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How to Read Literature Like a Professor

Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature

• Read with a pen in hand! • Start looking for these things:  Symbols  Patterns  Intertextuality  Devices  Allusions Be an Observer: Go all “Sherlock” on it.

 Notice Things!  Ask yourself  What does it mean?  Why is it there?  How does it add to our understanding?  Take risks. Guess! Then Guess Again.  Make a connection to your life, other texts, and the world. The Basics

 Setting (Ask: why this setting?)  Plot (Consider: foreshadowing, development, turning point, climax, originality)  (consider types, development, realism)  Theme (the most important, ponder the point)  Point of View (perspective, does it matter?)  Conflict (type, kind {Man vs ____}, introduction, resolution?)  Style (ask why it was written this way, is it effective, innovative, imitative?) Now, more things to notice . . . Context Matters

 Understand that every book is written against its own social, historical, cultural, and personal background.  We don’t have to accept the values of another culture to sympathetically step into the story and recognize universal qualities present there. Now, Where Have I Seen This Before?

 There is no such thing as a wholly original work of literature. Every new story builds on previous stories.  Intertextuality: recognizing the connections between one story and another deepens our appreciation and experience, brings multiple layers of meaning to the text, of which we may not be conscious.  Connections might be made in terms of archetypal characters, common themes, common plots, etc. What if I told you a story about . .

 A group of people forced to fight each other to the death, for others entertainment  Two young lovers, who met, fall in love, but are fated to die  An oppressed society where the corrupt government is always watching, thereby controlling the populace  A love triangle, two men in love with the same woman, and she can’t choose between them  A society fighting against the evil empire Might you have said How about this story

 Two young people are from rival families (gangs/towns/classes)  They fall in love quickly  They must overcome obstacles to be together  They die tragically Romeo and Juliet Intertextuality in Characters: Common character types:  Universal characteristics and behaviours  A wise old woman/ man  An orphan  A love triangle  An absent father  A witch  The  The sidekick  A  A tragic  A man bent on revenge Spot the character types:

Allusions

Literary or Historical References to People, Places, or Events When in Doubt, It’s from Shakespeare . . .

• Shakespeare is pervasive, so frequently echoed • Shown in plot, character, and themes, etc. ▫ Hamlet: heroic character, revenge, indecision, melancholy ▫ Henry IV: young man who must grow up and take on responsibilities ▫ Othello: jealous husband ▫ Merchant of Venice: justice versus mercy ▫ “Does not a Jew bleed.” ▫ King Lear: aging parent, greedy children, wise fool ▫ Romeo and Juliet: tragic lovers ▫ Macbeth: downfall caused by excessive ambition Examples

 Brave New World  West Side Story  The Lion King  A Thousand Acres  Ten Things I Hate About You  “0”  She’s the Man 7. ... Or the

• Before the 20th century, writers could count on people’s familiarity with Bible stories • Common allusions ▫ Garden of Eden, Adam and Eve ▫ David and Goliath ▫ The Flood ▫ Christ Figures ▫ Apocalypse ▫ The Devil Let’s Take the Devil as a Literary Character

 Paradise Lost, John Milton  Doctor Faustus, Marlowe  The Devil in Love, Cazotte  The Mysterious Stranger, Twain  The Exorcist, Blatty  The Stand, Stephen King  Sympathy for the Devil, Rolling Stones  The Devil Went Down to Georgia, Charlie Daniel’s Band  Rosemary’s Baby  The Lord of the Flies, Golding Christ Figures • Characteristics of a Christ Figure ▫ Crucified, wounds in hand, arms outstretched ▫ In agony ▫ Self sacrificing, forgiving ▫ Good with children ▫ Good with loaves, fishes, water, wine ▫ Thirty three at death ▫ Carpenter ▫ Humble modes of transportation ▫ Walked on water ▫ Alone in the wilderness ▫ Tempted by the devil ▫ Last seen in the company of thieves ▫ Story teller ▫ Buried and rose again, redeems the world Christ Figures Examples

