SMU Meadows Museum: Celebrating 50 Years

Total Page:16

File Type:pdf, Size:1020Kb

SMU Meadows Museum: Celebrating 50 Years 8N Friday, April 17, 2015 Advertising Supplement to The Dallas Morning News CELEBRATING 50 YEARS: THE MEADOWS MUSEUM AT SMU meadowsmuseumdallas.org Advertising Supplement ©2015, The Dallas Morning News FRIDAY, APRIL 17, 2015 SECTION N : SMUMeadows UPCOMINGEVENTS FEB. 1–MAY 3, 2015 MAY2 GOYA AND LÓPEZ: ACONVERSATION 2P.M. PANEL DISCUSSION led by LeeCullum Museum Ambassador Loan from the Musée du Louvre, Paris 2-4 P.M. LECTURE: The Meadows Museum Celebrating 50 Years MARCH 22 –JUNE 28 HUMAN/NATURE. The Ridiculous and Sublime: MAY9 CELEBRATING Recent WorksbyJohn Alexander FRANCIS BACON’S MODERN ALLEGORIES Talk by Charles Wylie APRIL 17 11:30 A.M. MEADOWS MUSEUM 50TH ANNIVERSARY MAY15 50 YEARS and Commemoration Ceremony TRADITIONAL PAINTING AND THE CONTEMPORARYEYE Gallery Talk by Sedrick Huckaby APRIL 18 –AUG. 2 THE ABELLÓ COLLECTION: JULY25–NOV.1 AModern Tastefor European Masters MASTERWORK BY VELÁZQUEZ: Ambassador Loan from the APRIL 18 Kunsthistorisches Museum, Vienna 10 A.M. -3P.M. COMMUNITY DAY: Passport to Spain Noon: Spring Game and Mustang FanFare SEPT.3,2015–JAN. 3, 2016 Formoredetails, visit www.smu.edu/foundersday TREASURES FROM THE HOUSE OF ALBA: 500 Years of Art and Collecting APRIL 23 6P.M. MODERN MASTERS FROM THE ABELLÓ COLLECTION OCT.10, 10 A.M. LecturebyGuillermo Solana Festival España! Formuseum hours and gallery tours, visit meadowsmuseumdallas.org PREMIERING TWO BLOCKBUSTER EXHIBITS The Dallas Morning News N8 04-17-2015 Set: 14:27:15 N1 04-17-2015 Set: 14:27:15 Sent by: [email protected] SMU MeadosCYANMAGENTAYELLOWBLACKMuseum Sent by: [email protected] SMU MeadosCYANMAGENTAYELLOWBLACKMuseum 2N Friday, April 17, 2015 Advertising Supplement to The Dallas Morning News CELEBRATING 50 YEARS: THE MEADOWS MUSEUM AT SMU meadowsmuseumdallas.org Masterpieces in our midst THE MEADOWS MUSEUM STRENGTHENS DALLASASACENTER OF CULTURE AND ART he MeadowsMuseum at SMU has Collection wasagift to SMU from Algur been nicknamed the Prado on H. Meadows to honor his second wife. Tthe Prairie,reflecting the distin- Manyofthe modern, non-Spanish guished collection of art it brings to the three-dimensional works from artists Texas landscape.Todayhousing one of Jacques Lipchitz, Henry Moore and Claes the largest and most comprehensive Oldenburg can be viewedinthe mu- collections of Spanish art outside of seum’soutdoor plaza, while important Spain, the Meadows Museum celebrates figural representations from Giacometti, the 50th year of its collections,adding Maillol and Rodin are displayedinside. visiting exhibits of art neverbefore seen The current Meadows Museum Col- in the United States and celebratory lection is the result of gifts and contri- events befitting agolden anniversary. butions by The Meadows Foundation, “The Museum’spermanent collec- donors and friends of the Museum to tion has been referred to by museum continue to acquire significant Spanish directors and curators throughout the art. This collection includes outdoor United States and the world as the most installations of the moving sculpture important collection of Spanish art that Wave by artist Santiago Calatrava (also exists anywhere outside of that country,” the architect of the Margaret Hunt Hill said Linda Perryman Evans,president Bridge), and Jaume Plensa’s Sho,awire- and CEO of The Meadows Foundation. frame sculpture of ayoung girl’shead, She is also the great niece of Museum adominant presence at the Museum’s founder Algur H. Meadows. entry.Indoor works in this collection “When my great uncle donated his are by El Greco,Carreño,Saura, Tàpies art collection and endowedthe SMU and Rico. School of the Arts,hewanted to create The Meadows Museum also manages the finest school forarts education in the University