Hammer Museum Campaign Case Statement
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National Arts Awards Monday, October 19, 2015
2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States. -
KAMP (KIDS ART MUSEUM PROJECT) 10Th Anniversary Of
For Immediate Release: March 27, 2019 Contact: Nancy Lee, Senior Manager, Public Relations, 310-443-7016, [email protected] K.A.M.P. (KIDS ART MUSEUM PROJECT) 10th Anniversary of Annual Kids Benefit at the Hammer Museum Sunday, May 19, 2019 │ 10AM-2PM (Los Angeles, CA)— On Sunday, May 19, 2019 the Hammer Museum will celebrate the tenth anniversary of K.A.M.P. (Kids Art Museum Project), a one-of-a-kind fundraising event imagined by artists for kids and their families. Painters, sculptors, and artists of all kinds lead inventive hands-on workshops for children, and the event is held outdoors throughout the museum courtyard and terraces. Celebrity friends will read their favorite children’s books to an audience of story lovers of all ages, and DJ Chocolatebarbangs will spin music throughout the event. $125 early-bird tickets are available until March 31, after which tickets will be $150. Over the past ten years, proceeds from K.A.M.P. has raised more than $1.4 million for Hammer Kids, which offers free events to over 60,000 children and families throughout the year. Hammer Museum Director Ann Philbin said, "It's been a joy to see K.A.M.P. grow into one of our signature Hammer fundraising events, a family-friendly celebration of art and artists. Most importantly, we've seen how the money raised supports the rest of our free kids programming throughout the year at the museum." This year’s participating artists include: Math Bass, Alex Beccera, Louise Bonnet, Carolina Caycedo, Sam Falls, Haas Brothers, John Houck, Alex Israel, Patrick Jackson, Patrick Martinez, Lara Schnitger, Alake Shilling, Samantha Thomas, and Daniel Winter. -
Alphabetical List of Catalogues Raisonnés in the Collection Of
Alphabetical List of Catalogues Raisonnés in the Collection of Ricker Library of Art and Architecture University of Illinois at Urbana-Champaign Last updated 04/10/14 ARX = Circulating book in our stacks ARR = Non-circulating book in our Reference collection ARC = Non-circulating book held in the Closed Stacks, behind our desk ARV = Non-circulating book held in our Vault IL BACHIACCA (a.k.a. Francesco d’Ubertino Verdi, Francesco Bachiacca) LaFrance, Robert G. Bachiacca : Artist of the Medici Court. Firenze : L. S. Olschki, 2008. Q.759.5B124l (ARX) Nikolenko, Lada. Francesco Ubertini Called il Bacchiacca. Locust Valley/NY: J. J. Augustin, 1966. 759.5IL1N (STX) BACKER, JACOB van den Brink, Peter and Jaap van der Veen. Jacob Backer (1608/9-1651). Zwolle: Waanders, 2008. Text and accompanying CD-Rom available. Q.759.9492B126br (ARV) BACON, FRANCIS Alley, Ronald. Francis Bacon. New York: Viking, 1964. 759.2 B132a (ARC) BAJ, ENRICO Enrico Baj. Baj: Catalogue del’Oeuvre Graphique et des Multiples = Catalogue of the Graphic Work and Multiples. 2 volumes. Genève: Rousseau, 1973. 709.45 B167ba (ARV) BALDESSARI, JOHN Baldessari, John et al. John Baldessari: Catalogue Raisonné. New Haven: Yale University Press, 2012. Vol. One, 1956-1974 Vol. Two, 1975-1986 Q.709.73B192j (ARV) Hurowitz, Sharon Coplan. John Baldessari : A Catalogue Raisonné of Prints and Multiples, 1971-2007. Manchester : Hudson Hills Press, 2009. Q. 709.73 B192h (ARV) BALDUNG, HANS (a.k.a. Hans Baldung Grien/Grün) Mende, Matthias. Hans Baldung Grien: das Graphische Werk. Unterschneidheim: UHL, 1978. Q.769.943B19m (ARV) Alphabetical list of Catalogue Raisonnés in the Collection of the Ricker Library of Architecture and Art B:2. -
Planning Office. Project Files of George Vajna. 1946-1989
http://oac.cdlib.org/findaid/ark:/13030/c8bc40tp No online items Planning Office. Project files of George Vajna. 1946-1989. Finding aid prepared by University Archives staff, 1990 April; finding aid revised by Katharine A. Lawrie, 2013 June; machine-readable finding aid created by Katharine A. Lawrie, 2013 June. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©1990 April Planning Office. Project files of University Archives Record Series 313 1 George Vajna. 1946-1989. Title: Planning Office. Project files of George Vajna. Identifier/Call Number: University Archives Record Series 313 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 24.8 linear ft.(62 boxes) Date (bulk): Bulk, 1957-1989 Date (inclusive): 1946-1989 Abstract: Record Series 313 contains the project files of George Vajna, of UCLA's Planning Office. Creator: Planning Office. Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Publication Rights Copyright of portions of this collection has been assigned to The Regents of the University of California. The UCLA University Archives can grant permission to publish for materials to which it holds the copyright. All requests for permission to publish or quote must be submitted in writing to the UCLA University Archivist. Preferred Citation [Identification of item], Planning Office. Project files of George Vajna (University Archives Record Series 313). UCLA Library Special Collections, University Archives. Scope and Content Record Series 313 contains the project files of George Vajna, of UCLA's Planning Office. -
