The Best Starter Dslrs Right Now!
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Topaz Lens Effects Lens Topaz 3
User Manual Contents I. Installation 11. About 31 A. How to Install 3 B. Entering Your Key 3 IV. Settings & Parameters C. Host-Specific Installation 3 A. Effects & Presets 32 1. Paint Shop Pro 4 B. Bokeh - Center Focus 33 2. Photo Impact 5 C. Bokeh - SLR 36 Topaz Lens Effects Lens Topaz 3. Irfanview 6 D. Bokeh - Selective 39 D. Uninstalling 7 E. Camera - Pinhole 44 F. Camera - Tilt & Shift 46 II. Introduction G. Camera - Toy 50 A. About Topaz Lens Effects 8 H. Camera - Diffusion 54 1. Primary Functions 8 I. Filter - Dual Tone 55 B. Program Features 9 J. Filter - Fog 59 K. Filter - Graduated Color 6 III. New Features L. Filter - Graduated Neutral Density 61 A. Smart Brush 10 M. Filter - Polarization 62 B. Effects Menu 15 N. Filter - Reflector 63 C. Apply Button 16 O. Filter - Single Tone 64 D. Enhanced Sharpening 17 P. Filter - Streak 65 E. Split Screen View 18 Q. Filter - UV/Haze 65 F. Interface Style 19 R. Filter - Warmth 66 2 S. Lens - Creative Blur 67 IV. Work Area T. Lens - Dual Focus 68 A. Interface 20 U. Lens - Fisheye 70 B. Preview 24 V. Lens - Motion 71 C. Effects & Presets 26 W. Lens - Split Prism 72 1. Applying Presets 26 X. xF - Add Adjustment 73 2. Adding Presets 26 W. xF - Add Geometric Distortion 74 3. Deleting Presets 27 Z. xF - Add Grain 75 4. Importing Presets 28 AA. xF - Add Sharpening 75 5. Exporting Presets 28 AB. xF - Add Vignette 76 6. Sharing Presets 28 AC. xF - Add Vignette - Selective 76 D. -
Seeing Like Your Camera ○ My List of Specific Videos I Recommend for Homework I.E
Accessing Lynda.com ● Free to Mason community ● Set your browser to lynda.gmu.edu ○ Log-in using your Mason ID and Password ● Playlists Seeing Like Your Camera ○ My list of specific videos I recommend for homework i.e. pre- and post-session viewing.. PART 2 - FALL 2016 ○ Clicking on the name of the video segment will bring you immediately to Lynda.com (or the login window) Stan Schretter ○ I recommend that you eventually watch the entire video class, since we will only use small segments of each video class [email protected] 1 2 Ways To Take This Course What Creates a Photograph ● Each class will cover on one or two topics in detail ● Light ○ Lynda.com videos cover a lot more material ○ I will email the video playlist and the my charts before each class ● Camera ● My Scale of Value ○ Maximum Benefit: Review Videos Before Class & Attend Lectures ● Composition & Practice after Each Class ○ Less Benefit: Do not look at the Videos; Attend Lectures and ● Camera Setup Practice after Each Class ○ Some Benefit: Look at Videos; Don’t attend Lectures ● Post Processing 3 4 This Course - “The Shot” This Course - “The Shot” ● Camera Setup ○ Exposure ● Light ■ “Proper” Light on the Sensor ■ Depth of Field ■ Stop or Show the Action ● Camera ○ Focus ○ Getting the Color Right ● Composition ■ White Balance ● Composition ● Camera Setup ○ Key Photographic Element(s) ○ Moving The Eye Through The Frame ■ Negative Space ● Post Processing ○ Perspective ○ Story 5 6 Outline of This Class Class Topics PART 1 - Summer 2016 PART 2 - Fall 2016 ● Topic 1 ○ Review of Part 1 ● Increasing Your Vision ● Brief Review of Part 1 ○ Shutter Speed, Aperture, ISO ○ Shutter Speed ● Seeing The Light ○ Composition ○ Aperture ○ Color, dynamic range, ● Topic 2 ○ ISO and White Balance histograms, backlighting, etc. -
HASSELBLAD INTRODUCES the H6D-400C MS, a 400 MEGA PIXEL