 Why use Christ Figures?  Deepens our sense of a character’s sacrifice  Thematically relates to hope, redemption, or miracles  Death of a Salesman (prodigal son)  All My Sons (Chris = Christ figure)  To Kill a Mockingbird (Tom Robinson= Christ)  The Lion, the Witch, and the Wardrobe (Christ)  (Christ figure) More Allusions: Fairy Tales • We grow up with these tales, originally oral, cross cultural, universal characters and morals. • Hansel and Gretel: lost children trying to find their way home • Peter Pan: refusing to grow up, lost boys, girl-nurturer • Little Red Riding Hood: loss of innocence • Alice in Wonderland/ The Wizard of Oz: entering a strange world that operates under different rules • Cinderella: orphan, abused, saved through supernatural intervention, marries a prince • Snow White: evil woman who brings death to an innocent, saved by a heroic prince • Sleeping Beauty: girl becoming a woman • Evil Stepmothers, Queens, Rumplestilskin,

More Allusions: Mythology

• Mythology runs deeply in the human psyche • They were used to explain the world, its origins, and its natural processes (seasons, disasters, etc) • Odyssey and Iliad • The Underworld/Hades • Hercules • Zeus, Jupiter/Thor • Poseidon/Neptune • Aphrodite/Venus • Oedipus Examples from Harry Potter Alone

 Minerva McGonagall from Harry Potter: Minerva, the Roman goddess of Wisdom  Percival Dumbledore: Percival, one of the knights of the Round Table  Luna Lovegood: Luna, Roman goddess of the moon  Argus Filch: Argus, Greek with 100 eyes Symbols, Symbols, Symbols Is That a Symbol?

 Yes. But of what? Tricky. Multiple meanings are possible.  Actions, objects, and images can be symbolic  Ie. The Road Not Taken  Symbols built on associations as well as emotions  Rose: romance, love • Symbols are open to interpretations • Red: Passion, Love, Death, Danger, Murder, Life, blood, Evil • White: Purity, Holiness, Death, Surrender, Innocence, Peace • Brainstorm possible interpretations to the following symbols: Black, Blue, Pen, Night, Sun, River, Ocean Examples of Symbols in High School English Texts

 To Kill a Mockingbird  Mockingbirds – innocent victims  The Grey Ghost – misunderstood person/entity  The Missionary Ladies -- the town’s hypocrisy  Huckleberry Finn  The Mississippi River – freedom, wilderness, safety  The Great Gatsby  Dr. Eckleberg’s Eyes  Oedipus Rex  Sight/Blindness -- Knowledge and Ignorance Every Trip is a Quest

 A quester  A place to go  A stated reason to go there  Challenges and trials  The real reason to go – always self knowledge Leap Year

We’re the Millers Famous Examples

 Huckleberry Finn  The Wizard of Oz  Harry Potter  Food and Eating Together

 Whenever people eat or drink together, it’s an act of togetherness, sharing, and peace.  A failed meal carries negative connotations  Remember Scout and Walter Cunningham’s failed meal? Violence always has symbolic meaning!

• Two categories ▫ Character caused: shootings, stabbings, drowning, etc. ▫ Death and suffering for which the characters are not responsible. Accidents are never really accidents. • Questions to Ask ▫ What does this type of misfortune represent thematically? ▫ What famous or mythic death does this one resemble? ▫ Why this sort of violence and not some other? Examples of Violence

 To Kill a Mockingbird  Tom shot 17 times – overkill, impersonal, inhuman --- represents racism  Mrs. Dubose – dying of unknown disease, wasting away – represents the “disease” of racism that eats away at a person from the inside  Macbeth  Macbeth is beheaded – the death of a traitor, like the first Thane of Cawdor Birds, Wings, and Flying

• Symbolically: freedom, escape, imagination, spirituality, return home, largeness of spirit, love • Interrupted flight generally a bad thing The Weather is Symbolic Too

