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![COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ]](https://docslib.b-cdn.net/cover/5125/complete-music-list-by-artist-no-of-tunes-6773-465125.webp)
COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ]
[ COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ] 001 PRODUCTIONS >> BIG BROTHER THEME 10CC >> ART FOR ART SAKE 10CC >> DREADLOCK HOLIDAY 10CC >> GOOD MORNING JUDGE 10CC >> I'M NOT IN LOVE {K} 10CC >> LIFE IS A MINESTRONE 10CC >> RUBBER BULLETS {K} 10CC >> THE DEAN AND I 10CC >> THE THINGS WE DO FOR LOVE 112 >> DANCE WITH ME 1200 TECHNIQUES >> KARMA 1910 FRUITGUM CO >> SIMPLE SIMON SAYS {K} 1927 >> IF I COULD {K} 1927 >> TELL ME A STORY 1927 >> THAT'S WHEN I THINK OF YOU 24KGOLDN >> CITY OF ANGELS 28 DAYS >> SONG FOR JASMINE 28 DAYS >> SUCKER 2PAC >> THUGS MANSION 3 DOORS DOWN >> BE LIKE THAT 3 DOORS DOWN >> HERE WITHOUT YOU {K} 3 DOORS DOWN >> KRYPTONITE {K} 3 DOORS DOWN >> LOSER 3 L W >> NO MORE ( BABY I'M A DO RIGHT ) 30 SECONDS TO MARS >> CLOSER TO THE EDGE 360 >> LIVE IT UP 360 >> PRICE OF FAME 360 >> RUN ALONE 360 FEAT GOSSLING >> BOYS LIKE YOU 3OH!3 >> DON'T TRUST ME 3OH!3 FEAT KATY PERRY >> STARSTRUKK 3OH!3 FEAT KESHA >> MY FIRST KISS 4 THE CAUSE >> AIN'T NO SUNSHINE 4 THE CAUSE >> STAND BY ME {K} 4PM >> SUKIYAKI 5 SECONDS OF SUMMER >> DON'T STOP 5 SECONDS OF SUMMER >> GIRLS TALK BOYS {K} 5 SECONDS OF SUMMER >> LIE TO ME {K} 5 SECONDS OF SUMMER >> SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER >> SHE'S KINDA HOT {K} 5 SECONDS OF SUMMER >> TEETH 5 SECONDS OF SUMMER >> WANT YOU BACK 5 SECONDS OF SUMMER >> YOUNGBLOOD {K} 50 CENT >> 21 QUESTIONS 50 CENT >> AYO TECHNOLOGY 50 CENT >> CANDY SHOP 50 CENT >> IF I CAN'T 50 CENT >> IN DA CLUB 50 CENT >> P I M P 50 CENT >> PLACES TO GO 50 CENT >> WANKSTA 5000 VOLTS >> I'M ON FIRE 5TH DIMENSION -
Spring 2010 the Bell
SPRING 2010 THE BELL Eric Harding Thiman was born at Ashford, Kent on 12th September 1900, the son of a Congregational minister. He was educated at Caterham School, and after early lessons in the piano, organ and violin, and some coaching for degree work from Harold Darke, he attained the Mus. D. at London when only twenty- seven. He became organist at Park Chapel, Crouch End, North London in 1927, and in 1957 moved to the City Temple (often referred to as the Cathedral of the Free Churches), where he remained until his death on 13th February 1975. From 1931, he was Professor of Harmony and Composition at the Royal Academy of Music, and from 1956 for several years, Dean of the Faculty of Music at London University. He became well known as an adjudicator at musical festivals and as an examiner for the Royal College of Organists, the Royal Military School of Music and the Royal Schools of Music. A tireless conductor of choral societies, he worked latterly with the Elysian Choir. Thiman was a prolific composer of anthems, services, part-songs, church and secular cantatas and pieces for the piano, organ, strings and orchestra. He was Musical Editor of the hymn book Congregational Praise and the author of a number of text books. Appearing in a golden age of English music, in which songwriters like Quilter, Ireland, Bax, Warlock, C. W. Orr, Moeran and Finzi flourished, Thiman’s songs were easily overlooked. This selection shows that their neglect is unjustified; some deserve to survive in the permanent repertory of English song. -
MUSIC LIST Email: Info@Partytimetow Nsville.Com.Au
