DOCSLIB.ORG

Jungle-Book Program.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jungle-Book Program.Pdf 1 A Message from the Artistic and Executive Directors Welcome to Jungle Book! This fresh and energetic take on the classic Rudyard Kipling story challenges the notion of human domination of the animal world. In that sense, it addresses head-on, the colonial perspective of the original stories. Craig Francis’ and Rick Miller’s version of Jungle Book continues our exploration at YPT this season of the seven ancestral teachings of the Anishinaabe — in this case, the concept of Respect. How can we learn to respect all the components of our natural and man-made world? We hope you enjoy this visually inventive adaptation! We look forward to seeing you at more shows coming up soon. ALLEN MACINNIS NANCY J. WEBSTER Artistic Director Executive Director YPT is situated on lands and waterways that have known human activity for more than 15,000 years. We acknowledge the ancestral lands of the Dish with One Spoon Territory, and more recently Treaty 13. This includes the Mississaugas of the Credit who are part of the Anishinaabe Nation, the Wyandot Nation, also the Haudenosaunee Confederacy of Six Nations, and any other Nation, recorded or unrecorded. Miigwech, Nya-weh, Thank you for letting us gather here today. For more information on Indigenous learning at YPT, please visit YOUNGPEOPLESTHEATRE.ORG/ABOUT-YPT/ 2 INDIGENIZEUS YOUNG PEOPLE’S THEATRE PRESENTS Written & Directed by Craig Francis & Rick Miller Adapted from the works of Rudyard Kipling Produced by Kidoons and WYRD Productions in association with The 20K Collective CAST Raksha/Bagheera/Messua/Others Mina James Mowgli Levin Valayil Akela/Baloo/Buldeo/Others Matt Lacas Shere Khan/Kaa/Maya/Others Tahirih Vejdani CREATIVE TEAM Co-creator/Director/Stage Manager Craig Francis Song Lyrics Kipling/Miller/Francis (select performances) Puppetry Consultant Frank Meschkuleit Co-creator/Director/Production Manager Rick Miller Shadow Puppetry Consultant Eric Woolfe Production Manager/Technical Director James Kendal Fight Consultant Siobhan Richardson Stage Manager Andrew Dollar Line Producer, Asolo Rep Celine Rosenthal Executive Producer Jeff Lord Dramaturgy, Asolo Rep Paul Jens Adolphsen Set/Costume/Props/Puppets Co-Designer Astrid Janson & Kris Karcher Set/Costume/Props/Puppets Co-Designer Melanie McNeill Dramaturgy, YPT Allen MacInnis & Lighting Designer Rebecca Picherack Stephen Colella Multimedia Designer Irina Litvinenko Directing Consultant Richard Clarkin Sound Designer/Composer Debashis Sinha Graphic Design & Marketing Logograph Original Song Composer Suba Sankaran OFFICIAL SITE: junglebook.ca SOCIAL: TW @kidoons / IG @kidoons / FB @junglebookshow Jungle Book was developed with assistance from and originally produced at the Asolo Repertory Theatre, Michael Donald Edwards, Producing Artistic Director, Linda M. DiGabriele, Managing Director. Additional dramaturgy and development support for the Canadian premiere was provided by Young People's Theatre. *Kidoons and WYRD Productions engage, under the terms of the Independent Theatre Agreement, professional artists who are members of Canadian Actors’ Equity Association. Jungle Book is presented under the Reciprocal Agreement Between Actors' Equity Association of the United States and Canadian Actors' Equity Association. Photo, video or audio recording of this production is strictly prohibited. The performance will run approximately 65 minutes, followed by a Q&A. 3 Creators' Notes If you can dream—and not make dreams your master; If you can think—and not make thoughts your aim; If you can meet with Triumph and Disaster And treat those two impostors just the same… - Rudyard Kipling, IF That poem hung in a frame in the upstairs hallway of my childhood home in Montreal. As I experienced the “Triumphs and Disasters” of youth, those words always reminded me to keep things in perspective. Maybe that’s part of what drew me to study architecture - this desire to build things through perspective, never losing sight of the broader picture. Kipling’s writing has come in and out of favor in the 100+ years since he published his many stories, songs and poems. When Craig and I decided to follow Twenty Thousand Leagues Under The Sea with Jungle Book, we had to wade carefully into the waters of colonialism and cultural appropriation. For example, Kipling tended strongly towards a dominance of humans over nature, and of modern over traditional cultures. But no matter how you interpret his writing, you have to admire his gift for storytelling, his love of animals, and his concern for a right relationship with the natural world. That was our starting point: to go back to Kipling’s Jungle Book (actually TWO Jungle Books) and to view the stories through a modern lens. In so doing, we can hone in on themes and stories that resonate today, and help us all gain perspective on how to live more respectfully with nature, and with each other. When Baloo the sloth bear teaches Mowgli the “Law of the Jungle” there