Art Collection with origi- the country.Giving the students from nal regional Texas artwork of all varieties the Meadows School of the Arts,all the learn so muchmore from really looking in welcoming the world to the Meadows that has been donated by alumni and students at SMU,and the public the at surfaces,contours and materials than Museum during this celebratory year.” friends of SMU.Current and former chance to viewand studythis import- theydofrom images on ascreen.” In addition to The Algur H. Meadows students and faculty,including David ant collection deepens the educational The Algur H. Meadows Collection is Collection, the permanent works form Bates,John Alexander and James Surls, opportunities offered by the Meadows comprehensive, ranging from early Me- twoother collections: The Elizabeth are represented. Manyofthese works Museum,”she said. “Now, through art dievaland Renaissance works,tomodern Meadows Sculpture Collection and The can be found on displaythroughout the partnerships being created by director pieces by Juan Gris,Miró and Picasso, Meadows Museum Collection. SMU campus. ■ Dr.Mark Roglán, the Museum is draw- and contemporary works by living artists The Elizabeth Meadows Sculpture ing visitors and dignitaries from all over suchasSantiago Calatrava and Jaume the world to SMU forlectures,activities Plensa. Masterpieces from Spain’s“Gold- and events.This interaction enriches the en Age,” whichlasted from the close of educational experience foreveryone.” the 15th century until the latter part of ForSMU faculty and students,the the 17th, includes paintings by Velázquez, Meadows Museum is aunique teaching tool. Murillo and Ribera. Of particular signif- “The collection is world-class; it puts icance are several paintings by Francisco the Meadows in the top 10 of anylist of de Goya,aswell as first-edition sets of university art collections,with places all four of his renowned print series. likePrinceton and Williams College,” Additionally,there are exquisite examples said Pamela Patton, professor and chair of 19th-century Realist and Impressionist of the SMU Art History Department. works from Spain, including works by “This is remarkable foraninstitution Fortunyand Sorolla. that’ssomuchyounger.And that col- “The Meadows Museum is suchan lection is placed at the fingertips of all important asset forour community, SMU students,who can studythe works drawing thousands of individuals on a in the context of aclass,pursue inde- regular basis from across the region and pendent researchwith aprofessor or an nation,”said Linda Pitts Custard, chair, internship with museum staff,orsimply Meadows Museum Advisory Council. enjoythe exhibitions on avisit. Manyof “Our increasing partnerships with our art history students have launched international institutions and private scholarly and museum careers here. collections bring to our city unique and And of course forthe professors,itisa priceless cultural assets.The members joytoteachwith liveobjects.Students of the Museum’sAdvisory Board join me FROM THE PRESIDENT Aspecial welcome from SMU Dear Friends, plans forthese and other activities scholarships,faculty and academic It’snot often that one institution open to the public.You will see the excellence and the campus expe- can celebrate the intersection of sev- names of these tireless volunteers rience.Weare seeing the campus eral historic milestones in one year. in this special insert, along with a transformed by these investments. But at SMU in 2015, we find our- list of events.Checkthe website, Eachincoming class of students selves in that remarkable position. www.meadowsmuseumdallas.org, brings stronger academic creden- This special insert of TheDallas to keep up to date with opportuni- tials.Faculty researchisgrowing Morning News focuses on one of ties forparticipation. One date to and making