Isis-Seshat Journal Personal Post of the Fellowship of Isis
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Egyptian Interest in the Oases in the New Kingdom and a New Stela for Seth from Mut El-Kharab
Egyptian Interest in the Oases in the New Kingdom and a New Stela for Seth from Mut el-Kharab Colin Hope and Olaf Kaper The study of ancient interaction between Egypt and the occupants of regions to the west has focused, quite understandably, upon the major confrontations with the groups now regularly referred to as Liby- ans from the time of Seti I to Ramesses III, and the impact these had upon Egyptian society.1 The situ- ation in the oases of the Western Desert and the role they might have played during these conflicts has not received, until recently, much attention, largely because of the paucity of information either from the Nile Valley or the oases themselves. Yet, given their strategic location, it is not unrealistic to imagine that their control would have been of importance to Egypt both during the confrontations and in the period thereafter. In this short study we present a summary of recently discovered material that contributes sig- nificantly to this question, with a focus upon discoveries made at Mut el-Kharab since excavations com- menced there in 001,3 and a more detailed discussion of one object, a new stela with a hymn dedicated to Seth, which is the earliest attestation of his veneration at the site. We hope that the comments will be of interest to the scholar to whom this volume is dedicated; they are offered with respect, in light of the major contribution he has made to Ramesside studies, and with thanks for his dedication as a teacher and generosity as a colleague. -
Ruthless Empire (Royal Elite Book 6)
RUTHLESS EMPIRE ROYAL ELITE BOOK SIX RINA KENT Ruthless Empire Copyright © 2020 by Rina Kent All rights reserved. No part of this publication may be reproduced, stored or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise without written permission from the publisher. It is illegal to copy this book, post it to a website, or distribute it by any other means without permission, except for the use of brief quotations in a book review. This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental. A L S O B Y R I N A K E N T ROYAL ELITE SERIES Cruel King Deviant King Steel Princess Twisted Kingdom Black Knight Vicious Prince Ruthless Empire LIES & TRUTHS DUET All The Lies All The Truths KINGDOM DUET Rule of a Kingdom (Free Prequel) Reign of a King Rise of a Queen TEAM ZERO SERIES Lured Crowed Ghosted Shadowed Misted Team Zero Boxset 1-3 THE RHODES SERIES Remorse (FREE) Ruin HATE & LOVE DUET He Hates Me He Hates Me Not To the divine, raw chaos inside you. A U T H O R N O T E Hello reader friend, Ruthless Empire marks the end of Royal Elite Series, and while there’s still an epilogue novella for all the characters, Cole and Silver’s book is the unofficial ending. Like you, this makes me so nostalgic and emotional. -
Teacher's Guide for Calliope
Teacher’s Guide for Calliope Majestic Karnak, Egypt’s Home of the Gods September 2009 Teacher’s Guide prepared by: Nancy Attebury, B.S. Elementary Ed., M.A. Children’s Literature. She is a children’s author from Oregon. In the Beginning pg. 4 (Drawing conclusions) Use pgs. 3 and 4 and the facts below to get answers. FACT: Karnak structures are north of Luxor today, but were inside the city of Thebes long ago. QUESTION 1: How would the area of Thebes compare in size to the city of Luxor? FACT: Karnak was the site of local festivals. QUESTION 2: What good would it do to have Karnak in the middle of Thebes instead of on the edge? FACT: King Montuhotep II, a 11th Dynasty king, conquered many centers of power. QUESTION 3: Why could Montuhotep II unify Egypt? FACT: Set and Horus poured “the waters of life” over the pharaoh Seti I. QUESTION 4: Why were the “waters of life” important to a ruler? Karnak Grows pg. 5 (Gathering information) Place Hatshepsut, Senwosret, Amenhotep III, Thurmose III, and Amenhotep I in the correct blanks. Ruler’s name What the ruler did Added a new temple to honor Mut, Amun’s wife. Added a building that became the Holy of Holies. It was called Akh-Menu Remodeled a temple that had been damaged by floodwaters. Made a temple four times larger than it was before. Destroyed the front of Senwosret’s old temple. A Beehive of Activity pg. 8 (Deducing) Use the article from p. 8 and the map plans on p. -
Two Semi Erased Kushite Cartouches in the Precinct of Mut at South Karnak
