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Highlights From ‘’ - Lin-Manuel Miranda

How does a bastard, orphan, son of a whore and a Scotsman, dropped in the middle of a forgotten Spot in the Caribbean by providence, impoverished, in squalor Grow up to be a hero and a scholar? (Alexander Hamilton) Alexander Hamilton

I am not throwing away I am not throwing away my shot Hey yo, I'm just like my country I'm young, scrappy and hungry And I'm not throwing away my shot I am not throwing away my shot I am not throwing away my shot Hey yo, I'm just like my country I'm young, scrappy and hungry And I'm not throwing away my shot Whoa, whoa, whoa-oh-oh Whoa-oh-oh, whoa-oh-oh, yeah Whoa, whoa, whoa-oh-oh Whoa-oh-oh, whoa-oh-oh,

History has its eyes on you (Whoa, whoa, whoa whoa-oh-oh, whoa-oh-oh, whoa-oh-oh) History has its eyes on you

You'll be back, soon you'll see You'll remember you belong to me You'll be back, time will tell You'll remember that I served you well Oceans rise, empires fall We have seen each other through it all And when push comes to shove I will send a fully armed battalion to remind you of my love!

Work, work! (Angelica!) Work, work! (Eliza!) (and Peggy!) Work, work! Look around, look around Look around, look around at how lucky we are to be alive right now Look around, look around at how lucky we are to be alive right now History is happening in Manhattan and we just happen to be In the greatest city in the world! In the greatest city in the world! Work, work! (Angelica!) Work, work! (Eliza!) (and Peggy!) Work, work! The Schuyler sisters We’re looking for a mind at work We’re looking for a mind at work In the greatest city, in the greatest city in the world! The world turned upside down The world turned upside down The world turned upside down The world turned upside down, down Down, down, down Down, down, down Down, down, down The world turned upside down!

One, two, three, four Five, six, seven, eight, nine It’s the It’s the Ten Duel Commandments

Hey, hey, hey, hey Hey, hey, boy you got me helpless Look into your eyes and the sky’s the limit, I’m helpless Down for the count and I’m drownin’ in ‘em

It must be nice, it must be nice To have Washington on your side It must be nice, it must be nice To have Washington on your side

No one else was in the room where it happened The room where it happened The room where it happened No one else was in the room where it happened The room where it happened The room where it happened My God! In God we trust But we'll never really know what got discussed Click-boom then it happened And no one else was in the room where it happened The room where it happened!

Alexander Hamilton (Alexander Hamilton) We are waiting in the wings for you (waiting in the wings for you) You could never back down, you never learned to take you Ti-i-(h)ime, oh! Alexander Hamilton (Alexander Hamilton) When America sings for you Will they know what you overcame? Will they know you rewrote the game? The world will never be the same

What’s your name, man?

Alexander Hamilton! Highlights from 'Hamilton' Arr. Tim Burns Lin-Manuel Miranda

 = 68 Soprano         How does a bas tard, or phan, son of a whore and a Scots man, dropped in the mid dle of a for got ten                          Alto        How does a bas tard, or phan, son of a whore and a Scots man, dropped in the mid dle of a for got ten                          Tenor

  How does a bas tard, or phan, son of a whore and a Scots man, dropped in the mid dle of a for got ten                               Bass                   How does a bas tard, or phan, son of a whore and a Scots man, dropped in the mid dle of a for got ten   

