A St. John's Vocabulary List
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Customary for Lay Assistants St
A CUSTOMARY FOR LAY ASSISTANTS ST. DAVID’S CHAPEL AND CHURCH 2021 “Liturgy is first and primarily a time for giving, not for getting. As far as we are able, we are thankful that each time we give what is owed to the Lord, there takes place a holy exchange of gifts in which the Lord returns to us more than we can dream of offering.” All quotations are from Preparing for Liturgy: A Theology and Spirituality by Austin Fleming. Lectors (or Readers) proclaim the word of God as found in Holy Scripture; Intercessors pray on behalf of the whole congregation the Prayers of the People; Chalicists (or Chalice Bearers) offer the Blood of Christ, the Cup of Salvation to the people. If you are unable to fulfill your assignment as scheduled: If it is anytime before 2:30 pm on the Friday before the Sunday you are to serve, please email Heather Sill ([email protected]) and she will arrange for a substitute. If it is after 2:30 on the Friday before the Sunday, you are to serve (even up to early Sunday morning) please email or call the clergy person assigned to your service. SERVING IN THE CHAPEL LECTORS “Your [ministry] is to offer the story of the. ‘great things the Lord has done for us’ that we might turn to the table of Eucharist with good cause to give thanks and praise. Yours is nothing less than the ministry of the Lord’s voice calling out in the midst of God’s people.” Carefully practice the reading at home. -
The Musical Life and Aims of the Ordinariate of Our Lady Of
The Musical Life and Aims of the Ordinariate of Our Lady of Walsingham a paper given by the Reverend Monsignor Andrew Burnham, Assistant to the Ordinary, at the Blessed John Henry Newman Institute of Liturgical Music, Birmingham. When the Holy Father visited Westminster Abbey just two years ago, his pleasure was evident as he encountered not only the splendour of the building but also its orderly musical tradition. It was an occasion in preparation for which considerable ingenuity had been expended – in that rather over-attentive way that Anglicans go about things – and, whereas you and I know that what the Pope would undoubtedly have preferred would have been the opportunity to sit in choir – on however splendid a cushion – and absorb the glory of a weekday choral evensong, what he got was something rather more bespoke. Pontiffs and prelates are never allowed to experience things as they actually are. Nonetheless, I am sure it was not lost on him that, greeted by a Latin motet written by an Irish Protestant composer, Charles Villiers Stanford, and an English anthem written by an English recusant composer, William Byrd, he was encountering a very sophisticated musical tradition. It is a tradition that has inspired not only Irish Protestants to set Latin texts, but also sceptics, devout and not so devout, to set canticles and anthems, and, in the case of Vaughan Williams, to put his innate atheism to one side and compile what remains the best of the English hymnbooks. There is a certain amount of evidence that, when the Holy See began to talk about inviting groups of Anglicans into the full communion of the Catholic Church, some in Rome expected to receive diocesan bishops, with their cathedrals, their cathedral choirs, their parish clergy, their parish churches, and the laity of the parishes. -
Evensong 9 August 2018 5:15 P.M
OUR VISION: A world where people experience God’s love and are made whole. OUR MISSION: To share the love of Jesus through compassion, inclusivity, creativity and learning. Evensong 9 August 2018 5:15 p.m. Evensong Thursday in the Eleventh Week after Pentecost • 9 August 2018 • 5:15 pm Welcome to Grace Cathedral. Choral Evensong marks the end of the working day and prepares for the approaching night. The roots of this service come out of ancient monastic traditions of Christian prayer. In this form, it was created by Thomas Cranmer, Archbishop of Canterbury in the 16th century, as part of the simplification of services within the newly-reformed Church of England. The Episcopal Church, as part of the worldwide Anglican Communion, has inherited this pattern of evening prayer. In this service we are invited to reflect on the business of the past day, to pray for the world and for ourselves, and to commend all into God’s hands as words of Holy Scripture are said and sung. The beauty of the music is offered to help us set our lives in the light of eternity; the same light which dwelt among us in Jesus, and which now illuminates us by the Spirit. May this service be a blessing to you. Voluntary Canzonetta William Mathias The people stand as the procession enters. The Invitatory and Psalter Opening Sentence Said by the officiant. Preces John Rutter Officiant O Lord, open thou our lips. Choir And our mouth shall shew forth thy praise. O God, make speed to save us. -
