Volume LI, No 2, April-June 2013
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Bonnie Jo Campbell Starring
Presents Wri*en & Directed by: Haroula Rose Based on the Novel by: Bonnie Jo Campbell Starring: Kenadi DelaCerna, John Ashton (Beverly Hills Cop, Midnight Run, Gone Baby Gone), Tatanka Means (The Son, Saints & Strangers, Tiger Eyes), Ajuawak Kapashesit (Indian Horse, Caleb, “Outlander”), Sam Straley (Hala, “The Kids Are Alright,” “Chicago P.D.”), Coburn Goss (Man of Steel, Batman v Superman: Dawn of JusDce, What Women Want), Lindsay Pulsipher (“True Blood,” “JusHfied,” “HaKields & McCoys”), Kenn E. Head (“ER,” Brat 2, “Chicago Fire”) 92 mins // USA // Color // English Website // Facebook // Twi*er // Instagram Publicity Contacts [email protected] | [email protected] Falco Ink. 212-445-7100 FESTIVALS & AWARDS Bentonville Film FesHval - Centerpiece SelecHon, World Premiere Efebo d'Oro, Palermo Italy (internaHonal premiere) - WINNER of the Golden Efebo, WINNER Award presented by League of Women (for portrayal of women in film) Tallgrass Film FesHval - WINNER Stubbornly Independent Award Oxford Film FesHval - WINNER Alice Guy Blache Emerging Female Filmmaker Award Bend Film FesHval - WINNER Best Director Boston Film FesHval - WINNER Best Director Sun Valley Film FesHval - WINNER One In A Million Award MINT ( Montana InternaHonal) - WINNER Best Film, WINNER Special Jury Award for Best AcHng Gallup Film FesHval — WINNER Best Actress; WINNER Best NarraHve Feature Film Will Rogers MoHon Picture Film FesHval - WINNER , Best Indigenous Feature Blow-Up Chicago Arthouse Film FesHval - FINALIST , Stanley Kubrick Award Red NaHon Film -
The Journey Nick Archer the Journey
NICK ARCHER THE JOURNEY NICK ARCHER THE JOURNEY 5 October – 1 November 2017 LONG & RYLE 4 John Islip Street, London SW1P 4PX t : +44 (0) 20 7834 1434 • e: [email protected] www.longandryle.com • tues – fri 10–5:30 sat 11–2 THE 3 JOURNEY Nick Archer’s new landscape paintings focus on dwarfed and overwhelmed by the beauty of its our relationship with the natural world and its surroundings. The power of nature and its sublime place in our imagination. qualities appear to be a central force within these paintings and his method betrays a magic in spite The paintings are at first glance made from of the dark places he takes us. beautiful passages of rich colour which have been flooded onto the canvas, exposing interior Archer is not attempting to capture something landscapes that echo hollow fear and an inner about a particular place or time in these paintings, amazement like a child watching an abandoned rather a notion or idea of landscape in a grander fairground coming alight in the dark. An imaginary sense, something in our imagination which refers landscape, where a seemingly enchanted to traditional fairy tales and time gone by. At times landscape lifts off the canvas and into the mind’s a caravan, a vehicle or run-down cottage is central eye. to the composition. These motifs possess human qualities, but they are abandoned and in a state of The new series of forest paintings Archer has made decay. They are in the process of being reclaimed are like scenes from contemporary fairy tales. -
Camera Operator/ Steadicam Operator
PRINCESTONE ( +44 (0) 208 883 1616 8 [email protected] SIMON BAKER Assoc. BSC / GBCT / ACO Camera Operator/ Steadicam Operator FEATURES: Title Director / DOP Production Co BLITHE SPIRIT Edward Hall / Fred Films / Powderkeg Pictures / B Camera operator / Steadicam Ed Wilde Align Cast: Emilia Fox, Isla Fisher, Judy Dench, Dan Stevens DOWNTON ABBEY Michael Engler / Carnival Films / Focus Features / B Camera operator / Steadicam Ben Smithard Perfect World Pictures Cast: Hugh Bonneville, Matthew Goode, Maggie Smith, Michelle Dockerty,Tuppence Middleton PETER RABBIT 2 (UK Unit) Will Gluck / Sony Pictures / B Camera Operator Peter Menzies Jnr Rose Line Productions Cast: Domhnall Gleeson, Rose Byrne, James Corden HIS HOUSE Remi Weekes / New Regency / BBC