hadrian and Antoninus Pius. (A.D. 117-161) Author(s): Renan, Ernest (1823-1892) Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Description: This book belongs to a seven-volume series, the first of which, Life of Jesus, is the most famous (or infamous). The Reigns of Hadrian and Antoninus Pius, the sixth volume, tells the story of Christianity during reigns of two of the 2nd cen- tury's Roman emperors. The book details the development and expansion of Christianity after the more intense persecu- tion of the previous century had ended. No longer facing open persecution, Christians grew in number faster than before along with their various heresies, as Renan explains. The historian's account reflects his background in 19th cen- tury German higher criticism of the Bible. Kathleen O'Bannon CCEL Staff i Contents Title Page 1 Preface 3 Chapter I. Hadrian. 6 Chapter II. The Re-building of Jerusalem. 13 Chapter III. The Relative Tolerance of Hadrian—The First Apologists. 16 Chapter IV. The Johannine Writings. 20 Chapter V. The Beginning of a System of Christian Philosophy. 26 Chapter VI. Progress of the Episcopate. 33 Chapter VII. Forged Apostolical Writings.—The Christian Bible. 41 Chapter VIII. Millenarianism—Papias. 46 Chapter IX. The Commencement of Gnosticism. 52 Chapter X. Basilidies, Valentinus, Saturninus, Carpocrates. 58 Chapter XI. The last Revolt of the Jews. 68 Chapter XII. Disappearance of the Jewish Nation. 76 Chapter XIII. The Talmud. 83 Chapter XIV. The Mutual Hatred of Jews and Christians. 91 Chapter XV. -
Qt6xn1k3hj.Pdf
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Enacting Sincerity: Nerval and the Cultural Politics of Imagination Permalink https://escholarship.org/uc/item/6xn1k3hj Author Talley, Catherine Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Enacting Sincerity: Nerval and the Cultural Politics of Imagination by Catherine Beryle Talley A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in French in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Suzanne Guerlac, Chair Professor Susan Maslan Professor Robert Kaufman Spring 2015 Copyright © 2015 Catherine Beryle Talley Abstract Enacting Sincerity: Nerval and the Cultural Politics of Imagination by Catherine Beryle Talley Doctor of Philosophy in French University of California, Berkeley Professor Suzanne Guerlac, Chair This dissertation proposes a new reading of the work of Gérard de Nerval (1808-1855), placing him alongside Walter Benjamin’s Baudelaire as an insightful critic of modern life. During the 1840s and 1850s, the literary field in France was increasingly shaped by bourgeois values like sincerity, originality, and authenticity, and by the individualism that they underpinned, restricting authorized forms of writing and of subjectivity. I argue that Nerval’s writing constitutes an astute opposition to this transformation of literary subjectivity and the limitations it placed -
Nerval and the Cultural Politics of Imagination by Catherine Beryle
Enacting Sincerity: Nerval and the Cultural Politics of Imagination by Catherine Beryle Talley A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in French in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Suzanne Guerlac, Chair Professor Susan Maslan Professor Robert Kaufman Spring 2015 Copyright © 2015 Catherine Beryle Talley Abstract Enacting Sincerity: Nerval and the Cultural Politics of Imagination by Catherine Beryle Talley Doctor of Philosophy in French University of California, Berkeley Professor Suzanne Guerlac, Chair This dissertation proposes a new reading of the work of Gérard de Nerval (1808-1855), placing him alongside Walter Benjamin’s Baudelaire as an insightful critic of modern life. During the 1840s and 1850s, the literary field in France was increasingly shaped by bourgeois values like sincerity, originality, and authenticity, and by the individualism that they underpinned, restricting authorized forms of writing and of subjectivity. I argue that Nerval’s writing constitutes an astute opposition to this transformation of literary subjectivity and the limitations it placed on imaginative experience and practice. Rather than merely reflecting the author’s own psychological crises (as is usually claimed), Nerval’s writings strategically reinvent the literary text as a site of new forms of collective imaginative practice. By considering Nerval’s work as a journalist, playwright, critic, and travel writer, as well as a poet, I draw out Nerval’s engagements with specific institutions and discourses, from censorship and intellectual property law to the national philosophy curriculum and literary criticism journals. From these local engagements emerges a shrewd critical voice that speaks directly and explicitly to the influence of bourgeois culture on the literary field. -
The Project Gutenberg Ebook of the Road to Damascus, by August Strindberg #10 in Our Series by August Strindberg Copyright Laws
The Project Gutenberg EBook of The Road to Damascus, by August Strindberg #10 in our series by August Strindberg Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: The Road to Damascus Author: August Strindberg Release Date: September, 2005 [EBook #8875] [Most recently updated September 25, 2005] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK THE ROAD TO DAMASCUS *** Produced by Nicole Apostola AUGUST STRINDBERG THE ROAD TO DAMASCUS A TRILOGY ENGLISH VERSION BY GRAHAM RAWSON WITH AN INTRODUCTION BY GUNNAR OLLEN CONTENTS INTRODUCTION PART ONE PART TWO PART THREE INTRODUCTION Strindberg's great trilogy _The Road to Damascus_ presents many mysteries to the uninitiated. Its peculiar changes of mood, its gallery of half unreal characters, its bizarre episodes combine to make it a bewilderingly rich but rather 'difficult' work.