American Empire Exposed
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The BBC's Response to the Jimmy Savile Case
House of Commons Culture, Media and Sport Committee The BBC’s response to the Jimmy Savile case Oral and written evidence 23 October 2012 George Entwistle, Director-General, and David Jordan, Director of Editorial Policy and Standards, BBC 27 November 2012 Lord Patten, Chairman, BBC Trust, and Tim Davie, Acting Director-General, BBC Ordered by The House of Commons to be printed 23 October and 27 November 2012 HC 649-i and -ii Published on 26 February 2013 by authority of the House of Commons London: The Stationery Office Limited £10.50 The Culture, Media and Sport Committee The Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration and policy of the Department for Culture, Media and Sport and its associated public bodies. Current membership Mr John Whittingdale MP (Conservative, Maldon) (Chair) Mr Ben Bradshaw MP (Labour, Exeter) Angie Bray MP (Conservative, Ealing Central and Acton) Conor Burns MP (Conservative, Bournemouth West) Tracey Crouch MP (Conservative, Chatham and Aylesford) Philip Davies MP (Conservative, Shipley) Paul Farrelly MP (Labour, Newcastle-under-Lyme) Mr John Leech MP (Liberal Democrat, Manchester, Withington) Steve Rotheram MP (Labour, Liverpool, Walton) Jim Sheridan MP (Labour, Paisley and Renfrewshire North) Mr Gerry Sutcliffe MP (Labour, Bradford South) The following members were also members of the committee during the parliament. David Cairns MP (Labour, Inverclyde) Dr Thérèse Coffey MP (Conservative, Suffolk Coastal) Damian Collins MP (Conservative, Folkestone and Hythe) Alan Keen MP (Labour Co-operative, Feltham and Heston) Louise Mensch MP (Conservative, Corby) Mr Adrian Sanders MP (Liberal Democrat, Torbay) Mr Tom Watson MP (Labour, West Bromwich East) Powers The committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. -
A Sheffield Hallam University Thesis
Reflections on UK Comedy’s Glass Ceiling: Stand-Up Comedy and Contemporary Feminisms TOMSETT, Eleanor Louise Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/26442/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/26442/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Reflections on UK Comedy’s Glass Ceiling: Stand-up Comedy and Contemporary Feminisms Eleanor Louise Tomsett A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy October 2019 Candidate declaration: I hereby declare that: 1. I have not been enrolled for another award of the University, or other academic or professional organisation, whilst undertaking my research degree. 2. None of the material contained in the thesis has been used in any other submission for an academic award. 3. I am aware of and understand the University's policy on plagiarism and certify that this thesis is my own work. The use of all published or other sources of material consulted have been properly and fully acKnowledged. 4. The worK undertaKen towards the thesis has been conducted in accordance with the SHU Principles of Integrity in Research and the SHU Research Ethics Policy. -
La Pédocriminalité Organisée Dans Les Médias Michael Salter, in Pontel, H
La pédocriminalité organisée dans les médias Michael Salter, in Pontel, H. (Ed.) Oxford Research Encyclopaedia of Criminology and Criminal Justice (2016). Traduction par Jean-Pierre Salmona Résumé La pédocriminalité organisée désigne des violences sexuelles coordonnées sur plusieurs enfants par plusieurs agresseurs. Elle s’est avéré être une forme particulièrement controversée de violences sexuelles. Les premières informations faisant état de pédocriminalité organisée dans les années 1980 ont suscité surprise et incrédulité, suivies d'une réaction violente, les journalistes et les universitaires affirmant que ces allégations de pédocriminalité organisée étaient le produit d'une « panique morale » et de « faux souvenirs ». Dans les médias, des enquêtes sur les violences sexuelles en réseau ont été présentées tout au long des années 90 comme la preuve que l'inquiétude du public à l'égard des violences sexuelles sur les enfants avait déclenché une « chasse aux sorcières » dans laquelle même les allégations les plus scandaleuses étaient considérées comme crédibles. Bien que cet argument ait été avancé par des journalistes et des universitaires, il a d'abord été développé dans les médias de masse, où la culture de la production d'informations promouvait une vision particulièrement sceptique face aux allégations de violences sexuelles. Le fait de parler de « chasse auxsorcières » relatives aux violences sexuelles s'inscrivait dans une réaction plus généralecontre le féminisme et la protection des enfants, remettant en question la prévalence et la gravité des violences sexuelles. Les journalistes et les rédacteurs en chef ont joué un rôle particulièrement actif dans la construction de la perception par la société de la pédocriminalité organisée, comme synonyme d'allégations fausses et exagérées. -
