Brian Jungen b. 1970, Fort St. John, British Columbia, Canada Lives and works in the North Okanagan, British Columbia, Canada

Education

1992 Diploma of Visual Art, Emily Carr College of Art and Design, Vancouver

Selected Solo Exhibitions

2021 Drawings, Casey Kaplan, New York, USA

2019 Friendship Centre, Art Gallery of Ontario, Toronto, Canada

2017 Brian Jungen: Untitled drawings, Henry Art Gallery, Seattle, USA

2016 Casey Kaplan, New York, USA Catriona Jeffries, Vancouver

2014 Modest Livelihood, in collaboration with Duane Linklater, VOX – Centre de l’image contemporaine, Montreal, Canada

2013 Bonner Kunstverein, Bonn, Germany; Kunstverein Hannover, Hannover, Germany Modest Livelihood, in collaboration with Duane Linklater, Art Gallery of Ontario, Toronto, Canada Modest Livelihood, in collaboration with Duane Linklater, Catriona Jeffries, Vancouver

2012 Modest Livelihood, in collaboration with Duane Linklater, Reva and David Logan Center for the Arts, University of Chicago, Chicago, USA Modest Livelihood, in collaboration with Duane Linklater, Walter Phillips Gallery, Banff, Canada, presented in collaboration with dOCUMENTA (13), Kassel, Germany

2011 Casey Kaplan, New York, USA Tomorrow, Repeated, Art Gallery of Ontario, Toronto, Canada Art Gallery of Alberta, Edmonton, Canada

2010 Catriona Jeffries, Vancouver

2009 Strange Comfort, National Museum of the American Indian, Smithsonian Institute, Washington, DC, USA Frac des Pays de la Loire, Nantes, France

2008 Casey Kaplan, New York, USA

2007 Catriona Jeffries, Vancouver Museum Villa Stuck, Munich, Germany

2006 Witte de With Center for Contemporary Art, Rotterdam, the Netherlands; Musée d’art contemporain de Montréal, Montreal, Canada; Vancouver Art Gallery, Vancouver Tate Modern, London, UK Thunderbirds, Casey Kaplan, New York, USA

2005 New Museum, New York, USA

2004 Habitat 04 - Cité radieuse des chats/Cats Radiant City, Darling Foundry, Montreal, Canada Capp Street Project: Brian Jungen, CCA Wattis Institute for Contemporary Arts, San Francisco, USA Triple Candie, New York, USA

2003 Secession, Vienna, Austria Cetology, Henry Art Gallery, Seattle, USA

2002 Catriona Jeffries, Vancouver

2001 Contemporary Art Gallery, Vancouver Happy Medium, Art Gallery of Calgary, Calgary, Canada

2000 Shapeshifter, Or Gallery, Vancouver Bush Capsule and Toronto Fieldwork, YYZ Artist’s Outlet, Toronto, Canada Dunlop Art Gallery, Regina, Canada Art Gallery of Windsor, Windsor, Canada

1999 Charles H. Scott Gallery, Vancouver

1997 Half Nelson, Truck Gallery, Calgary, Canada

Selected Group Exhibitions

2021 Proof of Stake, Kunstverein in Hamburg, Hamburg, Germany Larger Than Memory: A Digital Experience, Heard Museum (online), Phoenix, USA Where the threads are worn, Casey Kaplan, New York, USA Springweather and people, Bortolami Gallery, New York, USA Art of Sport, Copenhagen Contemporary, Copenhagen, Denmark An Apology, a Pill, a Ritual, a Resistance, Remai Modern, Saskatoon, Canada

2020 Human Capital, Mackenzie Art Gallery, Regina, Canada Garden Studies, Agnes Etherington Art Centre, Kingston, Canada To the Hoop: Basketball and Contemporary Art, Weatherspoon Art Museum, Greensboro, USA Larger Than Memory: Contemporary Art from Indigenous North America, Heard Museum, Phoenix, USA lineages and land bases, Vancouver Art Gallery, Vancouver Art for a New Understanding: Native Perspectives, 1950s to Now, Memphis Brooks Museum of Art, Memphis, USA Next Year’s Country, Remai Modern, Saskatoon, Canada

2019 Tell me about yesterday tomorrow, Munich Documentation Centre for the History of National Socialism, Munich, Germany Art for a New Understanding: Native Voices, 1950s to Now, Nasher Museum at Duke University, Durham, USA Creatures: When Species Meet, Contemporary Arts Center, Cincinnati, USA Haunt, in collaboration with Duane Linklater, Institute of Modern Art, Brisbane, Australia Plastic Entanglements , Smith College Museum of Art, Northampton, USA Unexplained Parade, Catriona Jeffries, Vancouver Art for a New Understanding: Native Perspectives, 1950s to Now, Institute of American Indian Arts, Santa Fe, USA

2018 The Metamorphosis, Vancouver Art Gallery, Vancouver Art for a New Understanding: Native Voices, 1950s to Now, Crystal Bridges Museum of American Art, Bentonville, USA Becoming American, Cefalonia, Seattle, USA Beautiful world, where are you?, Liverpool Biennial, Liverpool, UK Plastic Entanglements: Ecology, Aesthetics, Materials, Palmer Museum of Art, Pennsylvania State University, University Park, USA; Jordan Schnitzer Museum of Art, Eugene, USA Unsettled, Anchorage Museum, Anchorage, USA; Palm Springs Art Museum, Palm Springs, USA N. Vancouver, The Polygon Gallery, North Vancouver, Canada PlayTime, Peabody Essex Museum, Salem, MA, USA The Sunshine Eaters, Onsite Gallery, OCAD University, Toronto, Canada