abroader impact. New these milestones –the 50th anniver- save is Sept. 24, 2015, when SMU academic centers are focusing on sary of the Meadows Museum. We celebrates the 100th anniversary important emerging issues.And also payhomage to the tremendous of its opening. more students are living on campus, support of The Meadows Foun- Another cause forcelebration forming aresidential community dation and family in establishing is that on March23, The Meadows of learners. and supporting the Museum, the Foundation announced it is making We hope that this special insert Meadows School of the Arts and ahistoric gift of $45 million to the will inspire youtoexperience the other programs advancing artistic Meadows Museum and the Mead- unique artistic treasures of the expression. The generosity of The owsSchool of the Arts.This com- Meadows Museum. We welcome you Meadows Foundation has result- mitment ensures that these cultural to visit the campus forother events, ed in aMuseum that serves as an and educational resources will be sampling some of the 400 student international ambassador forDallas, sustained and advanced forgenera- and professional performances and aschool that strengthens the tions to come. offered eachyear by the Meadows community as it serves its students. The Foundation’sgift brings us School of the Arts. As athank youtothe communi- closer to the $1 billion goal of our Our intersection of milestones ty,the Museum’s50th anniversary Second Century Campaign, culmi- is indeed something to celebrate, year includes twounique exhibits nating in December.Thus far we not only forSMU,but also forthe neverbefore seen in the United have received gifts from more than region we have served and strength- States.Weare grateful to our volun- 66,000 donors from this region and ened since we welcomed our first teer leaders who are busy finalizing around the world to support student students in 1915. ■ R. GERALD TURNER, SMU PRESIDENT PRODUCED BY THE DALLASMORNING NEWS CUSTOMPUBLICATIONS
Recommended publications
  • Meadows Museum Catalogues Its Modern Sculpture Collection
    MEADOWS MUSEUM CATALOGUES ITS MODERN SCULPTURE COLLECTION Book Launch March 23 Features Author Dr. Steven Nash and Photographer Laura Wilson Dallas, TX—March 19, 2018—The Meadows Museum, SMU, announces the publication of From Rodin to Plensa: Modern Sculpture at the Meadows Museum in association with Scala Arts Publishers. Featuring a scholarly essay and catalogue entries by Dr. Steven A. Nash, former director of the Palm Springs Art Museum and founding director of the Nasher Sculpture Center in Dallas, and photographs by noted Dallas photographer Laura Wilson, this is the first publication by the Meadows Museum to exclusively highlight the Museum’s impressive collection of modern sculpture. The book will launch with a double-lecture and book-signing event at 6:00 p.m. on March 22, 2018, during which Nash and Wilson will discuss their contributions to this unique publication. Advance reservations for the event are required at 214- 768-8587. The beautifully designed 176-page volume contains nearly 100 full-color images; Wilson’s photographs make one feel close enough to touch the sculptures, revealing aspects the casual observer might not see such as the marks, imprints and signatures made by the artists. Over 30 historical black-and-white images are also included, giving readers behind-the-scenes looks at the creation of Santiago Calatrava’s Wave (2002) and George Rickey’s Two Open Rectangles Horizontal (1983–1984); details about the 2009 re-design of the plaza; and the installations of selected works. Nash’s research tells for the first time the rich story of this important part of the Meadows’s collection and serves as a fitting tribute to Elizabeth Meadows, the inspiration for Algur Meadows’s original donation of a sculpture garden.