two semi-erased kushite cartouches in the precinct of mut 95 TWO SEMIERASED KUSHITE CARTOUCHES IN THE PRECINCT OF MUT AT SOUTH KARNAK Richard A. Fazzini Brooklyn Museum William Murnane is perhaps best known for his of his theory: Claude Traunecker and Françoise work in New Kingdom Egypt, but his interests Le Saout of the Centre Franco-Égyptien d’Étude were more far ranging than that. For example, des Temples de Karnak arranged for a latex cast in the 1990s he became involved with the ques- to be made of the cartouche on the stela, and both tion of the name of Taharqa in the entrance way they and Bill agreed that the traces must belong of the Second Pylon of the Temple of Amun at to Nefertumkhure, the prenomen of Taharqa.5 Karnak.1 The same prenomen exists in a crypt in the Mut Much earlier, soon after I began work in the Temple (Fig. 2). Precinct of Mut at South Karnak in 1976, I ben- Margaret Benson and Janet Gourlay reported efited from conversations with Bill concerning that they uncovered crypts in “Room f,” which is Ptolemaic inscriptions at the site. At the time, Bill the Mut Temple’s central bark shrine (Fig. 3) and was also engaged in attempting to establish the another chamber which they did not specify. They date of a much damaged stela in the first court described these as “small stone-lined vaults, too of the Amun Temple before the south wing of low to stand upright in, and had probably been the Second Pylon (Fig. -
The Impact of Allen Ginsberg's Howl on American Counterculture
CORE Metadata, citation and similar papers at core.ac.uk Provided by Croatian Digital Thesis Repository UNIVERSITY OF RIJEKA FACULTY OF HUMANITIES AND SOCIAL SCIENCES DEPARTMENT OF ENGLISH Vlatka Makovec The Impact of Allen Ginsberg’s Howl on American Counterculture Representatives: Bob Dylan and Patti Smith Submitted in partial fulfillment of the requirement for the M.A.in English Language and Literature and Italian language and literature at the University of Rijeka Supervisor: Sintija Čuljat, PhD Co-supervisor: Carlo Martinez, PhD Rijeka, July 2017 ABSTRACT This thesis sets out to explore the influence exerted by Allen Ginsberg’s poem Howl on the poetics of Bob Dylan and Patti Smith. In particular, it will elaborate how some elements of Howl, be it the form or the theme, can be found in lyrics of Bob Dylan’s and Patti Smith’s songs. Along with Jack Kerouac’s On the Road and William Seward Burroughs’ Naked Lunch, Ginsberg’s poem is considered as one of the seminal texts of the Beat generation. Their works exemplify the same traits, such as the rejection of the standard narrative values and materialism, explicit descriptions of the human condition, the pursuit of happiness and peace through the use of drugs, sexual liberation and the study of Eastern religions. All the aforementioned works were clearly ahead of their time which got them labeled as inappropriate. Moreover, after their publications, Naked Lunch and Howl had to stand trials because they were deemed obscene. Like most of the works written by the beat writers, with its descriptions Howl was pushing the boundaries of freedom of expression and paved the path to its successors who continued to explore the themes elaborated in Howl. -
The Secret Name of Ra
Thesecret name of Ra Ra, the SoleCreator was visible to the peopleof Eglat asthe discol the sun,but they knew him in manyother {orms. He could appearas a crownedman. a falconor'a man with a falcon'shead and, as the scarabbeetle pushes a round ball of dungin front of it, the Egyptians picturedRa asa scarabpushing the sun acrossthe sky. In caverns deepbelow the earthwere hidden another seventy-five forms ofRa; mysteriousbeings with mummiEedbodies and heads consisting of birds or snakes,feathers or flowers,The namesof Rawere as numerousas his forms; he wasthe ShiningOne, The Hidden One, The Renewerof the Earth,The lfind in the Souls,The ExaltedOne, but therewas one name ofthe SunGod which hadnot beenspoken sincetime began.To know this secretname ofRa wasto havepower overhim andover the world that he hadcreated. Isislonged for suchapower. Shehad dreamed that oneday she *.ould havea marvellousfalcon-headed son called Horus andshe wantedthe throne of Ra to giveto her child. Isis wasthe Mistressof Magic,wiser than millionsofmen, but sheLrrew that nothingin creationwas powerful enoughto harmits creator.Her only chance vr'as!o turn thepower of Ra againsthimself and atlast Isisthought of a crlel andcunning plan. Everyday the SunGod walkedthrough his kingdom, attendedby a crowd ofspirits andlesser deities, but Rawas growingold. His eyeswere dim, his stepno longerfirm andhe had evenbegun to drivel. One morning Isismingled with a group of minor goddessesand followedbehind the King of the Gods.She watched the faceofRa until shesaw his salivadrip onto a clod o{ eanh.\0hen shewas sure that no-onewas taking any noticeo{ her, shescooped up the earth andcarried it awav.Isis mixed the earthwith the salivaofRa to form clay andmodelled a wickedJookingserpent. -
Ancient Egyptian Dieties