Press information – for immediate release Gothenburg, Sweden 16 Jan 2018 HASSELBLAD INTRODUCES THE H6D-400c MS, A 400 MEGA PIXEL MULTI-SHOT CAMERA Building on a vast experience of developing exceptional, high-quality single and multi-shot cameras, Hasselblad once again has raised the bar for image quality captured with medium format system. Multi-Shot capture has become an industry standard in the field of art reproduction and cultural heritage for the documentation of paintings, sculptures, and artwork. As the only professional medium format system to feature multi-shot technology, Hasselblad continues to be the leading choice for institutions, organizations, and museums worldwide to record historic treasures in the highest image quality possible. With over 10 years of digital imaging expertise, the latest Multi-Shot digital camera combines the H6D’s unrivalled ease of use with a completely new frontier of image quality and detail. This new camera encompasses all of the technological functions of Hasselblad’s H6D single shot camera, and adds to that the resolution and colour fidelity advancements that only Multi-Shot photography can bring to image capture. With an effective resolution of 400MP via 6 shot image capture, or 100MP resolution in either 4 shot Multi-Shot capture or single shot mode, the Multi-Shot capture requires the sensor and its mount to be moved at a high-precision of 1 or ½ a pixel at a time via a piezo unit. To capture Multi-Shot images the camera must be tethered to a PC or MAC. In 400MP Multi-Shot mode, 6 images are captured, the first 4 involve moving the sensor by one pixel at a time to achieve real colour data (GRGB- see 4 shot diagrams below), this cycle then returns the sensor to its starting point. -
Digital Cameras
DIGITAL CAMERAS Hasselblad has raised the bar yet again concerning the capture As if that was not enough, this camera still claims all the advan- of super high-quality images. It builds on the achievements and tages of the H5D line – True Focus, Ultra Focus, Digital Lens success of multi-shot capture technology with the H5D-50MS and Correction plus being able to shoot regardless of lighting condi- the liberating characteristics of the H5D-50c – the worlds first tions as a result of the very high ISO settings that are capable of CMOS medium format camera. The H5D-200c MS MS takes still- unforeseen high quality with remarkably little noise. life studio photography to mind blowing moiré free 200Mpix reso- These top of the range features make the H5D-200c MS such lution. Six shot ‘microstep technology’ takes maximum advantage an outstanding camera choice – a studio workhorse to produce of everything the HC lenses have to offer, which is a very great unsurpassable quality in a controlled environment to doubling deal in itself, and combines it with the latest CMOS capabilities up as a top flight, hand held single-shot camera for shots on to produce a quality that is hard to believe is possible. the move. Versatility was always a Hasselblad cornerstone and From fine cars to miniature artworks and from delicate fabrics to remains so. diamonds – or quite simply where only the best reproduction is acceptable – the 200Mpix multi-shot image offers true color and This is the camera that leaves all the others behind. moiré free capture, providing an astonishing level of detail. -
Datenbank Kameras
Hersteller Kameraname Objektiv Verschluß Verschlußzeit Format Blende Filmtyp Zustand Baujahr Gewicht Tasche Toptron Microcam fashon 3 3PAGEN Versand Supercolor NoName ca. 11/20mm Zentral ca. 1/30 sec. 13 x 17 mm ca. 11 110er Kassette A-B 2000 70 Gramm Nein Adox 300 Schneider Kreuznach Xenar 2,8/45 mm Compur Rapid B, 1 - 1/150 sec. 24 x 36 mm 2,8 - 22 35er Kleinbildfilm C 1956 870 Gramm Ja Adox Golf 63 Adoxar 6,3/75 mm Vario B, 1/25 - 1/200 sec. 6 x 6 cm 6,3 - 22 120er Rollfilm C-D 1954 520 Gramm Ja Adox Fotowerke Frankfurt a. M. Adoxon 2,8 / 45 Adox Golf Ia mm Prontor 125 B, 1/30 - 1/125 sec. 24 x 36 mm 2,8 - 22 35er Kleinbildfilm B 1964 330 Gramm Ja Adox Polo mat 1 Schneider Kreuznach Radionar L 2,8/45 mm Prontor 500 LK B, 1/15-1/500 sec. 24 x 36 mm 2,8 - 22 35er Kleinbildfilm C 1959 - 60 440 Gramm Nein Adox (Wirgin) Adrette I Adox Wiesbaden Adoxar 4,5/5 cm Vario B, T, 1/25-1/100 sec. 24 x 36 mm 4,5 - 16 35er Kleinbildfilm C 1939 420 Gramm Ja Agfa Agfamatic easy Agfa Color Apotar 26 mm Zentral Auto 13 x 17 mm Auto 110er Pocketfilm B 1981 200 Gramm nein Agfa Agfamatic Makro Pocket 5008 Agfa Solinar 2,7 Zentral Auto 13 x 17 mm Auto 110er Pocketfilm B 1977 300 Gramm nein Agfa Agfamatic Optima 5000 Set Agfa Solinar 