    [Show full text]
  • Over 100 Treasures from Nine Smu Collections on View This Spring
    CELEBRATING THE MEADOWS MUSEUM BUILDING’S 20TH ANNIVERSARY: OVER 100 TREASURES FROM NINE SMU COLLECTIONS ON VIEW THIS SPRING Fossils to Film: The Best of SMU's Collections March 14—June 20, 2021 DALLAS (SMU)—March 10, 2021— This spring, the Meadows Museum, SMU presents an unprecedented exhibition featuring highlights from nine important university collections, each distinguished within their fields of study. The exhibition, Fossils to Film: The Best of SMU's Collections, celebrates the 20th anniversary of the opening of the Meadows Museum's building and its role as a resource of Southern Methodist University. More than 100 exquisite works of art, intriguing artifacts and rare specimens will be on display, many of which will be exhibited outside their home departments for the first time. Fossils to Film is the companion exhibition to Building on the Boulevard: Celebrating 20 Years of the Meadows's New Home; both exhibitions are on view from March 14 through June 20, 2021. "It is amazing to see the treasures cared for by SMU," said Mark A. Roglán, the Linda P. and William A. Custard Director of the Meadows Museum and Centennial Chair in the Meadows School of the Arts, SMU, "and I am thrilled to provide a venue for all to come and enjoy, discuss and contemplate the items on view, some of which are poignantly relevant to the challenges facing our country today. This is our history, as Texans and as citizens of a united global community. This exhibition offers the opportunity to discover and reflect on our past, especially our successes and failures.
    [Show full text]
  • Meadows Museum Announces Acquisition of an Important Portrait by Bartolomé González Y Serrano
    MEADOWS MUSEUM ANNOUNCES ACQUISITION OF AN IMPORTANT PORTRAIT BY BARTOLOMÉ GONZÁLEZ Y SERRANO Museum Also Adds Three 18th- and 19th-century Drawings by Major Spanish Artists to its Collection DALLAS (SMU)—August 19, 2021— The Meadows Museum, SMU, announced today that it has acquired a rare signed and dated portrait by Bartolomé González y Serrano (1564–1627) titled Portrait of a Lady (1621). The portrait is of an unknown woman from the court of either King Philip III or his son, King Philip IV. The painting was made at a pivotal moment in Spanish history, which saw the movement of the imperial capital from Valladolid (Castile) to Madrid and, one year later, the arrival of Diego Velázquez (1599–1660) at court, who would go on to revolutionize the genre of portraiture by re-envisioning the model offered by González y Serrano and his predecessors. It is the first work by González y Serrano to enter the Meadows’s collection, and is one of only a few portraits by the painter outside of Spain. The painting was purchased at auction from Christie’s, London, and was subsequently treated by Claire Barry, Director of Conservation Emerita, Kimbell Art Museum, whose removal of yellowed varnish restored the painting’s vivid colors and delicate details. Portrait of a Lady will be on view from August 21st in the museum’s Jake and Nancy Hamon Galleries. All 29 members of the Meadows Museum Advisory Council contributed funds for the painting’s purchase, which was made in honor of Mark A. Roglán, the Linda P. and William A.
    [Show full text]
  • Meadows Museum Announces Acquisition of Two Paintings by Secundino Hernández
    MEADOWS MUSEUM ANNOUNCES ACQUISITION OF TWO PAINTINGS BY SECUNDINO HERNÁNDEZ Twenty-First Century Acquisitions Exemplify the Museum’s Commitment to Contemporary Spanish Art DALLAS (SMU)—November 19, 2020— The Meadows Museum, SMU, announced today that it has acquired two recent paintings by the contemporary Spanish artist Secundino Hernández (b. 1975). The Madrid-based artist’s connection with the Meadows began in February 2018, when museum leadership and patrons visited the artist’s studio while on a trip to the ARCOmadrid Fair. It was on this trip that the Meadows began discussions about bringing both Hernández and his painting Untitled (2019) to visit the museum. The painting has been on view in the Virginia Meadows Galleries for over a year and the artist himself visited Dallas in March of 2020. In tandem with the museum’s purchase of Untitled (2019), Hernández has announced that he will donate another work, Orígenes Secretos (Secret Origins) (2020), to the museum. Untitled (2019) is a monumental painting measuring just over 13 by 9 feet, and is part of Hernández’s “monochrome series,” while Orígenes Secretos (2020) belongs to a genre he describes as “palette painting.” Both works reflect different processes of abstract, free-form gesture, which produces a strong sense of movement and depth across each surface plane. Hernández made Untitled (2019) out of pieces of canvas—often discarded scraps from other works—that are stitched together and then washed and dyed repeatedly, creating a mix of hard-edged lines with vibrant washes of color. Orígenes Secretos (2020) is a much smaller painting that began life in service as a palette, the surface on which artists typically mix paint colors before applying them to a painting.