2017 Connective Tissue: New Approaches to Fiber in Contemporary Native Art, Institute of American Indian Arts, Santa Fe, USA Ephemera, Nerman Museum of Contemporary Art, Overland Park, USA Once upon a time… The Western, Musée de beaux-arts de Montréal, Montreal, Canada Unsettled, Nevada Museum of Art, Reno, USA Canadian and Indigenous Art: 1968 to Present, National Gallery of Canada, Ottawa, Canada Wood Land School: Kahatènhston tsi na’tetiátere ne Iotohrkó:wa tánon Iotohrha, Drawing Lines from January to December , Wood Land School, SBC Gallery of Contemporary Art, Montreal, Canada

2016 Le grand balcon, La Biennale de Montréal, Montreal, Canada On Space and Place: Contemporary Art from Chicago, Los Angeles, Mexico City, and Vancouver, De Paul Art Museum, Chicago, USA Obsidian Gaze, Sámi Center for Northern Peoples, Manndalen, Norway Readymades, Gordon Smith Gallery of Canadian Art, North Vancouver, Canada MashUp: The Birth of Modern Culture, Vancouver Art Gallery, Vancouver

2015 Beyond the Pines: Homer Watson and Contemporary Canadian Landscape, Art Gallery of Mississauga, Mississauga, Canada CUSTOM MADE / Tsitslem te stem te ck’ultens-kuc, Kamloops Art Gallery, Kamloops, Canada Residue: The Persistence of the Real, Vancouver Art Gallery, Vancouver The Geometry of Knowing: Part 2, Audain Gallery, Simon Fraser University, Vancouver

2014 Beat Nation: Art, Hip Hop and Aboriginal Culture, MacKenzie Art Gallery, Regina; Dalhousie Art Gallery, Dalhousie University, and St. Mary’s University Art Gallery, Halifax, Canada Modest Livelihood, in collaboration with Duane Linklater, Edinburgh Art Festival, Edinburgh, Scotland Never Look Back When Leaving, Casey Kaplan, New York, USA New Lines: Contemporary Drawings from the National Gallery of Canada, Art Gallery of Alberta, Edmonton, Canada Contemporary Drawings from the National Gallery of Canada, Mendel Art Gallery, Saskatoon, Canada

2013 Beat Nation: Art, Hip Hop and Aboriginal Culture, Kamloops Art Gallery, Kamloops; Musée d’art contemporain de Montréal, Montreal, Canada Science Fiction 21: The Last Frontier, Or Gallery, Vancouver Sakahàn: International Indigenous Art, National Gallery of Canada, Ottawa, Canada

2012 Beat Nation: Art, Hip Hop and Aboriginal Culture, Vancouver Art Gallery, Vancouver; The Power Plant Contemporary Art Gallery, Toronto, Canada Builders, Canadian Biennial 2012, National Gallery of Canada, Ottawa, Canada Reactivation, 9th Shanghai Biennale, Shanghai, China Beneath a Petroliferous Moon, Mendel Art Gallery, Saskatoon, Canada No. 17, Casey Kaplan, New York, USA dOCUMENTA (13), Kassel, Germany Zoo, Musée d’art contemporain de Montréal, Montreal, Canada Manufacture, Centre PasquArt Biel, Biel, Switzerland Untrue North, Yukon Arts Centre, Whitehorse, Canada

2011 Mixed Signals: Artists Consider Masculinity in Sports, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, USA

2010 Reflection: 15 Years, Casey Kaplan, New York, USA Contemporary Drawings from the National Gallery of Canada, National Gallery of Canada, Ottawa, Canada Size DOES Matter, The FLAG Art Foundation, New York, USA First Nations/Second Nature, Audain Gallery, Simon Fraser University, Vancouver Hard Targets, Wexner Center for the Arts, Columbus, USA Pattern ID, Akron Art Museum, Akron, USA Visions of British Columbia: A Landscape Manual, Vancouver Art Gallery, Vancouver

2009 Mixed Signals: Artists Consider Masculinity in Sports, The Center for Art, Design and Visual Culture, University of Maryland, College Park; Cranbrook Art Museum, Bloomfield Hills, MI, USA Moby Dick, CCA Wattis Institute for Contemporary Arts, San Francisco, USA Loaded, Catriona Jeffries, Vancouver NeoHooDoo: Art for a Forgotten Faith, Miami Art Museum, Miami, USA

2008 NeoHooDoo: Art for a Forgotten Faith, P.S.1 Contemporary Art Center, Long Island City; The Menil Collection, Houston, USA Hard Targets–Masculinity and Sport, Los Angeles County Museum of Art, Los Angeles, USA Burning Cold, Oakville Galleries, Oakville; Nanaimo Art Gallery, Nanaimo, Canada Pleinairism, i8, Reykjavik, Iceland Revolutions - Forms that Turn, 16th Biennale of Sydney, Sydney, Australia Martian Museum of Terrestrial Art, Barbican Art Gallery, London, UK

2007 This Winter, Casey Kaplan, New York, USA Shapeshifters, Time Travellers and Storytellers, Royal Ontario Museum, Toronto, Canada 9e Biennale de Lyon, Lyon, France Crack the Sky, La Biennale de Montréal, Montreal, Canada Burning Cold, Canada Winter Games National Exhibition, Yukon Arts Centre Public Art Gallery, Whitehorse, Canada Hot Rock , Transmission Gallery, Glasgow, Scotland

2006 Human Game: Winners and Losers, Stazione Leopolda, Florence, Italy 274 East 1st, Catriona Jeffries, Vancouver Holy Land: Diaspora and the Desert, Heard Museum, Phoenix, USA

2005 Intertidal: Vancouver Art and Artists, Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium The Party, Casey Kaplan, New York, USA Material Time/Work Time/Life Time, Reykjavík Arts Festival, Gerðarsafn - Kópavogur Art Museum, Kópavogur, Iceland Short Stories: Contemporary Selections, Henry Art Gallery, Seattle, USA Re: Building the World, Edmonton Art Gallery, Edmonton, Canada