THE TOWER 10940 Wilshire Blvd / Westwood PROPERTY HIGHLIGHTS
THE TOWER 10940 Wilshire Blvd / Westwood PROPERTY HIGHLIGHTS ARCHITECTURAL BEAUTY THE TOWER Designed by renowned architect Helmut Jahn, The Tower is constructed of Verde Antique granite, Brazilian Navy marble and Kasota limestone. A 30-foot high, open-air solarium, featuring a distinct water fountain surrounded by palm trees, leads to a marble lobby and floor-to-ceiling glass windows. The views of Bel Air, Getty Center and the ocean are spectacular. Energy Star Certified by the EPA, the building has management and engineering services and a fully integrated energy management system for optimal efficiency and comfort. Dine at the on-site café and enjoy an outdoor garden plaza with seating, or in Westwood Village with its numerous restaurants. Rentable Square Feet: 218,805 No. of Stories: 24 Parking Ratio: 2.5/1,000 Security: 24-Hour THE LOCATION WESTWOOD THE HEART OF WEST LA A one-time college town, and home to UCLA (University California Los Angeles), Westwood sits in the center of West Los Angeles, and has burgeoned into a hub of business activity along the Wilshire Corridor that runs through it. With high-rise residential towers along the Corridor, the exclusive hillside neighborhoods of Bel Air and Brentwood to the north, and Beverly Hills to the east just a few minutes away, Douglas Emmett properties in Westwood provide an opportunity to live close to your office and enjoy an intimate workday experience. The iconic Westwood Village offers over 50 dining options, plentiful shopping, and historic movie theaters. The W Hotel is there for your out-of-town visitors. -
John BALDESSARI
John BALDESSARI THROUGH VIDEO, ON CANVAS, IN COLLAGE, AND, YES, WITH HIS SIGNATURE PAINTED DOTS ON FACES, ARTIST JOHN BALDESSARI HAS PUNCHED HOLES THROUGH MODERNISM, TURNED CONCEPTUALISM ON ITS HEAD, AND CREATED A BODY OF WORK THAT IS PART COMEDIC, PART TRAGIC, UTTERLY SEMIOTIC, AND ABSOLUTELY ALL HIS OWN. By DAVID SALLE Photography MARIO SORRENTI JOHN BALDESSARI IN NEW YORK, JULY 2013. ALL CLOTHING: BALDESSARI’S OWN. 160 161 For a very long time, John Baldessari had the distinction I think I even used you as a license for my own foundation of humor also play a role in your work. of being the tallest serious artist in the world (he is tendency toward obscurity when I was younger. Now It’s obviously a very sophisticated kind of humor. And 6'7"). To paraphrase the writer A.J. Liebling, he was I find I just want to be as clear as possible. not to in any way denigrate Wegman, but Bill goes taller than anyone more serious, and more serious BALDESSARI: I go back and forth between wanting more for the punch line. Of course, there other artists than anyone taller. As was inevitable, Baldessari’s to be abundantly simple and maddeningly complex. whose sensibility is fundamentally humorous, but few hegemony in the height department has now been I always compare what I do to the work of a mystery who actually make you laugh. challenged by a handful of younger artists. What, is writer—like, you don’t want to know the end of the BALDESSARI: It’s also a little bit in the eyes of the there to be no progress? Paul Pfeiffer, Richard Phil- book right away. -
Client Roster
Client Roster VISUAL ARTS Ballet Hispanico Museum of Glass Ana Tzarev Gallery Boston Ballet Partnership for Architecture and Urbanism The Art Institute of Chicago Boston Symphony Orchestra Pelli Clarke Pelli Architects Asian Contemporary Art Fair The Broadway League Polshek Partnership Architects (Ennead) The Baltimore Museum of Art Center Theatre Group Selldorf Architects Barnes Foundation Dance at the Music Center SHoP Architects ABOUT US Brooklyn Museum Ford’s Theatre Society Ten Arquitectos Christie’s Geffen Playhouse Tod Williams Billie Tsien Architects The Cleveland Museum of Art Hollywood Bowl College Art Association Hopkins Center for the Arts, Dartmouth College HISTORY & HERITAGE Columbia Museum of Art The Joyce Theater The American Indian Cultural Center and Museum Crystal Bridges Museum of American Art Kansas City Repertory Theatre Autry National Center The Drawing Center Kennedy Center for the Performing Arts Center for Jewish History El Museo del Barrio Kimmel Center for the Performing Arts Cooperstown/Baseball Hall of Fame The Farnsworth Art Museum Los Angeles Chamber Orchestra The Jewish Museum The Frick Collection Los Angeles Philharmonic Association John F. Kennedy Library and Museum Georgia O’Keeffe Museum Mesa Arts Center Museum of the City of New York Hammer Museum, UCLA MOMIX National Museum of American Jewish History High Museum of Art The Music Center, Los Angeles National Women’s Hall of Fame & Museum Hirshhorn Museum and Sculpture Garden Nashville Symphony New Center for Arts & Culture International Center of -
