FREE SO THATS WHERE THE DEMENTED WENTED: THE COMICS AND ART OF RORY HAYES PDF

Daniel Nadel,Glenn Bray | 144 pages | 25 Sep 2008 | Fantagraphics | 9781560979234 | English | Seattle, United States Where Demented Wented: The Art and Comics of Rory Hayes by Rory Hayes

What a great web site, and I love that you love Rory Hayes. I always wanted to know more about this man, like I couldn't understand the dichotomy of his coming from a tight loving family or so it is said in the press releases and then his being such a major speed freak. Most speed freaks I used to know had troubled backgrounds. Anyway, I just wondered, and So Thats Where the Demented Wented: The Comics and Art of Rory Hayes always liked his artwork. Speed and that bay are old friends. I saw his brother speak about Rory and they were very focused even as kids about drawing So Thats Where the Demented Wented: The Comics and Art of Rory Hayes sci-fi horror, and the 70's were just kind of off the hook about drugs, I remember kids in my middle class neighborhood being all into PCP and it was kind of normal Much more middle class than you would think. I mentor students in art now and a lot of them are very anti-drug. Times change I suppose. I love how this guy just doesn't fit any real genre. Its kind of outsider, but "in". I think you have to approach it from his motivation. I guess the word is idiosyncratic. Like a turrets more than a practice, I think thats a good place for art to begin from, meh who knows? Post a Comment. From Philipsburg, Sint Maarten. Pages Home. Around p. Now the name Rory Hayes was unfamiliar to us, but when we did a Google image search, we quickly recognized that we had seen his work back in the s and even remembered specific comics, particularly "Bogeyman. Attracting equal parts derision and praise the latter from the likes of R. We'd never seen the store so crowded and since the door was closed and a white-bearded man in black was blocking the entrance, we assumed at first that it was filled to capacity and were about to go home when the man moved and we realized he was only inadvertently standing in our way. When we told him this, he was amused that we took him for a bouncer. Well, the store almost needed one. We wedged ourselves into a small spot by the store's whimsical window display and a rack of little comics and found ourselves next to the barrel of cold cans of Budweiser. Is that good beer? We are not just teetotalers; we are totally ignorant. We just know that hipsters like PBR, right? A large, well-groomed black dog was standing on his hind legs nearby and shaking hands with people, and we wondered if he would be on the evening's panel. As it turned out, no. Savage Pencil. Also included is a rare interview with Hayes himself. The panel discussion - really, reminiscences of a brother and an old friend prompted by a moderator who knew when to probe and when to hold back - lasted maybe an hour, but we don't think anyone's attention flagged. We could go on and on, based on our notes, but probably the best introduction to Rory Hayes you can get is through the book, available at Desert Island. Rory was behind the counter for many years, part of the scene but apart from it. Everyone smoked marijuana, of course, but Rory's speed habit clearly fueled his creativity, eventually choked it, and led to his early death. But he's achieved the kind of influence only true originals can manage: Rory's work has affected people who aren't even aware of who he was. Geoffrey Hayes said his brother was always drawing, as he was, from boyhood in L. At a very young age, they created wordless books and then films, featuring their stuffed animals and dolls, but not in a typical way: they were darker tales of horror, SF, detective stories. Rory So Thats Where the Demented Wented: The Comics and Art of Rory Hayes a "Dolls Weekly" newspaper whose only copy Geoffrey pretended to buy, and even then Rory's work has an "underground" feel. The two brothers would go on very different paths, Geoffrey as a more conventional if offbeat children's book author in New York, and Rory heading for if not with flowers in his hair, then with interesting visions in his head. said that Rory wasn't really aware that he was actually a folk artist; comparing Rory to Henri Rousseau, who believed he was painting in a classical tradition when in such work as "The Sleeping Gypsy" he was doing pioneering folk art, Griffith noted that Rory was never a "hippie" in the way he and the others were in their dress, hairstyles, and attitudes. As if he was "possessed by a monster," Rory produced his work naturally, much of it utterly inaccessible in its time except for those fellow artists and a few others, like the eccentric wealthy comics collector who eventually paid Rory for original work. Bill Griffith told a story about Rory turning up bleeding and disheveled at his SF apartment while his girlfriend and Aileen Kominsky Crumb were present, and asking only for a glass of milk. At a comics conference at the University of Florida insert obligatory law school alum "Go Gators! And in his notebook was a kind of a break down of a movie script — an idea for a movie that he was been trying to. Rory made 8MM movies occasionally, homemade horror films. Rory would show these movies —l ittle evening entertainments. And he would narrate them, but he would shift So Thats Where the Demented Wented: The Comics and Art of Rory Hayes third-person narrative to first-person whenever he got to the violent scenes. Like he would be saying things like, "The creature comes into the room, the woman is lying prone So Thats Where the Demented Wented: The Comics and Art of Rory Hayes her back. The creature gets closer, and then I stab her. It was pretty intense. Bill Griffith said that few seemed to "get" Rory, but that he, Crumb, Spiegelman and others definitely did appreciate his "very disturbing work" that others dismissed as crude and naive. Rory's brother Geoffrey said that no matter how possessed Rory was by drugs, the quality of his technique remained strong and his vision came from his gut. It seemed as if the amphetamines actually allowed him to do stuff like obsessively detailed stippling, for example. Rory's output declined as the s wore on and the drugs took their toll; he moved more towards single images than multi-panel strips. There were great questions by Desert Island proprietor Gabriel Fowler and some of the guests that produced fascinating answers from the panelists, and Dan Nadel put Rory Hayes' work in perspective in both its time and today; with the publication of Where Demented Wentedwe expect Rory's influence will only grow. Posted by Richard at AM. Newer Post Older Post Home. Subscribe to: Post Comments Atom. 