Public Figures Affected by Pancreatic Cancer
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WORST COOKS in AMERICA: CELEBRITY EDITION Contestant Bios
Press Contact: Lauren Sklar Phone: 646-336-3745; Email: [email protected] WORST COOKS IN AMERICA: CELEBRITY EDITION Contestant Bios MINDY COHN Mindy Cohn made her acting debut as the witty, precious Eastland Academy student Natalie Green in the hit comedy series The Facts of Life. She was discovered while attending Westlake School for Girls in Bel Air, California, when actress Charlotte Rae and producer Norman Lear came to the school to authenticate scripts for their new show. Ms. Rae was so taken with the vivacious eighth grader she convinced producers to create a role for her. Mindy remained on the show for all nine seasons, also traveling to Paris and Australia with her co-stars to produce two successful television movies based on the series. Concurrently, with her role in Facts, Mindy played “Rose Jenko” in Fox’s 21 Jump Street. Other notable television appearances included Diff’rent Strokes, Double Trouble, Charles in Charge, Dream On and Suddenly Susan. In 1983, Mindy appeared in her first professional stage performance in Table Settings, written and directed by James Lapine and filmed for HBO Television. The illustrious cast included Eileen Heckart, Stockard Channing, Robert Klein, Peter Riegart, and Dinah Manoff. She went on to make her feature film debut in The Boy Who Could Fly, which co-starred Colleen Dewhurst, Fred Gwynne and Fred Savage. Mindy took a hiatus from her career to attend university, where she earned a Bachelor’s degree in Cultural Anthropology and a Masters in Education. During this time, she studied improvisation and scene work with Gary Austin and Larry Moss. -
Many Loves Ofdobie Gillis, Hawaiian Eye, 77 Sunset Strip, Wagon Train, Ben Casey, My Mother the Car, and Perry Mason
BARBARA BAIN Born in Chicago on September 13th, Barbara Bain graduated from the University of Illinois with a Bachelor’s Degree in Sociology before relocating to New York City. Once there, Bain found gainful employment as a high fashion model and explored her life-long love of dance by studying with Martha Graham, master of American modern dance. Further exploring her interest in the arts, Bain began her acting training in the private class of the most famous and respected of all acting teachers, Lee Strasberg. After a successful audition, she accepted an invitation to become a member of his legendary The Actors Studio. Bain toured with the road company of Paddy Chayefsky's Middle of the Night, a tour which landed her in Los Angeles, and not long thereafter Bain found work on some of the most popular television shows of the day. She appeared opposite Larry Hagman in United Artists' Harbormaster and with Darrin McGavin in the popular Mike Hammer series. Perhaps her first real big break came, however, when she was cast in the recurring role of Karen Wells, love interest of David Janssen, in the seminal private-eye series, Richard Diamond, Private Detective. Bain continued to work steadily, appearing in numerous television series: Tightrope, The Law and Mr. Jones, Straightaway and Adventures in Paradise. She also had the opportunity to flex her comedy skills in one of the most memorable episodes of the classic The Dick Van Dyke Show, created by Carl Reiner. In the episode "Will You Two Be My Wife," Bain turned in a hilarious performance as "Dorie-doo," a blonde bombshell with whom Van Dyke must break-up in order to marry the ever-perky Mary Tyler Moore. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Summer 2019 Calendar of Events
summer 2019 Calendar of events Hans Christian Andersen Music and lyrics by Frank Loesser Book and additional lyrics by Timothy Allen McDonald Directed by Rives Collins In this issue July 13–28 Ethel M. Barber Theater 2 The next big things Machinal by Sophie Treadwell 14 Student comedians keep ’em laughing Directed by Joanie Schultz 20 Comedy in the curriculum October 25–November 10 Josephine Louis Theater 24 Our community 28 Faculty focus Fun Home Book and lyrics by Lisa Kron 32 Alumni achievements Music by Jeanine Tesori Directed by Roger Ellis 36 In memory November 8–24 37 Communicating gratitude Ethel M. Barber Theater Julius Caesar by William Shakespeare Directed by Danielle Roos January 31–February 9 Josephine Louis Theater Information and tickets at communication.northwestern.edu/wirtz The Waa-Mu Show is vying for global design domination. The set design for the 88th annual production, For