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+44 7789 266 644 BEN PLANT bencamera @gmail.com CAMERA UK Passport D.O.B 14.12.76 Features / Telemovies / TV 16mm Main Unit B cam 1st AC Knifeman Bir Craig Zisk DP David Katznelson ALEXA/Codex, 2nd Unit A Cam 2nd AC / 007 - Skyfall Addl 1st AC Dir/DP Alexander Witt 35mm, 2nd Unit A Cam 2nd AC / Addl 1st AC Safe House Dir/DP Alexander Witt MU Dir Daniel Espinosa DP Oliver Wood st 35mm, 2nd Unit A Cam 2nd AC / Addl 1st AC X Men 1 Class Dir/DP Alexander Witt MU Dir Daniel Espinosa DP Oliver Wood 35mm, B cam Clapper Loader The Killer Elite Dir Gary McKendry DP Simon Duggan 35mm, 2nd Unit A cam 2nd AC / Addl 1st AC Robin Hood Dir/DP Alexander Witt MU Dir Ridley Scott DP John Mathieson 35mm, 2nd Unit A cam Clapper Loader Prince of Dir/DP Alexander Witt Persia MU Dir Mike Newell DP John Seale 35mm, 2nd Unit A cam Clapper Loader Wolverine Dir Peter Macdonald DP Brad Shield New Zealand, Australia 35mm, A cam Clapper Loader Body of Lies Dir Ridley Scott DP Alexander Witt Morrocco 35mm Anamorphic, Clapper Loader Fools Gold Underwater Dry Assistant Dir Alexander Witt DP Mike Thomas 16mm, Clapper Loader Solo – Project Dir Morgan O’Neill DP Hugh Miller Greenlight Australia 35mm Anamorphic, 2nd unit Truck Loader Stealth Dir Lance Gilbert DP Brad Shield MU Dir Rob Cohen DP Dean Semler +44 7789 266 644 BEN PLANT bencamera @gmail.com CAMERA HD (2 Cam), ‘B’ cam Focus Puller All Saints DP Matt Horrex 35mm Anamorphic, 2nd unit Truck Loader Farscape Dir Anthony Prowse DP Jeff Malouf Safety in 35mm 2 Perf, ‘B’ cam Focus Puller Dir David English DP Mark Bliss Numbers Steadicam Andrew Johnson Right Here, 16mm, Clapper Loader Dir Matt Newton DP Hugh Miller Right Now Commercials “Me by Me” – TK Maxx DP Pau Castejon Partizan “Tags” – Milka DP Katie Swain “Swatch” – DP Luke Palmer “Chopper” – Target Filmgraphics “Bodysmart” - Kelloggs “Cookies ‘n’ Cream” – Liptons Dir Phil Meatchem DP Ben Shirley “Equity mate” – CBA Dir Overall/McQuoid Windows DP Danny Pope “Ironman” – Kelloggs Taxi Films “Central” - CBA Dir Shane Ford DP Damian Wyvil Also Plush, Film Constructions, Engine… Camera Operator Chinese Democracy Tour Japan Guns ‘N’ Roses Chinese Democracy Tour Australia Gwen Stefani Sweet Escape Tour Australia Keith Urban Love and Pain Tour Australia Australian Fashion Week Sydney Australian Fashion Week Sky Racing 2002 - 2004 History / Misc. Five years art dept and camera experience in the UK and Spain. ten years living and working in Sydney, Australia including jobs that have taken me to Thailand, Japan, New Zealand and Morocco, . Basic Spanish and French, as well as fluent German. .