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Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. So Thats Where the Demented Wented: The Comics and Art of Rory Hayes to Book Page. Dan Nadel Editor. Glenn Bray Editor. The controversial cartoonist Rory Hayes was a self-taught dynamo of the San Francisco underground comics revolution. Attracting equal parts derision and praise the latter from the likes of R. Crumb and Bill GriffithHayes emerged as comics' great primitive, drawing horror comics in a genuinely horrifying and halucinatory manner. He has influenced a generation of cartoon The controversial cartoonist Rory Hayes was a self-taught dynamo of the San Francisco underground comics revolution. This book, the first retrospective of Hayes' career ever published, features the best of his underground comics output alongside paintings, covers, and artifacts rarely seen by human eyes-as well as astounding, previously unprinted comics from his teenage years and movie posters for his numerous homemade films. The Comics and Art of Rory Hayes also serves as a biography and critique with a memoir of growing up with Rory by his brother, the illustrator Geoffrey Hayes, and a career-spanning essay by Edward Pouncey. Also included is a rare interview with Hayes himself. His work retains its raw, primitive power to this day, teetering precariously between chaos and control, madness and oddly endearing teddy bears. Get A Copy. Paperbackpages. Published August 1st by Fantagraphics Books first published July 31st More Details Original Title. Other Editions 2. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Where Demented Wentedplease sign up. Be the first to ask a question about Where Demented Wented. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. Sort order. Feb 27, Dominick rated it liked it Shelves: comicsart. Compact collection of Hayes's work, including Bill Griffiths's story on him and a biographical essay by his brother. Hayes was one of the more. Hayes's work is primitive, almost amateurish-looking; from a purely formal perspective, Compact collection of Hayes's work, including Bill Griffiths's story on him and a biographical essay by his brother. Hayes's work is primitive, almost amateurish-looking; from a purely formal perspective, there's not a lot to admire here. What gives it power is that it pretty clearly comes form an unfiltered mind and imagination, putting whatever the id throws out down on paper. Well, mostly, anyways; at times, he seems to be going for shock or grossness just because he can. Mostly, though, this is just unbridled demon- exorcising, one suspects. Definitely not for everybody, but if you have a high tolerance for transgressive sexual and violent imagery, and especially if you are interested in , this is a book you should check out. Nov 24, Mark Connery rated it it was amazing Shelves: comix. I don't know that a rational argument can be made about the value of Hayes's work. I find it deeply moving and beautiful. Sep 06, Nada rated it it was amazing. Feb 29, Gene rated it liked it Shelves: comics. The other folks who reviewed this summed the whole thing pretty well, still I am diving a little more into details in the review hereby I wasn't quite attracted So Thats Where the Demented Wented: The Comics and Art of Rory Hayes the idea of cute teddy bears involved in trivial horror stories, but the art brut girth of the samples that I had viewed had a strong impact on me. Hayes' rather pointless or rudimentary characters are somehow related to the comical cacophony in Newgarden's Meet The Cast series or Williams' instant creations, they are mere episodes The other folks who reviewed this summed the whole thing pretty well, still I am diving a little more into details in the review hereby Hayes' rather pointless or rudimentary characters are somehow related to the comical cacophony in Newgarden's Meet The Cast series or Williams' instant creations, they are mere episodes generated by a drug-slashed mastermind fed with old comics. His scenery is fine for me, by no means professional - that doesn't mean that massive doses of black and chaotic scrabblings depicting zombies can't be fun. Overall, if it comes to depravation or hallucinations, I would recommend either Nemoto's Monster Men more depraved, but nonetheless much funnier and corrosiveeither S Clay Wilson's Checkered Demon comics those are a must for a comic fan, anyway instead of this. Not devoid of historical value, but there can be much better deals. Oct 06, Lauren rated it liked it. The text pieces that bookend the collection are very beautiful, though, and help me put his art in context even though Hayes was adamant that it just be experienced. Sep 05, Mark Desrosiers rated it So Thats Where the Demented Wented: The Comics and Art of Rory Hayes it Shelves: comics. Rory Hayes wasn't the So Thats Where the Demented Wented: The Comics and Art of Rory Hayes writer in the world, and his untrained drawing style looks like the sort of thing that Ed Gein would have doodled on the back of his Trapper Keeper. In other words: just nasty and completely nuts, but also hilarious. Apr 25, Bill