4

S.    spot in the Car ib be an by prov i dence, im pov er ished, in squa lor, grow up to be a he ro and a scho lar?                                A.   spot in the Car ib be an by prov i dence, im pov er ished, in squa lor, grow up to be a he ro and a scho lar?                                T.    spot in the Car ib be an by prov i dence, im pov er ished, in squa lor, grow up to be a he ro and a scho lar?  B.   spot in the Car ib be an by prov i dence, im pov er ished, in squa lor, grow up to be a he ro and a scho lar?    6  = 91 3 S.    Al ex an der Ham il ton Al ex an der Ham il ton  not throw ing a way my shot! I am                       3       A.     Al ex an der Ham il ton  Al ex an der Ham il ton   not throw ing a way my  shot! I am                   3       T.    Al ex an der Ham il ton Al ex an der Ham il ton  I am  not throw ing a way my shot! I am                      B.           3           Al ex an der Ham il ton Al ex an der Ham il ton   not throw ing a way my  shot! I am       9 3 S.   not throw ing a way my shot! Hey yo, I'm just like my coun try, I'm young, scrap py and hun gry and I'm                      3        A.  not throw ing a way my  shot!  Hey yo, I'm just like my coun try, I'm young, scrap py and hun gry and I'm                           T.  3                  not throw ing a way my  shot!  Hey yo, I'm just like my coun try, I'm young, scrap py and hun gry and I'm  B. 3                  not throw ing a way my  shot!  Hey yo, I'm just like my coun try, I'm young, scrap py and hun gry and I'm   

11 1. 3 2. 3 S.                        not throw ing a way my shot! I am  not throw ing a way my shot! Whoa, whoa whoa     Whoa    Whoa   3 3   A.                   not throw ing a way my shot! I am  not throw ing a way my shot! Whoa, whoa whoa   Whoa   Whoa          T.        3             3                      not throw ing a way my shot! I am  not throw ing a way my shot! Whoa, whoa whoa   Whoa  Whoa  B.   3          3        not throw ing a way my  shot! I am  not throw ing a way my  shot!          = 78 16

S.                                Yeah Whoa, whoa whoa   Whoa  Whoa   Whoa, whoa whoa   Whoa             A.                         Yeah Whoa, whoa whoa   Whoa  Whoa   Whoa, whoa whoa     Whoa            T.               Yeah    Whoa, whoa whoa      Whoa   Whoa     Hist  or y has its   eyes on  you            

B.                     Whoa, whoa whoa     Whoa   Whoa     Hist or y has its  eyes on  you              

2 23  = 120 S.         Whoa Hist or y has its eyes you     You'll be back Soon you'll see You'll re mem                on             

A.            Whoa   Hist or y has its eyes you    You'll be back Soon you'll see You'll re mem             on        

T.              Hist or y has its eyes on you    You'll be back Soon you'll see  You'll re mem      B. Hist or y has its eyes  you You'll be back Soon you'll see  You'll re mem              on               

33

S.       ber you be long to me You'll be back Time will tell  You'll re mem  ber that I served you well  O ceans rise,           A.         ber you be long to me You'll be back Time will tell  You'll re mem  ber that I served you well  O ceans rise,           T.      ber you be long to me You'll be back Time will tell  You'll re mem  ber that I served you well  O ceans rise,         B.                    ber you be long to me  You'll be back Time will tell You'll re mem ber that I served you well   O ceans rise,     39

S.            em pires fall  we have seen each oth er through it all   and when push  comes to shove   I will send           A.          em pires fall  we have seen each oth er through it all  and when push  comes to shove   I will send                   T.           em pires fall  we have seen each oth er through it all   and when push  comes to shove   I will send         B.                     em pires fall  we have seen each oth er through it all   and when push comes to shove  I will send        

3 45  = 102

S.          a ful ly armed bat tal  lion to re mind you of my love   Work, work!   Work, work!  E li za! 

A.           a ful ly armed bat tal lion to re mind you of my love Work, work! An gel i ca! Work, work!               T.          a ful ly armed bat tal lion to re mind you of my love   Work, work!   Work, work! 

B.                      a ful ly armed bat tal lion to re mind you of my love   Work, work!  Work, work!   And   

50

S.     Work, work! The Schuy ler sis ters!  Look a round, Look a round                   A.    Work, work! The Schuy  ler sis ters!  Look a round, Look a round    Look a round, Look a round at how       T.