are very clear echoes of my beloved poem IF, which Kipling wrote 16 years later. I hope these stories resonate as deeply with you as they continue to do with me. Let Mowgli and our talented cast and creative team carry you deep into the jungle, and bring you back into your city, filled with dreams of a better world. To the wild. RICK MILLER CO-CREATOR/DIRECTOR This is the hour of pride and power, Talon and tusk and claw. Oh, hear the call! Good hunting all that keep the Jungle Law! I first discovered Rudyard Kipling at around age eight through hisJust So Stories: how the elephant got his trunk, and so on. His writing brilliantly combined archetypal myths with authentic human emotions and real animal traits. It was exciting to read, and it fired my imagination. Of course, Rick and I are not the only ones to have been entranced by his beloved writing: but I hope to bring a new vision of The Jungle Book to a new generation who may have both a more advanced view of nature than Kipling's generation, but less direct contact with it. We included Kipling's version of how the tiger got its stripes in this adaptation: the play is a labour of love combining poems and stories from The Jungle Book and The Second Jungle Book, along with our own characters, poetry, and take on humanity's troubled relationship with "the wild". Mowgli begins the play disconnected from humanity and nature; torn between the animal and human worlds. This tug-of-war within Mowgli between his two families, and his search for belonging, are feelings to which every child can relate. This production continues the vision we began with Twenty Thousand Leagues Under The Sea of bringing traditional art and new technologies together, as well as bringing us together with our own audiences in a darkened theatre. It's about connection. We want to connect with you, to experience a unique story in a fresh way, to emerge from our "hour of pride and power" with your own imagination fired, and a little bit of jungle in your spirit. CRAIG FRANCIS CO-CREATOR/DIRECTOR 4 Thank you! Jungle Book was developed in association with The 20K Collective; Kidoons commissioned and produced it, with development assistance from Asolo Repertory Theatre and a gift from Edie Winston. Workshops took place in 2017 and 2018 at Dancemakers Studios and Glendon Theatre in Toronto, and Asolo Rep in Sarasota. The world premiere was at Asolo Repertory Theatre in June 2018. Additional dramaturgy and development support for the Canadian premiere was provided by Young People's Theatre. We thank the following for helping us to let in the jungle! Jeff Lord Michael Donald Edwards and Linda M. DiGabriele at Asolo Rep Allen MacInnis, Craig Morash and Stephen Colella at Young People’s Theatre (YPT) Edie Winston Architectural renderings generously provided courtesy of KPMB Architects The Joy McCann Culverhouse Charitable Remainder Trust Script developed with support from Factory Theatre via an OAC Creators' Reserve Grant. Concept developed with our brilliant workshop and development artists: Guifré Bantjes-Ràfols, Beryl Bain, Michael Dufays, André Du Toit, Séan Baker, Miriam Fernandes, Anita Majumdar, and Natalia Gracious. The Francis, Miller, Lord and Baptist families Andrew Mestern at the Stratford Festival for the brass cutouts. Greg Wilkie at Solotech. The Toronto connections: Deb Doncaster and Earth Day Canada, Ravi Jain, Sandra Laronde, Jason Knight, Deborah Knight (DKPR), Duncan Appleton, and the crews and teams at Glendon College Theatre, Dancemakers Studios, and Young People’s Theatre. Produced with the support of the City of Toronto through the Toronto Arts Council. Thanks to our Kidoons videos partner organizations across Canada and the US. We would like to acknowledge funding support from the Ontario Arts Council, an agency of the Government of Ontario. We acknowledge the support of the Canada Council for the Arts. Nous remercions le Conseil des arts du Canada de son soutien. 5 Cast MINA JAMES LEVIN VALAYIL RAKSHA/BAGHEERA/ MOWGLI MESSUA/OTHERS Levin is thrilled to be Mina is an actor, reprising his role as improviser and writer. Mowgli after playing Select credits include: runs at Asolo Rep. and ‘Mila’ in Sultans of the Pasadena Playhouse. Streets (YPT; Dora His theatre credits Award for Outstanding include Bhangin’ It Performance, (La Jolla Playhouse); Ensemble); ‘Puppeteer’ Poster Boy (Public Theater and Williamstown in 1991 (Theatre Center/RISER Festival), Theater Festival); Monsoon Wedding (Berkeley ‘Ensemble’ in the 2018 Diversity Fellowship Repertory Theater); A Gentleman’s Guide to Showcase (Second City), ‘Helena’ in All’s Love and Murder (Florida Studio Theater); Well That Ends Well (Canadian Stage/ The Fabulous Lipitones (New Theatre, Virginia Shakespeare in High Park), ‘Kristyna’ in Repertory Theater, Florida Studio Theater). Paul Dunn’s Outside (Roseneath Theatre), Levin’s film credits include the short films ‘Ensemble’ in Antigonick (SummerWorks Thoughtless, The Lip Readers and Metros. He Festival). Film: Auroras (Dir. Atom Egoyan).