Party Time Page: 1 of 73 Issue: 1 Date: Dec 2019 JUKEBOX Phone: 07 4728 5500 COMPLETE MUSIC LIST Email: info@partytimetow nsville.com.au 1 THING by Amerie {Karaoke} 100 PERCENT PURE LOVE by Crystal Waters 1000 STARS by Natalie Bassingthwaighte {Karaoke} 11 MINUTES by Yungblud - Halsey 1979 by Good Charlotte {Karaoke} 1999 by Prince {Karaoke} 19TH NERVIOUS BREAKDOWN by The Rolling Stones 2 4 6 8 MOTORWAY by The Tom Robinson Band 2 TIMES by Ann Lee 20 GOOD REASONS by Thirsty Merc {Karaoke} 21 - GUNS by Greenday {Karaoke} 21 QUESTIONS by 50 Cent 22 by Lilly Allen {Karaoke} 24K MAGIC by Bruno Mars 3 by Britney Spears {Karaoke} 3 WORDS by Cheryl Cole {Karaoke} 3AM by Matchbox 20 {Karaoke} 4 EVER by The Veronicas {Karaoke} 4 IN THE MORNING by Gwen Stefani {Karaoke} 4 MINUTES by Madonna And Justin 40 MILES OF ROAD by Duane Eddy 409 by The Beach Boys 48 CRASH by Suzi Quatro 5 6 7 8 by Steps {Karaoke} 500 MILES by The Proclaimers {Karaoke} 60 MILES AN HOURS by New Order 65 ROSES by Wolverines 7 DAYS by Craig David {Karaoke} 7 MINUTES by Dean Lewis {Karaoke} 7 RINGS by Ariana Grande {Karaoke} 7 THINGS by Miley Cyrus {Karaoke} 7 YEARS by Lukas Graham {Karaoke} 8 MILE by Eminem 867-5309 JENNY by Tommy Tutone {Karaoke} 99 LUFTBALLOONS by Nena 9PM ( TILL I COME ) by A T B A B C by Jackson 5 A B C BOOGIE by Bill Haley And The Comets A BEAT FOR YOU by Pseudo Echo A BETTER WOMAN by Beccy Cole A BIG HUNK O'LOVE by Elvis A BUSHMAN CAN'T SURVIVE by Tania Kernaghan A DAY IN THE LIFE by The Beatles A FOOL SUCH AS I by Elvis A GOOD MAN by Emerson Drive A HANDFUL -
By Malcolm Hayes Liszt
by Malcolm Hayes Liszt !"##!$%&'%#()*+,-.)*/0(123(45+*6(7889:0-(-0;-(<=.>.%="*233(((< =#?%=?$=%=(((%#@#$ © 2011 Naxos Rights International Ltd. www.naxos.com Design and layout: Hannah Davies, Fruition – Creative Concepts Edited by Ingalo !omson Front cover picture: Franz Liszt by Chai Ben-San Front cover background picture: courtesy iStockphoto All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of Naxos Rights International Ltd. ISBN: 978-1-84379-248-2 !"##!$%&'%#()*+,-.)*/0(123(45+*6(7889:0-(-0;-(<=.>.%="*233(((& =#?%=?$=%=(((%#@#$ Contents 7 Author’s Acknowledgements 8 CD Track Lists 12 Website 13 Preface 19 Chapter 1: !e Life, 1811–1847: From Prodigy to Travelling Virtuoso 45 Chapter 2: !e Music, 1822–1847: !e Lion of the Keyboard 61 Chapter 3: !e Life, 1847–1861: Weimar 84 Chapter 4: !e Music, 1847–1861: Art and Poetry 108 Chapter 5: !e Life, 1861–1868: Rome 125 Chapter 6: !e Music, 1861–1868: Urbi et orbi 141 Chapter 7: !e Life, 1869–1886: ‘Une vie trifurquée’ 160 Chapter 8: !e Music, 1869–1886: ‘A spear thrown into the future…’ 177 Epilogue 184 Personalities 199 Selected Bibliography 201 Glossary 209 Annotations of CD Tracks 219 About the Author !"##!$%&'%#()*+,-.)*/0(123(45+*6(7889:0-(-0;-(<=.>.%="*233(((# =#?%=?$=%=(((%#@#$ Acknowledgements 7 Author’s Acknowledgements Anyone writing about Liszt today is fortunate to be doing so after the appearance of Alan Walker’s monumental three-volume biography of the composer. !e outcome of many years of research into French, German, Hungarian and Italian sources, Professor Walker’s work has set a new standard of accuracy in Liszt scholarship. -
Music Complexity: a Multi-Faceted Description of Audio Content
MUSIC COMPLEXITY: A MULTI-FACETED DESCRIPTION OF AUDIO CONTENT A DISSERTATION SUBMITTED TO THE DEPARTMENT OF TECHNOLOGY OF THE UNIVERSITAT POMPEU FABRA FOR THE PROGRAM IN COMPUTER SCIENCE AND DIGITAL COMMUNICATION IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF – DOCTOR PER LA UNIVERSITAT POMPEU FABRA Sebastian Streich 2006 Dipòsit legal: B.8926-2008 ISBN: 978-84-691-1752-1 © Copyright by Sebastian Streich 2006 All Rights Reserved ii DOCTORAL DISSERTATION DIRECTION Dr. Xavier Serra Department of Technology Universitat Pompeu Fabra, Barcelona This research was performed at the Music Technology Group of the Universitat Pompeu Fabra in Barcelona, Spain. Primary support was provided by the EU projects FP6-507142 SIMAC http://www.semanticaudio.org. iii iv Abstract The complexity of music is one of the less intensively researched areas in music information retrieval so far. Although very interesting findings have been reported over the years, there is a lack of a unified approach to the matter. Relevant publications mostly concentrate on single aspects only and are scattered across different disciplines. Especially an automated estimation based on the audio material itself has hardly been addressed in the past. However, it is not only an interesting and challenging topic, it also allows for very practical applications. The motivation for the presented research lies in the enhancement of human interaction with digital music collections. As we will discuss, there is a variety of tasks to be considered, such as collection visualization, play-list generation, or the automatic recommendation of music. While this thesis doesn’t deal with any of these problems in deep detail it aims to provide a useful contribution to their solution in form of a set of music complexity descriptors. -
