Jay Buckley Baseball Tours 2021 Schedule
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Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel Suhadolnik A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Musicology) in the University of Michigan 2016 Doctoral Committee: Associate Professor Charles Hiroshi Garrett, Chair Professor David Ake, University of Miami Associate Professor Stephen Berrey Associate Professor Christi-Anne Castro Associate Professor Mark Clague © Sarah Ezekiel Suhadolnik 2016 DEDICATION To Jarvis P. Chuckles, an amalgamation of all those who made this project possible. ii ACKNOWLEDGEMENTS My dissertation was made possible by fellowship support conferred by the University of Michigan Rackham Graduate School and the University of Michigan Institute for the Humanities, as well as ample teaching opportunities provided by the Musicology Department and the Residential College. I am also grateful to my department, Rackham, the Institute, and the UM Sweetland Writing Center for supporting my work through various travel, research, and writing grants. This additional support financed much of the archival research for this project, provided for several national and international conference presentations, and allowed me to participate in the 2015 Rackham/Sweetland Writing Center Summer Dissertation Writing Institute. I also remain indebted to all those who helped me reach this point, including my supervisors at the Hatcher Graduate Library, the Music Library, the Children’s Center, and the Music of the United States of America Critical Edition Series. I thank them for their patience, assistance, and support at a critical moment in my graduate career. This project could not have been completed without the assistance of Bruce Boyd Raeburn and his staff at Tulane University’s William Ransom Hogan Jazz Archive of New Orleans Jazz, and the staff of the Historic New Orleans Collection. -
NCAA Division II-III Football Records (Special Games)
Special Regular- and Postseason- Games Special Regular- and Postseason-Games .................................. 178 178 SPECIAL REGULAR- AND POSTSEASON GAMES Special Regular- and Postseason Games 11-19-77—Mo. Western St. 35, Benedictine 30 (1,000) 12-9-72—Harding 30, Langston 27 Postseason Games 11-18-78—Chadron St. 30, Baker (Kan.) 19 (3,000) DOLL AND TOY CHARITY GAME 11-17-79—Pittsburg St. 43, Peru St. 14 (2,800) 11-21-80—Cameron 34, Adams St. 16 (Gulfport, Miss.) 12-3-37—Southern Miss. 7, Appalachian St. 0 (2,000) UNSANCTIONED OR OTHER BOWLS BOTANY BOWL The following bowl and/or postseason games were 11-24-55—Neb.-Kearney 34, Northern St. 13 EASTERN BOWL (Allentown, Pa.) unsanctioned by the NCAA or otherwise had no BOY’S RANCH BOWL team classified as major college at the time of the 12-14-63—East Carolina 27, Northeastern 6 (2,700) bowl. Most are postseason games; in many cases, (Abilene, Texas) 12-13-47—Missouri Valley 20, McMurry 13 (2,500) ELKS BOWL complete dates and/or statistics are not avail- 1-2-54—Charleston (W.V.) 12, East Carolina 0 (4,500) (at able and the scores are listed only to provide a BURLEY BOWL Greenville, N.C.) historical reference. Attendance of the game, (Johnson City, Tenn.) 12-11-54—Newberry 20, Appalachian St. 13 (at Raleigh, if known, is listed in parentheses after the score. 1-1-46—High Point 7, Milligan 7 (3,500) N.C.) ALL-SPORTS BOWL 11-28-46—Southeastern La. 21, Milligan 13 (7,500) FISH Bowl (Oklahoma City, Okla.) 11-27-47—West Chester 20, Carson-Newman 6 (10,000) 11-25-48—West Chester 7, Appalachian St. -
The Impact of Stadium Announcements on Residential Property Values: Evidence from a Natural Experiment in Dallas-Fort Worth