Films Camera operator / Steadicam Jo Willems Cast: Sope Dirisu, Munmi Mosaku, Matt Smith FANTASTIC BEASTS: CRIMES OF GRINDLEWALD Stephen Woolfenden / Warner Bros 2nd Unit B camera /Steadicam Jean-Phillippe Gossart A&B camera/ Steadicam on Main Unit David Yates / Phillipe Rousselot Cast: Eddie Redmayne, Johnny Depp ALL THE MONEY IN THE WORLD Ridley Scott / Sony / Tristar / Imperative / B camera operator (2wks reshoots) Darius Wolski Scott Free Productions Cast: Christopher Plummer, Michelle Williams PETER RABBIT (UK Unit) Will Gluck / Columbia Pictures / B camera operator Peter Menzies Jnr Animal Logic Ent. Cast: Domhnall Gleeson, Rose Byrne, James Corden THE MAN WHO INVENTED CHRISTMAS Bharat Nalluri / Thunderbird / Bleeker Street B camera operator / Steadicam Ben Smithard Cast: Dan Stevens, -
Playwright DAVID HARE Receives the Guild's 2017 GIELGUD AWARD
But the culminating moments of a richly varied program Playwright DAVID HARE Receives were devoted to the GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS and to the afternoon’s final presentation, for The Guild’s 2017 GIELGUD AWARD OUTSTANDING CONTRIBUTION TO BRITISH THEATRE.. That trophy went to LYN GARDNER, “a renowned theatre journalist, critic, n Sunday, October 15, at a memorable UK THEATRE author, and champion of the industry, whose invaluable O AWARDS luncheon in London’s historic GUILDHALL, one insights can most often be found in The Guardian and The of today’s most versatile dramatic artists received the 2017 Stage, of which she is an associate editor.” GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS. Not only has DAVID HARE enriched our theatrical repertory resenting this year’s GIELGUD AWARD was FREDDIE FOX, with some of the most resonant and challenging stageplays of P an actor of impeccable pedigree who is admired for our era. He has also produced screenplays that have garnered films such as The Three Musketeers, Victor Frankenstein, The Riot Club, Pride, and Worried About the Boy, as well as for such stage roles as Bosie in The Judas Kiss, a David Hare drama about the tragic fall of Oscar Wilde. Mr. Fox talked about how much he’d enjoyed working not only with Sir David but with artistic director Jonathan Kent while co-starring in this Hampstead Theatre production. As he bestowed the 2017 GIELGUD trophy, he shared two messages from admirers of Sir David who were unable to attend the Guildhall luncheon. -
The Playwright As Filmmaker: History, Theory and Practice, Summary of a Completed Thesis by Portfolio OTHNIEL SMITH, University of Glamorgan
Networking Knowledge: Journal of the MeCCSA Postgraduate Network, Vol 1, No 2 (2007) ARTICLE The Playwright as Filmmaker: History, Theory and Practice, Summary of a completed thesis by portfolio OTHNIEL SMITH, University of Glamorgan ABSTRACT This paper summarises my doctoral research into the work of dramatists who became filmmakers – specifically Preston Sturges, Rainer Werner Fassbinder, David Mamet, and Neil Labute. I began with the hypothesis that there is something distinctive about the work of filmmakers who have a background in writing for text-based theatre, an arena where the authorship is, on the whole, not a vexatious issue, as is the case in commercial cinema. Through case studies involving textual and contextual analyses of their films, I found common threads linking their work, in respect both of their working methods and their approach to text and performance. From this, I evolved a theoretical position involving the development of a tentative ‘dogme’ designed to smooth the path between writing plays and making films, and produced short no- budget videos illustrating it. KEYWORDS Theatre/film, Dogme, theoretical practice, Mamet, Fassbinder. Introduction The aim of this project – a thesis by portfolio, completed at the now-defunct Film Academy at the University of Glamorgan – was to contribute to that area within film theory where creativity is taken seriously as a field of study; an attempt to reconcile theory with artistry, without attempting to theorise artistry. The ‘theatrical’ is often characterised as the ‘other’ of the cinematic, within both popular and scholarly discourse. My intention was to examines the interface between the two forms, and isolate those aspects of the theatrical aesthetic which can be profitably employed within cinema, looking at the issue from the perspective of the working dramatist – my background being as a writer for theatre, radio and television. -