    [Show full text]
  • Small Prado in Texas
    MEADOWS MUSEUM TO PREMIERE EXHIBITIONS ON MASTERWORKS BY JUSEPE DE RIBERA AND FRANCISCO DE ZURBARÁN “Small Prado in Texas” Continues to Deliver Best of Spanish Art to US Audiences, with First Comprehensive Exploration of Drawings by Jusepe de Ribera, First US Showing of Zurbarán Painting Series Jacob and His Twelve Sons and Picasso/Rivera: Still Life and the Precedence of Form Dallas, TX—January 9, 2017—In 2017, the Meadows Museum at SMU is co-organizing and will present two standout exhibitions by Spanish Golden Age master artists and contemporaries, Jusepe de Ribera (1591–1652) and Francisco de Zurbarán (1598–1664), along with a focused exhibition exploring an element of artistic rivalry between Pablo Picasso (1881-1973) and Diego Rivera (1886-1957). Opening March 12, 2017, Between Heaven and Hell: The Drawings of Jusepe de Ribera will be the most comprehensive presentation ever dedicated to the artist’s drawings— and the first major monographic exhibition organized on the artist in the United States in the last 25 years. Although Ribera is known principally for his paintings and prints, he produced an extensive corpus of drawings, many of which are independent studies or works of art in their own right. Co-organized with the Museo Nacional del Prado, the exhibition celebrates the publication of the first catalogue raisonné of the artist’s drawings, published jointly by the Meadows Museum, the Museo Nacional del Prado, and Fundación Focus. The Meadows Museum is the only U.S. venue for this exhibition. On September 17, 2017, the Meadows will present Zurbarán: Jacob and his Twelve Sons, Paintings from Auckland Castle, a series of 13 life-size paintings making their first trip to the United States in the most important Zurbarán exhibition in 30 years.
    [Show full text]
  • El Greco, Ribera, and Velázquez in a New Context PRADO and MEADOWS MUSEUM LAUNCH THREE-YEAR PARTNERSHIP
    The Prado at the Meadows: El Greco, Ribera, and Velázquez in a New Context PRADO AND MEADOWS MUSEUM LAUNCH THREE-YEAR PARTNERSHIP The multifaceted collaboration encompasses the loan of major paintings from the Prado, interdisciplinary research at SMU, an unprecedented internship exchange between the two museums, and a range of public programs. The Meadows is home to one of the largest and most comprehensive collections of Spanish art outside of Spain. The Prado and the Meadows will be organizing groundbreaking focused exhibitions around pivotal masterpieces on loan from the Prado that will explore the broader cultural, political, religious, and historical contexts for the works. El Greco’s monumental painting, Pentecost, will be the first of three loans to be presented in Dallas, on display from September 12, 2010 – February 6, 2011. Next year, the Prado will lend the Meadows Jusepe de Ribera’s Mary Magdalene followed by Diego Velázquez’s full length portrait of Philip IV in 2012. The museum will produce a bilingual publication presenting new research across multiple subject areas timed to the installation of each loan, and will organize a series of symposia and educational programming with national and international scholars. In the fall of 2011, the two museums will initiate The Algur H. Meadows/Prado Internships, an annual exchange with one appointment made by each institution. This will be the first curatorial internship ever to be mounted by the Prado with a foreign institution. Sponsored by the Meadows Museum, the internships will provide graduate students with the opportunity to gain professional and international experience, and to work closely with the curatorial staff at each institution.