St. P Aul's Chapel
Ascension Day May 30, 2019, 5:30pm Broadway and Fulton Street, New York City Street, and Fulton Broadway St. Paul’s Chapel St. Paul’s Precious Love, your ascended Son promised the gift of holy power. Send your Spirit of revelation and wisdom, that in the blessed freedom of hope, Trinity Church WALL STREET we may witness to the grace of forgiveness and sing songs of joy with the peoples of earth to the One who makes us one body. Amen. RCLP p. 124 Mission In the spirit of the Gospels, the mission of Trinity Church Wall Street is to build generations of faithful leadership, to build up neighborhoods, and to build financial capacity for holy service in New York City and around the world. Our mission is grounded in our core values. Vision We seek to serve and heal the world by building neighborhoods that live gospel truths, generations of faithful leaders, and sustainable communities. Core Values Faith Compassion “For truly I tell you, if you have faith the size of a “When he went ashore he saw a great crowd, and he mustard seed, you will say to this mountain, ‘Move had compassion on them and healed their sick.” from here to there,’ and it will move; and nothing will —Matthew 14:14 be impossible for you.” —Matthew 17:20 Social Justice Integrity “He has showed you what is good; and what the Lord “Finally, beloved, whatever is true, whatever is honorable, requires of you: to do justice, and to love kindness and whatever is just, whatever is pure, whatever is lovely, to walk humbly with your God.” —Micah 6:8 whatever is gracious, if there is any excellence, if there is anything worthy of praise, think about these things.” Stewardship —Philippians 4:8 “There will come seven years of great plenty throughout all the land of Egypt. -
Trying Christ Church for First Time?
But “Everyone Knows...” Oh Yeah? Trying Christ Church for First Time? Trying an Anglican Church for the first Time? So, you found the map and directions on the website, but then what? Here is a Short Primer to Help you Find Your Way! Parking... • There is a modest parking lot in the alley behind the church... often it’s full by 10am, so most people park on 8th Street and 34th Ave or on the nearby residential streets. Parking is free. • If you’re coming north on Elbow Drive, keep in mind you can turn left on Sifton, but not on 34th. Getting Inside... We have three west-facing entrances on 8th Street. • Door #1 - Don’t bother with the southernmost one by the labyrinth... this is for the office on week days and we lock it to avoid confusion on Sundays. • Door #2 - Better... the next door north (called the “Loggia” or the hallway that runs along the outside of the worship space) This leads to the stairs and elevator which access the nursery and Sunday school rooms, and further along on the main level the washrooms. This entrance also accesses the worship space. • Door #3 - Best... the main entrance into the narthex (funny church word for foyer). There, you will find a greeter to help you find your way... and a place to hang your coat if you wish! Worship Materials • The greeter will offer you a “bulletin”, a little booklet which contains almost everything you need to follow along in the service. • The songs and hymns are in the blue book that you will find in the pew). -
Evensong Pack CONTENTS
Chichester Cathedral Guide for Visiting Choirs Evensong Pack CONTENTS INTRODUCTION _____________________________________________________________________ 3 MUSIC INFORMATION _______________________________________________________________ 4 WHAT WE NEED FROM YOU _______________________________________________________________ 4 CHOICE OF MUSIC _______________________________________________________________________ 4 RESPONSES ____________________________________________________________________________ 4 CANTICLES ____________________________________________________________________________ 4 ANTHEM ______________________________________________________________________________ 4 FINAL DISMISSAL _______________________________________________________________________ 4 PSALMS _______________________________________________________________________________ 5 HYMNS _______________________________________________________________________________ 5 CANTOR ______________________________________________________________________________ 5 DETAILS OF EVENSONG SERVICE ____________________________________________________ 6 EVENSONG PSALMS FOR THE DAY ___________________________________________________ 7 2 Introduction We are delighted that your choir will be singing at Chichester Cathedral shortly, and we look forward to welcoming you for what we hope will be a memorable and rewarding visit. This booklet is intended to help you prepare for your visit. Please take some time to read through it. We hope that it answers some of the questions you may have. If -