United States Nuclear Regulatory Commission Official Hearing Exhibit Entergy Nuclear Operations, Inc. In the Matter of: (Indian Point Nuclear Generating Units 2 and 3) ASLBP #: 07-858-03-LR-BD01 Docket #: 05000247 | 05000286 ENT000169 Exhibit #: ENT000169-00-BD01 Identified: 10/15/2012 Admitted: 10/15/2012 Withdrawn: Submitted: March 28, 2012 Rejected: Stricken: Other: THE IMPACT OF STADIUM ANNOUNCEMENTS ON RESIDENTIAL PROPERTY VALUES: EVIDENCE FROM A NATURAL EXPERIMENT IN DALLAS-FORT WORTH CAROLYN A. DEHRING, CRAIG A. DEPKEN and MICHAEL R. WARD* We investigate the impact of a potential new sports venue on residential property values, focusing on the National Football League’s Dallas Cowboys’ search for a new host city in the Dallas-Fort Worth area. We find that residential property values in the city of Dallas increased following the announcement of a possible new stadium in the city. At the same time, property values fell throughout the rest of Dallas County, which would have paid for the proposed stadium. These patterns reversed when the Dallas stadium proposal was abandoned. Subsequently, a series of announcements regarding a new publicly subsidized stadium in nearby Arlington, Texas, reduced res- idential property values in Arlington. In aggregate, average property values declined approximately 1.5% relative to the surrounding area before stadium construction commenced. This decline was almost equal to the anticipated household sales tax burden, suggesting that the average expected amenity effect of hosting the Cowboys in Arlington was not significantly different from zero. (JEL L83, R53, H73) I. INTRODUCTION projects raise house prices in aggregate, while negative net benefit projects lower house prices Public expenditures on a project, and the in aggregate. -
Design Considerations for Retractable-Roof Stadia
Design Considerations for Retractable-roof Stadia by Andrew H. Frazer S.B. Civil Engineering Massachusetts Institute of Technology, 2004 Submitted to the Department of Civil and Environmental Engineering In Partial Fulfillment of the Requirements for the Degree of AASSACHUSETTS INSTiTUTE MASTER OF ENGINEERING IN OF TECHNOLOGY CIVIL AND ENVIRONMENTAL ENGINEERING MAY 3 12005 AT THE LIBRARIES MASSACHUSETTS INSTITUTE OF TECHNOLOGY June 2005 © 2005 Massachusetts Institute of Technology All rights reserved Signature of Author:.................. ............... .......... Department of Civil Environmental Engineering May 20, 2005 C ertified by:................... ................................................ Jerome J. Connor Professor, Dep tnt of CZvil and Environment Engineering Thesis Supervisor Accepted by:................................................... Andrew J. Whittle Chairman, Departmental Committee on Graduate Studies BARKER Design Considerations for Retractable-roof Stadia by Andrew H. Frazer Submitted to the Department of Civil and Environmental Engineering on May 20, 2005 in Partial Fulfillment of the Requirements for the Degree of Master of Engineering in Civil and Environmental Engineering ABSTRACT As existing open-air or fully enclosed stadia are reaching their life expectancies, cities are choosing to replace them with structures with moving roofs. This kind of facility provides protection from weather for spectators, a natural grass playing surface for players, and new sources of revenue for owners. The first retractable-roof stadium in North America, the Rogers Centre, has hosted numerous successful events but cost the city of Toronto over CA$500 million. Today, there are five retractable-roof stadia in use in America. Each has very different structural features designed to accommodate the conditions under which they are placed, and their individual costs reflect the sophistication of these features. -
Math Worksheets
MATH WORKSHEETS High School: Read and answer questions 1. The Rockies’ revenue comes from ticket sales, concessions, parking, TV and radio contracts, as well as other sources. The Rockies’ greatest expense is player salaries. In 2019, the Rockies are expected to have an estimated payroll of $145.9 million. In 2018, the Rockies sold 3,015,880 tickets at an average price of about $26 per ticket, for a total ticket revenue of $78,412,880. This means ticket revenue in 2018 was enough to pay for about 53.7% of 2019 player salaries. In 2020, the Rockies estimated payroll is expected to rise to $177.3 million. To help pay for this, the team would like to see if they can generate more revenue through ticket sales. After studying the effects of raising ticket prices, the