40481 2901253 Broadmoor 00A Cover.Indd
Jimmy Savile Investigation: Broadmoor Hospital Report to the West London Mental Health NHS Trust and the Department of Health Jimmy Savile Investigation: Broadmoor Hospital Report to the West London Mental Health NHS Trust and the Department of Health 2 June 2014 Dr Bill Kirkup CBE Paul Marshall © Copyright West London Mental Health NHS Trust 2014 Contents 1. Executive Summary 3 2. Introduction 7 3. Methodology and material considered 9 4. Context: national 13 5. Context: Broadmoor 19 6. Savile’s association with Broadmoor 25 7. Savile’s involvement in the management of Broadmoor 43 8. Savile’s celebrity status and fundraising 61 9. Current policies, procedures and practices 65 10. Recommendations 71 Glossary 73 The investigators 75 Acknowledgements 77 Appendices: 1. Membership of the local oversight panel 79 2. Sources 81 2A. Selected documents 85 2B. Proforma letter of invitation to staff 123 3. Principal national policies and legislation 131 2 Jimmy Savile Investigation: Broadmoor Hospital – Report to the West London Mental NHS Trust and the Department of Health 1. Executive Summary 3 1. Executive Summary 1.1. Broadmoor Hospital is one of three high-security specialist mental health hospitals in England. Jimmy Savile made contact with the hospital in 1968, thus beginning an association with it that lasted over three decades. 1.2. Savile’s initial approach was endorsed by Dr McGrath, whose decisions as medical superintendent were regarded as unarguable. Dr McGrath’s motives were to improve staff and patient morale, and to improve public perception of the hospital. 1.3. At some point over the next ten years, Dr McGrath authorised Savile’s accommodation at Broadmoor and his use of keys, which allowed him unrestricted access to ward areas within the secure perimeter. -
Willful Distraction: Katie Mitchell, Auteurism and the Canon Tom Cornford
Willful Distraction: Katie Mitchell, Auteurism and the Canon Tom Cornford Willfulness The opening of Katie Mitchell’s Royal Opera House production of Lucia di Lammermoor in April 2016 was, unusually, considered worthy of mention on the following morning’s Today programme. Widespread booing was reported and the Guardian critic Charlotte Higgins described ‘a real feeling of division in the audience’ over Mitchell and her designer Vicki Mortimer’s decision to use a form of split-screen staging to expose the operations and consequences of patriarchal abuse in the narrative that are otherwise excluded from the audience’s direct awareness by being conducted off-stage (BBC News, 2016). These interpolated scenes, which included the staging of Lucia’s murder of her husband, had been considered by the Royal Opera House’s management to be sufficiently concerning to warrant the sending of an email to those who had booked for the production, warning of ‘scenes that feature sexual acts portrayed on stage, and other scenes that – as you might expect from the story of Lucia – feature violence’. The Opera House sought to reassure its customers that ‘If there are any members of your party who you feel may be upset by such scenes then please email us […] and we will, of course, discuss suitable arrangements’ (Royal Opera House, 2016). Mitchell’s interpolations were widely criticised in reviews of the opera. ‘A lot of thought has gone into Katie Mitchell’s staging,’ wrote Rupert Christiansen (2016), ‘most of it misguided’. Mitchell has long had a reputation with British theatre critics for willfulness. In 2007, reviews of her production of Euripides’ Women of Troy at the National Theatre united voices from opposite sides of the political spectrum in approbation. -
Gender, Sexism and Press Coverage of the Jimmy Savile Case Author
Hiding in Plain Sight: Gender, Sexism and Press Coverage of the Jimmy Savile Case Author: Karen Boyle Affiliation: Communications, Media & Culture; University of Stirling; UK. Email: [email protected] Acknowledgements: Thanks to Clare McFeely and Oona Brooks at the University of Glasgow for the invitation to participate in the seminar on moral panics and sexual abuse which gave rise to my research on Savile; to colleagues at the Feminist and Women’s Studies Association conference in Leeds where I presented the first stages of this research; and to Susan Berridge for her comments on an earlier draft of this article. Abstract In 2012 – less than 12 months after his death – TV personality Jimmy Savile was revealed to have been a prolific sexual abuser of children and young adults, mainly girls and women. This study advances research on the gendering of violence in news discourse by examining press coverage in the period leading up to Savile’s unmasking. It investigates the conditions in which Savile’s predatory behaviour – widely acknowledged in his lifetime – finally became recast as (child sexual) abuse. Specifically, it challenges the gender-blind analyses of media coverage which have typified academic responses to date, arguing that Savile’s crimes – and the reporting of them – need to be understood in the broader context of everyday sexism: a contemporary, as well as an historic, issue. Keywords Jimmy Savile; news; journalism; gender; child sexual abuse; gender-based violence. Wordcount (excl title page): 8706 Hiding in Plain Sight: Gender, Sexism and Press Coverage of the Jimmy Savile Case Jimmy Savile was a fixture of British broadcasting – and, in particular, the BBC - for more than four decades. -