2004 Artists’ Favourites, Institute of Contemporary Arts, London, UK Baja to Vancouver: The West Coast in Contemporary Art, Museum of Contemporary Art San Diego, San Diego; Vancouver Art Gallery, Vancouver; CCA Wattis Institute For Contemporary Arts, San Francisco; Seattle Art Museum, Seattle, USA A Grain of Dust A Drop of Water, 5th Gwangju Biennial, Gwangju, South Korea A Question of Place, Walter Phillips Gallery, Banff Centre, Banff, Canada Noah’s Ark, National Gallery of Canada, Ottawa, Canada

2003 Beachcombers, Mead Art Gallery, University of Warwick, Coventry, UK Bounce, Bellevue Art Museum, Bellevue, USA; Power Plant, Toronto, Canada Exhibitions of an Exhibition, Casey Kaplan, New York, USA Hammertown, Bluecoat Gallery, Liverpool, UK The Moderns, Castello di Rivoli Museo d’Arte Contemporanea, Turin, Italy MosaiCanada: Sign and Sound, Seoul Museum of Art, Seoul, South Korea Nation, Frankfurter Kunstverein, Frankfurt, Germany Newmodulr, Art Gallery of Calgary, Calgary; Blackwood Gallery, Mississauga, Canada

2002 Beachcombers, Gasworks, London; Middlesbrough Art Gallery, Middlesbrough, UK Hammertown, The Fruitmarket Gallery, Edinburgh, Scotland Think Big / Voir Grand, Liane and Danny Taran Gallery, Saidye Bronfman Centre for the Arts, Montreal, Canada This Place, Vancouver Art Gallery, Vancouver watery, domestic, Renaissance Society, Chicago, USA

2001 ARS 01, Kiasma Museum of Contemporary Art, Helsinki, Finland Better Place, MacKenzie Art Gallery, Regina, Canada Long Time, Vancouver Art Gallery, Vancouver Museopathy, Agnes Etherington Gallery, Kingston, Canada Present Compose, Ottawa Art Gallery, Ottawa, Canada

2000 Message by Eviction: New Art from Vancouver, Illingworth Kerr Gallery, Calgary, Canada Curatorial Mutiny Part 2: På Samma Våglängd, Konstakuten Gallery, Stockholm, Sweden

1998 Here and Now: First Nations Alumni, Emily Carr Institute of Art and Design, Vancouver

1997 Buddy Palace, Or Gallery, Vancouver Browser , Artropolis ’97, Roundhouse Community Centre, Vancouver

Monographs

2019 Kitty Scott, ed., Brian Jungen: Friendship Centre, Art Gallery of Ontario, Toronto, Canada; DelMonico Books, Munich, Germany

2011 Catherine Crowston, ed., Carapace, Art Gallery of Alberta, Edmonton, Canada

2006 Solange de Boer, Zoë Gray, and Nicolaus Schafhausen, Brian Jungen, Witte de With Center for Contemporary Art, Rotterdam, the Netherlands

2005 Daina Augaitis, et al., Brian Jungen, Vancouver Art Gallery, Vancouver

2004 Matthew Higgs and Brian Jungen, Brian Jungen, Secession, Vienna, Austria, and Art Metropole, Toronto, Canada

2002 Scott Watson and Lindsay Brown, Brian Jungen, Contemporary Art Gallery, Vancouver

1999 Reid Shier, Brian Jungen, Charles H. Scott Gallery, Vancouver

Books and Exhibition Catalogues

2020 Emily Merson, Creative Presence: Settler Colonialism, Indigenous Self-Determination, and Decolonial Contemporary Artwork, Rowman and Littlefield, New York, USA To the Hoop: Basketball and Contemporary Art, edited by Emily Stamey, Weatherspoon Art Museum, Greensboro, USA Larger Than Memory: Contemporary Art from Indigenous North America, edited by Tobi Lopez Taylor and Deborah Paddison, Heard Museum, Phoenix, USA

2019 Heather Jessup, This Is Not a Hoax: Unsettling Truth in Canadian Culture, Wilfrid Laurier University Press, Waterloo, Canada

2018 Kitty Scott, Sally Tallant, and Sinéad McCarthy (eds.), Beautiful World, Where Are You?, Art Books Publishing, London, UK Brian Jungen and Melanie O’Brian (eds.), $5 Handshake: Art on Treaty 8 Territory, Simon Fraser University Galleries, Burnaby, Canada

2017 JoAnne Northrup (ed.), Unsettled, Nevada Museum of Art, Reno, USA; Hirmer Verlag GmbH, Munich, Germany Victoria Dickenson, Naomi Fontaine, Lee Maracle (eds.), The Good Lands, Figure 1 Publishing, Vancouver

2016 Bill Jeffries, et al., Readymades, Gordon Smith Gallery of Canadian Art, North Vancouver, Canada

2015 Grant Arnold, Residue: The Persistence of the Real, Vancouver Art Gallery, Vancouver, and Black Dog Publishing, London, UK Kendra Ainsworth, Faith Hieblinger, and Shannon Anderson, Beyond the Pines: Homer Watson and the Contemporary Canadian Landscape, Art Gallery of Mississauga, Mississauga, Canada

2014 Jen Budney, et al., Beneath a Petroliferous Moon, Mendel Art Gallery, Saskatoon, Canada Greg A. Hill, Candice Hopkins, and Christine Lalonde, eds., Sakahàn, National Gallery of Canada, Ottawa, Canada Gregory Minissale, The Psychology of Contemporary Art, Cambridge University Press, Cambridge, UK