Rockies estimate that for every $1 decrease in average ticket price, they would sell 100,000 additional tickets in a year. Likewise, for every $1 increase in average ticket price, they would sell 100,000 fewer tickets in a year. The team calculates ticket revenue with the following model: ticket revenue = (number of tickets sold)(price per ticket) Let x = the change in average ticket price, in dollars. Refine the Rockies’ model by defining the number of tickets sold as 3,015,880 tickets minus the estimated decrease in ticket sales per dollar of average ticket price increase, and define the price per ticket as $26 plus the increase in average ticket price. With your refined model, what change in average ticket price results in the maximum increase in ticket revenue? Is the increased ticket revenue enough to keep paying for 53.7% of player salaries in 2020? What other factors influence ticket sales and how might you include them to further refine the ticket revenue model? 2021 MATH DAY MATH WORKSHEETS 2. -
Wavelength (November 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 11-1984 Wavelength (November 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (November 1984) 49 https://scholarworks.uno.edu/wavelength/49 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. I I ~N0 . 49 n N<MMBER · 1984 ...) ;.~ ·........ , 'I ~- . '· .... ,, . ----' . ~ ~'.J ··~... ..... 1be First Song • t "•·..· ofRock W, Roll • The Singer .: ~~-4 • The Songwriter The Band ,. · ... r tucp c .once,.ts PROUDLY PR·ESENTS ••••••••• • • • • • • • •• • • • • • • • • • • • • • • ••••••••• • • • • • • • •• • • • • • • • • • • • • • •• • • • • • • • • • • • ••••••••••• • •• • • • • • • • ••• •• • • • • • •• •• • •• • • • •• ••• •• • • •• •••• ••• •• ••••••••••• •••••••••••• • • • •••• • ••••••••••••••• • • • • • ••• • •••••••••••••••• •••••• •••••••• •••••• •• ••••••••••••••• •••••••• •••• .• .••••••••••••••••••:·.···············•·····•••·• ·!'··············:·••• •••••••••••• • • • • • • • ...........• • ••••••••••••• .....•••••••••••••••·.········:· • ·.·········· .....·.·········· ..............••••••••••••••••·.·········· ............ '!.·······•.:..• ... :-=~=···· ····:·:·• • •• • •• • • • •• • • • • • •••••• • • • •• • -
Winter 2019 Contents LAGNIAPPE STAFF Editor: Kristin W
jlno.org 1 Winter 2019 Contents LAGNIAPPE STAFF Editor: Kristin W. Durand Assistant Editor: Sonia Godfrey Photography Editor: Taylor Pospisil Assistant Photography Editor: Ann Conger Writers: Meghan Brown, Laura Carroll, Eileen Chao, Kari Djuve, Sonia Godfrey, Shanelle Joseph, Cree Merriman-Jourdain, Elizabeth Walcavich Writing Contributor: Dr. Salima Qamruddin Photographers: Jessica Bachmann, Monet Bates, Britt Smith Photography, Whitney Haworth, Sonia Kamboj, PJ Lentz, Kristen Leonard, Cree Merriman- Jourdain, Courtney Nalty, Logan Senior, Stacey Stiel Photo Contributors: The Association of Junior Leagues International, Dr. Elizabeth Foley Bucher, Shayna Connell, Lenora Costa, Ashley Merlin Gold, JLNO Archives, Ochsner Baptist, Ochsner Heath System, Susana Bobadilla Ruddock, Zane Wilson JLNO BOARD OF DIRECTORS On the Cover President: Christine Vinson Kristin Van Hook Moore Snapshots of JLNO members' favorite holiday memories, spanning all cultures President-Elect: and traditions. Secretary: Sarah Chase Photos Submitted by: Lenora Costa, Shayna Connell, Susana Bobadilla Treasurer: Jennifer “Jen” Bernard Allen Ruddock and Ashley Merlin Gold. Assistant Treasurer: Jaime Landry Boyd Business Council Director: Evelyn "Evie" Poitevent Sanders Communications Council Director: Susana Bobadilla Ruddock Community Council Director: Virginia "Ginger" Spencer LaCour In this issue: Membership Council Director: Tomoro Wilson Planning and Development Council Director: Kathryn "Katie" Hiatt Baxter 10 JLNO Celebrates Holiday Traditions Ways and Means Councils -
Qmonthly Magazine