2,7 Zentral Auto 13 x 17 mm Auto 110er Pocketfilm B 1974 510 Gramm nein Agfa Agfamatic Optima 6000 Agfa Solinar 2,7 Zentral Auto 13 x 17 mm Auto 110er Pocketfilm B 1977 320 Gramm nein Agfa Agfamatic Pocket 1000 S Agfa Color Agnar 26 mm Zentral Auto 13 x 17 mm Auto 110er Pocketfilm B 1974 120 Gramm nein Agfa Agfamatic Pocket 2008 Agfa Color Agnar Zentral Auto 13 x 17 mm Auto 110er Pocketfilm B 1975 180 Gramm nein Agfa Agfamatic Pocket 3000 Agfa Color Apotar Zentral Auto 13 x 17 mm Auto 110er Pocketfilm B 1976 300 Gramm nein Agfa Agfamatic Pocket 4008 Agfa Color Apotar Zentral Auto 13 x 17 mm Auto 110er Pocketfilm B 1975 200 Gramm nein Agfa Billy (I) Jgestar 8,8 / ca. -
Photography Techniques Intermediate Skills
Photography Techniques Intermediate Skills PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Wed, 21 Aug 2013 16:20:56 UTC Contents Articles Bokeh 1 Macro photography 5 Fill flash 12 Light painting 12 Panning (camera) 15 Star trail 17 Time-lapse photography 19 Panoramic photography 27 Cross processing 33 Tilted plane focus 34 Harris shutter 37 References Article Sources and Contributors 38 Image Sources, Licenses and Contributors 39 Article Licenses License 41 Bokeh 1 Bokeh In photography, bokeh (Originally /ˈboʊkɛ/,[1] /ˈboʊkeɪ/ BOH-kay — [] also sometimes heard as /ˈboʊkə/ BOH-kə, Japanese: [boke]) is the blur,[2][3] or the aesthetic quality of the blur,[][4][5] in out-of-focus areas of an image. Bokeh has been defined as "the way the lens renders out-of-focus points of light".[6] However, differences in lens aberrations and aperture shape cause some lens designs to blur the image in a way that is pleasing to the eye, while others produce blurring that is unpleasant or distracting—"good" and "bad" bokeh, respectively.[2] Bokeh occurs for parts of the scene that lie outside the Coarse bokeh on a photo shot with an 85 mm lens and 70 mm entrance pupil diameter, which depth of field. Photographers sometimes deliberately use a shallow corresponds to f/1.2 focus technique to create images with prominent out-of-focus regions. Bokeh is often most visible around small background highlights, such as specular reflections and light sources, which is why it is often associated with such areas.[2] However, bokeh is not limited to highlights; blur occurs in all out-of-focus regions of the image. -
Nikon D5100: from Snapshots to Great Shots
Nikon D5100: From Snapshots to Great Shots Rob Sylvan Nikon D5100: From Snapshots to Great Shots Rob Sylvan Peachpit Press 1249 Eighth Street Berkeley, CA 94710 510/524-2178 510/524-2221 (fax) Find us on the Web at www.peachpit.com To report errors, please send a note to [email protected] Peachpit Press is a division of Pearson Education Copyright © 2012 by Peachpit Press Senior Acquisitions Editor: Nikki McDonald Associate Editor: Valerie Witte Production Editor: Lisa Brazieal Copyeditor: Scout Festa Proofreader: Patricia Pane Composition: WolfsonDesign Indexer: Valerie Haynes Perry Cover Image: Rob Sylvan Cover Design: Aren Straiger Back Cover Author Photo: Rob Sylvan Notice of Rights All rights reserved. No part of this book may be reproduced or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. For information on getting permission for reprints and excerpts, contact permissions@ peachpit.com. Notice of Liability The information in this book is distributed on an “As Is” basis, without warranty. While every precaution has been taken in the preparation of the book, neither the author nor Peachpit shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computer software and hardware products described in it. Trademarks All Nikon products are trademarks or registered trademarks of Nikon and/or Nikon Corporation. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. -
Winter 2004-5