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Director of Photography / Cameraman / Camera Operator
PETER FIELD, ACO / GBCT Director of Photography / Cameraman / Camera Operator Selected credits Feature Films / High End T.V. 2017 ROGUE ONE – A STAR WARS STORY Disney / Lucas Film Gareth Edwards Action Unit A Camera Operator Simon Crane STARWARS VIII Disney / Lucas Film Rian Johnson 2nd Unit A Camera Operator WONDER WOMAN Atlas Entertainment Patty Jenkins 2nd Unit Camera Operator Damon Caro 2016 DOCTOR STRANGE Marvel Studios Scott Derrickson 2nd Unit Camera Operator Jeff Habberstad THE HUNTSMAN WINTER’S WAR Roth Films Cedric Nicolas-Troyan 2nd Unit Camera Operator Simon Crane BOURNE 5 Universal Pictures Paul Greengrass 2nd Unit Camera Operator Simon Crane NEW BLOOD Eleventh Hour Films Anthony Philipson 2nd Unit D.O.P 2015 SPECTRE – JAMES BOND 007 Eon Productions Sam Mendes 2nd Unit Camera Operator Alexander Witt 2014 MISSION IMPOSSIBLE : 5 Paramount Pictures Christopher Mc’Guirre 2nd Unit Camera Operator Greg Smrz MARCO POLO Netflix / Weinstein Co. John Maybury Action unit D.O.P. Eps. 8 & 10 Chris Forster URBAN AND THE SHED CREW Circadian Pictures Ltd Candida Brady D.O.P. 2013 THE SECRET SERVICE 2013 / 14 Twentieth Century Fox Matthew Vaughn 2nd Unit A - Camera Operator Brad Allen OUR ROBOT OVERLORDS Pinewood Films No. 6 Jon Wright A – Camera Operator / 2nd Unit D.O.P. SHERLOCK SER. 3 Hartswood Films / BBC Jeremy Lovering 2nd Unit D.O.P. THE LAST MAN SuperSuperSuper Films Gavin Rothery Short Film D.O.P. EDGE OF TOMORROW Warner Brothers Doug Liman 2nd Unit A - Camera Operator / Main Unit Re-shoots A - Camera Operator Simon Crane 2012 FAST and FURIOUS 6 Universal Pictures Justin Lin Intrinsic-london.com Rob Little & Jarek Zapora, 71-75 Shelton Street, London WC2H 9JQ 020 7470 8712 or [email protected] 2nd Unit Camera Operator Spiro Razatos MALEFICENT Walt Disney Robert Stromberg 2nd Unit A - Camera Operator Simon Crane SKYFALL Eon Productions Alexander Witt 2nd Unit Camera Operator ISOLATED MGI London Ltd Murray Gough D.O.P.
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PETER FIELD Cameraman / Camera Operator
PETER FIELD Cameraman / Camera Operator ASSOCIATION OF CAMERA OPERATORS UK THE GUILD OF BRITISH CAMERA TECHNICIANS BRITISH ACADEMY OF FILM AND TELEVISION ARTS NZ TECHNO GUILD NZ PERMANENT RESIDENT VISA HOLDER www.peterfieldfilms.com NZ +64211836896 UK + 447778215 4400 [email protected] FEATURE FILMS PRODUCTION CO. DIRECTORS ROGUE ONE – A STAR WARS STORY Disney / Lucas Film Gareth Edwards Action Unit A - Camera Operator Additional Photography Simon Crane STAR WARS VIII Disney / Lucas Film Rian Johnson Camera operator / IMAX Camera operator DOCTOR STRANGE Disney / Marvel Studios Scott Derrickson 2nd Unit A - Camera Operator Jeff Habberstad JASON BOURNE Universal Pictures Paul Greengrass 2nd Unit A - Camera Operator Simon Crane THE HUNTSMAN: WINTER’S WAR Universal Cedric Nicolas-Troyan 2nd Unit A - Camera Operator / Splinter & VFX Unit D.O.P. Simon Crane SPECTRE Eon Productions Sam Mendes 2nd Unit Camera Operator Alexander Witt MISSION IMPOSSIBLE – ROGUE NATION Paramount Pictures Christopher Mc’Guirre 2nd Unit A - Camera Operator / Splinter Unit D.O.P Greg Smrz URBAN AND THE SHED CREW Circadian Pictures Ltd Candida Brady D.O.P. KINGSMAN, THE SECRET SERVICE Twentieth Century Fox Matthew Vaughn 2nd Unit A - Camera Operator Brad Allen ROBOT OVERLORDS Pinewood Films No. 6 Jon Wright A – Camera Operator / 2nd Unit D.O.P. THE LAST MAN SuperSuperSuper Films Gavin Rothery Short Film D.O.P. EDGE OF TOMORROW Warner Brothers Doug Liman 2nd Unit A - Camera Operator / Main Unit Re-shoots A - Camera Operator Simon Crane FAST and FURIOUS 6 Universal Pictures Justin Lin 2nd Unit Camera Operator Spiro Razatos MALEFICENT Walt Disney Robert Stromberg 2nd Unit A - Camera Operator Simon Crane SKYFALL Eon Productions Alexander Witt 2nd Unit Camera Operator ISOLATED MGI London Ltd Murray Gough D.O.P.