2012 Monika Szewczyk, Modest Livelihood, Reva and David Logan Center for the Arts, University of Chicago, Chicago, USA Carolyn Christov-Bakargiev, et al., dOCUMENTA (13): The Guidebook, Hatje Cantz, Berlin, Germany Robin Anthony and Cassandra Cook, eds., The RBC Art Collection: Selected Works, Royal Bank of Canada, Toronto, Canada Charlotte Townsend-Gault, ‘Skin Deep’, Anthology of Exhibition Essays 2010/2011, CJ Press, Vancouver Johanne Lamoureux, ‘Unaligned Identities’, Quebec and Canadian Art: The Montreal Museum of Fine Arts Collection, Montreal Museum of Fine Arts, Montreal, Canada Karen Kramer Russell, et al., Shapeshifting: Transformations in Native American Art, Peabody Essex Museum, Salem, MA, and Yale University Press, New Haven, USA Marie Fraser, Zoo, Musée d’art contemporain de Montréal, Montreal, Canada Kathleen Ritter and Tania Willard, Beat Nation: Art, Hip Hop and Aboriginal Culture, Vancouver Art Gallery, Vancouver Daina Augaitis, ‘Brian Jungen’, 9th Shanghai Biennale: Reactivation, The Power Station of Art, Shanghai, China

2010 Paul Chaat Smith and Candice Hopkins, Brian Jungen: Strange Comfort, Smithsonian National Museum of the American Indian, Washington, DC, USA

2009 Lindsay Brown, ‘Brian Jungen’, Vitamin 3-D: New Perspectives in Sculpture and Installation, Phaidon, London, UK

2008 Candice Hopkins, ‘Brian Jungen: New Monuments’, Anthology of Exhibition Essays 2006/2007, CJ Press, Vancouver Carolyn Christov-Bakargiev, et al., 16th Biennale of Sydney: Revolution - Forms that Turn, Thames & Hudson, Victoria, Australia Candice Hopkins, ‘Ruptures on the Architectural Grid: Brian Jungen’s Treaty Project, Métis Road Allowance Houses and Other Models of Inhabiting the “Inbetween”’, in Informal Architectures, ed. Anthony Kiendl, Black Dog Publishing, London, UK Francesco Manacorda, et al., Encyclopedia of Terrestrial Life, Volume VIII, Martian Museum of Terrestrial Art, Barbican Art Gallery and Merrell Publishers Ltd., London, UK Évelyne Toussaint, ‘De L’Usage Politique de L’Art Minimal: Félix González-Torres et Brian Jungen’, in La Fonction Critique de L’Art, La Lettre Volée, Brussels, Belgium Jean-Philippe Uzel, ‘Trickster Objects in Contemporary Art’, in The Undecidable: Gaps and Displacements of Contemporary Art, ed. Thérèse St-Gelais, Editions Esse, Montreal, Canada Franklin Sirmans, ed., NeoHooDoo: Art for a Forgotten Faith, The Menil Collection, Houston, and Yale University Press, New Haven, USA, and London, UK Steven Skov Holt and Mara Holt Skov, Manufractured: The Conspicuous Transformation of Everyday Objects, Chronicle Books, San Francisco, USA

2007 Clint Burnham, ‘Late Empire’, in Vancouver Art & Economies, Artspeak Gallery and Arsenal Pulp Press, Vancouver Jens Hoffmann, ‘Brian Jungen’, Ice Cream: 10 Curators, 100 Contemporary Artists, 10 Source Artists, Phaidon, London, UK Cate Rimmer, The Banal, SBC Gallery of Contemporary Art, Montreal, Canada Pamela Perry-Globa, Peter Weeks, David Yoshida and Victor Zelinski, ‘A New Mix: Hybridization’, in Perspectives on Globalization, Oxford University Press, Don Mills, Canada Stéphanie Moisdon and Hans Ulrich Obrist, eds., 00s—The History of a Decade That Has Not Yet Been Named, JRP Ringier, Zurich, Switzerland

2006 Germaine Koh, Prototype: Contemporary Art from Joe Friday’s Collection, Carleton University Art Gallery, Ottawa, Canada Francesco Bonami, Maria Luisa Frisa, and Stefano Tonchi, Human Game: Winners and Losers, Fondazione Pitti Discovery, Florence, and Edizioni Charta, Milan, Italy Zoë Gray, ‘Shapeshifter, Cetology and Vienna’, in Land Art: A Cultural Ecology Handbook, ed. Max Andrews, Royal Society for the Encouragement of Arts, Manufactures & Commerce, London, UK

2005 Dieter Roelstraete and Scott Watson, eds., Intertidal: Vancouver Art and Artists, Museum van Hedendaagse Kunst Antwerpen (MuHKA), Antwerp, Belgium, and Morris and Helen Belkin Art Gallery, Vancouver Joan Livingstone and John Ploof, The Object of Labor: Art, Cloth, and Cultural Production, School of the Art Institute of Chicago Press and MIT Press, Chicago, USA Trevor Smith, ‘Brian Jungen’, exhibition essay, New Museum, New York, USA

2004 Milena Kalinovska, Gwangju Biennale 2004: A Grain of Dust, A Drop of Water, Gwangju Biennale Foundation, Gwangju, South Korea Pierre Théberge, et al., Noah’s Ark, National Gallery of Canada, Ottawa, Canada Ralph Rugoff, et al., Baja to Vancouver - The West Coast and Contemporary Art, CCA Wattis Institute, San Francisco; MCA San Diego, San Diego; Seattle Art Museum, Seattle, USA; Vancouver Art Gallery, Vancouver Charlotte Townsend-Gault, ‘Struggles With Aboriginality/Modernity’, in Bill Reid and Beyond: Expanding on Modern Native Art, eds. Karen Duffek and Charlotte Townsend-Gault, Museum of Anthropology, University of British Columbia, Vancouver Ralph Rugoff, ‘Capp Street Project: Brian Jungen’, exhibition essay, CCA Wattis Institute, San Francisco, USA Kitty Scott, ‘Dear Brian’, Habitat 04: Cité radieuse des chats / Cats Radiant City, Darling Foundry, Montreal, Canada