INDEX B+W filters . .4 Billingham . .77 Body adaptors . .10 Crumpler . .76–77 FILTERS / LENSES Canon filters . .10 Domke . .74, 78 Canon lenses . .11 Kata . .75, 105 Canon lenshoods . .14 Lowepro . .73-80 Cokin filters . .5–7 Peli . .74–75 Cosina lenses . .11 Bellows units . .42 Silvestri . .75 CAMERA ACCESSORIES Filter storage . .10 Close-up lenses . .41 Zing . .72 Hoya filters . .2-3 Copy tables & stand . .44–45 Kenko converters . .13 Extension tubes . .42 Lee filters . .8–9 Macro brackets . .43 Lenshoods . .14 Macro flash . .45 CAMERA SUPPORTS Minolta filters . .10 Novoflex macro . .41–44 Nikon filters . .10 Nikon lenshoods . .14 Nikon lenses . .12 Sigma lenses . .12 Canon flash . .50 Albums and mounts . .90-92 CLOSE-UP & MACRO Tamron lenses . .13 Flash accessories, general . .46 Braun projectors . .81 Voigtlander lenses . .13 Flash X-tender . .46 Guillotines . .89 Metz . .47–49 Leica projectors . .82 Minolta flash . .50 Light boxes, viewers . .84 Nikon flash . .51 Magnifiers . .83 Pentax flash . .51 Photo holders etc . .88 CAMERA FLASH Beattie screens . .15 PocketWizard . .58 Portfolios . .89 Bean bag . .22 Quantum batteries . .57 Print finishing . .88 Bronica accessories . .20 Vivitar . .47 Rollei projectors . .82 Cable and air releases . .22 Sigma . .48 Slide copier . .83 Canon accessories . .16–17 Sto-fen Omnibounce . .46 Slide and neg filing . .86–87 Cleaning and maintenance . .23 STUDIO LIGHTING Stroboframe . .52-53 Slide projection accessories . .82 Flarebuster . .22 Sunpak . .47 Slide magazines . .86 Lens and body caps . .15 Wein slaves . .58 Slide mounters and storage . .85 Lens cases . .15 Mamiya accessories . .20 Minolta accessories . .17 BAGS Nikon accessories . .18–19 Op/tech straps . -
Plastic Fantastic Toy Camera Show
LightBox Photographic Gallery 1045 Marine Drive Astoria, Oregon 97103 503-468-0238 [email protected] LightBox Photographic Gallery Call for Entries PLASTIC FANTASTIC TOY CAMERA SHOW Toy cameras are special with the wondrous and dreamlike images they create, photographic subjects take on a unique special quality that is rarely found from any other capture device. We at LightBox have a special love of these cameras and images and in celebration of our 1st anniversary we wish to feature photographers that share our love of these special cameras. We need your help in starting an annual tradition here at LightBox by entering this 1st Plastic Fantastic show and help us treat our gallery visitors to the wonders of the Toy camera. The Plastic Fantastic Show will run from June 12th to July 7, 2010. Eligibility The list of toy cameras is extensive, the requirement is that the camera either have a plastic body or lens, no auto anything and decidedly low tech. Prints may be traditional optical prints or scanned negatives printed digitally as c-prints or pigment ink prints. Digital manipulations are not encouraged. Optical prints are preferred. Deadlines Deadline for submissions is May 20,2010. Deadline for delivery of accepted works is June 4, 2010. Requirement for Submission You may email jpegs or send us a CD, or proof prints. Files/proofs must be titled with last and first name and title. Sample: DoeJoe-Title SASE must be included if you wish your CD or Proofs to be returned. Entry Fee There is a non refundable entry fee of $10 each, or $25 for 3, and $5 each for each additional after three. -
Naturalistmontana Fall 2006
NaturalistMONTANA Fall 2006 Ancient Ecosystem Ice Age Natural History The Last Best River Backyard Phenology see Get Outside Guide, page 9 TO PROMOTE AND CULTIVATE THE APPRECIATION, UNDERSTANDING AND STEWARDSHIP OF NATURE THROUGH EDUCATION inside Fall 2006 NaturalistMONTANA Features 4 Bear Gulch Fossils Impressions of an ancient ecosystem 4 6 Floods, Flora and Fauna What do we know about the area’s ice age natural history? Departments 3 Tidings 6 9 Get Outside Guide Observing climate change, making an insect collection, Special calendar of events Pull-Out Section 13 Community Focus Lessons from the land 14 Far Afield Discoveries from Montana’s last best river 9 16 Imprints An inspiring exhibit, RiverFest 2006, new evening series, auction info and more 18 Magpie Market 19 Reflections 13 “Woodpecker,” by Sandra Alcosser Cover photo – Female green darner dragonfly, taken by Jamesen Colley, www.rawcapturephotography.com. Taken with a Pentax MZ-S 35mm film camera with a Tamron 90mm 1:1 macro lens, a Pentax ring flash and Fuji Provia 100F slide film. The exposure was f\16 with a shutter speed of 1\90 of a second and a fill flash provided by the ring flash. Correction – The photo on page 3 of the Spring/Summer 2006 issue, showing bighorn sheep amid cars on a roadway, was incorrectly credited. The photograph was taken by Marcel P. Huijser. 