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Andy Hopkins GBCT Grip NVQ 3 Certified
Gravy Crew Ltd. t. +44 (0) 203 696 4600 e. [email protected] Diary Management Service Andy Hopkins GBCT Grip NVQ 3 Certified Andy is an experienced Key Grip on feature films, TV dramas and commercials. He is fully accomplished and up to date technically in all areas of his profession. Advanced NVQ Level 3 Certified Key Grip Andy can also offer a complete equipment hire service. Feature Films Production Director of Photography Director Additional Information School of Good and Evil David Mackie Melissa Stubbs Key Grip 2nd Unit Bond : No Time to Die Alexander Witt Alexander Witt Grip Action Unit Angel (UK) Robert Binnall Vick Armstrong Grip 2nd Unit The Kid Who Would Be King Shaun O'Dell Paul Jennings Best Boy Grip (2nd Unit) Overlord Robert Binnall Vic Armstrong Best Boy Grip (2nd Unit) American Assassin Robert Binnall Vic Armstrong Best Boy Grip (2nd Unit) Avengers: Infinity War Trent Opaloch Russo Bros. Best Boy Grip UK Dunkirk Hoyte Van Hoytema NSC Chris Nolan Best Boy Grip Europe, *(ES) FSF Jason Bourne V Barry Ackroyd BSC Paul Greengrass Key Grip Reshoots, *(ES) SPECTRE Hoyte Van Hoytema NSC Sam Mendes Best Boy Grip 2nd Unit FSF The Man From U.N.C.L.E. Harvey Harrison BSC Guy Ritchie Best Boy Grip 2nd Unit Avengers: Age of Ultron John Mahaffie Joss Whedon Best Boy Grip 2nd Unit Jupiter Ascending John Toll ASC The Wachowskis Best Boy Grip 2nd Unit Thor: The Dark World John Mahaffie Alan Taylor Best Boy Grip 2nd Unit Skyfall Alexander Witt Sam Mendes Best Boy Grip 2nd Unit Snow White and the Huntsman Josh Bleibtreu ASC Rupert Sanders
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Jems CV Drama
Jem Rayner Focus Puller Underwater & Marine 1 st AC http://www.imdb.com/name/nm0713465/ Represented by: Freelancers Promotions: + 61 (0) 3 9682 2722 Adelaide Crew +61 (0) 418 804 798 Australia +61 (0) 424 448 441 [email protected] 2011 “Safe House” Intrepid Pictures Director: Daniel Espinosa Cinematographer: Oliver Wood B.S.C Director / Cinematographer Second Unit: Alexander Witt Position: ‘A’ Camera Focus Puller 2nd Unit Format: Super 35 3 Perf Featuring: Denzel Washington, Ryan Reynolds, Tim McGraw 2010 “X Men First Class” Fox London Productions Director: Matthew Vaughn Cinematographers: Ben Seresin and John Mathieson B.S.C Director / Cinematographer Second Unit: Alexander Witt Position: ‘A’ Camera Focus Puller 2nd Unit / Additional Focus 1st Unit Format: Anamorphic Featuring: Kevin Bacon, James McAvoy, Michael Fassbender, Rose Byrne, January Jones 2010 “The Killer Elite” Ambience Entertainment Director: Gary McKendry Cinematographer: Simon Duggan A.C.S Position: ‘B’ Camera Focus Puller Format: Super 35 3 Perf Featuring: Robert De Niro, Clive Owen, Jason Statham, Yvonne Strahovski 2010 “Oranges & Sunshine” Sixteen Films Director: Jim Loach Cinematographer: Denson Baker Position: ‘A’ Camera Focus Puller Format: Super 35 3 Perf Featuring: Emily Watson, Hugo Weaving, David Wenham 2009 “Robin Hood” Universal Pictures / Scott Free Productions Director: Ridley Scott Cinematographer: John Mathieson B.S.C Director / Cinematographer Second Unit: Alexander Witt Position: ‘A’ Camera Focus Puller 2nd Unit / Additional Focus 1st Unit Format:
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Interplay: the Adaptive Contexts of Videogame Adaptations
Stuart Knott Interplay Interplay: The Adaptive Contexts of Videogame Adaptations and Franchises Across Media By Stuart Knott Submitted in partial fulfilment of the requirements of a PhD degree at De Montfort University, Leicester April 2016 1 Stuart Knott Interplay Table of Contents Abstract 3 Acknowledgements 4 Introduction i.i Understanding Videogame Adaptations 5 i.ii Existing Work 11 i.iii Chapter Summary 14 i.iv Conclusion 21 Chapter One: A Brief History of Videogames and their Adaptations 1.1 Theory and History 23 1.2 Cinema(tic) Immersion 34 1.3 Reputation 47 1.4 The Japanese Connection 58 1.5 Early Videogame Adaptations 66 1.6 Cross-Media Complexity 82 1.7 Conclusion 93 Chapter Two: Japanese Videogame Culture as International Multimedia 2.1 The Console Wars 98 2.2 Building a Mascot 110 2.3 Developing a Franchise 120 2.4 Sonic the Animation 128 2.5 International Multimedia 147 2.6 Conclusion 160 Chapter Three: Unifying Action and Culture through Mortal Kombat 3.1 Martial Arts Cinema 165 3.2 The Action Genre 173 3.3 Arcade Duelling 186 3.4 Adapting Street Fighter 195 3.5 Franchising Mortal Kombat 201 3.6 Cult Success and Aftermath 216 3.7 Conclusion 227 Chapter Four: The Appropriations, Economics, and Interplay of Resident Evil 4.1 Zombie Cinema 232 4.2 Developing Resident Evil 240 4.3 The Economics of Adaptation 247 4.4 Personifying Adaptation 265 4.5 Further Appropriations 284 4.6 Beyond Anderson 291 4.7 Conclusion 297 Conclusion 305 Appendices Appendix One: Videogame Adaptations 329 Appendix Two: Sonic Timeline 338 References 343 2 Stuart Knott Interplay Abstract Videogame adaptations have been a staple of cinema and television since the 1980s and have had a consistent presence despite receiving overwhelmingly negative reactions.