the Record, called for a massive 11-foot-diameter rotating globe suspended above the stage and wrapped in the masthead of the show’s fictional newspaper, the Chicago Offering. Northwestern’s set, scenery, and paint shops are located in the Virginia Wadsworth Wirtz Center for the Performing Arts, but Waa-Mu is performed in Cahn Auditorium. How to pull off such a planetary transplant? By deflating Earth. The globe began as a plain white (albeit custom-built) inflatable balloon, but after its initial multisection muslin wrap was created (to determine shrinkage), it was deflated, rigged, reinflated, motorized, map-designed, taped for a paint mask, primed, painted, and unpeeled to reveal computer-generated, to-scale continents. -
Widescreen Weekend 2008 Brochure (PDF)
A5 Booklet_08:Layout 1 28/1/08 15:56 Page 41 THIS IS CINERAMA Friday 7 March Dirs. Merian C. Cooper, Michael Todd, Fred Rickey USA 1952 120 mins (U) The first 3-strip film made. This is the original Cinerama feature The Widescreen Weekend continues to welcome all which launched the widescreen those fans of large format and widescreen films – era, and is about as fun a piece of CinemaScope, VistaVision, 70mm, Cinerama and IMAX – Americana as you are ever likely and presents an array of past classics from the vaults of to see. More than a technological curio, it's a document of its era. the National Media Museum. A weekend to wallow in the nostalgic best of cinema. HAMLET (70mm) Sunday 9 March Widescreen Passes £70 / £45 Dir. Kenneth Branagh GB/USA 1996 242 mins (PG) Available from the box office 0870 70 10 200 Kenneth Branagh, Julie Christie, Derek Jacobi, Kate Winslet, Judi Patrons should note that tickets for 2001: A Space Odyssey are priced Dench, Charlton Heston at £10 or £7.50 concessions Anyone who has seen this Hamlet in 70mm knows there is no better-looking version in colour. The greatest of Kenneth Branagh’s many achievements so 61 far, he boldly presents the full text of Hamlet with an amazing cast of actors. STAR! (70mm) Saturday 8 March Dir. Robert Wise USA 1968 174 mins (U) Julie Andrews, Daniel Massey, Richard Crenna, Jenny Agutter Robert Wise followed his box office hits West Side Story and The Sound of Music with Star! Julie 62 63 Andrews returned to the screen as Gertrude Lawrence and the film charts her rise from the music hall to Broadway stardom. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
Benbella Fall2014 Edelweissc
BenBella Fall 2014 Body Respect What Conventional Health Books Get Wrong, Leave Out, and Just Plain Fail to Understand about Weight Linda Bacon and Lucy Aphramor Summary Mainstream health science has let you down. Weight loss is not the key to health, diet and exercise are not effective weight-loss strategies and fatness is not a death sentence. You’ve heard it before: there’s a global health crisis, and, unless we make some changes, we’re in trouble. That much is true—but the epidemic is NOT obesity. The real crisis lies in the toxic stigma placed on certain bodies and the impact of living with inequality—not the numbers on a scale. In a mad dash to shrink our bodies, many of us get so caught up in searching for the perfect diet, exercise program, or surgical technique that we lose sight of our original goal: improved health and well-being. Popular methods for weight loss don’t get us there and lead many people to feel like failures when they can’t match BenBella Books unattainable body standards. It’s time for a cease-fire in the war against 9781940363196 Pub Date: 9/2/2014 obesity. $14.95 US/$17.50 CAN Trade Paperback Dr. Linda Bacon and Dr. Lucy Aphramor’s Body Respect debunks common myths about weight, including the misconceptions that BMI can accurately measure 232 Pages Print Run: 15K health, that fatness necessarily leads to disease, and that dieting will improve Health & Fitness / Diet & Nutrition health. They also help make sense of how poverty and oppression—such as Trim: 5.5x8.25 racism, homophobia, and classism—affect life opportunity, self-worth, and Selling territory: World even influence metabolism. -
Buffalo Bill Comes to Life on KNXT Show