 Work, work! The Schuy  ler sis ters! Look a round, Look a round                   

B.   Peg gy The Schuy ler sis ters! Look a round, Look a round               

53

S.         Look a round, Look a round at how luc ky we are  to be a live right  now

A.  luc ky we are to be a live right now Look a round, Look a round at how luc ky we are to be a live right now                                   T.           Look a round, Look a round at how luc ky we are  to be a live right  now B.        Look a round, Look a round at how luc ky we are  to be a live right  now  

4 56

S.         His tor y is hap  pen ing in Man hat tan and we  just hap pen to be  in the great est ci ty in the world!  In the

A.   His tor y is hap pen ing in Man hat tan and we just hap pen to be in the great est ci ty in the world! In the                                      T.                   His tor y is hap  pen ing in Man hat tan and we just hap pen to be in the great est ci ty in the world! In the

B.                 His tor y is hap pen ing in Man hat tan and we  just hap pen to be  in the great est ci ty in the world!  In the  

59

S.       great est ci ty in the world! Work, work!  Work, work!  E li za!  Work, work! The Schuy  ler sis ters!          A.     great est ci ty in the world! Work, work! An gel i ca! Work, work!   Work, work! The Schuy  ler sis ters!          T.   great est ci ty in the world! Work, work! Work, work! Work, work! The Schuy  ler sis ters!               

B.                  great est ci ty in the world! Work, work!  Work, work!   And Peg gy  The Schuy ler sis ters!   

63

S.        We're look ing for a mind at work We're look ing for a mind at work   In the great est ci ty In the great est ci ty in the             A.    We're look ing for a mind at work We're look ing for a mind at work   In the great est ci ty In the great est ci ty in the             T.  We're look ing for a mind at work We're look ing for a mind at work In the great est ci ty In the great est ci ty in the                                  B.       We're look ing for a mind at work We're look ing for a mind at work   In the great est ci ty In the great est ci ty in the              

5 67  = 98

S.        world!         The world turned up side down          A.         world!      The world turned up side down  The world turned up side down                   T.               world! The world turned up  side  down   The world turned up  side  down   The world turned up side  down

B.                             world!  The  world turned up side down  The world turned up side down  The world turned up side down     

73

S.           The world turned up  side  down  Down, down,  down, down     Down,  down, down     Down,           A.        The world turned up side down Down, down, down, down   Down, down, down   Down,                           T.               The world turned up side  down Down, down, down, down    Down, down, down    Down,        

B.                       The world turned up  side down Down, down, down, down   Down, down, down   Down,        80  = 79 S.       down, down    The world turned up  side   down!      Five, six, sev en, eight,          A.     down, down   The world turned up  side   down!      Five, six, sev en, eight,            T.              down, down    The world turned up  side down!   One, two, three, four, five, six, sev en, eight,    B.                    down, down   The world turned up side down!   One, two, three, four, five, six, sev en, eight,      

6 86

S.                  nine!    It's the ten duel com mand ments Heyheyheyhey Heyhey Boy you got me            A.   nine!    It's the ten duel com mand ments Heyheyheyhey Heyhey Boy you got me              T.

nine! It's the ten duel com mand ments It's the ten duel com mand ments Hey hey hey hey                                    B.              nine!  It's the ten duel com mand ments  It's the ten duel com mand ments Heyheyheyhey           

90

S.      help less       Look in to your eyes and the  sky's the lim it, I'm help less                   A.    help less    Look in to your eyes and the  sky's the lim it, I'm help less                         T.      B.       93   = 134 S.    Down for the count and I'm drown in' in 'em                       A.   Down for the count and I'm drown in' in 'em                    T.              It must be nice,  it must be nice     to have          B.               It must be nice, it must be nice to have                 

7 101  = 86 S.             It must be nice,  it must be nice    to have Wash ing ton on your  side                  A.            It must be nice,  it must be nice   to have Wash ing ton on your side                            T.                  Wash ing ton on your  side  It must be nice, it must be nice   to have Wash ing ton on your side                     B.                 Wash ing ton on your  side  It must be nice, it must be nice to have Wash ing ton on your  side                                108

S.    No one else was in the room where it hap pened, the room where it hap pened, the room where it hap pened                        A.