• Rain ▫ Fertility and life ▫ Destruction, Drowning ▫ Restorative/Purifying: ie. Noah and the flood ▫ Cleansing ▫ Baptism/Renewal

▫ Question: What might snow symbolise? Fog? Rainbows? Geography Matters

 What represents home, family, love, security?  Valleys, shorelines, meadows  What represents wilderness, danger, confusion?  Labyrinths, jungles, forests  Low places(swamps, caves, tunnels)  fear, death, darkness, confusion  High places (mountains, high rises)  isolation, enlightenment, purity, life, death, heaven . . . So Does Season

 Spring, Summer, Fall, Winter – youth, adulthood, middle age, old age/death  Spring – fertility, happiness, growth  Summer – hot, things are heating up, lazy days  Fall – harvest, reaping what we sow, both rewards and punishments, dying  Winter –lack of growth, death, punishment  Christmas – childhood, birth, hope, family, spirit of giving Scars are Symbolic

 Physical marks or imperfections symbolically mirror moral, emotional, or psychological scars or imperfections  Scars mark people for greatness  Harry Potter’s lightening scar  Landscapes can be marked as well  Physical imperfections when caused by social imperfections often reflects not only the damage inside the individual, but what is wrong with the culture that causes such damage  Tom Robinson’s left arm He’s Blind for a Reason, You Know

 Physical Blindness – mirrors psychological, moral, intellectual blindness  Sometimes ironic – the blind see and the sighted are blind  Many times blindness is metaphorical – a failure to see reality, love, the truth  Darkness usually means blindness  Light usually means sight Illness and Disease

 Heart Disease – bad love, loneliness, cruelty, disloyalty, cowardice, lack of determination  Physical paralysis – mirrors moral, social, spiritual, intellectual, or political paralysis  Plague – divine anger, large scale suffering, the puniness of humanity in the face of Mother Nature  Venereal disease -- reflects immorality or innocence when passed on to a spouse or baby, exploitation of women  AIDS – the modern plague, tendency to lie dormant for years, unknown carriers, disproportionately hits young people, poor, etc. Opportunity to show courage, compassion, resilience; political and religious angles  The generic fever – often carries off a child, mysterious origin It’s All Political

 Literature tends to be written by people interested in the problems of the world, so most works have a political element in them  Issues  Individualism and self-determination  Power structures  Relations among classes (Socioeconomic Status)  Issues of justice and rights  Racial, Sex, Gender, and Ethnic issues Focus: Gender

 Historical vs Modern Gender Expectations  Historical:  Man: hero, breadwinner, head of household, stoic, etc  Woman: damsel in distress, weak, nurturer, caregiver, compassionate, emotional, homemaker, few career opportunities, etc.  Modern:  Changing expectations: stay at home dads, career moms, etc  New gender identities: transgender, etc.  What gender expectations does that society/book hold/promote?  Do the characters demonstrate or defy gender ?  Who holds the power? Who strives to gain more power/rights?  How does gender affect a person’s decisions and opportunities?  What are the advantages and limitations of that gender in that piece of literature/society? Gender Issues in Literature

 A Thousand Splendid Suns  a story about two Afghani women, living in a paternalistic society, forced into marriage to the same abusive man. Focus: Socioeconomic Status  SES (class, education level, income, employment)  Traditional Structures: Aristocracy and Commoners  Based on birth and land ownership  Modern Structures: Upper, Middle, Lower  Based on money, employment  What are the issues associated with each class?  Rich: discontentment, boredom, petty cruelty, snobbery, aimlessness, uselessness, keeping up with the Jones, luxury  Middle Class: social climbing, marrying up, materialism, competition  Lower Class: survival, poverty, resentment of upper class, prejudice, oppression by upper class, violence,  How does SES affect characters decisions and opportunities?  Is this a story about the rich or the poor?  What is the author’s point about SES?  Are the characters stereotypical or do they defy their SES expectations? SES in Literature

The Great Gatsby: a story To Kill a Mockingbird: a of the wealthy NY elite story of the rigid classes in the Deep South