National Song Binder
SONG LIST BINDER ——————————————- REVISED MARCH 2014 SONG LIST BINDER TABLE OF CONTENTS Complete Music GS3 Spotlight Song Suggestions Show Enhancer Listing Icebreakers Problem Solving Troubleshooting Signature Show Example Song List by Title Song List by Artist For booking information and franchise locations, visit us online at www.cmusic.com Song List Updated March 2014 © 2014 Complete Music® All Rights Reserved Good Standard Song Suggestions The following is a list of Complete’s Good Standard Songs Suggestions. They are listed from the 2000’s back to the 1950’s, including polkas, waltzes and other styles. See the footer for reference to music speed and type. 2000 POP NINETIES ROCK NINETIES HIP-HOP / RAP FP Lady Marmalade FR Thunderstruck FX Baby Got Back FP Bootylicious FR More Human Than Human FX C'mon Ride It FP Oops! I Did It Again FR Paradise City FX Whoomp There It Is FP Who Let The Dogs Out FR Give It Away Now FX Rump Shaker FP Ride Wit Me FR New Age Girl FX Gettin' Jiggy Wit It MP Miss Independent FR Down FX Ice Ice Baby SP I Knew I Loved You FR Been Caught Stealin' FS Gonna Make You Sweat SP I Could Not Ask For More SR Bed Of Roses FX Fantastic Voyage SP Back At One SR I Don't Want To Miss A Thing FX Tootsie Roll SR November Rain FX U Can't Touch This SP Closing Time MX California Love 2000 ROCK SR Tears In Heaven MX Shoop FR Pretty Fly (For A White Guy) MX Let Me Clear My Throat FR All The Small Things MX Gangsta Paradise FR I'm A Believer NINETIES POP MX Rappers Delight MR Kryptonite FP Grease Mega Mix MX Whatta Man -
Pro Dj Range Enter
pro dj range Enter Trailblazing technology Pioneer’s Pro DJ range has earned an unrivalled reputation for excellence by applying research and development that is second to none and offering exciting new avenues for artistry around the world. Blazing a trail for inspirational DJ technology since the CDJ series of digital decks burst onto the scene in 1994, the Pro DJ range remains ahead of the game by listening to the leading professionals in the field and anticipating the ever-changing demands of the industry. Armed with an award-winning portfolio of bending audio-visual blend. Check out an products that has revolutionised digital DJing, astounding selection of state-of-the-art mixers. Pioneer continues to provide DJs with a Marvel at the levels of music manipulation veritable arsenal of creative tools – and you can afforded by the Pro DJ effectors and be find out all about these latest innovations in the amazed at the stylish functionality of Pioneer’s pages that follow. headphones, S-FL1 flat panel speakers and DJS digital DJ software. Discover an array of highly intuitive CD players and explore the ground-breaking DVJ DVD/ Read on to find out what makes Pioneer’s CD deck that has ignited the imagination of illustrious Pro DJ range the prime choice for both the DJ and VJ communities with its mind- DJs all over the world. www.djsounds.com previous page next page index specifications configurations 2 INDEX INTRODUCTIONS TECHNOLOGY 2 LINKS DVJ / CDJ Series 4-5 DJM Series 6-7 EFX Series 8-9 SVM 10-11 PLAYERS DVJ-1000 12-13 CDJ-1000MK3 14-15 -
Music Sampling and Copyright Law