14 16 No material appearing in Montana Naturalist may be reproduced in part or in whole without the written consent of the publisher. All contents © 2006 The Montana Natural History Center. 2 MONTANA NATURALIST FALL 2006 tidings 120 Hickory Street Missoula, MT 59801 otice anything different about us? (406) 327-0405 We’ve undergone a gentle face lift [email protected] with a new streamlined logo, www.MontanaNaturalist.org Ndesigned by illustrator Nancy Seiler. -
Call for Submissions PLASTIC FANTASTIC X TOY CAMERA SHOW
LightBox Photographic Gallery 1045 Marine Drive Astoria, Oregon 97103 [email protected] 503-468-0238 Call for Submissions PLASTIC FANTASTIC X TOY CAMERA SHOW June 8th – July 10th , 2019 Submission Deadline, Midnight, Monday, May 6, 2019 LightBox Photographic Gallery is pleased to announce the call for submissions for The Plastic Fantastic Show X. This group show celebrates the love LightBox has for photographic images made with plastic “toy” cameras. LightBox established this show to celebrate the gallery’s anniversary. LightBox is looking for pure Toy Camera Photography and will consider images shot with film only, using plastic, pinhole, box or homemade cameras. No digital photography will be considered. This year we are pleased to announce our Juror is Becky Ramotowski, aka. Astro Beck Becky is the founder of World Toy Camera Day. She has been a photo enthusiast since the age of six when she was given her first camera, an Imperial Mark XII, to take on a road trip across the southwestern USA and up the west coast to Seattle. Her "official" interest in toy cameras came in 2002 after seeing quirky photos made with Holgas and Dianas at a photo lab in Texas where she bought her first Holga. "The very first photo I made with my Holga was one I really liked of a statue of “Nike of Samothrace” in a run-down park in San Antonio, Texas. It was the flawed statue and the run-down park full of weeds and abandonment that lured me in and set the hook for using toy cameras. The photo was vignetted and not quite perfectly focused that just felt at home. -
Autofocus Speedlight SB-27SB-27
Autofocus Speedlight SB-27SB-27 Instruction Manual En Foreword Thank you for purchasing the Nikon Autofocus Speedlight SB-27, an easy-to-use flash unit offering you the most convenient system for automatic flash photography in combination with Nikon cameras. The SB-27’s extensive capabilities range from Non-TTL Auto Flash to 3D Multi-Sensor Balanced Fill-Flash, today’s most advanced flash technology. For optimum results, be sure to read this manual thoroughly before use. Please check which group your camera belongs to. 4 Group Ⅰ Ⅱ Ⅲ Ⅳ Ⅴ* Ⅵ Ⅶ * F5 F4-Series F-601/ F60-Series/ F-501/ FM3A F3-Series*6 1 1 8 Camera F100 F65-Series/ N6006* N60* N2020* FA F55-Series/ F90X/N90 s 1 N65-Series 1 1 name * * F-601M/ F50-Series/ F-401s/ FE2 N55-Series* F90-Series/ F-801s/ N6000 1 N50 1 N4004s 1 1 1 * * * New FM2 N90* N8008s* FG F-401x/ F-401/ 5 FM10 F80-Series/ F-801/ 1 1 Nikonos V 1 3 1 N5005 N4004 * Flash N80-Series* ,* N8008* * * FE10 operation F70-Series/ Pronea600i/ F-301/ N70*1 6i*1,*3 N2000*8 3D Multi-Sensor Balanced Fill-Flash*2 Multi-Sensor Balanced Fill-Flash*2 Matrix Balanced T Fill-Flash T Center-Weighted L Fill-Flash/Spot Fill-Flash Programmed TTL AutoFlash Standard TTL Flash Non-TTL A Auto Flash*7 M Manual Flash : Available : Not available In this manual, we have divided Nikon SLR cameras into seven groups (from I to VII) unless otherwise noted. You will find all the information you need to learn about using the SB-27 with your camera in the section corresponding to your camera group.