David Hare, Surrealism, and the Comics Mona Hadler Brooklyn College and the Graduate Center, CUNY
93 David Hare, Surrealism, and the Comics Mona Hadler Brooklyn College and The Graduate Center, CUNY The history of the comic book in the United States has been closely allied with mass culture debates ranging from Clement Greenberg’s 1939 essay “Avant-Garde and Kitsch” to Fredric Wertham’s attack on the comic book industry in his now infamous 1954 book, Seduction of the Innocent. An alternative history can be constructed, however, by linking the comics to the expatriate Surrealist community in New York in the thirties and early forties with its focus on fantasy, dark humor, the poetics and ethics of evil, transgressive and carnivalesque body images, and restless desire. Surrealist artists are well known for their fascination with black humor, pulp fi ction, and crime novels—in particular the popular series Fantômas. Indeed, the image of the scoundrel in elegant attire holding a bloody dagger, featured in the writings of the Surrealist Robert Desnos (Color Plate 10), epitomized this darkling humor (Desnos 377-79).1 Pictures of Fantômas and articles on the pulp market peppered the pages of Surrealist magazines in Europe and America, from Documents in France (1929-1930) to VVV and View in New York in the early forties. By moving the discussion of the comics away from a Greenbergian or Frankfurt school discourse on mass culture to the debates surrounding Surrealism, other issues come to the fore. The comics become a site for the exploration of mystery, the imagination, criminality, and freedom. The comic book industry originated in the United States in the late thirties and early forties on the heels of a booming pulp fi ction market. -
A Festival of Restored Classics and Archival Prints from Cinema's
3-7 May 2018 A Festival of Restored Classics and Archival Prints from Cinema’s Grand Heritage Presented in Partnership with the Australian Film Television and Radio School OPENING NIGHT experiences, trying to make a Treasure is his most acclaimed THU 3 MAY 6.30PM living in a range of menial jobs in work, frequently topping best Sri SANS LENDEMAIN 1960s Paris, infuse his first film, Lankan films of all time polls. “My Dir: Max OPHÜLS, France, 1939, Soleil Ô. “From the stylized and most controversial film… holds a 82 mins, b&w, sd., DCP (orig. surreal opening sequence to the strong social and political value 35mm), French with English episodic adventures of a particular in denouncing the system. The subtitles, UC/18+ man, the director presents a series character is trapped between two Sans lendemain was the of imaginative set pieces, linked cultures: the Western/British one penultimate picture cosmopolitan by voice-over narrative, that and his culture of origin…” (Lester director Max Ophüls made in investigate and dramatize a complex James Peries). pre-war France before leaving for of interrelated themes. A scathing Introduction by Adrienne Hollywood. Evelyn/Babs works attack on colonialism, the film is McKibbins. Restored in 2013 by the as one of four topless dancers also a shocking exposé of racism...” Film Foundation’s World Cinema at “La Sirene”. Babs has a fateful (Harvard Film Archives notes). Project at Cineteca di Bologna chance meeting with an old flame, Introduction by Peter Hourigan. /L'immagine ritrovata laboratory. In Georges, and fate throws up an Restoration Australian premiere. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Systems in the Post-War Art School: Basic Design, Groundcourse and Hornsey Catherine Sloan VOLUME I PhD The University of Edinburgh 2013 1 THE UNIVERSITY OF EDINBURGH ABSTRACT OF THESIS Regulation 3.1.14 of the Postgraduate Assessment Regulations for Research Degrees refers These regulations are available via: http://www.ed.ac.uk/schools-departments/academic- services/policies-regulations/regulations/assessment Name of Candidate: Catherine Sloan Address : 10/2 Dalmeny Street, Edinburgh Postal Code: EH6 8RA Degree: Doctor of Philosophy Title of Thesis: Systems in the Post-War Art School: Basic Design, Groundcourse and Hornsey No. of words in the main text of Thesis: 85,000 This thesis makes the first sustained attempt to locate post-war British art school pedagogy in relation to systems-inspired cultural practice after World War II. -
Appendix Plays Discussed in This Book
Appendix Plays Discussed in This Book Abe Lincoln in Illinois, Robert Sherwood. 1938 Broadway run: 472 performances. 1993 Lincoln Center revival: 27 previews, 40 performances. Abraham Lincoln, John Drinkwater. 1919 Broadway run: 193 per- formances. 1929 Broadway revival: 8 performances. Abraham Lincoln’s Big Gay Dance Party, Aaron Loeb. 2008 San Francisco. 2010 off-Broadway run. American Iliad, Donald Freed. 2001 Burbank, California. As the Girls Go, William Roos (book), Jimmy McHugh (music), Harold Adamson (lyrics). 1948 Broadway run: 414 performances. Assassins, John Weidman (book), Stephen Sondheim (music and lyrics). 1990 off-Broadway run: 73 performances. 1992 London revival. 2004 Broadway revival: 26 previews, 101 performances. The Best Man, Gore Vidal. 1960 Broadway run: 520 performances. 2000 Broadway revival: 15 previews, 121 performances. Bloody, Bloody Andrew Jackson, Alex Timbers (book), Michael Friedman (music and ly73rics). 2008 Los Angeles. 2009 and 2010 off-Broadway runs. Buchanan Dying, John Updike. 1976 Franklin and Marshall College. Bully! Jerome Alden. 1977 Broadway run: 8 previews, 8 performances. 2006 off Broadway revival. The Bully Pulpit, Michael O. Smith. 2008 off-Broadway. Camping with Henry and Tom, Mark St. Germain. 1995 off- Broadway run: 105 performances. Numerous regional theater revivals since then. An Evening with Richard Nixon, Gore Vidal. Broadway run: 14 previews, 16 performances. First Lady, Katherine Dayton and George S. Kaufman. 1935 Broadway run: 246 performances. 1952 off-Broadway revival. 1980 Berkshire Theater Festival revival. 1996 Yale Repertory Theatre revival. First Lady Suite, Michael John LaChiusa. 1993 off-Broadway run: 32 performances. Revivals include Los Angeles 2002, off Broadway 2004, and London 2009. 160 Appendix Frost/Nixon, Peter Morgan. -
Forces of Nature Exhibition Catalogue
Gallery 94 Forces of Nature 19 June - 31 August 2021 Forces of Nature is a group exhibition exploring our increasingly complex relationship with the natural world. From imagined landscapes to topographical views, highly personal perspectives and almost scientific observations, this group exhibition considers nature’s strength, its beauty and fragility, fears about its degradation and human impact on the environment. The exhibition challenges us to reframe nature’s life-giving forces and in this anthropocene age, our power and responsibility to protect nature for the future. Featuring new work by 18 artists from across the UK, Forces of Nature is Glyndebourne’s first all-women exhibition. The exhibiting artists are Lesley Birch, Kate Boucher, Katie Brookes, Morag Caister, Lara Cobden, Linda Felcey, Michele Fletcher, Christabel Forbes, Jelly Green, Melanie Goemans, Tyga Helme, Linda Jamieson, Kathryn Johnson, Rosie Lascelles, Kathryn Maple, Esther Donaldson Nyandwi, Jayne Sandys-Renton and Victoria Sebag. This exhibition has been curated by Nerissa Taysom. For further information, hi-res images or to discuss bespoke framing and commissions, please contact [email protected]. You can also follow the art programme at Glyndebourne on instagram @artatglyndebourne. 1 Lesley Birch Lesley Birch (b.1958) is a Scottish painter currently based in York. She studied for an MA in English Literature and Music at the University of Glasgow, before spending the 1980s touring across the UK and USA as a professional musician. Birch began exploring her interest in art in 2000 whilst teaching English Literature in Cambridge. After moving to Yorkshire, she won a ‘highly commended’ in the Harrogate Open (2007) and held her first solo show, Land & Sky, at the Yorkshire Dales Centre (2008). -