2003 Carolyn Christov-Bakargiev, et al., I Moderni / The Moderns, Castello di Rivoli Museo d’Arte Contemporanea, Turin, Italy Wayne Baerwaldt, mosaiCanada: Sign & Sound, Seoul Museum of Art, Seoul, South Korea

2002 Jim Drobnick and Jennifer Fisher, Museopathy, Agnes Etherington Art Centre, Kingston, Canada Philip Monk, Bounce, The Power Plant, Toronto, Canada Katharine Stout and Andrew Renton, The Beachcombers, The Drawing Room, London, UK Michael Turner and Reid Shier, Hammertown, The Fruitmarket Gallery, Edinburgh, Scotland

2001 Maaretta Jaukkuri, Irit Rogoff and Nikos Papastergiadis, ARS 01, Museum of Contemporary Art Kiasma, Helsinki, Finland Timothy Long, Scott Pittendrigh, and John Marriott, A Better Place, MacKenzie Art Gallery, Regina, Canada

2000 Douglas Coupland, City of Glass, Douglas & MacIntyre, Vancouver

Magazines and Periodicals

2020 Cason Sharpe, ‘The Last Dance’, Canadian Art, 28 May

2019 Connor Garel, ‘15 Canadian Icons Who Stole Our Hearts in 2019’, HuffPost, 31 December Earl Miller, ‘Brian Jungen’, Border Crossings, Issue 152, December Donnovan Bennett, ‘The intersection of sports and art from an Indigenous perspective’, Sportsnet, 10 October Dan Adler, ‘Brian Jungen’, Artforum, October May Warren, ‘Toronto’s Dundas and McCaul corner to get a Brian Jungen sculpture’, The Toronto Star, 22 August Charles Reeve, ‘Brian Jungen Scores a Slam Dunk’, Frieze, 19 July ‘A tipi made from sofas’, Art Matters Blog, Art Gallery of Ontario, 8 July Carla Lucchetta, ‘How this Indigenous artist turns basketball shoes into commercialist critique’, TVO, 5 July Kate Taylor, ‘Jungen’s Friendship Centre holds court in the AGO’, The Globe and Mail, 29 June Janet Smith, ‘BC artist Brian Jungen causes big buzz with summer solo show at Art Gallery of Ontario’, The Georgia Straight, 27 June Kate Taylor, ‘Brian Jungen’s audacious Indigenous art feels timely and necessary for a Canada attempting reconciliation’, The Globe and Mail, 24 June Christine Sismondo, ‘Here’s what whales, basketball and Nike Air Jordans have to do with the art of Brian Jungen’, Toronto Star, 21 June ‘How this BC artist uses sliced up Air Jordans to connect with his Indigenous roots’, CBC Radio, 19 June Cassandra Szklarski, ‘BC artist Brian Jungen plays with First Nations traditions, sports imagery’, City News 1130, 17 June ‘Sports and Indigenous traditions collide in Brian Jungen’s AGO exhibit’, Yahoo News, 17 June ‘Summer Preview: The Most Promising Museum Shows and Biennials Around the World’, ARTnews, 5 June Marsha Lederman, ‘The Enthusiast: A brush with Canadian artistic greatness’, The Globe and Mail, 16 March ‘What to See in 2019’, Canadian Art, 2 January

2018 Shawn Conner, ‘Exploring change and transformation in The Metamorphosis at Vancouver Art Gallery’, The Sudbury Star, 26 December Hrag Vartanian, ‘Best of 2018: Our Top 20 Exhibitions Across the United States’, Hyperallergic, 20 December ‘“I call it the tar sands of culture”: Brian Jungen on the irony of making art about consumption’, CBC Arts, 5 December Ann Binlot, ‘The long, layered narrative of the Pacific Rim’, Document Journal, 9 November Sheila Regan, ‘Crystal Bridges Curator Mindy Besaw Shares 7 Unmissable Works From the Museum’s Landmark New Show of Native Art’, Artnet News, 6 November Craig Takeuchi, ‘B.C. artist Brian Jungen, filmmaker Jennifer Baichwal to discuss Anthropocene at Art Gallery of Ontario event’, The Georgia Straight, 23 October Waldemar Januszczak, ‘Art review: Liverpool Biennial; John Moores Painting Prize, Liverpool’, The Times, 22 July Yaniya Lee, ‘Beautiful World, Where Are You?’, Canadian Art, 18 July Adrian Searle, ‘Liverpool Biennial review—a beautiful, violent, explosive world’, The Guardian, 16 July Alastair Sooke, ‘Liverpool Biennial, review: a beautiful world in an age of turmoil’, The Telegraph, 16 July Rachel Cooke, ‘Liverpool Biennial 2018 review—the hunt for Merseyside treasures’, The Guardian, 15 July Joseph Kenneth Malone, ‘Liverpool biennial: Beautiful Merseyside, where worlds collide’, The Times, 13 July Austin Cozicar, ‘“$5 Handshake: Art on Treaty 8 Territory” now available’, Dawson Creek Mirror, 11 June Dale Berning Sawa, ‘Liverpool Biennial 2018 lineup takes global view in the age of Brexit’, The Guardian, 16 March Chris Hampton, ‘Hope in the land under our feet’, The Globe and Mail, 15 January

2017 Lucien Durey, ‘Maps and Dreams’, Canadian Art, Fall Kathleen Roberts, ‘Threads of innovation: Exhibit explores new approaches to fiber in Native Art’, Albuquerque Journal, 1 July Jens Hoffmann, ‘The Biennale de Montréal’, Artforum, Reviews, February

2016 Richard William Hill, ‘Close Readings: Brian Jungen’, C Magazine, Issue 130, Summer 2015 Jan Verwoert, ‘Spellbound’, Frieze, Issue 173, September