    [Show full text]
  • TANYA J. TIFFANY Associate Professor Director of Graduate Studies and Associate Chair Department of Art History University of Wisconsin-Milwaukee P.O
    TANYA J. TIFFANY Associate Professor Director of Graduate Studies and Associate Chair Department of Art History University of Wisconsin-Milwaukee P.O. Box 413, Milwaukee, WI 53201 E-mail: [email protected] EDUCATION Ph.D. 2004 Johns Hopkins University, Department of the History of Art M.A. 1997 Johns Hopkins University, Department of the History of Art B.A. 1995 University of Wisconsin-Madison, graduated with Honors and Distinction Majors: Art History and Spanish 1993-1994 Universidad Complutense, Madrid Universidades Reunidas, year-long program through UW-Madison ACADEMIC AND MUSEUM POSITIONS 2010-present Associate Professor of Renaissance and Baroque Art University of Wisconsin-Milwaukee 2004-2010 Assistant Professor of Renaissance and Baroque Art University of Wisconsin-Milwaukee 2002-2004 Haakon Fellow in Art History, Southern Methodist University Nationally competitive fellowship awarded to one candidate every two years 2001-2002 Carol Bates Curatorial Fellow, The Walters Art Museum Department of Renaissance and Baroque Art 2001 Dean’s Teaching Fellow, Johns Hopkins University PUBLICATIONS Book: Diego Velázquez’s Early Paintings and the Culture of Seventeenth-Century Seville (University Park: Pennsylvania State University Press, 2012). Awarded: publication subvention from the Program for Cultural Cooperation Between Spain’s Ministry of Culture and U.S. Universities Honorable mention: Eleanor Tufts Book Award for an outstanding English- language publication in the area of Spanish or Portuguese art history Reviewed in: Bulletin of Spanish Studies, Burlington Magazine, caa.reviews, Choice, Renaissance Quarterly, Archivo español de arte, arthistoricum.net, Kunstchronik, Revue de l’art Tiffany, p. 2 Edited volume: Velázquez Re-Examined: Theory, History, Poetry, and Theatre [with Giles Knox] (Brussels: Brepols Publishers, 2017).
    [Show full text]
  • Meadows Museum Acquires Album of Drawings And
    MEADOWS MUSEUM ACQUIRES ALBUM OF DRAWINGS AND LETTERS, BY IMPORTANT SPANISH AND EUROPEAN ARTISTS, COLLECTED BY WILLIAM HOOD STEWART—AMERICAN PATRON IN 19th CENTURY PARIS— Current and Upcoming Retrospectives at the Meadows Feature Artists Who Were Impacted by Stewart’s Patronage DALLAS (SMU), June 21, 2013 – A unique collection of drawings, personal correspondence with artists, and photographs amassed by American collector and connoisseur William Hood Stewart in the late 19th century has been acquired by the Meadows Museum, director Mark A. Roglán announced today. Stewart was an influential patron of the Modern Spanish School and the majority of the items in his personal album are letters written by prominent Spanish artists, many of whom became his close friends. The letters—many of which are illustrated and contain personal stories and business discussions—show the critical role Stewart played in the development of these artists’ careers. The album and a significant number of the letters will be on view in the Meadows Museum exhibition The Stewart Album: Art, Letters, and Souvenirs to an American Patron in Paris from August 25 – November 10, 2013. The journal was acquired thanks to gifts from The Eugene McDermott Foundation and Jo Ann Geurin Thetford (SMU ’69, ’70). The Stewart album holds a collection of 370 photographs and includes 193 letters from artists, collectors, aristocrats, and dealers from Europe and the United States – among these are Jean-August-Dominique Ingres (1780-1867), Jean-Louis Ernest Meissonier (1815-1891), Jean-León Gérôme (1824-1904), and Mihály von Munkácsy (1844-1900). The majority of the letters were written by artists of the Modern Spanish School, particularly Mariano Fortuny i Marsal (1838-1874), Eduardo Zamacois y Zabala (1841- 1871), Martín Rico y Ortega (1833-1908), and Raimundo de Madrazo y Garreta (1841-1920).