I. a Humanist John Merbecke
Durham E-Theses Renaissance humanism and John Merbecke's - The booke of Common praier noted (1550) Kim, Hyun-Ah How to cite: Kim, Hyun-Ah (2005) Renaissance humanism and John Merbecke's - The booke of Common praier noted (1550), Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2767/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Renaissance Humanism and John Merbecke's The booke of Common praier noted (1550) Hyun-Ah Kim A copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Durham University Department of Music Durham University .2005 m 2001 ABSTRACT Hyun-Ah Kim Renaissance Humanism and John Merbecke's The booke of Common praier noted (1550) Renaissance humanism was an intellectual technique which contributed most to the origin and development of the Reformation. -
An Abridged Episcopal Glossary
An Abridged Episcopal Glossary This is a brief listing of some of the terms that may be unfamiliar to those who are new to the Episcopal church. Some terms will be familiar to Roman Catholics while others will be familiar to protestants. For a much more comprehensive listing, see https://www.episcopalchurch.org/library/glossary. Acolyte In contemporary Anglicanism, a general term which covers not only servers, torchbearers, and lighters of candles but also crucifers, thurifers, and banner- bearers. Altar The structure, also known as "the Lord's Table," "the Holy Table," and "the Table," where the offerings are presented and the elements of bread and wine are consecrated in the eucharist. Anglican Communion, The Churches in communion with the See of Canterbury throughout the world. Member churches exercise jurisdictional independence but share a common heritage concerning Anglican identity and commitment to scripture, tradition, and reason as sources of authority. Antiphon A verse sung before and usually after a psalm, canticle, or hymn text. It is often drawn from scripture (especially the psalms) and is appropriate to the liturgical season or occasion. Apostolic Succession The belief that bishops are the successors to the apostles and that episcopal authority is derived from the apostles by an unbroken succession in the ministry. Archdeacon A clergyperson with a defined administrative authority delegated by the diocesan bishop. Originally the chief of the deacons who assisted the bishop, the archdeacon is now typically a priest who serves as the bishop's administrative assistant. Aumbry A cupboard or secure receptacle in the side wall of the sanctuary or sacristy. -
EVENSONG by Renee Early
ASH The WEDNESDAY & ion LENT PAGES 4-6 Te Newsletter of LSt. Mark's Episcopal February 2015 Choir Pilgrimage 2015 EVENSONG by Renee Early t the November Adult Forum on Te 2014 Choir Pilgrimage was a 19 day the 2014 Choir Pilgrimage, afer journey, with the choir in residence at two Eng- George Emblom had introduced lish cathedrals, Norwich and Wells. As the resi- the Pilgrimage, and Jerry Walk- dent choirs go on holiday, substitute choirs pass er had presented his wonder- through and take on service music. St. Mark’s ful slide show, someone asked what the choir choir was fortunate enough to spend one week in Abrought back that might enhance the church each of the two cathedrals. Te schedule was a bit as a whole. My visceral – albeit unspoken – re- daunting. During the 18 days in England we sang sponse was “Evensong.” Continued next page Evensong at Wells Cathedral (photo by Jerry Walker) Evensong Norwich Cathedral (photo by Jerry Walker) two Choral Eucharists, and thirteen evensongs. and the Lord’s Prayer, followed by the preces, We also sang a Matins service, at Wells on Sun- psalms, Old Testament reading, the Magnifcat, day, 3 August, a day when we also sang morning New Testament reading, the Nunc Dimitttis, the Eucharist and Evensong. For these services we Apostles’ Creed, prayers, collects, an anthem, and prepared Herbert Howells’ setting of the Ofce ending with more prayers. of Holy Communion, Buonemani’s setting of the In addition to the formal structure of the Preces & Responses, eight settings for the Magni- service, there is also ritual structure in Evensong. -
The Plight of Anglican Church Music in the Western Cape: Three Case Studies