2013 Alice Ming Wai Jim, ‘How to Occupy Retreat: dOCUMENTA (13) from Kassel to Banff’, Journal of Curatorial Studies, Volume 2, Number 2 Murray Whyte, ‘Two artists go moose hunting: Modest Livelihood at the AGO’, Toronto Star, 26 October Richard Rhodes, ‘Three decades in the art world’, Canadian Art, Fall Lucas Freeman, ‘Brian Jungen and Duane Linklater’, Fuse Magazine online, 20 June Michael Turner, ‘Brian Jungen Shows Continuity & Contrast in German Survey’, Canadian Art online, 15 May

2012 Zachary Cahill, ‘Critics Picks: Brian Jungen and Duane Linklater’, Artforum online, 4 September Nancy Tousley, ‘Brian Jungen & Duane Linklater: Hunting Retreat’, Canadian Art online, 16 August Sarah Milroy, ‘Unspooling the landscape with Brian Jungen and Duane Linklater’, The Globe and Mail, 3 August Lee Rosenbaum, ‘Artifacts to Artworks’, Wall Street Journal, 18 January

2011 David St.-Lascaux, ‘Brian Jungen’, The Brooklyn Rail, November Karen Rosenberg, ‘Brian Jungen’, The New York Times, 29 September Nancy Tousley, ‘Aboriginal Art Report: The Group of Who?’, Canadian Art, 26 May Murray Whyte, ‘Brian Jungen at the AGO: A Canadian art superstar goes personal’, Toronto Star, 7 May Robert Enright, ‘The Tortoise and the Air: An Interview with Brian Jungen’, Border Crossings, May Sarah Milroy, ‘Work in Progress’, Canadian Art, Spring Kevin Griffin, ‘Jungen blurs the lines of definition’, Vancouver Sun, 8 January Stéphane Aquin, ‘150th Anniversary Gift: An Iconic Work by Brian Jungen’, Montreal Museum of Fine Arts Magazine, January/April

2010 Robert Fulford, ‘Brian Jungen’s unique sculpture has redefined what aboriginal art can be’, National Post, 10 May

2009 Alix McKenna, ‘Brian Jungen: Strange Comfort at the National Museum of the American Indian’, California Literary Review, 3 November Megan Gambino, ‘One Man’s Trash is Brian Jungen’s Treasure’, Smithsonian Magazine, September Murray Whyte, ‘Stunning Sports Art Tilts to the Profane’, The Toronto Star, 18 April

2008 Sarah Neel Smith, ‘Hard Targets: Masculinity and Sport’, Frieze online, 10 December Brian Sholis, ‘Brian Jungen: Casey Kaplan Gallery’, Artforum, Summer Rosalie Higson, ‘Harbour for Revolutionary Ideals’, The Australian, 17 June Douglas Britt, ‘NeoHooDoo: Faith and Ritual in Art of the Americas’, Houston Chronicle, June

2007 Alex Lockett, ‘Alex Lockett examines the process of transformation and reconstruction in the work of Brian Jungen and Simon Starling’, Miser & Now, August Alison Stein Wellner, ‘Battling a ‘Holy’ War’, The Chronicle of Philanthropy, June Clint Burnham, ‘Making totems of the objects that surround us’, The Globe and Mail, 5 May Kevin Griffin, ‘Cultural Intersection’, The Vancouver Sun, 5 May Elke Buhr, ‘Masken für den globalen Stamm’, Art: das Kunstmagazin, May Martina Scherf, ‘Ein shuh mit magischen Kräften’, Süddeutsche Zeitung, 14 March Sebastian Frenzel, ‘Der Turnshuh des Manitu’, Vanity Fair, March

2006 Lee Henderson, ‘Brian Jungen’, Contemporary, Issue 81 Réal Lussier, ‘Brian Jungen’, Le Journal, Musée d’art contemporain de Montréal Marilu Knode, ‘Holy Land: Diaspora and the Desert’, Art Papers, September/October Margaret Rodgers, ‘Brian Jungen: Contemporary Mythologies’, Espace Sculpture 77, Autumn Santiago Cano, ‘Brian Jungen Revised Anthropology’, The European Magazine, July Kimberly Phillips, ‘Fetishism, Curiosity, and the Work of Brian Jungen’, Fillip 3, Summer Julia Dault, ‘A Room of One’s Own’, The National Post, June 15 Paul Gessell, ‘Haida meets hiphop in the work of Brian Jungen’, The Ottawa Citizen, 12 June Henry Lehmann, ‘No bones about it: Lawnchair skeleton’, The Gazette, Montreal, 10 June Christine Redfern, ‘Material world’, Montreal Mirror, 8 June Clint Burnham, ‘Artworks challenge and intrigue’, The Vancouver Sun, 3 June Michel Hellman, ‘Les ‘calembours visuels’ de Brian Jungen’, Le Devoir, 3 June Eliza Williams, ‘Top 50 Summer Highlights’, ArtReview, June Sarah McFadden, ‘Intertidal: Vancouver Art and Artists’, Art Papers, May/June Craig Burnett, ‘Brian Jungen: Owls, Inuits and Cultural collision: museums, marketing and clichés’, Frieze, April Julia Dault, ‘Brian Jungen’, Galleries West, Spring John K. Grande, ‘Brian Jungen: Prototypes for a New Understanding’, Vie des Arts, Issue 202, Spring Matthew Kangas, ‘Branding unmasked, with an ancient twist’, The Seattle Times, 19 March Terence Dick, ‘Brian Jungen Interviewed by Terence Dick’, C Magazine, March Murray Whyte, ‘A Decade Spent Fusing Icons’, The Toronto Star, 19 February Sarah Milroy, ‘Shaman of the Sofa’, The Globe and Mail, 14 February Richard Lacayo, ‘A commercial vision’, Time, 13 February Robin Laurence, ‘Curators laud Jungen’s range’, The Georgia Straight, 2 February Alexander Varty, ‘Culture Shock’, The Georgia Straight, 2 February Daniel Baird, ‘Air Jungen’, The Walrus, February Cedar Lewisohn, ‘A Perfect Match’, ArtReview, Vol. X, February Andy Duck, ‘Saving the Tribal Soles’, Time, 30 January Amy O’Brian, ‘Bought, Sold, and Yet Amused’, The Vancouver Sun, 28 January Clint Burnham, ‘The instant ‘I get it’ of Brian Jungen’s art’, The Vancouver Sun, 28 January Adele Weder, ‘Into bits and pieces and back again’, The Globe and Mail, Friday, 27 January Julia Dault, ‘British Columbia’s Best’, The National Post, 26 January

