06.07.21 Tea Ceremony Supplies

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Tea Ceremony Supplies Phone Orders Welcome. Reach us at (808)286.9964 or [email protected] We do Shipping. Free Expert Packing. Prices Subject to Change. Chasen Chasen Chasen Chasen #T-15 Matcha Whisk Matcha Whisk Matcha Whisk Matcha Whisk Kusenaoshi Celadon 80 strands 100 strands 80 strands 100 strands Matcha Whisk Stand Made in China. Made in China. Made in Japan. Made in Japan. Glazed Ceramic $14.95 $15.95 $49.75 $58.50 Seiji Green 3”H, 2.25”Dia. Made in Japan. $10.75 each Chashaku Bamboo Matcha Scoop 6.75”L Made in China. T4R Red Fukusa #4 Purple Fukusa T4O Orange Fukusa $3.75 100% Silk 100% Silk 100% Silk 10.75”x11” 10.75”x11” 10.75”x11” 7”L Made in Japan. Made in Japan. Made in Japan. Made in Japan. $39.00 $49.00 $39.00 $9.00 T-12R Red Fukusa T-12PR Kaishi Kaishi Rayon Purple Fukusa 30 sheets 30 sheets 11”x11.25” Rayon 14.5 x 17.5 cm 14.5 x 17.5 cm Kaishi Made in Japan. 11”x11.25” Made in Japan. Made in Japan. 30 sheets $12.85 Made in Japan. $14.95 $14.95 17.5 x 20.6 cm $12.85 Made in Japan. $19.95 Hishaku Tea Ladle T-19 Chakin Henen Bamboo White Linen 16”L, Cup:2”Deep, 2.25”Dia. 12”L, 6.25”W Made in Japan. Made in Japan. Temporarily Out of Stock. $6.95 Natsume Natsume Natsume Natsume Natsume Tea Caddy Tea Caddy Tea Caddy Tea Caddy Tea Caddy #TR-25R #TR-25B #TR-25B #TR-25R #TR-25R Hane-Houki Black, Fan Design Black, Flowers Black, Trees Red, Flowers Red, Trees Feather Broom Lacquer Lacquer Lacquer Lacquer Lacquer 12.5”L 2.5”H, 2.5”Dia. 2.5”H, 2.5”Dia. 2.5”H, 2.5”Dia. 2.5”H, 2.5”Dia. 2.5”H, 2.5”Dia. Made in Japan. Made in Japan. Made in Japan. Made in Japan. Made in Japan. Made in Japan. $95.00 $19.95 $19.95 $19.95 $19.95 $19.95 Front Inside #114-523 Unkai Bowl #33-40-09NT #4313-H02 Matcha Chawan Glazed Ceramic Ekaratsu Matcha Chawan w/ Purple 2.75”H, 5”Dia. Matcha Chawan Glazed Ceramic Kikyo Design Made in Japan. w/ Mt. Fuji Design 3.25”H, 5”Dia. Glazed Ceramic $8.95 Glazed Ceramic Made in Japan. 2.25”H, 3.75”Dia. $41.00 Made in Japan. Red Pouch for Kaishi 2.5”H, 4.5”Dia. Made of Nishiki, $45.50 Made in Japan. high-quality woven fibers $54.00 7.25”L, 4”W $62.00 #33-41-21NT Reverse Side. Sensu White Fan for Tea Ceremony 7” Made in Japan. $38.95 Matcha Chawan Matcha Chawan Matcha Chawan Glazed Ceramic Glazed Ceramic Glazed Ceramic 2”H, 5.5”Dia. 2”H, 5.5”Dia. 2”H, 5.5”Dia. Made in Japan. Made in Japan. Made in Japan. $39.00 $39.00 $39.00 #33-41-20NT Sensu Red Fan for Tea Ceremony 6” Made in Japan. $25.75.