Load more

Recommended publications
  • Smartdraw Document
    Theatres at which ACA graduates have worked since graduation: Broadway, King Lear with Christopher Plummer Broadway, Merchant of Venice with Al Pacino 1st National Broadway Tour: August: Osage County 1st National Broadway Tour: The Graduate 1st National Broadway Tour: Spamalot National Tour: The SantaLand Diaries 34 West Theatre Company (NYC) 59E59 Theater (NYC) Acting Company Actor's Express Actors Shakespeare Company at New Jersey City University Actors Shakespeare Project Actors Theatre of Louisville* Actors Theatre of Minnesota Arden Theatre Adrienne Alabama Shakespeare Festival Alliance Theatre* American Century Theater American Globe Theatre American Players Theatre, Wisconsin American Repertory Theater* American Shakespeare Center American Theater Company A Noise Within Antaeus Theatre Company Arena Stage* Artists Repertory Theatre Arts Alive Theatre Arts Center of Coastal Carolina Arts United DC ArtsWest Arvada Center Atlas Performing Arts Attic Theatre and Film Center, L.A. Austin Playhouse Austin Shakespeare Baltimore Shakespeare Festival Baltimore Symphony Orchestra Barnstormers Barrington Stage (Berkshires) Bay Theatre, Annapolis Beckett Theatre, Theatre Row Berkeley Repertory Theatre* You created this PDF from an application that is not licensed to print to novaPDF printer (http://www.novapdf.com) Black Repertory Company of St. Louis Blue Herron Theatre, NYC Boston Playwrights' Theater Boston Theatre Works Breaking String Theatre Brooklyn Academy of Music (BAM) Outdoor Arts Festival Bunbury Theatre Cadence Theatre Company
    [Show full text]
  • The Following Blue Star Theatres Are Listed in Alphabetical Order
    The following Blue Star Theatres are listed in alphabetical order. 2nd Story, Warren, RI Manhattan Theatre Center, New York, NY 7 Stages, Atlanta, GA McCarter Theatre, Princeton, NJ Actors Theatre of Louisville, Louisville, KY Northlight Theatre, Skokie, IL Adventure Stage, Chicago, IL Olney Theatre Center for the Arts, Olney, MD Alabama Shakespeare Festival, Montgomery, AL Penobscot Theatre Company, Bangor, ME Alley Theatre, Houston, TX People’s Light & Theatre, Malvern, PA Alliance Theatre, Atlanta, GA Performance Network Theatre, Ann Arbor, MI American Blues Theater, Chicago, IL Pittsburgh Public Theater, Pittsburgh, PA American Conservatory Theater, PlayMakers Repertory Company, Chapel Hill, NC San Francisco, CA Portland Center Stage, Portland, OR American Repertory Theater, Cambridge, MA Round House Theatre, Bethesda, MD Arena Stage, Washington, D.C. Roundabout Theatre Company, New York, NY Arkansas Repertory Theatre, Little Rock, AR Seattle Children’s Theatre, Seattle, WA Artists Repertory Theatre, Cambridge, MA Seattle Repertory Theatre, Seattle, WA Arvada Center Theatre, Arvada, CO Second Stage Theatre, New York, NY Asolo Repertory, Sarasota, FL Signature Theatre, Arlington, VA Berkeley Repertory Theatre, Berkeley, CA South Coast Repertory, Costa Mesa, CA Bloomsburg Ensemble Theatre, Bloomsburg, PA Stages Theatre Company, Hopkins, MN Boise Contemporary Theater, Boise, ID Stageworks Theatre, Tampa, FL Burning Coal Theatre Company, Raleigh, NC Steppenwolf Theatre Company, Chicago, IL California Shakespeare Theatre, Orinda, CA Studio Theatre, Washington, D.C. Center Theatre Group, Los Angeles, CA Syracuse Stage, Syracuse, NY CENTERSTAGE, Baltimore, MD The Contemporary American Theater Festival, Chesapeake Shakespeare Company, Ellicott City, MD Shepherdstown, WV Childsplay, Tempe, AZ The Old Globe, San Diego, CA Cincinnati Playhouse, Cincinnati, OH The Repertory Theatre of St.