  No one else was in the room where it hap pened, the room where it hap pened, the room where it hap pened                        T.   No one else was in the room where it hap pened, the room where it hap pened, the room where it hap pened B. No one else was in the room where it hap pened, the room where it hap pened, the room where it hap pened       

110

S.    No one else was in the room where it hap pened, the room where it hap pened, the room where it hap pened A. No one else was in the room where it hap pened, the room where it hap pened, the room where it hap pened                          T.

No one else was in the room where it hap pened, the room where it hap pened, the room where it hap pened                  B.            No one else was in the room where it hap pened, the room where it hap pened, the room where it hap pened 

8 112

S.      My God! In God we trust,  but we'll ne ver real ly know what got dis cussed   Click boom, then it hap pened 

A.    My God! In God we trust,  but we'll ne ver real ly know what got dis cussed   Click boom, then it hap pened                 T.         My God! In God we trust, but we'll ne ver real ly know what got dis cussed  Click boom, then it hap pened    B.                     My God! In God we trust, but we'll ne ver real ly know what got dis cussed  Click boom, then it hap pened   

115 rit.

S.   the room where it hap pened the  room where it hap pened                      A.     the room where it hap pened the  room where it hap pened                   T.

But no one else was in the room where it hap pened the  room where it hap pened                           B.   But no one else was in the room where it hap pened the  room where it hap pened        117  = 68 S.     Al ex an der Ham il ton   We are wait ing in the wings for you  You could              A.    Al ex an der Ham il ton   We are wait ing in the wings for you  You could                  T.

  Al ex an der Ham il ton Al ex an der Ham il ton wait ing in the wings for you         

B.              Al ex an der Ham il ton   We are wait ing in the wings for you   You could   

9 119

S.    nev er back down, you nev er learned to take your  ti  (h)ime! Oh, Al ex an der Ham il ton   When A                  A.    nev er back down, you nev er learned to take your  ti  (h)ime!  Oh, Al ex an der Ham il ton   When A            T.                       you nev er learned to take your  ti (h)ime! Oh, Al ex an der Ham il ton Al ex an der Ham il ton A

B.            nev er back down, you nev  er learned to take your  ti  (h)ime!  Oh, Al ex an der Ham il ton   When A       

122

S.          mer i ca sings for you  will they know what you o ver came ?  Will they know you re wrote  the game?  The world                     A.     mer i ca sings for you  will they know what you o ver came ?  Will they know you re wrote  the game? The world                        T.          mer i ca sings for you  will they know what you o ver came ?  Will they know you re wrote  the game?  The world   

B.                                mer i ca sings for you  will they know what you o ver came ?  Will they know you re wrote the game? The world      

125

S.               will nev er be  the same     Al ex an der Ham il ton           A.           will nev er be  the same     Al ex an der Ham il ton            T.          will nev  er be  the same      Al ex an der Ham il ton            B.   will nev er be   the same  Al ex an der Ham il ton                         

10 Soprano Highlights from 'Hamilton'

Arr. Tim Burns Lin-Manuel Miranda

 = 68

       How does a bas tard, or phan, son of a whore and a Scots man, dropped in the mid dle of a for got ten                          4

  spot in the Car ib be an by prov i dence, im pov er ished, in squa lor, grow up to be a he ro and a scho lar?                                6  = 91 3    Al ex an der Ham il ton  Al ex an der Ham il ton  not throw ing a way my  shot!  I am                        9 3

 not throw ing a way my shot! Hey yo, I'm just like my coun try, I'm young, scrap py and hun gry and I'm                             

11 1. 3 2. 3

                   not throw ing a way my shot! I am  not throw ing a way my shot! Whoa, whoa whoa     Whoa   15    = 78