    [Show full text]
  • Meadows Museum Acquires Six New Paintings and Drawings As Part of Milestone Expansion of Permanent Collection
    MEADOWS MUSEUM ACQUIRES SIX NEW PAINTINGS AND DRAWINGS AS PART OF MILESTONE EXPANSION OF PERMANENT COLLECTION Works by Spanish Baroque-Era Artists and More Will Be Part of "Launching the Next 50 Years: Continuing the Legacy of Collecting at the Meadows Museum" DALLAS—(SMU) September 13, 2013—Southern Methodist University’s Meadows Museum announces the acquisition of six new paintings and drawings, including important works by influential Spanish artists Alonso Cano, Miguel Jacinto Meléndez and Juan de Valdés Leal. “We are thrilled to add six extraordinary works by artists who are so central to the history of Spanish art,” said Mark A. Roglán, the Linda P. and William A. Custard Director of the Meadows Museum and Centennial Chair, Meadows School of the Arts, SMU. “We are particularly excited to acquire such exquisite paintings by Cano and Meléndez as the first examples of works by these two prominent artists to enter the Meadows’ collection.” The six new works are Alonso Cano's painting Christ Child (c. 1628-1629); pendant paintings by Miguel Jacinto Meléndez, Portraits of Philip V, King of Spain, and his first wife, María Luisa Gabriela of Savoy (c. 1701-03); a sanguine and black chalk drawing by Juan de Valdés Leal, Apparition of Christ to Saint Ignatius on his Way to Rome (c. 1662); a chalk drawing by Zacarías González Velázquez, Mary Magdalene and Head of a Moor (1793); and a pencil drawing by Antonio Carnicero, María Luisa of Parma, Queen of Spain (1789). “As one of the most comprehensive museums of Spanish art in the world, the Meadows is constantly growing.
    [Show full text]
  • Meadows Museum Announces Temporary Closure, Postpones Exhibition of Renaissance Sculptures by Alonso Berruguete
    MEADOWS MUSEUM ANNOUNCES TEMPORARY CLOSURE, POSTPONES EXHIBITION OF RENAISSANCE SCULPTURES BY ALONSO BERRUGUETE Dallas, TX—March 18, 2020—The Meadows Museum, SMU announced that effective immediately, the Museum will close to the public through at least April 6, due to the ongoing impact of COVID-19. The Museum also announced that it has postponed its presentation of Alonso Berruguete: First Sculptor of Renaissance Spain, the first exhibition devoted to the artist to be presented outside Spain. Originally scheduled to open at the Meadows on March 29, 2020, the Museum hopes to present the exhibition at a future date and will update its website once new dates are confirmed. Renaissance Spanish sculptor Alonso Berruguete (c. 1488–1561) revolutionized the arts of Spain, and is best known for his dramatic style, reflecting the more than ten years he spent in Italy in the early years of his career. Organized by the Meadows Museum and the National Gallery of Art, Washington, in collaboration with the Museo Nacional de Escultura, Valladolid, Spain, Alonso Berruguete: First Sculptor of Renaissance Spain includes some 45 paintings, sculptures, and works on paper drawn from a range of international collections. The exhibition is accompanied by a catalogue that includes the first comprehensive account of Berruguete's life and art in English, and is published by the National Gallery in association with the Meadows Museum, SMU; Centro de Estudios Europa Hispánica/Center for Spain in America; and Yale University Press. Edited by the exhibition's cocurators, C. D. Dickerson III, curator and head of sculpture and decorative arts, National Gallery of Art, Washington, and Mark McDonald, curator of drawings and prints, The Metropolitan Museum of Art, the catalogue features essays by: • Manuel Arias Martínez, deputy director, Museo Nacional de Escultura, Valladolid • Daphne Barbour, senior object conservator, National Gallery of Art, Washington • Jonathan Brown, Carroll and Milton Petrie Professor Emeritus of Fine Arts, Institute of Fine Arts, New York University • Richard L.