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ROUGH GUIDE to SCI-FI MOVIES: INTRODUCTION Introduction
THE ROUGH GUIDE TO Sci-Fi Movies www.roughguides.com Credits The Rough Guide to Science Fiction Movies Rough Guides Reference Editor: Peter Buckley Series editor: Mark Ellingham Layout: Peter Buckley Editors: Peter Buckley, Duncan Clark, Picture research: Michèle Faram Daniel Crewe, Matthew Milton, Proofreading: Diane Margolis Joe Staines Production: Julia Bovis & Katherine Owers Director: Andrew Lockett Publishing Information This first edition published September 2005 by The publishers and authors have done their best to ensure the Rough Guides Ltd, 80 Strand, London WC2R ORL accuracy and currency of all information in The Rough Guide to 345 Hudson St, 4th Floor, New York 10014, USA Sci-Fi Movies; however, they can accept no responsibility for Email: [email protected] any loss or inconvenience sustained by any reader as a result of its information or advice. Distributed by the Penguin Group: Penguin Books Ltd, 80 Strand, London WC2R ORL No part of this book may be reproduced in any form without Penguin Putnam, Inc., 375 Hudson Street, NY 10014, USA permission from the publisher except for the quotation of brief Penguin Group (Australia), 250 Camberwell Road, Camberwell, passages in reviews. Victoria 3124, Australia © Rough Guides Ltd Penguin Books Canada Ltd, 10 Alcorn Avenue, Toronto, Ontario, 336 pages; includes index Canada M4V1E4 Penguin Group (New Zealand), Cnr Rosedale and Airborne A catalogue record for this book is available from the British Roads, Albany, Auckland, New Zealand Library Printed in Italy by LegoPrint S.p.A
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La Warner Bros. Pictures Presenta Una Produzione Della Scott Free/De Line Pictures, Un Film Di Ridley Scott
LA WARNER BROS. PICTURES Presenta UNA PRODUZIONE SCOTT FREE/DE LINE PICTURES UN FILM DI RIDLEY SCOTT (BODY OF LIES) LEONARDO DiCAPRIO RUSSELL CROWE MARK STRONG GOLSHIFTEH FARAHANI OSCAR ISAAC SIMON McBURNEY Costumi di JANTY YATES Musiche di MARC STREITENFELD Montaggio di PIETRO SCALIA, A.C.E. Scenografie di ARTHUR MAX Direttore della Fotografia ALEXANDER WITT Produttori Esecutivi MICHAEL COSTIGAN CHARLES J.D. SCHLISSEL Tratto dal romanzo di David Ignatius Edito in Italia dalla Newton Compton Sceneggiatura di WILLIAM MONAHAN Prodotto da RIDLEY SCOTT DONALD DE LINE Diretto da RIDLEY SCOTT WARNER BROS. PICTURES ITALIA Durata: 2h. 8min www.bodyoflies.it 2 Roger Ferris (Leonardo DiCaprio) è l’uomo migliore di cui dispongono i servizi segreti americani, in luoghi dove la vita umana non vale più delle informazioni che può dare. In situazioni che lo portano a girare tutto il mondo, la sopravvivenza stessa di Ferris spesso dipende dalla voce che si trova all’altra estremità di un telefono segreto —il veterano della CIA, Ed Hoffman (Russell Crowe). Creando le sue strategie tramite un computer portatile nei quartieri periferici, Hoffman è sulle tracce di un importante terrorista che ha organizzato una serie di bombardamenti eludendo la più sofisticata rete di servizi segreti del mondo. Per attirare allo scoperto il terrorista, Ferris dovrà insinuarsi nel suo mondo tenebroso, ma più Ferris si avvicina al suo obiettivo e più scopre che la fiducia è sia un bene pericoloso e sia l’unica cosa che lo farà uscire vivo da questa situazione. “Nessuna verità” è interpretato dall’attore nominato al premio Oscar® DiCaprio (“Diamanti di sangue,” “The Aviator,” “Il bene e il male-The Departed ”), dall’attore vincitore del premio Oscar®, Russell Crowe (“Il Gladiatore,” “Dietro la verità”), da Mark Strong (“Stardust”), dall’attrice iraniana Golshifteh Farahani (“M for Mother”), da Oscar Isaac (“The Nativity Story”) e da Simon McBurney (“La bussola d’oro”).
