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Itinéraires, 2017-1 | 2018 I Am Writing a Biography
Itinéraires Littérature, textes, cultures 2017-1 | 2018 Biographie et fiction I Am Writing a Biography. J’écris une biographie… Miriam Nichols Electronic version URL: http://journals.openedition.org/itineraires/3663 DOI: 10.4000/itineraires.3663 ISSN: 2427-920X Publisher Pléiade Electronic reference Miriam Nichols, « I Am Writing a Biography. », Itinéraires [Online], 2017-1 | 2018, Online since 15 February 2018, connection on 20 April 2019. URL : http://journals.openedition.org/itineraires/3663 ; DOI : 10.4000/itineraires.3663 This text was automatically generated on 20 April 2019. Itinéraires est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. I Am Writing a Biography. 1 I Am Writing a Biography. J’écris une biographie… Miriam Nichols Preface 1 Literary biography is a slippery genre. However splendid or useful individual examples of it may be, the genre itself lags behind fiction, poetry, and drama in star quality; its readership and shelf life depend as much on the prestige and currency of the subject as the skill of the biographer, and it requires a dogged willingness to stay with a single project for many years. Worse, on publication the biographer risks the ire of other scholars or sometimes living friends and relatives who don’t remember things quite the same way. Then there is the digital archive that threatens to supplant the genre altogether. 2 I have come to think of biography as a “why this and not that” kind of genre: why this writer and not that one? why recount this incident and not another? why tell a story rather than mount a digital archive? My purpose in this essay is to lay out these conundrums as I have encountered them and to explain my choices in trying to respond. -
Cutting Iip the S Picket Penaltk
BCGEU BACKED BY CLASSROOM SHUTDOWN VOL. 1, NO. 4/WEDNESDAY, NOV. 9, 1983 STRIKE TWO TEACHERS OUT: IT'S A WHOLE NEW BALL GAME! (PAGE 3) CUTTING IIP THE S PAGE 5 PICKET PENALTK PAGE 3 BEV DAVIES fn.jT.-. Second-Class Mall Bulk. 3rd Class Registration Pending Vancouver, B.C. No. 5136 TIMES, WEDNESDAY, NOV. 9, 1983 the right-wing legislative them, and went on to warn package introduced by Ben• school districts that shutting nett's Social Credit govern• down in the event of a ment last July. If the govern• 1 teachers' strike could result in ment workers' dispute wasn't board members being charged settled by Tuesday, Nov. 8, it with breaking the law. B.C. would trigger "phase two" of 3111:11 Teachers Federation president Solidarity's protest: BCGEU Larry Kuehn was not in• members would be joined by timidated. He called Count• teachers, crown corporation Heinrich's position workers, civic employees, bus iitll "ridiculous," accused the drivers and hospital workers in •ill! minister of "playing games" escalating waves. But it all and suggested the war of down to depended on the premier. As words would only anger Province political columnist teachers. Allen Garr put it: "What we Thursday, Nov. 3: Nor was Phase 2 are experiencing, of course, is Operation Solidarity, the trade the latest example of the union segment of the coali• By Stan Persky premier's crisis-management tion, terrified by Heinrich. With less than one shift to style. First he creates the crisis After an emergency session, go before the B.C. -
Jack Spicer Papers, 1939-1982, Bulk 1943-1965
http://oac.cdlib.org/findaid/ark:/13030/kt9199r33h No online items Finding Aid to the Jack Spicer Papers, 1939-1982, bulk 1943-1965 Finding Aid written by Kevin Killian The Bancroft Library University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2007 The Regents of the University of California. All rights reserved. Finding Aid to the Jack Spicer BANC MSS 2004/209 1 Papers, 1939-1982, bulk 1943-1965 Finding Aid to the Jack Spicer Papers, 1939-1982, bulk 1943-1965 Collection Number: BANC MSS 2004/209 The Bancroft Library University of California, Berkeley Berkeley, California Finding Aid Written By: Kevin Killian Date Completed: February 2007 © 2007 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Jack Spicer papers Date (inclusive): 1939-1982, Date (bulk): bulk 1943-1965 Collection Number: BANC MSS 2004/209 Creator : Spicer, Jack Extent: Number of containers: 32 boxes, 1 oversize boxLinear feet: 12.8 linear ft. Repository: The Bancroft Library Berkeley, California 94720-6000 Abstract: The Jack Spicer Papers, 1939-1982, document Spicer's career as a poet in the San Francisco Bay Area. Included are writings, correspondence, teaching materials, school work, personal papers, and materials relating to the literary magazine J. Spicer's creative works constitute the bulk of the collection and include poetry, plays, essays, short stories, and a novel. Correspondence is also significant, and includes both outgoing and incoming letters to writers such as Robin Blaser, Harold and Dora Dull, Robert Duncan, Lewis Ellingham, Landis Everson, Fran Herndon, Graham Mackintosh, and John Allan Ryan, among others. -