    [Show full text]
  • Meadows Museum Looks Ahead to Golden Anniversary in 2015
    MEADOWS MUSEUM LOOKS AHEAD TO GOLDEN ANNIVERSARY IN 2015 Special Exhibitions During 50th Anniversary Year Include The Abelló Collection and Treasures from the House of Alba DALLAS (SMU) DeceMber 23, 2014 – The Meadows MuseuM at Southern Methodist University will celebrate its 50th Anniversary in 2015 with special exhibitions of works of art never before seen in the U.S., as well as a wide variety of offerinGs froM its distinGuished permanent collection. “The 50th anniversary represents a landMark MoMent in time for the Meadows, and we’re deliGhted to share this special anniversary with a series of reMarkable exhibitions,” said Mark A. Roglán, the Linda P. and William A. Custard Director of the Meadows MuseuM and Centennial Chair, Meadows School of the Arts, SMU. The Museum’s celebration coincides with the 100th Anniversary of SMU’s opening in 1915. Highlights of the year-long celebration of the Meadows’ 50th Anniversary include: The Abelló Collection: A Modern Taste for European Masters (April 18 – Aug. 2, 2015) The Meadows presents the first exhibition in the U.S. of paintinGs froM the collection of Juan Abelló, one of the world’s leadinG collectors. The Abelló Collection: A Modern Taste for European Masters will feature approxiMately 70 paintinGs spanninG the 16th to the 21st centuries. It will include works by such Spanish Masters as El Greco, Jusepe de Ribera, Francisco de Goya, Salvador Dalí, and Pablo Picasso, as well as by other European artists such as GeorGes Braque, Fernand LéGer, Henri Matisse, Amedeo ModiGliani and EdGar DeGas. The exhibition will also feature Francis Bacon’s Triptych (1983), one of the artist’s final works, and an enseMble of 15 drawinGs by Picasso.
    [Show full text]
  • Gallery Guide Treasures from the House of Alba
    Ingram Gallery February 5–May 1, 2016 Treasures from the House of Alba: 500 Years of Art and Collecting presents more than 130 works of art belonging to one of the most prominent noble families in the political and cultural history of Spain. The House of Alba traces its history back to the Middle Ages and, through commissions, acquisitions, and dynastic marriages, its dukes and duchesses have assem- bled what is among the most impressive private collections in Europe. The collection features masterpieces of Spanish painting, but its scope is in fact European art from antiquity to modernism and includes historical documents. It therefore tells a story that extends beyond Spain to include many cultural developments that have shaped Europe. From Renaissance Italy to the Age of Exploration, and from the courtly splendor of the Baroque to the high ideals of the Enlightenment, the Alba collection offers a window into European history. This guide calls attention to exhibition highlights and discusses how they reflect their specific cultural moments. COVER: Francisco de Goya y Lucientes. The Duchess of Alba in White, 1795. Oil on canvas. Dukes of Alba Collection, Liria Palace, Madrid, inv. P.10 The Italian Renaissance In the medieval period, artists were considered skilled tradesmen and the grid structure employed by Renaissance artists to create the appear- were subject to the same guild system that organized occupations such ance of depth. Titian’s abilities as storyteller and dramatist are also evi- as weavers and carpenters. During the fifteenth and sixteenth centuries, dent. He places eleven of the twelve apostles on one side of the table with the period of the Italian Renaissance, artists began to identify themselves Christ, emphasizing their solidarity as a group.
    [Show full text]