CACPS UNDERGRADUATE THESIS #1, SPRING 1999 MUSIC SAMPLING AND COPYRIGHT LAW by John Lindenbaum April 8, 1999 A Senior Thesis presented to the Faculty of the Woodrow Wilson School of Public and International Affairs in partial fulfillment of the requirements for the degree of Bachelor of Arts. ACKNOWLEDGMENTS My parents and grandparents for their support. My advisor Stan Katz for all the help. My research team: Tyler Doggett, Andy Goldman, Tom Pilla, Arthur Purvis, Abe Crystal, Max Abrams, Saran Chari, Will Jeffrion, Mike Wendschuh, Will DeVries, Mike Akins, Carole Lee, Chuck Monroe, Tommy Carr. Clockwork Orange and my carrelmates for not missing me too much. Don Joyce and Bob Boster for their suggestions. The Woodrow Wilson School Undergraduate Office for everything. All the people I’ve made music with: Yamato Spear, Kesu, CNU, Scott, Russian Smack, Marcus, the Setbacks, Scavacados, Web, Duchamp’s Fountain, and of course, Muffcake. David Lefkowitz and Figurehead Management in San Francisco. Edmund White, Tom Keenan, Bill Little, and Glenn Gass for getting me started. My friends, for being my friends. TABLE OF CONTENTS Introduction.....................................................................................……………………...1 History of Musical Appropriation........................................................…………………6 History of Music Copyright in the United States..................................………………17 Case Studies....................................................................................……………………..32 New Media......................................................................................……………………..50 -
Tacoma Youth Chorus Music Library Updated 5/2016 Title Composer Arranger Voicing Instrumentation Theme Language
Tacoma Youth Chorus Music Library Updated 5/2016 Title Composer Arranger Voicing Instrumentation Theme Language A la Media Noche Joan Szymko SSAA Piano and Flute Folksong~Puerto Rican Spanish A la nanita nana David Eddleman SA Piano Christmas Spanish A La Nanita Nana Valerie Shields SA Piano and Cello Christmas Spanish A La Nanita Nana Dan Davison TB accompanied Carol~Spanish Spanish A la Puerto del Cielo Jill Gallina SA accompanied Folksong~Spanish Spanish A Zing-a Za Mary Goetze SSAA Keyboard Folksong Brazilian English Unison or Piano and optional Aardvarks on the Ark Mary Val Marsh SA percussion Spiritual English Achat Shoalti Valerie Shields Valerie Shields SA Piano Sacred Hebrew Adendlieb Felix Meddlssohn Felix Mendlssohn SA and TB Piano Secular German Adiemus Karl Jenkins SSAA Piano Sacred Latin Adorable Flujo Paul Basler SATB Piano with optional horn Secular Spanish Adoramus te Jacob Clemens non Papa SATB a cappella sacred Latin Adventures of Isabel, the Andrea Ramsey SA Piano and Oboe Secular English Aglepta Arne Mellnas SSA Secular Swedish Oboe and Keyboard and Agnus Dei Henry Leck Imant Raminish SA soloist Sacred Latin Piano and optional Agnus Dei Robert Lowry Ron Kean SA handbells Sacred English Agnus Dei Ron Kean SATB Agnus Dei W.A. Mozart Nancy Tefler Unison a cappella Sacred Latin Agnus Dei Audrey Snyder SSA accompanied Sacred Latin Ah! si mon moine voulait Piano and optional danser Donald Patriquin SSAA percussion Folksong French Ruth Dwyer and Martin Ahay Tuburan Ellis SSA Piano Folksong~Filipino Filipino Ain'-A That Good News William L Dawson SSAA a cappella Spiritual English Ain't Gonna Let Nobody Turn 3 part African-American Me Around Langston Hughes Rollo Dilworth treble Piano Spiritual English Aj Samajel Achi David Par Chavajay Fernando Archila SA Piano Folksong Guatemalan Tacoma Youth Chorus Music Library Updated 5/2016 Aka si mi krasna Eugene Suchon SATB a cappella Secular Slovakian Al Shlosha D'Varim Allan E. -
Roger Quilter
ROGER QUILTER 1877-1953 HIS LIFE, TIMES AND MUSIC by VALERIE GAIL LANGFIELD A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Music School of Humanities The University of Birmingham February 2004 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Roger Quilter is best known for his elegant and refined songs, which are rooted in late Victorian parlour-song, and are staples of the English artsong repertoire. This thesis has two aims: to explore his output beyond the canon of about twenty-five songs which overshadows the rest of his work; and to counter an often disparaging view of his music, arising from his refusal to work in large-scale forms, the polished assurance of his work, and his education