Lai CV April 24 2018 Ucalg For
THE UNIVERSITY OF CALGARY Curriculum Vitae Date: April 2018 1. SURNAME: Lai FIRST NAME: Larissa MIDDLE NAME(S): -- 2. DEPARTMENT/SCHOOL: English 3. FACULTY: Arts 4. PRESENT RANK: Associate Professor/ CRC II SINCE: 2014 5. POST-SECONDARY EDUCATION University or Institution Degree Subject Area Dates University of Calgary PhD English 2001 - 2006 University of East Anglia MA Creative Writing 2000 - 2001 University of British Columbia BA (Hon.) Sociology 1985 - 1990 Title of Dissertation and Name of Supervisor Dissertation: The “I” of the Storm: Practice, Subjectivity and Time Zones in Asian Canadian Writing Supervisor: Dr. Aruna Srivastava 6. EMPLOYMENT RECORD (a) University, Company or Organization Rank or Title Dates University of Calgary, Department of English Associate Professor/ CRC 2014-present II in Creative Writing University of British Columbia, Department of English Associate Professor 2014-2016 (on leave) University of British Columbia, Department of English Assistant Professor 2007-2014 University of British Columbia, Department of English SSHRC Postdoctoral 2006-2007 Fellow Simon Fraser University, Department of English Writer-in-Residence 2006 University of Calgary, Department of English Instructor 2005 University of Calgary, Department of Communications Instructor 2004 Clarion West, Science Fiction Writers’ Workshop Instructor 2004 University of Calgary, Department of Communications Teaching Assistant 2002-2004 University of Calgary, Department of English Teaching Assistant 2001-2002 Writers for Change, Asian Canadian Writers’ -
JK Bloomsday Interview
A Bloomsday Interview With Joanne Kyger in New York Trevor Carolan “I don’t think it was until I moved to Bolinas in 1969 that I really entered into a close relationship with the land around me in my writing. About the birds who live here, to this day the quail are probably my closest neighbors.” * “Poetry has a lot to do with awakening,” Joanne Kyger has noted. I came to appreciate this while teaching a humanities seminar at Simon Fraser University in Vancouver. The readings included a constellation of writers associated with “San Francisco: the Athens of the American West”, a large number of whom were Buddhist-influenced. I noticed how young male students gravitated to work by Jack Kerouac, Allen Ginsberg, Gary Snyder, Lawrence Ferlinghetti, or Kenneth Rexroth; by contrast, women students responded strongly to the poetry and poetics of Joanne Kyger and Diane di Prima. Accordingly, I began paying closer attention to the transpacific inflections that percolate through the work of other women writers like Maxine Hong Kingston, Amy Tan, Alice Walker, Jane Hirschfield, and bell hooks. In June, 2008, Joanne Kyger was a featured speaker at The Beats In India, an Asia Centre symposium in New York. The event celebrated the journey made in 1962 by Kyger, her then-husband Snyder, and fellow American poets Ginsberg and Peter Orlovsky, and addressed ‘what drew the Beats to India and how they inspired successive generations of Americans to turn to the East for spiritual and creative wisdom’. There was a sense of historical importance about the gathering. Two days later on Bloomsday, I spoke with Kyger at the loft home office of Vincent Katz, publisher of Kyger’s poetry collection, Not Veracruz (Libellum Books). -
Words Like That: Reading, Writing, and Sadomasochism
WORDS LIKE THAT: READING, WRITING, AND SADOMASOCHISM JORDANA M. GREENBLATT A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN ENGLISH YORK UNIVERSITY, TORONTO, ONTARIO APRIL 2010 Library and Archives Bibliothgque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'6dition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-68344-6 Our file Notre reference ISBN: 978-0-494-68344-6 NOTICE: AVIS: The author has granted a non- L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Biblioth&que et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Contributors