    [Show full text]
  • CANADIAN SECTOR REPORT Get Our Analysis on the Latest Trends and Developments Facing Sectors in Canada
    CANADIAN SECTOR REPORT Get our analysis on the latest trends and developments facing sectors in Canada. torys.com/quarterly I Contents Executive summary ....................................................................................... 3 U.S. tech looks north of the border .............................................................. 5 How can Canada’s banks stay ahead of the cloud curve? ....................... 10 Consumer protection in the digital era ...................................................... 14 Financial institutions should expect more enforcement .......................... 17 Key trends in Canadian real estate investment ........................................ 21 Solving the broadband infrastructure gap ................................................. 26 Pipeline problems persist in Canadian oil and gas ................................... 31 Investment in Canada’s power sector......................................................... 36 Mining transactions proceed at measured pace ...................................... 41 Getting projects built under Canada’s new assessment regime ............. 46 The state of play in North American cannabis investment ....................... 50 © 2019 Torys LLP. All rights reserved. Executive summary Canadian sector report In this issue of the Torys Quarterly, we turn our focus to sectors in Canada: what kind of deal activity are they experiencing, what marketplace and regulatory challenges are they facing—and what does it mean for Canadian business as we move toward 2020? Some
    [Show full text]
  • The Shubert Foundation 2020 Grants
    The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company
    [Show full text]
  • Characters Deer Raksha Seyva Dhani Other Wolves Bagheera Akela
    Characters Deer Raksha Seyva Dhani Other Wolves Bagheera Akela Shere Khan Gray Mowgli Keva Fatin Baloo Monkey 1 Monkey 2 Monkey 3 Monkey 4 Kaa Asa Villager 1 Villager 2 Child 1 Child 2 Toomai Scene 1 (Stage is set with small pots of fake greenery. There are also two ‘rocks’ onstage; one being Council Rock, the other, Bagheera’s Perch. A DEER enters, gracefully. Music begins softly as the deer moves from plant to plant, dancing. The music changes ominously. Quickly, the WOLF PACK surrounds the DEER. The WOLVES circle in on the deer, blocking it from view. DEER exits by the time the pack opens up again. A rustling from the bushes. The pack turns as one.) RAKSHA. Who moves within our grounds who does not use the Stranger’s Hunting Call? BAGHEERA. (Entering SR, carrying a bundle) We be of one blood, ye and I. RAKSHA. Bagheera. BAGHEERA. I tell you now, return to your den. It is not safe out tonight. RAKSHA. What is it? BAGHEERA. Shere Khan is out hunting. RAKSHA. On our grounds? BAGHEERA. He will not obey the Law of the Jungle. He is lame and wishes for easier prey. SEYVA. Our buck will be no easier for a lame tiger to catch. BAGHEERA. It is not buck he hunts tonight ... but man. RAKSHA. Man? SEYVA. In the jungle? BAGHEERA. Travelers. And their kin (nodding toward the bundle.) SEYVA. Bagheera. BAGHEERA. (Looking only at RAKSHA) I ask only that you take the cub with you. Just until Shere Khan moves on. RAKSHA. And you believe he will be safe then? BAGHEERA.