Ancient Egyptian Dieties Amun: When Amun’s city, Thebes, rose to power in the New Kingdom (1539-1070 B.C.), Amun became known as the “King of the Gods.” He was worshipped as the high god throughout Egypt. Able to take many shapes, Amun was sometimes shown as a ram or goose, but was usually shown in human form. He is fundamentally a Creator God and his name, Amun, means “The Hidden One.” Amun-Re: Originating in the Middle Kingdom, (2055 - 1650 B.C.), Amun-Re is a fusion of the Gods Amun and Re. He combined the invisible power of creation and the power visible in heat and light. Anubis: Usually represented as a black jackal, or as a human with a canine head, Anubis was a guardian of mummies, tombs, and cemeteries, as well as an escort of the deceased to the afterlife. Atum: According to the most ancient Egyptian creation myths, Atum is the creator of the world. He also brought the first gods Shu (air), Tefnut (water), Geb (earth), and Nut (sky) to Egypt. He is also god of the setting sun. Atum was represented in many forms such as a human, a human with the head of a ram, and a combination of an eel and a cobra. Bastet: Originating as early as Dynasty II (2820-2670 B.C.), Bastet was represented as a cat or a woman with a lioness’s head. She eventually became Egypt’s most important “cat goddess.” If Bastet took the form of a cat she was considered content, but if Bastet was a lioness she was considered an angry goddess. -
Resources for Teachers
Resources for Teachers Integrating Cultural Diversity into the Classroom Table of Contents Kindergarten .............................................................................. 5 Adventure ............................................................................... 5 Arabic ..................................................................................... 5 Biography ............................................................................... 5 Customs ................................................................................. 6 Holidays ................................................................................. 6 Islamic History ........................................................................ 9 Israeli/Palestinian Conflict ....................................................... 9 Multiculturalism ..................................................................... 10 Elementary Education ............................................................. 13 Adventure ............................................................................. 13 Biography ............................................................................. 13 Customs ............................................................................... 15 Folktales ............................................................................... 15 Holidays ............................................................................... 16 Immigration .......................................................................... 19 Islam ................................................................................... -
The Development of the Sign of the Ancient Egyptian Goddess Seshat Down to the End of the Old Kingdom: Analysis and Interpretation1
ASIAN AND AFRICAN STUDIES, 2005, 1, 45-55 THE DEVELOPMENT OF THE SIGN OF THE ANCIENT EGYPTIAN GODDESS SESHAT DOWN TO THE END OF THE OLD KINGDOM: ANALYSIS AND INTERPRETATION1 - Part One - Dušan M a g d o l e n Institute of Oriental Studies, Slovak Academy of Sciences, Klemensova 19, 813 64 Bratislava, Slovakia In general, the ancient Egyptian deities are distinguished by their names and symbols. In spite of the decipherment of hieroglyphs by J.-E Champollion in the 1820s and the number of published studies, some of the hieroglyphs and symbols still remain an enigma. The sign of the goddess named Seshat can undoubtedly be included in this category. This paper based on the study of the preserved records presents an attempt to understand the meaning of the hieroglyphic sign and symbol of Seshat, the ancient Egyptian goddess of writing, reckoning and building. The study is divided into three parts. Part One consists of the iconographic records coming approximately from the beginning of the 3rd millennium B.C. down to the end of the Old Kingdom in the 22nd century B.C. This part contains the main information about the sign of Seshat known from the wall reliefs, such as provenance, date, and basic description of each sign etc. Part Two of the study, which will follow in the next volume of the AAS journal, will contain the epigraphic records from the same period including the sign of Seshat with the same characteristics as mentioned above. Part Three intended to be published next year in the first volume of this journal is going to be the final part of the study and will bring the analysis and interpretation of the sign of the goddess Seshat in the context of its development in the Old Kingdom Period. -
Sports Quotes