Contributors MICHAEL BARNHOLDEN's books include Cir TED BYRNE is a Vancouver poet. Recent work cumstances: Alter Photographs (Talon 2009); Street includes Beautiful Lies (Capilano University Edi Stories: One Hundred Years of Homelessness (Anvil tions) and Sonnets: Louise Labe (forthcoming from 2007), and Reading the Riot Act (Anvil 2005). He Nomados). He first met George Stanley on page is the publisher of LINEbooks, and managing 15 of Caterpillar 11. He has always remembered the editor of West Coast Line. He teaches English at lines, "Tell me again what you said, it is possible Emily Carr and the Native Education College. He everything I think is wrong." He envies Mr. Stan claims to have met George Stanley at the York ley's status as a foreign-born Irishman and his Street East Commune in the early seventies at a absence from The New American Poetry. "North writers' meeting. of California Street" first appeared in The Rain (www.rainreview.net). KEN BELFORD is the author of seven books of poetry. Belford has lived in the roadless moun JOSHUA CLOVER is a scholar, poet, and jour tains of the headwaters of Northern BC's Nass nalist. His most recent books include The Ma River for half his life. He writes a lan(d)guage of trix, a book of film criticism, and 1989: Bob Dylan subsistence, with a sub-text of origins and evolu Didn't Have This to Sing About. He is currently a tion. Professor of Poetry and Poetics at the University of California, Davis. He was one of the judges DANIEL BOUCHARD: "I was introduced to who awarded the Shelley Memorial Award to George Stanley's poetry by Kevin Davies. -
Spring 2016 Volume 30
FREE AT BC FERRIES GIFT SHOPS • ESCAPING THE FRASER VALLEY 31 BC BOOKWORLD VOL. 30 • NO. 1 • SPRING 2016 WORLDWORLD CLASSCLASS TEARDOWNSTEARDOWNS DUMP TRUMP Caroline Adderson documents the rapid rate of home demolitions. See page 5 LAURA SAWCHUK PHOTO PUBLICATION MAIL AGREEMENT #40010086 INTERNATIONAL STORIES: CARIBBEAN 15 ICELAND 17 SPAIN 19 GREECE 22 Start the year with a good book. Discover great books by B.C. authors in Passages Gift Shop JOIN US May 20th - 22nd, 2016 Prestige Harbourfront Resort Your coaches Salmon Arm, BC and mentors for 2016: A Festival Robert J. Sawyer $3,000 designed by writers Susan Fox IN CASH for writers Ted Bishop Arthur Slade to encourage, support, Joëlle Anthony inspire and inform. Richard Wagamese Bring your muse Victor Anthony and expect to be Michael Slade Jodi McIsaac welcomed, included Alyson Quinn and thoroughly Jodie Renner entertained. Howard White Alan Twigg Bernie Hucul 3 CATEGORIES | 3 CASH PRIZES | ONE DEADLINE FICTION – MAXIMUM 3,000 WORDS CREATIVE NON-FICTION – MAXIMUM 4,000 WORDS on the POETRY – SUITE OF 5 RELATED POEMS Lake DEADLINE FOR ENTRIES: MAY 15, 2016 Writers’ Festival SUBMIT ONLINE: www.subterrain.ca INFO: [email protected] Find out what these published authors and ENTRY FEE: industry professionals can do for you. Register at: $2750 INCLUDES A ONE-YEAR SUBTERRAIN SUBSCRIPTION! www.wordonthelakewritersfestival.com PER ENTRY YOU MAY SUBMIT AS MANY ENTRIES IN AS MANY CATEGORIES AS YOU LIKE “I have attended this conference for Faculty: the past four years. The information is Alice Acheson -
View Prospectus
Archive from “A Secret Location” Small Press / Mimeograph Revolution, 1940s–1970s We are pleased to offer for sale a captivating and important research collection of little magazines and other printed materials that represent, chronicle, and document the proliferation of avant-garde, underground small press publications from the forties to the seventies. The starting point for this collection, “A Secret Location on the Lower East Side,” is the acclaimed New York Public Library exhibition and catalog from 1998, curated by Steve Clay and Rodney Phillips, which documented a period of intense innovation and experimentation in American writing and literary publishing by exploring the small press and mimeograph revolutions. The present collection came into being after the owner “became obsessed with the secretive nature of the works contained in the exhibition’s catalog.” Using the book as a guide, he assembled a singular library that contains many of the rare and fragile little magazines featured in the NYPL exhibition while adding important ancillary material, much of it from a West Coast perspective. Left to right: Bill Margolis, Eileen Kaufman, Bob Kaufman, and unidentified man printing the first issue of Beatitude. [Ref SL p. 81]. George Herms letter ca. late 90s relating to collecting and archiving magazines and documents from the period of the Mimeograph Revolution. Small press publications from the forties through the seventies have increasingly captured the interest of scholars, archivists, curators, poets and collectors over the past two decades. They provide bedrock primary source information for research, analysis, and exhibition and reveal little known aspects of recent cultural activity. The Archive from “A Secret Location” was collected by a reclusive New Jersey inventor and offers a rare glimpse into the diversity of poetic doings and material production that is the Small Press Revolution. -
Asper Nation Other Books by Marc Edge