Dame Janet Smith Review - Wikipedia
5/20/2019 Dame Janet Smith Review - Wikipedia Dame Janet Smith Review On 11 October 2012, Dame Janet Smith was appointed by the BBC to lead an inquiry into the corporation's connection to the sexual abuse committed by Jimmy Savile, a popular television and radio host.[1] The final report, titled The Dame Janet Smith Review Report, was published on 25 February 2016.[2] In her investigation, Smith called for evidence from people who were the subject of inappropriate sexual conduct by Jimmy Savile on BBC premises, or on location for the BBC; people who knew of or suspected such conduct; anyone who raised concerns about Savile's conduct within the BBC; people who worked for or with Savile on programmes at the BBC between about 1964 and 2007, or who were familiar with "the culture or practices of the BBC during that time insofar as they may have been relevant to preventing or enabling the sexual abuse of children, young people or teenagers"; and people who held senior positions at the BBC who may have relevant information.[3][4] Savile in July 2006, attending the Highland games in Lochaber Contents History Summary Findings Tony Blackburn sacking References External links History The Report was announced on 11 October 2011, and Dame Janet Smith, who had led The Shipman Inquiry, was selected to lead the inquiry.[1] The investigation was delayed when Dame Janet Smith was contacted by the Metropolitan Police regarding their investigations into offences against children.[2] Their investigation on Savile, Operation Yewtree, was completed in December -
The Dame Janet Smith Review Report
THE DAME JANET SMITH REVIEW REPORT AN INDEPENDENT REVIEW INTO THE BBC’S CULTURE AND PRACTICES DURING THE JIMMY SAVILE AND STUART HALL YEARS FOR PUBLICATION ON 25 FEBRUARY 2016 THIS REPORT CONTAINS EVIDENCE OF SEXUAL ABUSE WHICH SOME READERS MAY FIND DISTRESSING THE DAME JANET SMITH REVIEW REPORT VOLUME 1 Table of Contents CONCLUSIONS – THE QUESTIONS ANSWERED AND THE LESSONS TO BE LEARNED ...................................................................................... 1 Did Savile commit acts of inappropriate sexual conduct in connection with his work for the BBC? ................................................................ 1 Were any concerns raised within the BBC whether formally or informally about Savile’s inappropriate sexual conduct? ................................................................................................... 2 To what extent were BBC personnel aware of inappropriate sexual conduct by Savile in connection with his work for the BBC? .............................................................................................................. 7 To what extent ought BBC personnel to have been aware of inappropriate sexual conduct by Savile in connection with his work for the BBC? ................................................................................. 14 Did the culture and practices within the BBC during the years of Savile’s employment enable Savile’s inappropriate sexual conduct to continue unchecked? ............................................................ 18 The Culture of Not Complaining -
Password Protect
Giv ing V i cti m s a Voic e J oint report int o sexu a l a lle g ations mad e a g a ins t J i mmy S avi l e A u t hors David Gray Det e ctive S uperint endent M P S P eter Watt N SPC C ‘Giving Victims a Voice’ A joint MPS and NSPCC report into allegations of sexual abuse made against Jimmy Savile under Operation Yewtree January 2013 1 ‘Giving Victims a Voice’ Index 1. Introduction 2. Executive Summary 3. Overview 4. Police and other agencies 5. Background - Savile 6. Background - Investigation 7. Summary of victim accounts 8. Support for victims 9. General points on Savile’s offending 10. Learning and outcomes 11. Conclusion Appendix A Operation Yewtree Terms of Reference Appendix B Operation Yewtree Gold Group Terms of Reference Appendix C Operation Yewtree Stakeholder Meeting Terms of Reference Appendix D Definition of Child Sexual Exploitation. Appendix E Child Abuse Investigation in the MPS Appendix F Child Protection and Sexual Offences Legislation Appendix G Hospitals (and hospice) where Savile is reported to have offended 2 1. Introduction 1.1 An ITV programme broadcast on 4 October 2012 featured five women who recounted being abused by the late television presenter and charity fund-raiser Jimmy Savile during the 1970s. 1.2 At the request of the Association of Chief Police Officers (ACPO), the Metropolitan Police Service (MPS) took the lead in assessing and scoping the claims made in the programme and in the days and weeks following the broadcast hundreds of people came forward to say they had also been abused by Savile and others. -