                    Whoa Yeah  Whoa, whoa whoa    Whoa  Whoa     Whoa, whoa whoa                         = 120 22 

            Whoa Whoa Hist or y has its eyes on you You'll be back Soon you'll see                               32

  You'll re mem  ber you be long to me  You'll be back  Time will tell  You'll re mem              37

             ber that I served you well  O ceans rise,  em pires fall  we have seen each oth er through it all                42

       and when push  comes to shove   I will send  a ful ly armed bat tal  lion to re mind you of my   47  = 102

    love   Work, work!  Work, work!  E li  za!  Work, work! The Schuy  ler sis ters!           51

    Look a round, Look a round Look a round, Look a round at how luc ky we are to be a live right now                             56

  His tor y is hap pen ing in Man hat tan and we just hap pen to be in the great est ci ty in the world! In the                               59

     great est ci ty in the world! Work, work!  Work, work! E li za!  Work, work! The Schuy ler sis ters!                 63

    We're look ing for a mind at work  We're look ing for a mind at work    In the        = 98     66 

          great est ci ty In the great est ci ty in the world!     The world turned up side down   The        74

          world turned up  side  down  Down, down, down, down     Down, down, down     Down,     80  = 79

       down,  down    The world turned up  side   down!     Five, six, sev en, eight, nine!        87

       It's the ten duel com mand ments Hey hey hey hey  Hey hey Boy you got me help less                  91      

 Look in to your eyes and the sky's the lim it, I'm help less                   = 134    93           Down for the count and I'm drown in' in 'em         It must be nice,  it must be nice                    2 104  = 86

                 to have Wash ing ton on your  side    No one else was in the room where it hap pened, the              109

   room where it hap pened, the room where it hap pened  No one else was in the room where it hap pened, the            111

  room where it hap pened, the room where it hap pened  My God! In God we trust,  but we'll

113

  ne ver real ly know what got dis cussed Click boom, then it hap pened the room where it hap pened the                    

116 rit.  = 68

  room where it hap pened   Al ex an der Ham il ton   We are wait ing in the wings for you  You could                  

119

  nev er back down, you nev er learned to take your ti  (h)ime!  Oh, Al ex an der Ham il ton  When A               

122

        mer i ca sings for you    will they know what you o ver came ?   Will they know               124

                     you re wrote the game?  The world will nev er be   the same   Al ex an der Ham il ton          

3 Alto Highlights from 'Hamilton'

Arr. Tim Burns Lin-Manuel Miranda

 = 68

       How does a bas tard, or phan, son of a whore and a Scots man, dropped in the mid dle of a for got ten                          4

   spot in the Car ib be an by prov i dence, im pov er ished, in squa lor, grow up to be a he ro and a scho lar?                               6  = 91 3

     Al ex an der Ham il ton  Al ex an der Ham il ton  not throw ing a way my  shot!  I am                        9 3

 not throw ing a way my  shot! Hey yo, I'm just like my coun try, I'm young, scrap py and hun gry and I'm                           11 1. 3 2. 3                not throw ing a way my shot! I am  not throw ing a way my shot! Whoa, whoa whoa     Whoa   15    = 78

                 Whoa Yeah  Whoa, whoa whoa    Whoa  Whoa     Whoa, whoa whoa                          = 120 22                 Whoa  Whoa   Hist or y has its eyes on you You'll be back Soon you'll see                      32

  You'll re mem  ber you be long to me  You'll be back  Time will tell  You'll re mem              37

        ber that I served you well  O ceans rise,  em pires fall  we have seen each oth er through it all                      42

      and when push  comes to shove   I will send a ful ly armed bat tal lion to re mind you of my                    47  = 102

            love Work, work! An gel i ca! Work, work! Work, work! The Schuy  ler sis ters! 51   

   Look a round, Look a round   Look a round, Look a round at how luc ky we are to be a live right now                             54