Hsu rated it it was ok. I really love the cover of Bogeyman 1: Can't say the rest of Hayes' work does much for me though Sep 02, Monty rated it liked it. There are no discussion topics on this book yet. Readers also enjoyed. About Rory Hayes. Rory Hayes. Books by Rory Hayes. Related Articles. Read more Trivia About Where Demented We No trivia or quizzes yet. Welcome back. Just a moment while we sign you in to your Goodreads account. Where Demented Wented: Nadel on Rory Hayes | CBR One of the stranger and more obscure creators in comics history finally received his due with the new "Where Demented Wented: The Art and Comics of Rory Hayes" retrospective, courtesy of Fantagraphics Books. Hayes became known in underground comics from the late s to the mid s for his simultaneously childish and obscene artwork and stories. Nadel spoke to CBR News about "Where Demented Wented" and Rory Hayes, whose divisive and drug-fueled comics career ultimately ended early, though the influence of his work remains visible throughout indie comics. It seems so unlike anything else. Dan Nadel: Actually, I think it's very much in the tradition of horror comics. I think what he's doing, you look at the storytelling, it's in the "Little Lulu" style or the EC So Thats Where the Demented Wented: The Comics and Art of Rory Hayes style. I've always found his comics incredibly easy to follow. There's always a beginning and a middle and an end. Rory was obviously an idiosyncratic artist. But his work was clearly the art of a cartoonist. He knows how to tell a story in panels. His art is scratchy and highly personal. Most horror comics were done in the classic illustration style, and the horror came about in the plot. But Rory drew horrifically. The very lines and marks were horrific. That makes him unique in comics. But that doesn't make him unique in visual culture. And apparently he was quite aware of that. This idea that he was some kind of outsider artist is overstated. He was an artist pure and simple, and very ambitious. He suffered from personal problems and was self-taught, but then R. Crumb was self-taught and suffered from personal problems. It's not that different from Krazy Kat. But Herriman was canonized and Rory wasn't. Mostly, he just didn't create comics for very long. He stopped publishing inwhich was the year I was born. I stumbled into his work in orso I've been aware of it for a long time. Artists I really respect like or Bill Griffith would refer to him with a lot of frequency. Then two years ago, in "Art Out of Time," I featured some of his pages. How much did you know about Hayes' life before taking on the "Where Demented Wented" project? What I knew is essentially from reading the same things everyone read. His trajectory is interesting and sad, that he died so young and the drug addiction and all that. It's not terribly unusual for lots of different artists, but sad nonetheless. Our friend , three or four years ago now, said, "Boy, it would be really great to do a Rory Hayes book. Did the artwork in the book come from Bray's collection? How did you decide what to include? The goal was to make the most compelling case for [Hayes'] artwork possible. To that end, we chose the best work we could find. I think he's a major talent. There is a sort of progression to the work as he becomes more comfortable and his personal life unravels. There's not that much more of his art out there. We're only missing like 30 pages of comics. I'm happy with it. It does exactly what it needs to do. The goal with all these books is to treat the subject seriously and the book provides amazing material. And also to provide scholarship and text for people that want to get into, to learn more about the context and the work itself. It's a complete kind of volume with a certain amount of seriousness that's too So Thats Where the Demented Wented: The Comics and Art of Rory Hayes lacking. I'm not interested in laudatory essays or bullshit celebrity endorsements. I don't like wacky design or people doing their own drawings on top of it. I just want serious attention to it. All we've got is the work, why fuck with it? There's an interview with Hayes reprinted in the book. How did you select that piece, or was there much more out there? There was one more, I think it was in Cascade, and it's available online, and that's been around a bit more. But I think that's it. I'm not that surprised. If you look for any number of underground creators, you won't find much until they hit a certain celebrity status. It just wasn't being documented. There are odds and ends. Outside of Crumb, Spiegelman, Griffith and Deitch, the work wasn't very well liked. Hayes always had critics who said there wasn't anything to his work beyond the vulgarity of it. What's your response to that? Is there a lot more to it? There's a lot to it. There's probably a lot to be gleaned from it. He was using comics in a way that hadn't been used to that point. I've never understood, "Oh, it's just ugly," or, "Oh, it's just vulgar. It's ugly or vulgar in the context of Al Williamson. But there's many other contexts in the world. There's as much going on in his work as in many of the underground cartoonists. It's someone exploring his inner world and having a direct experience of it. And was his inner world very interesting? Yes, it was to me. I'm not sure who I'd point to. There's nobody out there ripping him So Thats Where the Demented Wented: The Comics and Art of Rory Hayes. There's nobody like that. And I don't think you could. It's as much about an emotional state as it is about aesthetics. It's almost an impossible aesthetic to copy. It's all personal, there's nothing there to hold onto. By Van Jensen Sep 11, Share Share Tweet Email 0. Related Topics Comics Comic News So Thats Where the Demented Wented: The Comics and Art of Rory Hayes dan nadel where demented wented gary panter rory hayes. Dune: What the Trailer's 'Crusade' Is.