May 2007 Monthly SPLASH ISSUE Magazine Q THE FACE OF AUSTIN’S GAY COMMUNITY do The American Twenties The Full Monty at Arts on Real learn Hate Crimes Bill Reintroduced News from Across the Nation explore Vancouver’s Summer of Festivals Titanic Marks Anniversary In Victoria PLEASE JOIN US FOR AN EVENING OF CELEBRATION IN SUPPORT OF INDIVIDUALS AND FAMILIES LIVING WITH HIV/AIDS Texas Swing ‘07 Friday, June 1st 8-Midnight FEATURING LIVE MUSIC BY ALVIN CROW BBQ • Auction • Dance Lessons Dance Lessons 7-8pm Tickets $40 • $35 in Advance Saengerrunde Hall 1607 San Jacinto For more info call (512) 454-8646 or visit ProjectTransitions.org Proceeds benefit Doug’s House, Roosevelt Gardens & Highland Terrace P.S. Tickets are available in advance for $35 at :Top Drawer Thrift (4902 Burnet), Tapelenders Video (1114 W. 5th St.–Ste. 201), Book Woman (918 W. 12th St.), by calling (512) 454-8646, or $40 at door night of event. PLEASE JOIN US FOR AN EVENING OF CELEBRATION IN SUPPORT OF INDIVIDUALS AND FAMILIES LIVING WITH HIV/AIDS Texas Swing ‘07 Friday, June 1st 8-Midnight FEATURING LIVE MUSIC BY ALVIN CROW BBQ • Auction • Dance Lessons Dance Lessons 7-8pm Tickets $40 • $35 in Advance Saengerrunde Hall 1607 San Jacinto For more info call (512) 454-8646 or visit ProjectTransitions.org Proceeds benefit Doug’s House, Roosevelt Gardens & Highland Terrace P.S. Tickets are available in advance for $35 at :Top Drawer Thrift (4902 Burnet), Tapelenders Video (1114 W. 5th St.–Ste. 201), Book Woman (918 W. 12th St.), by calling (512) 454-8646, or $40 at door night of event. -
Guide to the John Boyle Texas Stadium Files, 1960-1992
Guide to the John Boyle Texas Stadium Files, 1960-1992 2.9 linear ft. Accession Number: 0910-23 Collection Number: 87 Prepared by Christopher Strange April 2016 Citation: The John Boyle Texas Stadium Files, Collection 87, Box number, Folder number, Irving Archives, Irving Public Library. Historical Sketch Texas Stadium in Irving, Texas was the home of the National Football League’s Dallas Cowboys from 1971-2008. The Cowboys moved there from the Cotton Bowl in Dallas, where they had played their home games since the team’s first season in 1960. The team’s owner, Clint Murchison Jr., contacted City of Irving officials as early as 1966 to propose the idea of building a state-of-the-art stadium with assistance from the city. After some negotiation, the two sides agreed that the city would build and own the stadium, and the Cowboys would enter into an agreement to lease the stadium for their home games for at least 35 years. A Cowboys’ subsidiary, the Texas Stadium Corporation, would manage the stadium. The city would finance the construction by requiring all season ticket purchasers to also buy construction bonds. The city would repay the bonds with money from tickets sold over the duration of the Cowboys’ lease, and Irving taxpayers would not have to pay any share of the construction costs. The bonds went on sale in December 1967, and the first $3.5 million was raised in three weeks. Supporters of the stadium said it would cost Irving taxpayers nothing, but the plan still caused some controversy in the city. -
A Summer Wildfire: How the Greatest Debut in Baseball History Peaked and Dwindled Over the Course of Three Months
The Report committee for Colin Thomas Reynolds Certifies that this is the approved version of the following report: A Summer Wildfire: How the greatest debut in baseball history peaked and dwindled over the course of three months APPROVED BY SUPERVISING COMMITTEE: Co-Supervisor: ______________________________________ Tracy Dahlby Co-Supervisor: ______________________________________ Bill Minutaglio ______________________________________ Dave Sheinin A Summer Wildfire: How the greatest debut in baseball history peaked and dwindled over the course of three months by Colin Thomas Reynolds, B.A. Report Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May, 2011 To my parents, Lyn & Terry, without whom, none of this would be possible. Thank you. A Summer Wildfire: How the greatest debut in baseball history peaked and dwindled over the course of three months by Colin Thomas Reynolds, M.A. The University of Texas at Austin, 2011 SUPERVISORS: Tracy Dahlby & Bill Minutaglio The narrative itself is an ageless one, a fundamental Shakespearean tragedy in its progression. A young man is deemed invaluable and exalted by the public. The hero is cast into the spotlight and bestowed with insurmountable expectations. But the acclamations and pressures are burdensome and the invented savior fails to fulfill the prospects once imagined by the public. He is cast aside, disregarded as a symbol of failure or one deserving of pity. It’s the quintessential tragedy of a fallen hero. The protagonist of this report is Washington Nationals pitcher Stephen Strasburg, who enjoyed a phenomenal rookie season before it ended abruptly due to a severe elbow injury. -