H Amm Er M Useum Spring 09
24 Non Profit Org. Hammer Museum Spring 09 US Postage PAID 10899 Wilshire Boulevard Los Angeles, California 90024 USA Los Angeles, CA For additional program information: 310-443-7000 Permit no. 202 www.hammer.ucla.edu LLYN FOULKES. DELIVERANCE (DETAIL), 2007. MIXED MEDIA. 72 X 84 IN. (182.9 X 213.4 CM). COURTESY THE ARTIST AND KENT GALLERY, NEW YORK. PHOTO: RANDEL URBAUER. 100% recycled paper Spring 09Calendar Spring 25 3 2 news HAMMER NEWS director NEW HAMMER WEBSITE 1 the VISIT WWW.HAMMER.UCLA.EDU The Hammer launched its new website in November to rave A MESSAGE FROM THE DIRECTOR reviews and received extraordinary visitor traffic from all from over the world, including unexpected places such as Iran, LOS ANGELES’S PULSE Namibia, and Pakistan. The Chronicle of Higher Education’s Lawrence Biemiller said: For more than a century artists working as writers, visual cultural collaborations. Opening in 2010, the Ring Festival LA artists, filmmakers, actors, and musicians have defined is a celebration, led by the LA Opera, of Wagner’s Ring Cycle, The “museum surpassed itself—and every message Los Angeles’s history and formed the city’s heart and soul. showcasing a variety of exhibitions, symposia, conferences, other museum I can think of.... Making so a much smart content available free online is a Every two years the Hammer mounts an invitational performances, and programs hosted by many of L.A.’s most exhibition that focuses on work created in L.A. These shows important cultural institutions. The Hammer will present a tremendous service to art and culture—a service COLLECTION NEWS other university museums would do well to study.” present opportunities for all of us to explore the vast wealth series of corresponding public programs exploring historical GIFT FROM THE ANDY WARHOL 1 of artistic expression this city has to offer. -
Alook at Ucla
A LOOK AT UCLA As one of the nation’s premier universities, UCLA has come so Through academic out- far, so fast in its rise to the top tier of institutions of higher reach, UCLA works with education. From its celebrated faculty to its high-achieving K-12 schools through- students and distinguished alumni, UCLA’s College of Letters out Los Angeles to help and Science and 11 professional schools are committed to greater numbers of stu- advancing the common good through research, teaching dents prepare to com- and active participation in the communities they serve. Uniquely pete successfully for positioned at the crossroads of the world’s economies and college. UCLA also is cultures, UCLA combines outstanding intellectual achieve- partnering with com- ment with an innovative, entrepreneurial style and a deep munity colleges to in- sense of civic responsibility. Some of the university’s more crease the number of notable recent achievements include: underrepresented stu- Faculty, Students & Alumni dents transferring to the university. Additionally, UCLA faculty have been awarded two Nobel Prizes in recent UCLA faculty, research- years: biochemist Paul Boyer in chemistry (1997) and pharma- ers and students pro- cologist Louis Ignarro in medicine (1998). Among faculty there vide leadership and have been three other Nobelists, nine National Medals of public service in health Science recipients and hundreds of Guggenheim Fellow- care, law, economic de- Royce Hall ships, Fulbright Awards and other academic distinctions. velopment, social wel- UCLA educates more students than other university in Califor- fare, urban planning, public policy, arts and the environment. nia and was the most sought-after institution in the nation for Most academic departments have major research projects, this fall's freshman class. -
Artist Resources – John Baldessari (American, 1931-2020)