    [Show full text]
  • Christopher Plummer
    Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz,
    [Show full text]
  • Wooster, OH), 1998-11-05 Wooster Voice Editors
    The College of Wooster Open Works The oV ice: 1991-2000 "The oV ice" Student Newspaper Collection 11-5-1998 The oW oster Voice (Wooster, OH), 1998-11-05 Wooster Voice Editors Follow this and additional works at: https://openworks.wooster.edu/voice1991-2000 Recommended Citation Editors, Wooster Voice, "The oosW ter Voice (Wooster, OH), 1998-11-05" (1998). The Voice: 1991-2000. 207. https://openworks.wooster.edu/voice1991-2000/207 This Book is brought to you for free and open access by the "The oV ice" Student Newspaper Collection at Open Works, a service of The oC llege of Wooster Libraries. It has been accepted for inclusion in The oV ice: 1991-2000 by an authorized administrator of Open Works. For more information, please contact [email protected]. TTze Wooster While the student leaders are enthusiastic ",.Y(he : : catch us online at general student body does not exhibit much interest "HE" in student government unless a major issue arises, www.woostet.eduvoice from the Collrge'j 1992 accreditation report by ths ICE North Central Asinrintitm of Collrm and St hnritl Volume CXV, Issue 9 America's;0Oldest Weekly College Newspaper Thursday, November 5, 1998 Turnover in Facility talks objectives "Liberal arts core" sent back to EPC Admissions Herring. He said that the EPC docu- Dan Shortrjdce ment was similar to information News Editor which had been "leaked" to the fac- Caitun Pine ulty in the spring, and that the cen- ' Staff Writer Cm Monday night, the faculty dis- tral debate was between "giving cussed and generally rejected the more of a smattering than we are High turnover in the student visit "Objectives for a Liberal Arts Core" now .
    [Show full text]
  • Supreme Court of Canada (On Appeal from the Court of Appeal for Ontario)
    SCC File No. 37209 SUPREME COURT OF CANADA (ON APPEAL FROM THE COURT OF APPEAL FOR ONTARIO) BETWEEN: TRINITY WESTERN UNIVERSITY and BRAYDEN VOLKENANT Appellants -and- THE LAW SOCIETY OF UPPER CANADA Respondent -and- ATTORNEY GENERAL OF ONTARIO Intervener -and- START PROUD and OUTLAWS Proposed Intervener MOTION FOR LEAVE TO INTERVENE OF THE PROPOSED INTERVENER, START PROUD and OUTLAWS (Rules 47 and 55 of the Rules ofthe Supreme Court of Canada) GOLDBLATTPARTNERSLLP GOLDBLATTPARTNERSLLP 20 Dundas Street West, Suite 1039 30 Metcalfe Street, Suite 500 Toronto, ON M5G 2C2 Ottawa, ON K1P 5L4 Marlys Edwardh Colleen Bauman Vanessa Payne Email: [email protected] Email: [email protected] Tel: 416-979-4380 Tel: 613-482-2463 Fax: 416-979-4430 Fax: 613-235-3041 2 PAUL JONATHAN SAGUIL 66 Wellington St. West TD Tower, P.O. Box 1 Toronto ON MSK 1A2 Paul Jonathan Saguil Email: [email protected] Tel: 416-308-1719 MARTIN+ ASSOCIATES 863 Hamilton Street Vancouver, BC V6B 2R7 Frances Mahon Email: [email protected] Tel: 604-682-4200 Agent for the Proposed Intervener, Counsel for the Proposed Intervener, Start Proud and OUTlaws Start Proud and OUTlaws ORIGINAL TO: The Registrar Supreme Court of Canada 301 Wellington Street Ottawa, ON KIA OJl 3 COPIES TO: BENNETT JONES LLP BENNETT JONES LLP 3400 One First Canadian Place World Exchange Plaza P.O. Box 130 I900- 45 O'Connor Street Toronto, ON M5X IA4 Ottawa, ON KIP IA4 Robert W. Stanley Mark Jewett QC Email: [email protected] Email: [email protected] Ranjan Aganval Tel: 6I3-683-2328 Email: [email protected] Fax: 6I3-683-2323 Tel: 4I6-863-I200 Fax: 4I6-863-I2I6 KUHNLLP IOO- 32I60 S Fraser Way Abbotsford, BC V2T I W5 Kevin L.