2005 Blake Gopnik, ‘Mirror in the Mask’, The Guardian Weekly Jamie Gross, ‘Cultural Constructs’, Surface, Issue 56 Grace Glueck, ‘Art in Review; Brian Jungen’, The New York Times, 23 December Amy O’Brian, ‘Vancouver artists make waves around the world’, The Vancouver Sun, 17 December Franz Lidz, ‘A Perfect Fit’, Sports Illustrated, 5 December Ariella Budick, ‘Shape Shifting’, Newsday, 4 December Brian Fitchner, ‘One Man Show: Brian Jungen’, Clear, December Michael Harris, ‘Mix with care’, Canadian Art, Winter Margo Jefferson, ‘Wanted: A Theater Unafraid of the Power of Images’, The New York Times, 26 October Blake Gopnik, ‘Brian Jungen’s Masks, Reconsidering ‘Native’ Crafts from the Insole Out’, The Washington Post, 24 October Chioma Nnadi, ‘Shapeshifter’, The Fader, October–November Amy Benfer, ‘Nature v Nike’, Metro, 30 September

2004 Gabriele Schor, ‘Hybridity, Eros and Death’, Parkett, Issue 70 David Gleeson, ‘Baja to Vancouver: the West Coast and Contemporary Art’, Contemporary, Issue 54 Deborah Campbell, ‘The New School’, Vancouver Guestlife Edgar Schmitz, ‘Ein Fernsehtraum Von Lieblingsbissen’, Texte Zur Kunst, 13 December Maurizio Cattelan, Massimiliano Gioni, Ali Subotnick, ‘Everybody Was There; The Wrong Guide to New York in 2004’, Artforum, December Clint Burnham, ‘Aperto Vancouver’, Flash Art, November – December Christopher A. Olson, ‘Baja to Vancouver: The West Coast and Contemporary Art’, Border Crossings, Fall Michael Turner, ‘Not so quiet on the western front’, The Globe and Mail, 14 July Michael Scott, ‘Separating West Coast dream from reality’, The Vancouver Sun, 5 June Robin Laurence, ‘B2V Finds West Coast Context’, The Georgia Straight, 3 June Wes LaFortune, ‘From anger to hope: Aboriginals Examine Identity and Change’, Fast Forward Weekly, 20 May Bryne McLaughlin, ‘Vibrant local scene connects with the community’, The Globe and Mail, 1 May Charles LaBelle, ‘Brian Jungen’, Frieze, May Veronica Redgrave, ‘SPCA Fundraiser showcases ‘city’ for cats’, The Gazette, 4 April Lyne Crevier, ‘Refuge au Poil’, Ici, 25 March Michel Hellman, ‘Condos pour minou’, Le Devoir, March 20 Susan Cooke, ‘Cats in the City’, The McGill Tribune, 18 March Matthew Woodley, ‘I tought I taw a Habitat’, Mirror, 18 March Holland Cotter, ‘Art In Review: Brian Jungen’, The New York Times, 5 March ‘Galleries Uptown, Brian Jungen’, The New Yorker, 1 March Stephanie Buhmann, ‘Brian Jungen’, The Brooklyn Rail, March Bridget Goodbody, ‘Reviews: Brian Jungen’, Time Out New York, 19 February Murray Whyte, ‘Vancouver artist links sweatshops, sports’, The Vancouver Sun, 14 February Murray Whyte, ‘Finding Art In Sports and Sweatshops’, The New York Times, 8 February Sarah Milroy, ‘Artists of the world, unite’, The Globe and Mail, 7 February Christopher Knight, ‘Coastal Confluence’, Los Angeles Times, 1 February Sara Krajewski, ‘Baja to Vancouver’, ArtUS, January–February

2003 Vanessa Joan Muller, ‘Wat Heet Normal’, Metropolis M, No. 6 Dan Tranberg, ‘Reconstruction: Brian Jungen at the Secession’, Angle, Vol. 1, No. 10, December Glen Helfland, ‘Baja to Vancouver’, Artforum, December Jeff Jahn, ‘Review; Baja to Vancouver: The West Coast and Contemporary Art’, Modern Painters, Winter Jens Hoffmann, ‘Brian Jungen’, Flash Art, July–September Nancy Tousley, ‘Cool Cooler Coolest’, Canadian Art, Summer Michael Turner, ‘Wall and Void’, Modern Painters, Summer Stefano Casciani, ‘Il Moderno colpisce ancora?’, Domus, June Franco Fanelli, ‘Dal postmoderno ai neomoderni’, Vernissage: Il fotogiornale dell’arte, May Rocco Moliterni, ‘Giubbotti e scarpe fatti d’arte: Addio al video, tornano pittura e scultura’, La Stampa, 15 April Ludovico Pratesi, ‘Non ci crederete: questi quadri suonano’, Il Venerdi, 11 April Franco Fanelli, ‘Moderni si, modaioli no: chi sono gli artisti della generazione post Twin Towers’, Il Giornale Dell’arte, April