Organised Child Sexual Abuse in the Media Michael Salter Recommended Citation: Salter, M. (2016, Forthcoming) Organised Sexual A
Organised child sexual abuse in the media Michael Salter Recommended citation: Salter, M. (2016, forthcoming) Organised sexual abuse in the media. In Pontel, H. (Ed.) Oxford Research Encyclopaedia of Criminology and Criminal Justice, Oxford University Press: Oxford and London. Summary Organised sexual abuse refers to the coordinated sexual abuse of multiple children by multiple perpetrators. It has proven to be a particularly controversial form of sexual abuse. Initial reports of organised abuse in the 1980s were met with shock and disbelief, followed by a significant backlash as journalists and academics claimed that organised abuse allegations were the product of moral panic” and “false memories”. In the mass media, investigations into organised abuse were presented throughout the 1990s as evidence that public anxiety about child sexual abuse had generated a “witch hunt” in which even the most outrageous allegation of abuse was considered credible. While this argument was advanced by journalists and academics, it developed first in the mass media, where the culture of news production promoted a particularly sceptical view of sexual abuse allegations. Claims of a sexual abuse “witch hunt” were embedded within a broader backlash against feminism and child protection that called into question the prevalence and severity of sexual violence. Journalists and editors took a particularly activist role in the social construction of organised abuse as synonymous with false and exaggerated allegations. A number of recent developments have fragmented an apparent journalistic consensus over the incredibility of organised abuse claims. The mass media has played a key role in publicising the problem of clergy abuse, focusing in particular on institutionalised cultures of silence and disbelief. -
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Kent Academic Repository Full text document (pdf) Citation for published version Karmark, Ingrid (2017) The fair trial of those accused of historic child sexual abuse. Master of Philosophy (MPhil) thesis, University of Kent,. DOI Link to record in KAR http://kar.kent.ac.uk/64373/ Document Version Author's Accepted Manuscript Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html The fair trial of those accused of historic child sexual abuse Ingrid Karmark November 2017 This thesis is submitted to the University of Kent for the degree of Master of Philosophy Page | 1 Acknowledgements I give thanks for all the patience and dedication of the following people who helped me with my thesis. Professors Steve Uglow and John Fitzpatrick, my thesis -
Television And/As Testimony in the Jimmy Savile Case Introduction As I
Television and/as testimony in the Jimmy Savile case Introduction As I was writing this article in autumn 2017, allegations of sexual harassment and rape against Hollywood mogul Harvey Weinstein emerged (Kantor and Twohey, 2017). This article focuses on television coverage of sexual abuse revelations involving another celebrity perpetrator, Jimmy Savile: TV presenter, DJ and charity fundraiser. As Emma Thompson noted, the Weinstein allegations echo this earlier scandal and highlight the extent to which sexism and sexual harassment are endemic to the screen industries. (1) For the purposes of this article, there are four parallels of significance: the link between (alleged) perpetrators’ abusive practices and their media careers; the identification of multiple victims and other perpetrators; the fact that these allegations were already known in certain circles; and the sense that Savile and Weinstein were always already outsiders in the industries which made them. A brief discussion of these points will set up themes to be explored in this article: the Savile case as a story about and on television; the televisual construction of victim/survivor believability over time; challenges in representing sexual abuse perpetrators; and what the case has meant for the televisual archive. As the Weinstein story unfolded, it quickly became apparent that Weinstein’s and others’ successful careers in the screen industries were not indivisible from their (alleged) sexual harassment and abuse of women, men and children. Their screen careers gave them the power to abuse and provided a rationale for abuse: part of the business of making movies, even a sign of creative genius, legitimated by the on-screen results (Hardie, 2017).