SPORTS QUOTES The following quote library is provided as a service by Josephson Institute and its Pursuing Victory With Honor sportsmanship initiative. For more information on our campaign and materials, go to www.JosephsonInstitute.org/sports. The moment of victory is much too short to live for that and nothing else. – Martina Navratilova, tennis player If it is a cliché to say athletics build character as well as muscle, then I subscribe to the cliché. – Gerald Ford, 38th President Sports gives your life structure, discipline, and a pure fulfillment that few other areas of endeavor provide. – Bob Cousy, basketball player One man practicing good sportsmanship is far better than 50 others preaching it. – Knute Rockne, football coach I never thought about losing, but now that it’s happened, the only thing is to do it right. – Muhammad Ali, boxer Football is like life. It teaches work, sacrifice, perseverance, competitive drive, selflessness, and respect for authority. – Vince Lombardi, football coach World War II was a must win. – Marv Levy, football coach Dictators lead through fear; good coaches do not. – John Wooden, basketball coach A good coach will make his players see what they can be rather than what they are. – Ara Parseghian, football coach I’ve missed more than 9,000 shots in my career, lost almost 300 games, missed the game- winning shot 26 times. I’ve failed over and over again in my life. That is why I succeed. – Michael Jordan, basketball player Champions keep playing until they get it right. – Billie Jean King, tennis player You miss 100 percent of the shots you never take. -
The Routledge Dictionary of Egyptian Gods and Goddesses
The Routledge Dictionary of Egyptian Gods and Goddesses The Routledge Dictionary of Egyptian Gods and Goddesses provides one of the most comprehensive listings and descriptions of Egyptian deities. Now in its second edition, it contains: ● A new introduction ● Updated entries and four new entries on deities ● Names of the deities as hieroglyphs ● A survey of gods and goddesses as they appear in Classical literature ● An expanded chronology and updated bibliography ● Illustrations of the gods and emblems of each district ● A map of ancient Egypt and a Time Chart. Presenting a vivid picture of the complexity and richness of imagery of Egyptian mythology, students studying Ancient Egypt, travellers, visitors to museums and all those interested in mythology will find this an invaluable resource. George Hart was staff lecturer and educator on the Ancient Egyptian collections in the Education Department of the British Museum. He is now a freelance lecturer and writer. You may also be interested in the following Routledge Student Reference titles: Archaeology: The Key Concepts Edited by Colin Renfrew and Paul Bahn Ancient History: Key Themes and Approaches Neville Morley Fifty Key Classical Authors Alison Sharrock and Rhiannon Ash Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in Non-Classical Mythology Egerton Sykes, revised by Allen Kendall Who’s Who in the Greek World John Hazel Who’s Who in the Roman World John Hazel The Routledge Dictionary of Egyptian Gods and Goddesses George Hart Second edition First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. -
Bibliography
BIBLIOGRAPHY Archives Doreen Valiente Papers, The Keep Archival Centre, Brighton. Feminist Archive North, Brotherton Library, University of Leeds. Feminist Archive South, Bristol University Library. Feminist Library, South London. Library of Avalon, Glastonbury. Museum of Witchcraft’s Library, Boscastle, England. Peter Redgrove Papers, University of Sheffeld’s Library. Robert Graves Papers, St. John’s College Library, Oxford University. Sisterhood and After: The Women’s Liberation Oral History Project, The British Library. Starhawk Collection, Graduate Theological Union, Berkeley. Women’s Library, London School of Economics Library. Primary Sources Amanda, “Greenham Festival of Life,” Pipes of PAN 7 (1982): 3. Anarchist Feminist Newsletter 3 (September 1977). Anon., You Can’t Kill the Spirit: Yorkshire Women Go to Greenham (S.L.: Bretton Women’s Book Fund, 1983). Anon., “Becoming a Pagan,” Greenleaf (5 November 1992). © The Editor(s) (if applicable) and The Author(s), under exclusive 277 license to Springer Nature Switzerland AG 2020 S. Feraro, Women and Gender Issues in British Paganism, 1945–1990, Palgrave Historical Studies in Witchcraft and Magic, https://doi.org/10.1007/978-3-030-46695-4 278 BIBLIOGRAPHY “Aquarian Pagans,” The Cauldron 22 (Beltane 1981): 5. Arachne 1 (May Eve 1983). Arachne Collective, “Arachne Reborn,” Arachne 2 (1985): 1. Ariadne, “Progressive Wicca: The New Tradition,” Dragon’s Brew 3 (January 1991): 12–16. Asphodel, “Letter,” Revolutionary and Radical Feminist Newsletter 8 (1981). Asphodel, “Letters,” Wood and Water 2:1 (Samhain 1981): 24–25. Asphodel, “Womanmagic,” Spare Rib 110 (September 1981): 50–53. Asphodel, “Letter,” Matriarchy Research and Reclaim Network Newsletter 9 (Halloween 1982). Asphodel, “Feminism and Spirituality: A Review of Recent Publications 1975– 1981,” Women’s Studies International Forum 5:1 (1982): 103–108.