THE PLIGHT OF ANGLICAN CHURCH MUSIC IN THE WESTERN CAPE: THREE CASE STUDIES Levi Eudo Alexander Thesis presented in partial fulfilment of the requirements for the degree of Master of Music (Choral Conducting) in the Faculty of Arts and Social Sciences at Stellenbosch University. Supervisor: Martin Berger March 2021 Stellenbosch University https://scholar.sun.ac.za DECLARATION By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Levi Alexander March 2021 Copyright © 2021 Stellenbosch University All rights reserved 1 Stellenbosch University https://scholar.sun.ac.za ABSTRACT Music ministries still providing Anglican church congregations with traditional Anglican church music find themselves clutching onto a musical tradition in a church plagued by the increasing secularisation of society. This thesis, in three case studies, investigates the musical output and general daily function of three Anglican churches in the Western Cape by interviewing the rector and music director of each parish. Each parish was selected as it presented a varied historical, musical, liturgical and churchmanship culture. The aim of the thesis is to ascertain, primarily, whether traditional music is under threat of falling into disuse in the church and secondly, if traditional music is indeed under threat, the possible measures which could be implemented to preserve the heritage for future generations of Anglican worshippers. -
Contemplative Evensong Contemplative E Vensong
Contemplative Evensong Contemplative E vensong Unlocking the Spiritual Power of the Sung Offi ce CHARLES HOGAN Dedicated in memorium to Peter Hallock (1924–2014), who guided not only the writing of this book, but generations of liturgical musicians, and inspired countless souls to occasions of song in the evening. MorningStar Music Publishers, Inc. 1727 Larkin Williams Road, Saint Louis, Missouri 63026-2024 morningstarmusic.com © 2015 by MorningStar Music Publishers, Inc. All rights reserved. Published 2015 Printed in the United States of America No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, mechanical, electronic, recording, photocopying or otherwise, anywhere in the world, including public perfor- mance for profi t, without the prior written permission of the above publisher of this book. ISBN 978-0-944529-69-0 Library of Congress Control Number: 2015917118 vii TABLE OF CONTENTS INTRODUCTION xi CHAPTER 1 A Rationale for the Power of the Offi ce in Contemporary Life 1 Th e Present Quandary 1 Evensong? 4 A Proven Format 5 Ancient Meets Modern 6 Flexible Resources 6 Th e Apologia 7 Our Spiritual Climate 7 Where Are We? 9 How Did We Get Here? 12 East Meets West 13 1960s Infl uence on Liturgy and Music 15 A Resurgence of Spirituality 16 Generation X and the Millennials 17 Some Basic Conclusions 19 Contemplation and Transformation 19 Th e Journey Within 20 Music as an Icon 24 Th e Offi ces in the Life of a Sacramental Church 25 Balancing Tradition and Innovation 26 Incorporating -
Even Choir Girls Get the Blues by Mary Lycan 10/30/97 Triangle Institute for Anglican Studies St
Even Choir Girls Get the Blues by Mary Lycan 10/30/97 Triangle Institute for Anglican Studies St. Matthew’s Episcopal Church, Hillsborough, NC September, 1958. New town, new church--St. James’s Episcopal, New London, Connecticut. The nine o’clock family service. Me in my Mary Janes, age eleven, with my sisters and parents in a pew on the center aisle. As the congregation rose for the first hymn, the St. Cecilia Girls’ Choir, thirty-eight girls ages 10 to 17, processed in pairs, the little ones in front. Their robes and beanies were royal blue. They walked tall, and held their hymnals up as they sang. They were goddesses. Six weeks later I was one of them. Two years later, I had my first organ lesson from the Director of Music, Beatrice Hatton Fisk, on the four-manual Austin. A year after that, at age fourteen, I played and conducted my first full substitute gig at that very service: choir rehearsal, prelude, postlude, hymns, canticles, offertory anthem--the works. I got paid: fifteen dollars! Organ lessons, lots of practice, and a certain amount of talent pulled me along that path. But it was the years of rehearsing and singing with the choir that made a church musician of me-- that put our phrasing into my hymn tempos forever, and engraved the old pointing of the canticles onto my bones. Every one of us could sense of the flow of a well-conducted liturgy. We exchanged sly and scornful glances when strange substitutes fumbled the “Venite” or failed to cadence on a G Major chord for the doxology exactly when the priest received the offertory plates.