The Worricker Trilogy: Turks & Caicos and Salting the Battlefield
Interview with Sir David Hare, Writer/Director of The Worricker Trilogy: Turks & Caicos and Salting the Battlefield Sundays, November 9 & 16, 2014 on MASTERPIECE CONTEMPORARY One of England’s foremost playwrights, screenwriters, and film directors, Sir David Hare completes his Worricker Trilogy on MASTERPIECE CONTEMPORARY with two more gripping dramas charting the exploits of spy-on-the-run Johnny Worricker, played by Bill Nighy. Turks & Caicos and Salting the Battlefield marvelously thicken the plot started by Page Eight, which first aired on MASTERPIECE in 2011. The two films bring Johnny together with fellow spook Margot Tyrrell (Helena Bonham Carter) and lead them to a heart-stopping denouement. It’s all in a day’s work for Hare, Academy Award® screenwriting nominee for The Hours and The Reader. Actually, the writing and directing were “completely exhausting,” he says in this interview with MASTERPIECE, in which he discusses his inspiration for the trilogy, the amazing cast, the spy genre, and much else. What is the genesis of the Worricker trilogy? When I wrote the first one Page[ Eight], the producer at the BBC said, “We can either make a feature film, in which case it will take three years to put the money and cast together. Or we can be filming in six months if you agree that it’s television.” And I said, “Okay, let’s do it on television.” Then the BBC immediately said, “Can we please have six?”—because quantity is something television understands. And I said, “No! It takes me a year to write one of these.” In the end, we all enjoyed ourselves so much on the first one that I agreed to do two more. -
Doing the Rounds
Cover Doing the Rounds An exhibition of extracts from the Art Collection of the Waterford Healing Arts Trust Introduction Trust in Waterford Regional Hospital. The artworks were must consider this when selecting and placing selected by the Arts Co-ordinators who work with the the artwork. The presence of visual arts in hospitals has a long four participating hospitals – Mary Grehan, Waterford and continuing history. Hogarth painted his acclaimed Regional Hospital, Dara Carroll, The Mater Campus This exhibition affords opportunities for the viewers ‘The Pool of Bethesda’ and ‘The Good Samaritan’ Hospital Development, Sheila Grace, St James’s to give their response to the exhibition through in St. Bartholomew’s Hospital, London, in the 18th Hospital and Margaret Flannery, Galway University questionnaires available as part of the exhibition. We century. Painting in Hospitals was established in 1959 Hospitals. The selection reflects two main strands hope to explore, through responses received, the nature in Britain as a charity dedicated to improving healthcare of work – the first strand comprises artworks which of the art viewing experience in hospitals and the extent environments through the loan of original artworks. In were produced in response to the hospital context by to which art in hospital engages people who would not Ireland, Waterford Regional Hospital was one of the previous Artists-in-Residence, such as ‘The Wishing otherwise choose to access contemporary art. first hospitals in modern times to enhance the healing Balloon Project’ by Brigid Teehan and Aidan Dunne environment through the integration of contemporary and the Pyjamas Series by Maria Casey. The second The process of collaboration between the Arts and art.