 Look a round, Look a round at how luc ky we are to be a live right now His tor y is hap pen ing in Man hat                                 57

  tan and we just hap pen to be in the great est ci ty in the world!  In the great est ci ty in the world!                              60

    Work, work! An gel i ca! Work, work!  Work, work! The Schuy  ler sis ters!  We're look ing for a mind at                64  = 98      work We're look ing for a mind at work    In the great est ci ty In the great est ci ty in the world!   69      

      The world turned up side down  The world turned up side down  The world turned up side down                          75

           Down, down,  down, down   Down,  down, down   Down,  down, down   The                  82  = 79  world turned up  side  down!     Five, six, sev en, eight, nine!   It's the ten duel com mand ments                88

           Heyheyheyhey Heyhey Boy you got me help less   Look in to your eyes and thesky's the lim it, I'm            = 134         92          help less   Down for the count and I'm drown in' in 'em    It must be nice,  it must be nice                       2 104  = 86

     to have Wash ing ton on your side                    

108

  No one else was in the room where it hap pened, the room where it hap pened, the room where it hap pened                        110

No one else was in the room where it hap pened, the room where it hap pened, the room where it hap pened                         

112

       My God! In God we trust, but we'll ne ver real ly know what got dis cussed Click boom, then it hap pened          115  = 68

      the room where it hap pened the room where it hap pened   Al ex an der Ham il ton   We are                  118

   wait ing in the wings for you You could nev er back down, you nev er learned to take your  ti (h)ime!  Oh,                 121

    Al ex an der Ham il ton   When A mer i ca sings for you    will they    123

         know what you o ver came ? Will they know you re wrote  the game? The world will nev er be                         126

     the same      Al ex an der Ham il ton            

3 Tenor Highlights from 'Hamilton'

Arr. Tim Burns Lin-Manuel Miranda

 = 68

  How does a bas tard, or phan, son of a whore and a Scots man, dropped in the mid dle of a for got ten                              

4

   spot in the Car ib be an by prov i dence, im pov er ished, in squa lor, grow up to be a he ro and a scho lar? 

6 = 91  3      Al ex an der Ham il ton Al ex an der Ham il ton  I am  not throw ing a way my  shot! I am                  9

 3                  not throw ing a way my  shot! Hey yo, I'm just like my coun try, I'm young, scrap py and hun gry and I'm  11 1. 2.

3 3                                      not throw ing a way my shot! I am  not throw ing a way my shot! Whoa, whoa whoa   Whoa  Whoa  16  = 78

      Yeah   Whoa, whoa whoa      Whoa    Whoa     Hist  or y has its  eyes on you                = 120   24 

           Hist  or y has its eyes on you  You'll be back  Soon you'll see  You'll re mem      33

   ber you be long to me You'll be back  Time will tell  You'll re mem  ber that I served you well          38

               O ceans rise,  em pires fall we have seen each oth er through it all  and when push comes  to shove           44  = 102

     I will send  a ful ly armed bat tal lion to re mind you of my love  Work, work!  Work, work!           50

   Work, work! The Schuy  ler sis ters! Look a round, Look a round Look a round, Look a round at how                    55

                            luc ky we are to be a live right now His tor y is hap pen ing in Man hat tan and we just hap pen to be in the 58

     great est ci ty in the world! In the great est ci ty in the world! Work, work! Work, work!                  62

  Work, work! The Schuy  ler sis ters! We're look ing for a mind at work We're look ing for a mind at                             65  = 98

        work In the great est ci ty In the great est ci ty in the world! The world turned up side down The                         70

             world turned up  side  down   The world turned up side  down  The world turned up side  down 75

           Down,  down, down, down    Down, down, down    Down, down, down    The         82    = 79 

           world turned up  side down!   One, two, three, four, five, six, sev en, eight, = 134 86      nine!  It's the ten duel com mand ments  It's the ten duel com mand ments Hey hey hey hey            98