    [Show full text]
  • Year in Review 2018/2019
    Contents Shaping the Museum of the Future 2 Philanthropy on View 4 The Year at a Glance 8 Compelling Mix of Original and Touring Exhibitions 12 ROM Objects on Loan Locally and Globally 26 Leading-Edge Research 36 ROM Scholarship in Print 46 Community Connections 50 Access to First Peoples Art and Culture 58 Programming That Inspires 60 Learning at the ROM 66 Members and Volunteers 70 Digital Readiness 72 Philanthropy 74 ROM Leadership 80 Our Supporters 86 2 royal ontario museum year in review 2018–2019 3 One of the initiatives we were most proud of in 2018 was the opening of the Daphne Cockwell Gallery dedicated to First Peoples art & culture as free to the public every day the Museum is open. Initiatives such as this represent just one step on our journey. ROM programs and exhibitions continue to be bold, ambitious, and diverse, fostering discourse at home and around the world. Being Japanese Canadian: reflections on a broken world, Gods in My Home: Chinese New Year with Ancestor Portraits and Deity Prints and The Evidence Room helped ROM visitors connect past to present and understand forces and influences that have shaped our world, while #MeToo & the Arts brought forward a critical conversation about the arts, institutions, and cultural movements. Immersive and interactive exhibitions such as aptured in these pages is a pivotal Zuul: Life of an Armoured Dinosaur and Spiders: year for the Royal Ontario Museum. Fear & Fascination showcased groundbreaking Shaping Not only did the Museum’s robust ROM research and world-class storytelling. The Cattendance of 1.34 million visitors contribute to success achieved with these exhibitions set the our ranking as the #1 most-visited museum in stage for upcoming ROM-originals Bloodsuckers: the Canada and #7 in North America according to The Legends to Leeches, The Cloth That Changed the Art Newspaper, but a new report by Deloitte shows World: India’s Painted and Printed Cottons, and the the ROM, through its various activities, contributed busy slate of art, culture, and nature ahead.
    [Show full text]
  • Jungle Book Names
    Jungle Book Names NAME: ANIMAL: DESCRIPTION: Ahdeek Reindeer *Team Games Akela The Great Grey Lone & Leader of the Pack, Strength & Cunning Wolf Apukwa Bulrush *Weaving Bagheera Black Panther Training & Proficiency in physical activities Baloo Brown Bear Teacher & Lawgiver Bander-log Monkey People People without a Law Black Plume Brother Wolf *Raksha's Cub (Black Six) Blue Smoke *Signalling Brown Tip Brother Wolf *Raksha's Cub (Brown Six) Buldeo Village Hunter Hunter & teller of stories (about himself) Chikai Leaping Rat *Jumping Chil Kite (Bird) Observer/Observation Chuchundra Musk Rat *Advice Council Rock Meeting Place of the Seconee Pack Coppersmith Bird *Towncrier Crimson Arrow *Throwing & Catching Dahinda Bullfrog *Leaping Darzee Tailor Bird *Warning Dewanee Water Madness Feared by all Jungle Creatures Dholes Red Dogs Killers Father Wolf Raksha's Mate Ferao Scarlet Woodpecker *Woodwork Gidur-log Jackel People Also SEE: Tabaqui Golden Quill *Artist Gonds Black Hunters Little wild people of the jungle Grampus Killerwhale Killer Gray Brother Eldest Brother Wolf *Raksha's Cub (Loyal friend/Gray Six) Gray Tracker *SEE: Phaona Hathi Wild Elephant Large size or regular attendance Hawkeye *Observation Hiawatha *AII round Athletics lagoo Story Teller *Telling stories Ikki Porcupine *Scribe, SEE: Sahi Jacala Crocodile *Acting Jeebi The Ghost *Fastest Kaa Rock Python Tree Climbing Kala Nag The Wise Old Elephant (Name meaning: Black Snake) Karait Dusty Brown Snakeling Death Karela Bitter Vine *Knotting Keego The Fish *Swimming Keneu Great War Eagle *Running Kim Little Friend Helpfulness Kite SEE: Chil Ko Crow Chatter Kotick The Seal *Sea Catch's Son, Wrestling Kwasin The Strong Man *Boxing Limmerskin The Wren *Message Carrying Little Beaver *Lair Building Little Brother Mowgli's nickname by brother Wolfs Little People of the Rocks Wild Black Bees, Feared by all Little Toomai Elephant Boy BOLD - common names used by leaders ITALIC - names never used by leaders *NAMES USED BY CUBS & LEADERS Page 1.