Paga A-S THE PRESS Sunday, July 30, 1961 Minow On space<^ TLo Mr. Newton Minow, FCC Chairman, makes a special appearance, via tape interview, to discuss Communications Satellites on the "Space Log" color series, Friday night, August 4th, 7:00-7:30 p.m. over KRCA (Channel 4). NBC News Correspondent Ray Sherer met with Mr. Minow in Washington to tape lites, regular series host, Roy the special segment in which Neal, interviews space scien Mr. Minow discusses building tist Dr. of satellite's for both Govern George Mueller, oi ment and private industry. Space Technology I^a bora tor To wrap up the story of ies, Inc., in Los Angeles; and Co m m u n i c a t i o n s Satel- a special recorded segment with a noted representative of the American Telephone and Telegraph Company will be featured. KJICA Director, Don Davies flew to New York over the past weekend to se cure the added interview. The result, will be an ex tremely comprehensive cov BRITISH, BRITISHER, BRITISHEST—Enc Sevareid, CBS News family of Sheffield, England, on CBS Reports: "Britain—Blood, erage of the problems of com London correspondent (left), discusses the growing power of Sweat and Tears Plus 20 Years," to be rebroadcast Thursday, municating by satellite. The th« British middle class in England with the William Hart Aug. 3, on the CBS Television Network. mechanics of the systems, the benefits to the users, and the regulatory problems in Motion Pictures ARE YOU If you are a recent high school grad volved will all be treated dur uate, or are dissatisfied with your pres ing the half-hour colorcast. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
2006 RUSSELL ATHLETIC/WBCA Victory Club Award Recipients Named
2006 RUSSELL ATHLETIC/WBCA Victory Club Award Recipients Named ATLANTA, Ga. (March 9, 2006) -- The Women's Basketball Coaches Association (WBCA) has announced the 2006 RUSSELL ATHLETIC/WBCA Victory Club Award Recipients. The RUSSELL ATHLETIC/WBCA Victory Club Award is presented to each WBCA member head coach who achieves career wins of 200, 300, 400, 500 or more, in 100 victory increments. "Russell Athletic is proud to support the WBCA and be the title sponsor of the Victory Club Awards," said Calvin Johnston, President & CEO of Russell Athletic. "We are huge supporters of women's sports across America and rewarding excellence is a hallmark of our company." These accomplished coaches will be recognized during the RUSSELL ATHLETIC/WBCA National Coach of the Year Luncheon presented by AstraZeneca at 12:00 p.m. (ET) in the Hynes Convention Center Ballroom in Boston, Mass. This event is part of the 2006 WBCA National Convention held in conjunction with the NCAA® Women's Final Four®. This year the WBCA celebrates it's Silver Anniversary, marking 25 years of existence. 2006 RUSSELL ATHLETIC/WBCA Victory Club Award Recipients: Victory Name School Date of Victory # Pat Summitt University of Tennessee 900 January 19, 2006 Lin L. Laursen Central Arizona College 900 March 3, 2006 Barbara Stevens Bentley College 700 January 5, 2006 Susan Smith Westfield High School 700 January 6, 2004 Sylvia Hatchell University of North Carolina 700 January 15, 2006 Anne Long Dutch Fork High School 600 February 22, 2005 Sam Nichols McMurry University 600 January -
Daryl Oliver Assistant Coach/Recruiting Coordinator • Seventh Season Richmond, 1998
UAB BLAZERS BASKETBALL Head Coach AUDRA SMITH Head Coach • Seventh Season Virginia, 1992 n just six seasons at the helm of the UAB women’s basketball program, Audra ISmith has turned the Blazers into one of the top squads in Conference USA, while continuing to increase their national recognition. The 2009-10 campaign produced a historic run at the C-USA Champion- ship, as UAB became the first No. 6 seed to reach the title game. It marked just the second time in history and first time since 2000 the Blazers have reached the championship game. Smith’s 2009-10 squad also featured some outstanding talent, as guard Jala Harris became the first C-USA player in history to earn Freshman and Sixth Player of the Year honors in the same season. Harris was the third Blazer to earn the league’s sixth player award during Smith’s tenure and first to earn the fresh- (WNIT) man accolade. as an at- After two straight top-three finishes in the league, a youthful Blazer squad large bid, struggled in 2008-09, going 10-20 overall and 5-11 in conference play to finish its first ninth in C-USA. However, UAB continued its tradition of outstanding players, post- with senior guard Britney Jones leading the conference and ranking 21st in the s e a s o n nation in scoring with 19.4 ppg, which earned her second-team All-C-USA hon- appear- ors. ance in In 2007-08, UAB gar- six years. The Smith File nered its second consecu- The Blaz- tive top-three finish in C- ers earned a Date of Birth: January 23, 1970 USA by placing third with victory over Da- Family: Husband, Anthony Oliver an overall record of 14-16 vidson in the first Children: Son, A.J.