Artist Resources – John Baldessari (American, 1931-2020) Baldessari at Marian Goodman Gallery Baldessari reflects on his childhood, teaching, and creative inspirations in a 1992 oral history with the Smithsonian Archives of American Art. In 1994, Baldessari participated in MoMA’s Artist’s Choice series of exhibitions, selecting objects in the permanent collection to inspire a new artwork. He curated and installed the show, which featured six of the original works of inspiration alongside photographs of the remaining twenty plus pieces, and the newly completed construction. “As I continued with teaching and art, I began to see how they both shared the same problem of communication,” explains Baldessari in an essay from 1998. “I saw how you could obfuscate, be crystal clear or do anything in-between. You could play your audience like a musical instrument.” In a 2008 interview with Art21, Baldessari discussed his interest in language and the relationship between teaching and his art practice. “You try to think of ways to make your time in the classroom like you’re making art in some way. A vital lesson for me was learning that teaching is about communication. Lecturing doesn’t do it. You have to see the light in the student’s eyes; you have to see that they get it…I realized that that attitude was filtering into my art—that you have to communicate. Teaching and art began to cross-pollinate and one affected the other.” Art21 talked with Baldessari in his studio in a 2009 video interview. “I think my idea is Baldessari, 2015 Photograph: Stefanie Keenan this: not so much structure that it’s inhibiting, that there’s no wiggle room, not so loose that it could be anything…like a corral around your idea.” The Tate Modern celebrated Baldessari’s towering career with the 2009 retrospective Pure Beauty. -
Communiquè De Presse-GB.Qxp Communiquè De Presse.Qxd
Press Release A DIFFERENT WAY TO MOVE MINIMALISMES. NEW-YORK 1960-1980 Place de la Maison Carrée. 30000 Nîmes. Téléphone : 04 66 76 35 70. Fax : 04 66 76 35 85 Courriel : [email protected] Exhibition from 7 April until 17 September 2017 An exhibition celebrating the 40th anniversary of the Centre Pompidou Musée d’art contemporain de Nîmes Suggesting a subversive history of Minimal Art, this project sheds fresh light on common focuses and intersecting perspectives in a mixture of visual art, dance and music of the sixties and seventies in the New York. Recognized in the field of art today are some radically trail-blazing paths taken by the pioneering figures of American Postmodern Dance – most notably Trisha Brown, Lucinda Childs, Simone Forti and Yvonne Rainer – an area of research close to Minimal Art. “A different way to move” envisions a collective history, placing on an equal footing these concise, direct, artless gestures that together revolutionized Visual Art and Performance Art. Yvonne Rainer sums it up neatly: “We had to find a different way to move”. The idea caught on both in the new languages of choreography and sound environments and in this exploration of the dialogue between object and viewer that characterizes the works of Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Morris, Richard Serra and others. It was also closely connected to the political activism of artists opposing the Vietnam War, and fuelled a penetrating critique of relations based on power in their works. Hence the exhibition takes a look at Minimalist forms within a broader perspective, with special attention to the way the arts of time – dance and music, and also writing, film and video, which from the mid- sixties formed the core conceptual and so-called “post-minimalist” practices – placed the conflicting polarity between the concept and perception at the forefront of artistic research. -
Gretchen Bender
GRETCHEN BENDER Born 1951, Seaford, Delaware Died 2004 EDUCATION 1973 BFA University of North Carolina, Chapel Hill SELECTED ONE-PERSON EXHIBITIONS 2019 So Much Deathless, Red Bull Arts, New York 2017 Living With Pain, Wilkinson Gallery, London 2015 Tate Liverpool; Project Arts Centre, Dublin Total Recall, Schinkel Pavillon, Berlin 2013 Tracking the Thrill, The Kitchen, New York Bunker 259, New York 2012 Tracking the Thrill, The Poor Farm, Little Wolf, Wisconsin 1991 Gretchen Bender: Work 1981-1991, Everson Museum of Art, Syracuse, New York; traveled to Alberta College of Art, Calgary; Mendel Art Gallery, Saskatoon; San Francisco Museum of Modern Art 1990 Donnell Library, New York Dana Arts Center, Colgate University, Hamilton, New York 1989 Meyers/Bloom, Los Angeles Galerie Bebert, Rotterdam 1988 Metro Pictures, New York Museum of Fine Arts, Houston 1987 Total Recall, The Kitchen, New York; Moderna Museet, Stockholm 1986 Nature Morte, New York 1985 Nature Morte, New York 1984 CEPA Gallery, Buffalo 1983 Nature Morte, New York 1982 Change Your Art, Nature Morte, New York SELECTED GROUP EXHIBITIONS 2020 Bizarre Silks, Private Imaginings and Narrative Facts, etc., Kunsthalle Basel, Switzerland Glasgow International 2019 Collection 1970s—Present, Museum of Modern Art, New York (Dumping Core; on view through Spring 2021) 2018 Brand New: Art and Commodity in the 1980s, Hirshhorn Museum and Sculpture Garden, Washington, D.C. Art in the Age of the Internet, 1989 to Today, Institute of Contemporary Art/Boston; traveled to University of Michigan Museum of Art, Ann Arbor Expired Attachment, Mx Gallery, New York Art in Motion. 100 Masterpieces with and through Media.