            It must be nice,  it must be nice     to have Wash ing ton on your  side  It must be nice,               103    = 86

            it must be nice   to have Wash ing ton on  your  side                    2 108

  No one else was in the room where it hap pened, the room where it hap pened, the room where it hap pened

110

No one else was in the room where it hap pened, the room where it hap pened, the room where it hap pened                 

112

         My God! In God we trust, but we'll ne ver real ly know what got dis cussed Click boom, then it hap pened   115

But no one else was in the room where it hap pened the room where it hap pened                          

117  = 68

  Al ex an der Ham il ton Al ex an der Ham il ton wait ing in the wings for you         

119

                      you nev er learned to take your  ti (h)ime! Oh, Al ex an der Ham il ton Al ex an der Ham il ton A

122

 mer i ca sings for you  will they know what you o ver came ? Will they know                     124

        you re wrote  the game?   The world  will nev  er be  the same     Al ex an der Ham il ton            

3 Bass Highlights from 'Hamilton'

Arr. Tim Burns Lin-Manuel Miranda

 = 68

   How does a bas tard, or phan, son of a whore and a Scots man, dropped in the mid dle of a for got ten     

4

  spot in the Car ib be an by prov i dence, im pov er ished, in squa lor, grow up to be a he ro and a scho lar? 

6  = 91

        3   Al ex an der Ham il ton Al ex an der Ham il ton  not throw ing a way my shot! I am         9

3                  not throw ing a way my  shot! Hey yo, I'm just like my coun try, I'm young, scrap py and hun gry and I'm   11 1. 2.    3          3            not throw ing a way myshot! I am not throw ing a way myshot! Whoa, whoa whoa    Whoa            = 120 19  = 78                            Whoa     Hist or y has its  eyes on you      Hist or y has its eyes on you        30

                  You'll be back Soon you'll see You'll re mem ber you be long to me  You'll be back Time will tell

36

          You'll re mem ber that I served you well O ceans rise, em pires fall we have seen                     41

                      each oth er through it all   and when push comes to shove  I will send a ful ly armed bat tal    46  = 102

                  lion to re mind you of my love   Work, work!  Work, work!  And Peg gy  The Schuy ler sis ters!   51

        Look a round, Look a round  Look a round, Look a round at how luc ky we are  to be a live right  now   56

               His tor y is hap pen ing in Man hat tan and we just hap pen to be  in the great est ci ty in the world! In the

59

                 great est ci ty in the world! Work, work!  Work, work!   And Peg gy  The Schuy ler sis ters!    63

  We're look ing for a mind at work We're look ing for a mind at work In the                    66  = 98

        great est ci ty In the great est ci ty in the world! The  world turned up  side down The        70

          world turned up  side down  The world turned up  side down  The world turned up  side down       75

                Down, down, down, down   Down, down, down   Down, down, down  The                   82  = 79          world turned up side down! One, two, three, four, five, six, sev en, eight,          = 134 86  

                      nine! It's the ten duel com mand ments  It's the ten duel com mand ments Hey hey hey hey  98

       It must be nice, it must be nice  to have Wash ing ton on your  side  It must be nice,                              103  = 86

         it must be nice  to have Wash ing ton on your  side                         2 108

           No one else was in the room where it hap pened, the room where it hap pened, the room where it hap pened

110

No one else was in the room where it hap pened, the room where it hap pened, the room where it hap pened      

112

                My God! In God we trust, but we'll ne ver real ly know what got dis cussed Click boom, then it hap pened      

115

 But no one else was in the room where it hap pened the  room where it hap pened       

117  = 68

           Al ex an der Ham il ton We are wait ing in the wings for you You could           

119

           nev er back down, you nev  er learned to take your  ti  (h)ime!  Oh, Al ex an der Ham il ton  When A      

122

          mer i ca sings for you  will they know what you o  ver came ? Will they know       

124

            you re wrote the game? The world will nev er be  the same  Al ex an der Ham il ton                         

3