Keyshia Cole Her Boyfriend and Best Friend Are Having an Affair, Something She’S Never Experienced
NOVEMBER 2012 ISSUE MMUSICMAG.COM when I think too much, I could be feeling something and not want to say it because of what people are going to think. When I drink, my emotions flow. So almost every night was a wild night—a debate night.” Although Cole has a solid, loving family life with her husband, NBA star Daniel Gibson, and their toddler son, she knows the album’s content may place her in the crosshairs of tabloid gossips that ache to connect the songs to her personal life. She considers the scrutiny a small price to pay for reaching out to fans with such songs as “Enough of No Love” and “Can’t Make U Love Me.” Cole had to change her writing and recording style to fully immerse herself in others’ pain, and admits the process was emotionally taxing. For starters, she’s not one to embrace collaboration with other S iren Digital 2 songwriters or producers. “I usually think, ‘Just let me work. I don’t need other writers or producers,’” she says. “This is the first time I sat down with writers in the studio, and it was a learning process. We’d sit there and say ‘I feel this,’ or ‘I heard that.’ If they were sharing something I’d never experienced, I was able to relate, to feel the pain.” One song, “Trust and Believe,” is about a woman who discovers KEYSHIA COLE her boyfriend and best friend are having an affair, something she’s never experienced. The R&B singer-songwriter learns the value “Still, I definitely feel if you’ve been hurt you of collaboration can feel pain from others’ relationships.” Cole hopes her fans can relate to her KEYSHIA COLE IS IN HER MANHATTAN Angeles and Cleveland where she wrote songs in the same way. -
BEATLES Blossom Music Center 1145 West Steels Corners Road Cuyahoga Falls, Ohio 44223 Sunday, August 8, 2021, at 7 P.M
Blossom Festival Week Six The Cleveland Orchestra CLASSICAL MYSTERY TOUR: CONCERT PRESENTATION A TRIBUTE TO THE BEATLES Blossom Music Center 1145 West Steels Corners Road Cuyahoga Falls, Ohio 44223 Sunday, August 8, 2021, at 7 p.m. THE CLEVELAND ORCHESTRA with Classical Mystery Tour Jim Owen, rhythm guitar, piano, vocals Tony Kishman, bass guitar, piano, vocals Tom Teeley, lead guitar, vocals Chris Camilleri, drums, vocals conducted by Martin Herman PART ONE Let It Be (instrumental opening) Songs including “Eleanor Rigby,” “Yesterday,” “Penny Lane,” and “With a Little Help from My Friends” There will be one 20-minute intermission. PART TWO Songs including “Yellow Submarine,” “Dear Prudence,” “Lady Madonna,” and “The Long and Winding Road” This PDF is a print version of our digital online Stageview program book, available at this link: stageview.co/tco ____________________________ 2021 Blossom Music Festival Presenting Sponsor: The J.M. Smucker Company This evening’s concert is sponsored by The Goodyear Tire & Rubber Company. Classical Mystery Tour’s appearance with The Cleveland Orchestra is made possible by a gift to the Orchestra’s Guest Artist Fund from The Hershey Foundation. Copyright © The Cleveland Orchestra and Musical Arts Association. All rights reserved. 1 Week Six: 2021 Blosom Music Festival — August 8: Tribute to The Beatles CONCERT OVERVIEW A H A L F C E N T U R Y after they disbanded, it is still diffi cult to fully recognize how much of a force The Beatles were in shaping — and being shaped by — the 1960s and our sense of the modern world. Not just changing music, but in trans- forming the idea and ideals of popular entertainment popular entertainment.