2002 Shawna Richer, ‘A new face among art prizes’, The Globe and Mail, 9 December ‘Welcome to Hammertown’, Standart, Issue 138, November 2002 Jack Mottram, ‘Refreshing hits from the Canadian Club’, Sunday Herald, 20 October Sarah Milroy, ‘Thoroughly Modern Art’, The Globe and Mail, 25 September Morgan Falconer, ‘The Beachcombers,’ Contemporary, Issue 43, September Sophie Hackett, ‘Summer Breeze; Blowing through the jasmine in my mind’, XTRA!, 8 August Betty Ann Jordan, ‘Art’, Toronto Life, July Sarah Milroy, ‘A tale of two art worlds’, The Globe and Mail, 20 June Judy Stoffman, ‘Whale skeleton emerges from lawn chair closet’, The Toronto Star, 17 June Nancy Tousley, ‘sympathy, empathy, museopathy’, Canadian Art, Spring Michael Scott, ‘Nike rearrangement adds to Jungen’s art world frenzy’, The Vancouver Sun, 14 February

2001 Perttu Saksa, ‘Jannitetyt Pakarat: Ars 01’, Image Christine Shaw, ‘A Better Place’, Fuse Magazine, Vol.24, No.3 Silja Lanas Cavada, ‘Nakoala Tilaan Kolmanteen’, Suomen Kuvalehti, No39 David Garneau, ‘A Better Place: Practical Utopias’, Vie des Arts, No182 Minna Luoma, ‘On maailmassa monta ihmeellista asiaa’, Kansan Uutiset, Issue 27 Arja Maunuksela, Lukuuta, 5 December Nancy Tousley, ‘Jungen’, The Calgary Herald, 1 December Ossian Ward, ‘Running Things’, Dazed and Confused, December Pascal Beausse, ‘Ars 01’, Art Press, December Sarah Milroy, ‘The Best of the Rest’, The Globe and Mail, 3 November Erkki Pirtola, ‘Kriisiapua Taiteesta’, Kiasma, 1 November Ossian Ward, ‘ARS Bestiae’, Art Review, November Jeff Derksen, ‘Global Shoes, Local Things, Relations of Production Masks, and Architect Enemies’, Tripwire, Winter Nina Bjorkman, ‘Ars 01 en frammande plats’, Hufvudstadsbladet, 26 October Marikka Bergman, ‘Brian Jungen: Prototype for a New Understanding, #1,2,3,4,7’, Anna, 16 October Cuauhtémoc Medina, ‘En el lejano norte’, Reforma, 10 October Jeff Derksen, ‘Von der universellen Verdinglichung zur universellen Kulturalisierung’, Springerin, October – December MarjaTerttu Kivirinta, ‘Ars 01 puhuu Baabelin kielilla’, Helsingin Sanomat, 30 September Maila Katriina Tuominen, ‘Ars 01 mahtuu kannykkaan’, Aamuleht, 26 September Robin Laurence, ‘Constructing a New View of Construction’, The Georgia Straight, 13 September Jeff Derksen, ‘Cultural Props’, C Magazine, Fall Joseph R. Wolin, ed., ‘Brian Jungen’, Review: Latin American Literature and Arts, Volume 34, Issue 63 Gary Michael Dault, ‘Cool Artist: Brian Jungen’, Time, Canadian Edition, 6 August Douglas Coupland, ‘Critical Mass’, The Globe and Mail, 12 May Susan Oh, ‘Soaring beyond the totem poles’, Maclean’s, 7 May Peter Culley, ‘Out of the Blue: Three Works on Vancouver’, Border Crossings, May Adriana Barton, ‘Fly-by Culture’, Vancouver Magazine, March Tuomas Nevanlinna, ‘Identity, culture and “third space”’, Frame News, February 2000 Alberto Manguel, ‘Nike Unmasked’, Geist, Issue 36 Douglas Coupland, ‘Best of 2000’, Artforum, December Sarah Milroy, ‘The art of the double take’, The Globe and Mail, 4 November David Garneau, ‘Beyond the One-Liner: The Masks of Brian Jungen’, Border Crossings, Issue 76, November Kyo McLear, ‘Rewind: Brian Jungen’, Canadian Art, Winter Cate Rimmer, ‘Brian Jungen’, Mix, Winter Michael Turner, ‘Prototypes + Petroglyphs + Pop’, Mix, Winter Sally McKay, ‘Review: Brian Jungen’, Lola 7, Fall Jack Anderson, ‘Nikes as masks tool for debate’, Leader-Post, 20 July William Wood, ‘Access Codes and Avoided Objects’, Parachute 99, July

1999 Blake Gopnik, ‘Crossing the Line Between Past, Future’, The Globe and Mail, 26 October

1998 Jeff Derksen, ‘Fun Critique in Ethnographic Fields’, Fuse, August

Published Writing and Works by the Artist

2017 Brian Jungen, ‘Untitled Letter’, for Wood Land School: Kahatenhstánion tsi na’tetiatere ne Iotohrkó:wa tánon Iotohrha, Drawing Lines from January to December, SBC Gallery of Contemporary Art, Montreal, Canada

2002 Brian Jungen, Facing History: Portraits from Vancouver, Presentation House Gallery and Arsenal Pulp Press, Vancouver

2000 Brian Jungen, ‘Prototype for New Understanding #2 and #3’, in Collapse, Issue 5

1997 Jason McLean, Lisa Prentice, Brian Jungen, and Christine Corlett, Buddy Palace, Or Gallery, Vancouver Brian Jungen, Brown Finger, artist book, Or Gallery, Vancouver

Public Commissions

2010 The ghosts on top of my head, The Banff Centre, Banff, Canada

Residencies

2017 Artist-in-Residence, Fogo Island Arts, Fogo Island, Canada

2004 Capp Street Project, CCA Wattis Institute for Contemporary Arts, San Francisco, USA

2003 Canada Council International Residencies Program in the Visual Arts, London, UK

1998 Self-directed residency, Banff Centre for the Arts, Banff, Canada

Awards

2010 The Gershon Iskowitz Prize, Art Gallery of Ontario, Toronto, Canada

2002 Sobey Art Award, Sobey Art Foundation

2001 VIVA Award, Jack and Doris Shadbolt Foundation for the Visual Arts, Vancouver