Asper Nation other books by marc edge Pacific Press: The Unauthorized Story of Vancouver’s Newspaper Monopoly Red Line, Blue Line, Bottom Line: How Push Came to Shove Between the National Hockey League and Its Players ASPER NATION Canada’s Most Dangerous Media Company Marc Edge NEW STAR BOOKS VANCOUVER 2007 new star books ltd. 107 — 3477 Commercial Street | Vancouver, bc v5n 4e8 | canada 1574 Gulf Rd., #1517 | Point Roberts, wa 98281 | usa www.NewStarBooks.com | [email protected] Copyright Marc Edge 2007. All rights reserved. No part of this work may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, without the prior written consent of the publisher or a licence from the Canadian Copyright Licensing Agency (access Copyright). Publication of this work is made possible by the support of the Canada Council, the Government of Canada through the Department of Cana- dian Heritage Book Publishing Industry Development Program, the British Columbia Arts Council, and the Province of British Columbia through the Book Publishing Tax Credit. Printed and bound in Canada by Marquis Printing, Cap-St-Ignace, QC First printing, October 2007 library and archives canada cataloguing in publication Edge, Marc, 1954– Asper nation : Canada’s most dangerous media company / Marc Edge. Includes bibliographical references and index. isbn 978-1-55420-032-0 1. CanWest Global Communications Corp. — History. 2. Asper, I.H., 1932–2003. I. Title. hd2810.12.c378d34 2007 384.5506'571 c2007–903983–9 For the Clarks – Lynda, Al, Laura, Spencer, and Chloe – and especially their hot tub, without which this book could never have been written. -
By Carellin Brooks
Carellin Brooks was born in Vancouver in 1970. She has lived in Ottawa, Montreal, New York, Oxford and London (UK), San Diego, Seattle, Japan, and Salt Lake City. She holds a BA from McGill and, as you will read, is working toward a DPhil from Oxford. She is the managing editor at New Star Books in Vancouver and an instructor at University of British Columbia. Rhodekill: She tried to put Oxford behind her…to no avail Carellin Brooks I first heard about the Rhodes Scholarship when a woman in one of my undergraduate classes in Canada was introduced to us all as having won one. She smiled modestly; she was a quiet- looking person overall, devoid of makeup and the opposite of flashy. I am embarrassed to admit I looked her over and thought, “Well, if she can do it, so can I.” I was a brash young thing in those days, all attitude and platinum hair cut to an inch. I had grown up in the foster-care system and was a pet of the agency back in my hometown which bankrolled my studies. The director of the agency took a personal interest in my application and woke me at seven one morning with a phone call. “Fencing.” “Wha…?” “Fencing. I’ve been thinking it over. You need a sport.” Aside from aerobics in high school, my athletic experience consisted of breaking my glasses on fly balls, being chosen last for elementary- school teams and, in confirmation of the wisdom of this, scoring goals for the opposing team. “Fencing’s really esoteric,” he continued, “so it won’t stick out that you’re not very athletic.” It was a good idea but in the end my athletic credentials consisted of my hour-long daily walk to school. -
The George Stanley Issue the Phantoms Have Gone Away & Left a Space for Beauty
TCR THE CAPILANO REVIEW The George Stanley Issue The phantoms have gone away & left a space for beauty. —george stanley Editor Brook Houglum Managing Editor Tamara Lee The Capilano Press Colin Browne, Pierre Coupey, Roger Farr, Crystal Hurdle, Andrew Klobucar, Aurelea Mahood, Society Board Jenny Penberthy, Elizabeth Rains, Bob Sherrin, George Stanley, Sharon Thesen Contributing Editors Clint Burnham, Erín Moure, Lisa Robertson Founding Editor Pierre Coupey Designer Jan Westendorp Website Design Adam Jones and James Thomson Intern Iain Angus Volunteer Ania Budko The Capilano Review is published by The Capilano Press Society. Canadian subscription rates for one year are $25 hst included for individuals. Institutional rates are $35 plus hst. Outside Canada, add $5 and pay in U.S. funds. Address correspondence to The Capilano Review, 2055 Purcell Way, North Vancouver, BC v7j 3h5. Subscribe online at www.thecapilanoreview.ca For our submission guidelines, please see our website or mail us an sase. Submissions must include an sase with Canadian postage stamps, international reply coupons, or funds for return postage or they will not be considered—do not use U.S. postage on the sase. The Capilano Review does not take responsibility for unsolicited manuscripts, nor do we consider simultaneous submissions or previously published work; e-mail submissions are not considered. Copyright remains the property of the author or artist. No portion of this publication may be reproduced without the permission of the author or artist. Please contact accesscopyright.ca for permissions. The photograph of Robin Blaser on page 200 is drawn from David Farwell’s collection with his permission.