other than in an English musical establishment. These aims are achieved by presenting biographical material, which places him in his social and musical context as a wealthy, upper-class, Edwardian gentleman composer, followed by an examination of his music. Various aspects of his solo and partsong œuvre are considered; his incidental music for the play Where the Rainbow Ends and its contribution to the play’s West End success are examined fully; a chapter on his light opera sheds light on his collaborative working practices, and traces the development of the several versions of the work; and his piano, instrumental and orchestral works are discussed within their function as light music. -
Complete Music List 2021
Complete Music Playlist Updated February 2021 This is a complete list of Anne’s current repertoire. To make it easy to find your favorites, songs are arranged by category and alphabetized and numbered within each category. The music on this list is suitable for most events, including weddings, except for the last category. Search for the category of music you like, and then go from there to make your selections. If you find this list to be too overwhelming, refer to the Music Favorites Playlist on Anne’s website at HarpistAnneRoos.com. Listen to tracks from her CDs at Apple Music, Amazon.com, Pandora, and Spotify. Need help selecting your wedding music? Download ideas for How to Select Your Wedding Music on Anne’s website. Important note for weddings: Check with your celebrant (minister, rabbi, priest, etc.) before choosing your music. Some faiths, houses of worship, or celebrants do not allow secular (non-religious) music or particular selections. In addition, some may not permit particular selections to be performed during the ceremony itself or outside the walls of a house of worship. In the following list, please note: “The Angelical Hymn”, which does not fit exactly into any one of the following categories, is the most requested wedding recessional selection, because it sounds like wedding bells. It will work with music from any other category. Tastes change over time, so if you don’t see one of your favorites, please ask if it is still in Anne’s repertoire or if the sheet music is still commercially available. If you are interested in a newly released song that does not appear on this list, ask Anne whether she will be adding that title in the near future. -
THE GIRLS of CAMP KOCH Fredericka A. Schmadel
GODDESS IN THE GREENWOOD: THE GIRLS OF CAMP KOCH Fredericka A. Schmadel Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of Folklore and Ethnomusicology Indiana University May 2014 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee: ______________________________ John Holmes McDowell, PhD Chairperson ______________________________ Gregory Schrempp, PhD Member ______________________________ Hasan El-Shamy, PhD Member ______________________________ Henry Glassie, PhD Member January 24, 2014 ii Copyright © 2014 Fredericka A. Schmadel iii Dedicated to the Memory of Lou Froehle and Marion Woolcott With thanks and deep appreciation to Professors John Holmes McDowell, Hasan El- Shamy, Gregory Schrempp, Henry Glassie, Elizabeth Tucker, Jay Mechling, Hildegard Keller, and Linda Degh, who critiqued my work and encouraged me; And with endless gratitude to Donna Kopach, Karen Selby, Virginia Letsinger Hale, Anne Katherine, Ann Briel Weston, Cassandra Major, Sharon White, Judy Burns, David Coker, Peter Hare, Lori Meyers, Beth Heil, and the Kochies, who set me on the right path, again and again; And with endless appreciation to my parents, Earl and Martha Schmadel, who sent me to Girl Scout camp in 1958 and thereafter, and by doing so, opened my eyes and mind. iv Fredericka A. Schmadel GODDESS IN THE GREENWOOD: THE GIRLS OF CAMP KOCH Worldview, myth, and the 1960s come together in a song, ritual, and legend corpus preserved in oral transmission, central to an Indiana Girl Scout camp’s cultural production. As Levi-Strauss disciple Lee Drummond might describe it, Camp Henry F.