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1 Queen Mary, University of London Space and the Contemporary
1 Queen Mary, University of London Space and the Contemporary Hollywood Action Sequence Nick Jones Submitted in partial fulfilment of the requirements of the Degree of Doctor of Philosophy July 2013 2 Declaration I confirm that this is my own work and the use of all materials from other sources has been properly and fully acknowledged. Nick Jones 3 Abstract This thesis investigates the manner in which the action sequences of contemporary Hollywood cinema reflect and constitute ways of imagining space. The thesis proposes that these sequences are highly spatialised presentations of bodily interaction with the world, and as such manifest cultural anxieties regarding the relationship between the individual and the built environment, and work to assure their viewers of the capacity of the human form to survive the disorienting spaces of contemporary architecture, globalisation and technology. In order to demonstrate this, the aesthetic and formal properties of action sequences are read alongside critical work exploring how space shapes social life, including influential texts by Henri Lefebvre, Michel de Certeau, Fredric Jameson and others. These readings reveal that both action sequences and critical spatial theory are similarly attentive to the difficulties, contradictions and possibilities of built space. A range of action sequences from Hollywood films of the last fifteen years, including sequences from Mission: Impossible – Ghost Protocol, The International, The Bourne Identity, The Bourne Supremacy, The Bourne Ultimatum, Jumper, Casino Royale, Quantum of Solace, Sucker Punch, Inception, Swordfish, The Matrix, The Matrix Reloaded, TRON: Legacy, Resident Evil, Resident Evil: Afterlife and Dredd 3D are analysed for how they depict space and spatial agency.
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Jems CV Drama1 Copy
Jem Rayner Focus Puller Underwater / Marine 1 st AC Booking Agents: Freelancers Promotions: + 61 (0) 3 9682 2722 Australia +61 (0) 424 448 441 [email protected] 2010 “Oranges and Sunshine” SeeSaw Productions / 16 Films Director: Jim Loach Cinematographer: Denson Baker A.C.S Position: A Camera Focus Puller Format: Arricam Super 35 3 Perf Featuring: Emily Watson, Hugo Weaving, and David Wenham. 2009 “Robin Hood / Nottingham” Universal Pictures / Scott Free Productions Director: Ridley Scott Cinematographer: John Mathieson B.S.C 2nd Unit Director / Cinematographer: Alexander Witt Position: A Camera Focus Puller 2nd Unit / Additional Focus 1st Unit Format: Super 35 Featuring: Russell Crowe, Cate Blanchett, William Hurt, and Max Von Sydow. 2009 “Animal Kingdom” A.K Productions Director: David Michod Cinematographer: Adam Arkapaw Position: A Camera Focus Puller Format: Super 35 3 perf Featuring: Guy Pearce, Ben Mendelsohn, Jackie Weaver, and Anthony Hayes. 2008 “Prince of Persia: The Sands of Time” Jerry Bruckheimer Films / Walt Disney Pictures Director: Mike Newell Cinematographer: John Seale A.S.C / A.C.S 2nd Unit Director / Cinematographer: Alexander Witt Position: A Camera Focus Puller 2nd Unit Format: Super 35 Featuring: Jake Gyllenhaal, Ben Kingsley, Alfred Molina, and Gemma Arterton. 2008 “Beautiful Kate” Beautiful Kate Productions Director: Rachel Ward Cinematographer: Andrew Commis Position: A Camera Focus Puller Format: Super 35 3 Perf Featuring: Rachel Griffiths, Bryan Brown, Ben Mendelsohn, Maeve Dermody 2008 “Broken Hill” Broken Hill the Movie pty ltd Director: Dagen Merrill Cinematographer: Nicholas Matthews Position: A Camera Focus Puller Format: Red Camera Super 35 with Cooke S4 Lenses. Featuring: Timothy Hutton, Alexa Vega, Luke Arnold and Rhys Wakefield.
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