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Annual Report 2018–2019 Artmuseum.Princeton.Edu
Image Credits Kristina Giasi 3, 13–15, 20, 23–26, 28, 31–38, 40, 45, 48–50, 77–81, 83–86, 88, 90–95, 97, 99 Emile Askey Cover, 1, 2, 5–8, 39, 41, 42, 44, 60, 62, 63, 65–67, 72 Lauren Larsen 11, 16, 22 Alan Huo 17 Ans Narwaz 18, 19, 89 Intersection 21 Greg Heins 29 Jeffrey Evans4, 10, 43, 47, 51 (detail), 53–57, 59, 61, 69, 73, 75 Ralph Koch 52 Christopher Gardner 58 James Prinz Photography 76 Cara Bramson 82, 87 Laura Pedrick 96, 98 Bruce M. White 74 Martin Senn 71 2 Keith Haring, American, 1958–1990. Dog, 1983. Enamel paint on incised wood. The Schorr Family Collection / © The Keith Haring Foundation 4 Frank Stella, American, born 1936. Had Gadya: Front Cover, 1984. Hand-coloring and hand-cut collage with lithograph, linocut, and screenprint. Collection of Preston H. Haskell, Class of 1960 / © 2017 Frank Stella / Artists Rights Society (ARS), New York 12 Paul Wyse, Canadian, born United States, born 1970, after a photograph by Timothy Greenfield-Sanders, American, born 1952. Toni Morrison (aka Chloe Anthony Wofford), 2017. Oil on canvas. Princeton University / © Paul Wyse 43 Sally Mann, American, born 1951. Under Blueberry Hill, 1991. Gelatin silver print. Museum purchase, Philip F. Maritz, Class of 1983, Photography Acquisitions Fund 2016-46 / © Sally Mann, Courtesy of Gagosian Gallery © Helen Frankenthaler Foundation 9, 46, 68, 70 © Taiye Idahor 47 © Titus Kaphar 58 © The Estate of Diane Arbus LLC 59 © Jeff Whetstone 61 © Vesna Pavlovic´ 62 © David Hockney 64 © The Henry Moore Foundation / Artists Rights Society (ARS), New York 65 © Mary Lee Bendolph / Artist Rights Society (ARS), New York 67 © Susan Point 69 © 1973 Charles White Archive 71 © Zilia Sánchez 73 The paper is Opus 100 lb.
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Vocabulary: Koryo Open Work Design Celadon Glaze Korean Celadon: Cheong-Ja Buddhism Leatherhard Clay Sanggam: Inlaid Design Symbols
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(B. 1948) Kamada Kōji Is Known for His Mastery of the Difficult Tenmoku
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39 Ching-Ling Wang* R E JA P RE-CONSIDERING A CIZHOU-TYPE JAR IN THE VVAK COLLECTION U-TY Introduction O Within the collection of the VVAK, on long term loan to the Rijksmuseum Amsterdam, is a Cizhou-type (Cizhouyao xi) stoneware jar (AK-MAK-536, fig. 1). This jar has a short tapered neck, a wide mouth, and four small loops between the neck and the shoulder which would originally have been used to IZH secure a lid; from the square shoulder the sides narrow towards the foot. C The inner neck and the body are covered with a crackled glaze and slip to around three centimeters above the base. On the surface of the glaze are cloudy patches of slip that turned pink or brownish-beige during firing. A The slip has been worn away around the base. One side is decorated with G a painting of a galloping horse, shown running through grassland – as suggested by spare brush strokes. The horse is painted in shades of iron IN brown beneath the glaze. It has a dark brown body, a yellowish-brown mane, R and a tail painted with fluid brushstrokes. On the other side, in the same E palette, is an as yet unidentified plant (fig. 2). The base of the jar is plain biscuit (fig. 3). D I first encountered this jar in September 2013 during an interview for my job as curator of Chinese art in the Rijksmuseum. I remember that this jar was NSI placed in front of me and I was asked several questions about it.
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Kraak Porcelain
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Fluted and Faceted Porcelain
Rochester Institute of Technology RIT Scholar Works Theses 5-1-1982 Fluted and faceted porcelain Barbara Greever Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Greever, Barbara, "Fluted and faceted porcelain" (1982). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. ROCHESTER INSTITUTE OF TECHNOLOGY A Thesis Submitted to the Faculty of The College of Fine and Applied Arts in Candidacy for the Degree of MASTER OF FINE ARTS FLUTED AND FACETED PORCELAIN By Barbara C. Greever May, 1982 APPROVALS Advisor: Robert D. Aelmity Da te: / d ·//· 87- Associate Advisor: Graham Mark Dat e: $.ygZ Gradu ate Academic Cou ncil Rep resentat ;ve; Fred Meyer--''-- --,~ Dat e: / f) 1/..,h ""2 7 Dea n. Co l lege of r ' Fi ne & App l ied Ar ts: Dr. Robert H. Johnston Dat e : D dJ4--- L8. 11ll:L- j I. Bar bara C. Greever , prefer to be contacted each t ime a request for re producti on i s made . I can be reached at the fol 1ow- i ng addre ss . Date :May , 1982 i i CONTENTS I. HISTORICAL BACKGROUND 1 II. AESTHETIC CONCERNS 7 III. TECHNIQUES 10 IV. ASSESSMENT OF THESIS POTS 16 APPENDIX: CLAY AND GLAZE RECIPES 38 BIBLIOGRAPHY 43 in ILLUSTRATIONS 1. Surform Blades 12 2. Pressure Cracks 13 3. Covered Jar Glazed in English Celadon 17 4.
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The Introduction of Celadon Production in North China: Technological Characteristics and Diversity of the Earliest Wares
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Smithsonian Collections from Commodore Matthew Perry's Japan Expedition (1853-1854)
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