    [Show full text]
  • Quintet/String Orchestra Repertoire
    Millington Strings Quintet Repertoire 2019 Title Composer A Chloris Reynaldo Hahn A Summer Place Percy Faith/Max Steiner A Thousand Years Hodges/Perri Adagietto fr Symphony # 5 Gustav Mahler Adagio Tomaso Albinoni Adagio Cantabile Ludwig van Beethoven Agnus Dei Johann Sebastian Bach Air (fr 2nd French Suite) Johann Sebastian Bach Air (fr Water Music) Georg Friedrich Handel Air (On The G String) Johann Sebastian Bach All Hail to Thee Ingemar Braennstroem All I Ask Of You Andrew Lloyd-Webber All I Want Is You Bono All You Need Is Love John Lennon/Paul McCartney Amazing Grace English/American Traditional Americana Suite, Mvt 1: 400 HP, Heavy Foot Stephen H Millington Americana Suite, Mvt 2: Foxy Stephen H Millington Americana Suite, Mvt 3: Starry Night, Starry Eyes Stephen H Millington Americana Suite, Mvt 4: Aretha Stephen H Millington And I Love Her John Lennon/Paul McCartney And So It Goes Billy Joel Andante (fr Water Music) Georg Friedrich Handel Andante Festivo Jean Sibelius Ang Tangi Kong Pag-Ibig Constancio de Guzman Anitra's Dance Edvard Grieg Aniversary Waltz Dave Franklin/Al Dubin April In Portugal Raul Ferrao Aria sopra la Bergamasca Marco Uccellini Tuesday, August 6, 2019 Page 1 of 14 Title Composer Arioso Johann Sebastian Bach Asher Bara Israeli Traditional Asher Boro Israeli Traditional Ashokan Farewell Jay Ungar At Last Mack Gordon/Harry Warren Ave Maria Johann Sebastian Bach/Charles Gounod Ave Maria Franz Schubert Bachianas # 5 Heitor Villa-Lobos Badinerie Johann Sebastian Bach Ballade Ciprian Porumbescu Be Thou My Vision
    [Show full text]
  • THE FORGE FIRE Steve King ‘18 1155 S
    BOARD OF DIRECTORS June 2015 Gary Phillips ‘18 President: 14800 N SR 167 N Albany, IN 47320 (765) 789-8316 [email protected] THE FORGE FIRE Steve King ‘18 1155 S. Paoli Unionville Rd Paoli, IN 47454 (812) 797-0059 [email protected] The Newsletter of the Indiana Blacksmithing Association, Inc. Bill Conyers ‘19 Vice Pres 50964 Lilac Rd, South Bend, IN An Affiliate Of The Artists-Blacksmiths' Association of North (574) 277-8729 America, Inc. [email protected] Bill Newman ‘19 IBA is a Not For Profit Indiana Corporation recognized by the IRS under section 501(c)(3) 4655 Williams Rd Martinsville, IN 46151 (317) 690-2455 [email protected] 9:30 AM is the regular meeting time for IBA Hammer-Ins Dominick Andrisani ‘16 with beginner training available at 9:00 AM. 3608 Capilano Drive West Lafayette, IN 47906-8869 PLEASE MAKE SURE TO ASK FOR HELP! (765)463-4975 [email protected] If you would like an IBA membership application form, Ted Stout ‘16 Secondary Story Headline please contact Farrel Wells, Membership Secretary 8525 W 700 S (765) 768-6235. West Point, IN 47992-9258 (765) 572-2467 BULK LOTS ARE AVAILABLE TO DEMONSTRATORS, [email protected] SHOPS, SHOWS AND OTHERS WILLING TO MAKE THEM AVAILABLE. WE APPRECIATE YOUR HELP. James Johnston ‘17 Education Chairman: The Indiana Blacksmithing Association, Inc., its staff, officers, directors, members, and hosts and the Forge 806 Twyckingham Lane Kokomo, IN 46901-1885 Fire, specifically disclaim any responsibility or liability for damages or injuries as a result of any construc- (765) 452-8165 tion, design, use, manufacture or other activity undertaken as a result of the use, or application of, infor- [email protected] mation contained in any articles in the Forge Fire.
    [Show full text]